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Posts published in “Steampunk”

Jeremiah Willstone and the Adventures of Liberated Women in an Age of Steam!

JW&TCTM Release: February 23rd, 2017

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Jeremiah Willstone and the Clockwork Time Machine will be out next week - February 23rd, 2017! Order it on Amazon, review it on Goodreads, or ask for it wherever fine books are sold!

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From an Epic Award winning author comes a sprawling tale of brass buttons, ray guns, and two-fisted adventure!

In an alternate empire filled with mechanical men, women scientists, and fantastic contraptions powered by steam, a high ranking officer in the Victoriana Defense League betrays his country when he steals an airship and awakens an alien weapon that will soon hatch into a walking factory of death.

Commander Jeremiah Willstone and her team must race through time in a desperate bid to stop the traitor's plan to use the alien weapon to overthrow the world's social order. With time running out, Jeremiah may have to sacrifice everything she is to save everyone she loves.

"Addictive, sassy, sexy, funny, intense, brilliant." -Bitten By Books, on Frost Moon

Epic Award winner Anthony Francis writes the Dakota Frost, Skindancer series and the Jeremiah Willstone series while working on robots for "the Search Engine Which Starts with a 'G'."

Cover Reveal: JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE!

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For those wondering what I’ve been up to for the last six months, the biggest thing is THIS …

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At long last, JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE is coming to print! We’ll be picking the actual release date in the next few days, but I can’t think of a better gift for my birthday than seeing the cover of my new novel!

Here’s a sneak peek at the back cover blurb:

From an Epic Award winning author comes a sprawling tale of brass buttons, ray guns, and two-fisted adventure!

In an alternate empire filled with mechanical men, women scientists and fantastic contraptions powered by steam, a high ranking officer in the Victoriana Defense League betrays his country when he steals an airship and awakens an alien weapon that will soon hatch into a walking factory of death.

Commander Jeremiah Willstone and her team must race through time in a desperate bid to stop the traitor's plan to use the alien weapon to overthrow the world's social order. With time running out, Jeremiah may have to sacrifice everything she is to save everyone she loves.

"Addictive, sassy, sexy, funny, intense, brilliant." -Bitten By Books, on Frost Moon

Epic Award winner Anthony Francis writes the Dakota Frost, Skindancer series and Jeremiah Willstone series while working on robots for "the Search Engine Which Starts with a 'G'."

Prevail, Victoriana!

-the Centaur

TCTM is on its way to production!

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JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE is now on its way to production at Bell Bridge Books. It only took me about a month to go over the page proofs after all the crap that’s been going on in my life, but at last, at last, it’s out of my hands. Now all I have to do is market the thing! Oh … on that note …

http://www.jeremiahwillstone.com/

More content landing there Real Soon Now … but as for me, I’m going to go have a well-needed drink. (*)

-the Centaur

(*) Axually, I had it already, nonalcoholic of course. I elect not to drink unless I know I’ll be spending more than a couple of hours at the location of my consumption, and even then, it’s "one and done," baby.


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Jeremiah Willstone and the Choir of Demons

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Jeremiah Willstone returns to your aerograph dial in her latest cylinder of two-fisted science adventure: “A Choir of Demons”, published this October 1st on Aurora Wolf magazine!
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Michael Pennington, the editor of Aurora Wolf, did these two super fun digital illustrations of Jeremiah for the story, which he graciously agreed to let me use to promote the story - a tale of Jeremiah’s very first adventure out of Academy. It’s one thing to have an great reputation. It’s another to be thrust too much responsibility too soon. On her very first day as an Expeditionary, Jeremiah is called on to fight what appears to be a choir of demons - but is she up to the task?

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An excerpt:

Bharat looked at her thoughtfully. “Well, Lieutenant,” he said, handing the dispatch to her. “Looks like your bailiwick.”

