Trying desperately to get ahead prior to the eclipse. More Goldman studies.
I really think these methodical studies help, and so does the mobile studio, but I also feel that a solid series of practice on ink rendering, also done in a larger format, would do me good as well.
Ah well. One (sub) project at a time, or even three at a time, but not five or ten.
So I don't completely burn out on arms and legs, I'm building out my buffer with sketches based on a completely different anatomy book, which has very good planar breakdowns to help analyze shapes:
Well, I guess you can't see it well in that view because I put a clear plastic library-style cover over the book to protect it, but I also guess you'll start seeing more closeups from this book as we move forward, so you'll get the gist eventually.
Out of time due to working on Camp Nano and lots of other stuff, so here's a quick sketch of Viv from Legends and Lattes. It was surprisingly hard to get the hands right without prior pencil sketches, so that's still an area I need to work on practicing.
Super quick sketch of Cinnamon, as I was in food coma after Easter dinner, then had to write a long review for a journal - which I was already a day late on.
And, counting "a day late" as "missed a thing", I once again "missed a thing" because I was in a meeting which we decided to let run long. Which made the next meeting run long, and we extended it even longer. And because there wasn't a specific thing on my calendar for Saturday evening - it was just on my list of things to do in my todos - I said, "eh, let's let this go long and get this done."
And then something else didn't get done.
I've learned to watch out for this zealously, because for me, at least, going long on a meeting is a dangerous prescription for screwing up your next task. If you think you can go a bit longer ... what are you missing?
Ran out of time to postprocess this due to prepping for Easter dinner.
Actually, I got kicked out of the library because Loki is already having his midnight snack prior to going to bed, and it is best not to (literally) open the door to another round of zoomies. The mobile studio to the rescue!
I have been doing a lot of art today, but mostly in Photoshop and Illustrator. Regularly scheduled drawing every day will resume tomorrow, or even tonight if I can finish up my other tasks.
Or, you know what? I have a test image right there. I could draw THAT.
Bam. On one of my "todo" pieces of paper sitting nearby. Take that, autistic inertia.
Upon a closer inspection, that thumb was big even in the source image (see below), but still not as big as I drew it. So I had to draw it again. The tendons in the hand don't trace back properly on this one, but at least my poor drawing subject is not left with a throbbing thumb from some invisible hammer.
And, hey, guess what? The drawing table I set up in my office is really useful when I actually sit down to use it, rather than squeezing drawings in when I'm out and about.
More Goldman studies. Please forgive the rushed, blurry shading: I had to both finish and photograph this in the near-dark of a single light at the hotel room's desk, as my wife already went to sleep after our long day.
The transfer is poor because I took this picture in low light - since my smaller notebooks don't like to lay flat, and I didn't pack a scanner in my suitcase, I've been taking photographs rather than scanning my Drawing Every Day pieces, and cleaning them up as best as I can - and the source drawing itself is this kind of weird stack of overlapping images. But I think this drawing shows, more or less, the gist.
SO! Apparently yesterday I went through the last of my Drawing Every Day 2024 buffer ... but I had time during a break between panels to do one drawing this week, and I've booked time for drawing tomorrow morning, so we will NOT be having a break in coverage today! More hands, by the way.
Drawing on average every day, posting every day that I can.
Still more sketches, this time based on Wizard: How to Draw. Being methodical sometimes leaves me feeling goofy, but the step-by-step approach is creating much more confidence once I go through it.
So the proportions of this superhero (Nightwing?) aren't too far off what they were in "Wizard: How to Draw", but a much better artist can make this level of stylization look much better than I can.