“A … police matter, sir?” Jeremiah said, her voice unexpectedly rising; most unbecoming in a soldier, but she hadn’t expected to be sent on a formal mission on her very first day. Navid clearly had talked her up too much! “With respect, sir, I’ve not even completed orientation—”

“You’re wearing the tailcoat,” Lord Bharat said firmly. “Aquit it well. Dismissed.”

Jeremiah clicked her heels, whirled and marched off, her head positively spinning. What were the protocols? Who were the players? She was going in blind! She tried to pump the dispatcher for details, but he sternly sent her on her way: the plea was urgent.

And so, within the hour, Jeremiah found herself halfway across Boston standing beside a detective policeman opening the bloodied front door of an artisan’s shop. Even as the hardbitten woman’s shaking hand cranked the passkey, Jeremiah steeled herself.

“Not sure whether this is an Incursion,” the detective muttered, “but it sure as hell looks like Expeditionary business.” The lockpick engaged, and the spattered door swung open with an ominous creak …

To read more, check the story out at Aurora Wolf! And stay tuned for more Jeremiah in upcoming anthologies and the novel THE CLOCKWORK TIME MACHINE!

-Anthony

Persistence is Rewarded, Despair is a Mistake

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So I’m proud to announce that “A Choir of Demons” was just accepted by Aurora Wolf magazine, with a projected release date of October 1st. More news as that gets finalized, but I’m more interested right now in the process by which this story was sold. Had I acted on feedback which made me despair on the story, I might have changed it ways that ruined it for its right home.

As I’ve documented before, I once sent my stories out to many places, only to get discouraged, and created a narrative that I’d sent them out until I exhausted the markets, and gave up. The reality was that several stories I told myself were no damn good actually got great feedback, but the markets that wanted to publish them went out of business.

Maybe those markets went under because they weren’t accepting better stories, but actually, many, many magazines went out of business right around that time, so I really was in a market contraction - and a time crunch, as I quit work on stories as my PhD ratcheted up, as I cut back writing because of RSI, and because I helped found a startup.

But when I started sending things out again, things got much better. I still get only a 15% acceptance rate, so on average I need to send a story to half a dozen markets or more before I get a success. But my latest story, “A Choir of Demons”, a steampunk police procedural which I wrote specifically for Analog or Asimov’s, wasn’t getting a lot of traction: it racked up almost a dozen rejections.

Most were form letters, but a few had detailed feedback. But that feedback was strange and contradictory. One complained that the beginning of the story didn’t get inside the character’s head … when the first two pages were primarily the protagonist’s reactions to her situation. Another complained the story wasn’t sufficiently standalone, when I tried to make it specifically standalone. And so on.

I was considering a major rewrite, but remembered Heinlein’s famous advice for writers: “Write. Finish what you write. Send your work out. Keep it on the market until sold. Only rewrite to editorial order” and so reactivated my subscription to the story-market service Duotrope, finding another dozen markets I hadn’t seen on the free listings on the similar site Ralan.

I have to give kudos to Duotrope - I found three markets that each responded almost immediately. The first two gave me prompt but nice rejections. The third was Aurora Wolf - whose editor passed on a few kind words which essentially called out “A Choir of Demons” as the kind of thing that they were looking for.

Had I limited myself to just a few markets, I might not have found a right home for “A Choir of Demons”. Had I changed the story to mold it to fit the markets that didn’t want it, I might easily have broken the things about the story that made it a good fit for its ultimate home.

So persistence is rewarded - but the road of persistence can get lonely at times, and it’s easy to lose your way. Don’t despair while traveling that road, or you might drive off the road straight into a mistake.

-the Centaur

Book Reading: 1pm Sunday

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So, Dakota Frost and Jeremiah Willstone fans, come to Dragon Con this Sunday at 1pm and you’ll get to hear me read from both series! I’ll be reading from one of FROST MOON or LIQUID FIRE (depending on how many fans in the audience there are who have read each book) and from THE CLOCKWORK TIME MACHINE. Also, I’ll likely read one or more of my flash fiction pieces, probably “Solomon’s Baby” and possibly a few other short pieces depending on time.

  • Reading: Anthony Francis
    Sunday 1pm, Edgewood – Hyatt
    Anthony Francis reads from the Skindancer series, from THE CLOCKWORK TIME MACHINE, from his flash fiction work, and answers your questions!
  • Steampunk/Alternate History Is Here to Stay
    Sunday 8:30pm, Embassy CD – Hyatt
    Is the Steampunk market soft? Writers discuss keeping the genre alive and kicking. How to infuse your Steampunk/Alt History novels and stories with new life.

Later, I’ll be talking more about steampunk at 8:30pm as well. Also, at 10am on Monday, not on the schedule, I’ll be on a panel about starting a small press. Drop on by, and I hope you enjoy!

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Pictured: a cool staircase because it’s cool, and the neat badge schedule things they give us to tell us where to go when.

-the Centaur

THIRTY DAYS LATER on sale!

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Hey gang, I’ll be at Dragon Con’s Avoiding Historical Mistakes tomorrow at 7pm, but if you’re interested in a lot of good steamy stories, go visit your favorite e-bookstore, where THIRTY DAYS LATER is on sale for $0.99! Thirty tales of alternate history for a buck - you can’t beat that! And it has the two latest Jeremiah Willstone stories in there - “Fall of the Falcon” and “Rise of the Dragonfly”, so go check it out!

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-the Centaur

Dragon Con! 2016! I’ll be there!

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So, Labor Day is rolling around again, and once again, I’ll be at Dragon Con! I’m actually on a boatload of panels this year, but the most important one is my book reading, Sunday at 1PM at the Hyatt! Come on by and help me make this room:

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look like this room:

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I’ll be reading from THE CLOCKWORK TIME MACHINE, from the Dakota Frost series including both the published trilogy and the forthcoming books, and also I’ll likely read some of my flash fiction pieces! Come and enjoy!

If panels are more of your bag, however, I’ve got plenty for you:

  • Friday
    • Avoiding Historical Mistakes
      Friday, 7pm, 204 J Mart 2
      Our panelists will not debate whether science fiction/fantasy, even steampunk fiction, NEEDS to be as historically accurate as possible within the limits of its alternative universe. Our interest in this discussion will be in writing historically convincing fiction and sharing resources.
  • Saturday
    • You've Sold the First Book, Now What?
      Saturday 10am, Embassy CD - Hyatt
      What happens next? Publishing professionals offer information about the industry--what they're going to do, and what you need to do for yourself.
    • Writing a Synopsis That Will Sell Your Book - MODERATOR
      Saturday 2:30pm, Embassy CD - Hyatt
      Writing a great synopsis may be harder than writing a book. These outliners and pantsers will offer suggestions to make the process easier.
    • 101 Fascinating Ways to Kill off a Character
      Saturday 10pm, Embassy CD - Hyatt
      Description: Our favorite writers recount some of the more interesting ways they've eliminated characters--or tried to.
  • Sunday
    • Reading: Anthony Francis
      Sunday 1pm, Edgewood - Hyatt
      Anthony Francis reads from the Skindancer series, from THE CLOCKWORK TIME MACHINE, from his flash fiction work, and answers your questions!
    • Steampunk/Alternate History Is Here to Stay
      Sunday 8:30pm, Embassy CD - Hyatt
      Is the Steampunk market soft? Writers discuss keeping the genre alive and kicking. How to infuse your Steampunk/Alt History novels and stories with new life.
  • Monday
    • The Good, the Bad, and the Scary: Witches in UF
      Monday 11:30am, Chastain DE - Westin
      Witches in Urban Fantasy run the gamut from helpful to extremely dangerous and self-serving. Our authors discuss their characters as reflections of the category they fall into.
    • Secret History: Bet You Didn’t Know It Happened That Way!
      Monday 1pm, 204 J - Mart2
      Our alternate history authors and experts describe that variety of tales where the public and world at large have no idea what really happened behind the scenes. Many authors have written in the subgenre. Classic short stories and novels will be discussed.

Oh! Hey! I’m moderating one of them panels. Good to know! (Seriously, a year or two back I found out I was moderating a panel when I sat down, and I’d only found out about the panel ten minutes before). Regardless, come on down to Dragon Con and have fun!

-Anthony

Viiictory the Fifteenth

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Print

Once again, I’ve completed the challenge of writing 50,000 words in a month as part of the National Novel Writing Month challenges - this time, the July 2016 Camp Nanowrimo, and the next 50,000 words of Dakota Frost #5, PHANTOM SILVER!


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This is the reason that I’ve been so far behind on posting on my blog - I simultaneously was working on four projects: edits on THE CLOCKWORK TIME MACHINE, writing PHANTOM SILVER, doing publishing work for Thinking Ink Press, and doing my part at work-work to help bring about the robot apocalypse (it’s busy work, let me tell you). So busy that I didn’t even blog successfully getting TCTM back to the editor. Add to that a much needed old-friends recharge trip to Tahoe kicking off the month, and I ended up more behind than I’ve ever been … at least, as far as I’ve been behind, and still won:

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What did I learn this time? Well, I can write over 9,000 words a day, though the text often contains more outline than story; I will frequently stop and do GMC (Goal Motivation Conflict) breakdowns of all the characters in the scene and just leave it in the document as paragraphs of italicized notes, because Nano - I can take it out later, its word count now now now! That’s how you get five times a normal word count in a day, or 500+ times the least productive day in which I actually wrote something.

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Also, I get really really really sloppy - normally I wordsmith what I write as I write, even in Nano - but that’s when I have the luxury of writing 1000-2000 words a day. When I have to write 9000, I write things like "I want someoent bo elive this whnen ai Mideone” and just keep going, knowing that I can correct the text later to “I want someone to believe this when I am done,” and, more importantly, can use the idea behind that text to craft a better scene on the next draft (in this case, Dakota’s cameraman Ron is filming a bizarre event in which someone’s life is at stake, and when challenged by a bystander he challenges back, saying that he doesn’t have any useful role to fill, but he can at least document what’s happening so they’ll all be believed later).

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The other thing is, what I am starting to call The Process actually seems to work. I put characters in situations. I think through how they would react, using Goal Motivation Conflict to pull out what they want, why they want it, and why they can’t get it (a method recommended by my editor Debra Dixon in her GMC book). But the critical part of my Process is, when I have to go write something that I don’t know, I look it up - in a lot of detail. Yes, Virginia, even when I was writing 9,000+ words a day, I still went on Wikipedia - and I don’t regret it. Why? Because when I’m spewing around trying to make characters react like they’re in a play, the characters are just emoting, and the beats, no matter how well motivated, could get replaced by something else.

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But when it strikes me that the place my characters area about visit looks like a basilica, I can do more than just write “basilica.” I can ask myself why I chose that word. I can look up the word “basilica” on Apple’s Dictionary app. I can drill through to famous basilicas like the Basilica of Saint Peter. I can think about how this place will be different from that, and start pulling out telling details. I can start to craft a space, to create staging, to create an environment that my characters can react to. Because emotions aren’t just inside us, or between us; they’re for something, for navigating this complex world with other humans at our side. If a group of people argues, no matter how charged, it’s just a soap opera. Put them in their own Germanic/Appalachian heritage family kitchen in the Dark Corner of South Carolina, on on the meditation path near an onsen run continuously by the same family for 42 generations, and the same argument can have a completely different ambiance - and completely different reactions.

The text I wrote using my characters reacting to the past plot, or even with GMC, may likely need a lot of tweaking: the point was to get them to a particular emotional, conceptual or plot space. The text I wrote with the characters reacting to things that were real, even if it needs tweaking, often crackles off the page, even in very rough form. It’s material I won’t want to lose - more importantly, material I wouldn’t have produced, if I hadn’t pushed myself to do National Novel Writing Month.

Up next, finishing a few notes and ideas - the book is very close to done - and then diving into contracts for Thinking Ink Press, and reinforcement learning policy gradients for the robot apocalypse, all while waiting for the shoe to drop on TCTM. Keep your fingers crossed that the book is indeed on its way out!

-the Centaur

To think, I could be in epic crowds right now!

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And instead, I’m eating veggie quesadillas with salmon, reading about neural networks and reinforcement learning, and waiting to find if my jury number is going to be called. In truth, I miss Comic-Con this year, but I only have myself to blame for not renewing my professional registration, and in truth I need the time to work on PHANTOM SILVER.

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As you can see, I’m way behind, in part because of my Tahoe trip, in part because I’m also trying to finish THE CLOCKWORK TIME MACHINE, and in part because work is cuh-RAY-zee. But I’m making progress; I just cracked 20,000 added words..

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Back to work. Comic-Con, next year.

-the Centaur

Thrown off the horse and back into the saddle

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I have not yet finished dealing with the aftermath of Clockwork Alchemy, and yet I already find myself dealing with the prepwork for Dragon Con! But the good news is, once again, I’m a guest (well, technically, an “attending professional”):

Anthony Francis By day, Anthony Francis is a roboticist; by night, he's an author and comic book artist. He wrote the Dakota Frost, Skindancer urban fantasy series including Frost Moon, Blood Rock, and Liquid Fire; edited the Doorways to Extra Time anthology; and published the steampunk anthology Thirty Days Later.

Yaay! Oh wait, that means I have to do panels. Aaaa!

Watch this space.

-the Centaur

Clockwork Alchemy Schedule

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Ahoy, fellow adventurers, if you’re interested in tales from a traveler who’s voyaged far and wide across the sea of unending stories, yet somehow returned to the shores we know, you can come listen to me talk at Clockwork Alchemy this year - I’m on four panels!

Saturday
4PM: Overcoming Writer's Block
Scheduled Presentation Time: Saturday 4pm - 4:50pm
Location: Author's Salon (Monterey Room)

Sunday
10AM: Writing Victorian Sci-Fi
Scheduled Presentation Time: Sunday 10am - 10:50am
Location: Author's Salon (Monterey Room)

12 Noon: The Science of Airships
Scheduled Presentation Time: Sunday Noon - 12:50pm
Location: The Academy (San Martin Room)

2PM: Organizing an Anthology
Scheduled Presentation Time: Sunday 2pm-2:50pm
Location: Author's Salon (Monterey Room)

I’ve given the "Science of Airships" before, and have done panels similar to “Writing Victorian Sci-Fi” and “Organizing an Anthology”, but “Overcoming Writer’s Block” I’ve not presented before to a public audience, so it should be interesting!

Come check it out!

-the Centaur

At Clockwork Alchemy 2016!

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Greetings, fellow adventurers! At long last, that time has rolled around again - Clockwork Alchemy, the Bay Area’s premiere steampunk convention. I’ll be here this weekend, most importantly for the launch of THIRTY DAYS LATER!

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SO this year blogging every day was supposed to be a thing, but life is more important, and after taking care of my mom after her knee surgery, being there for my wife, and doing a good job at that thing I do that keeps a roof over our heads and food in the cats’ bellies, the next most important thing was … well, not 30DL, it was THE CLOCKWORK TIME MACHINE!

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But that ain’t out yet, as it is still in copyedit. We may go another round on this one. Whatever. I want this book to win the Hugo and I trust my editor, so we’re going to work on it and Get It Right. But AFTER making sure my editor did not send ninjas to have me killed, the next most important thing was launching THIRTY DAYS LATER on time!

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THIRTY DAYS LATER is Thinking Ink’s first full length fiction anthology, and we wanted to get this one right, or at least not so wrong that all the books were gone. Now that I am at the con with a giant pile of books, at last, I can breathe easy.

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Oh, and I can finish my slides for Saturday’s presentation. Aaaa!

-the Centaur

Two Jeremiah stories reviewed on Publisher’s Weekly

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THIRTY DAYS LATER was reviewed on Publisher’s Weekly, and my two stories got a great review:

Each [story in THIRTY DAYS LATER] is broken into two separately titled parts, with events in the second part unfolding 30 days after those in the first. Anthony Francis, in “The Fall of the Falcon/The Rise of the Dragonfly,” uses that interval to work a crafty time-travel paradox into a futuristic tale of “infectious Foreign gearwork” run amok.

THIRTY DAYS LATER officially comes out June 1st, but you can order it now on Amazon! Check it out!

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They’re Heeere…

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It is with an enormous sigh of relief that I can announce that THIRTY DAYS LATER will indeed be available by Clockwork Alchemy!

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Above is the stack of books as they arrived at my house today, and below is my smile when I inspected the shipment!

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I don’t even want to start to go into the snafus which happened at the last minute, because they are OVER! I can at last add this to the stack, and move on. More later on how THIRTY DAYS LATER is Thinking Ink Press’s first fiction anthology, how it features the next of the Jeremiah Willstone stories, and why you want to watch out for yaks and Sasquatch … but for now … they’re here!

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-the Centaur

Not Ducking Questions, Just Working

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Between a crash course in learning deep learning and full court press on THE CLOCKWORK TIME MACHINE, I'm far behind on far too many questions. So even though my good buddy Jim Davies just hit me with a comment on a post which I want to riff on in at least five blog posts, I'm afraid for the next few days I need to focus on getting caught up on THIRTY DAYS LATER. Back to work. -the Centaur

She is Sent

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Also on the note of resurrections, the latest version of JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE is winging its way back to the publisher. Apropos, that I sent this back at Easter: this book has been through so many drafts that I’m starting to feel dizzy. I expect there will be at least one more, though, so I’m prepared.

Lots more work to do. For now, though, back to SPECTRAL IRON.

-the Centaur

Red Herrings

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So, I’m behind on my blog. And several posts have died on the vine because events have moved too fast.

So let’s get you all caught up on what’s going on.

It all appeared to start when the lights burned out on my car. This was distressing because I’d just had them replaced, twice in the last nine months, and is a real pain in the kestrel because while one of the bulbs, the left side, is easy to replace, the other, the right, is devilishly hard to get to, and even harder to put back because of a bracket that pokes right where your hand should go. The bruised back of my right hand is still hurting from the attempt to get the bulb back in - but as you can see above, I succeeded. I even took a picture, with the ripped up package that had held the new bulbs now holding the old bulbs, just to prove I did it.

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I felt good about that, and so had a nice meal - actually, that’s a lie. I was already heading to dinner - and actually, that’s a lie too, I was at work. I fixed my car's headlights on the first dry day after the day I bought the bulbs, squeezing it in between a bank trip to fix some Thinking Ink Press business and my usual evening “break” which consists of a drive listening to a fiction audiobook (“Imprisoned with the Pharaohs” by Lovecraft), a dinner reading technical papers (on deep learning) and a coffeehouse run working on writing stuff (more Thinking Ink Press work and research for the new opener of THE CLOCKWORK TIME MACHINE).

But, as the evening wound down and I packed it in to go to the gym with my night-owl wife, I started mentally planning a short blogpost about “So I can fix my car!” which I felt all unwontedly triumphal about since I’d tried replacing these bulbs two or three times before and always had to get it done at an auto shop, but “Look, Ma! Bruised hands!” I did it myself this time, and I felt great about it.

Until I got back to my car and it failed to start.

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The car’s failure mode was strange. The door opened, the lights came on and stayed on, all normal - but then all the interior displays flickered and died without starting the engine, and then progressively all electric circuits on the car locked up, including the locks and the trunk - though some weird device in the hood of the car made a sad, dying-Millennium-Falcon-hyperdrive whine. The failure was so strange, in fact, that at first I thought I’d fried a circuit when I was struggling with the light (though later I realized that would probably have just blown a fuse).

So there I was, eleven at night, with a dead car, in a sub-sub-basement parking garage in a part of Palo Alto so spooky I’ve written about it as a haunt of vampires. (In the middle part of the third Dakota Frost book, LIQUID FIRE, available on Amazon in print and on Kindle - am I spoiling the mood? I’m spoiling the mood. I’ll stop).

My night-owl wife was desperately trying to finish the antiquing on a mirror due tomorrow, so I was unable to get her on the phone - and she was forty-five minutes away regardless. So I tried to carefully think through my options: call a roadside service (which I don’t have), get the car towed to a nearby garage (a prospective gamble if the garage couldn’t take me), rent a car to get home (somewhat expensive), get a nearby hotel until the morning (probably more expensive), get a cab (certainly much more expensive), and so on, and so on. I settled on a tow truck with good Yelp ratings, only to find that they couldn’t send a truck out until morning because of the ridiculously low clearance of the sub-sub-basement of the parking garage I was parked in (6’8”).

We canceled it, and I finally got a call from my wife, who agreed to pick me up. With difficulty I extracted my work laptop from the frozen trunk of the car and sealed the car up. It was midnight, and almost everything was closed, so I then trudged to a nearby Subway and waited, starting on my work laptop the work I was fairly convinced I wouldn’t have time to get to the next morning, all the time thinking about a blogpost “So I can fry my car” while I angstily considered the wisdom of running 130,000 miles on a car, or working myself to the bone, or of a late-night coffeehouse run with my car in such a low clearance garage.

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The next day, after canceling my morning meetings, arranging a tow and a garage visit, and an adventure in helping my wife deliver her mirror, my wife brought me back to the parking structure. The sub-sub-basement was sealed - it’s private parking during the day - and after wandering around looking for a buzzer an eagle-eyed security guard found me and agreed to let me in. The tow was almost guaranteed to be expensive because of the clearance, so the tow company sent a battery technician out; after another adventure guiding the technician to the poorly marked garage via cell phone, we found out that the progressive death of power in the car should have been a hint. The Prius’s backup 12-volt battery, the original which came with the now six year old car, had died. Perhaps I left the lights on when I left the car, though I don’t recall doing that; the repair technician’s opinion was the battery was crap, outputting bursty voltage (? really? but it was visibly frying his instrument) and that’s what fried my lights and was on its way to frying my other electrics. Um … sure, not sure I’ve heard that failure mode before, but $300 dollars later, I had a functioning car.

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The thoughts that I’d fried my own electrics, or even left the lights on, were red herrings. Now, I don’t mean red herrings like those smoked fish that activists used to drag along the path of a fox to throw hounds off the scent, though that would have probably fried my electrics, or even red herrings like those false clues mystery writers use to throw the readers off the track of the real killer, though leaving my lights on to throw me off is the kind of sneaky thing that a mystery writer might do, and it is the mystery usage that inspired the sense which I do mean; no, I mean the red herrings of debugging: those things that happen right around the time a problem happened, but which have nothing to do with it - so no amount of investigation of them will make sense.

No amount of looking for a shorted wire in the hood would have revealed my dead battery in the trunk. No amount of brain wracking about whether the lights were on would have revealed anything about the age of my car. The actual solution didn’t involve more digging into the obvious possibilities, but involved doing something completely different - collecting data about a different system, using instruments I didn’t have on hand. Even without the intuition that the battery was old or the drained power was a sign of power loss or the possible lights out were a battery issue, one look under the hood of my car - where I could find no system with which I was sufficiently familiar to successfully debug or even feel safe with experimentation - should have told me to call a roadside expert to do tests I couldn’t perform myself and to effect a repair in minutes what would have taken me hours.

Similarly, the idea of running myself too hard or exposing myself to risk from a late night coffee run with my car parked in a nearby garage were red herrings. I had fun that night, fixing my car, making things happen with the small press, my car was parked conveniently, and even with the failure little more thought about the problem would have had me call out roadside service, gotten a new battery, and I could have driven it home. The long time walking around making phone calls in the dreary parking garage sucked, but no more than the time when, as a child, my dad’s motorcycle had a breakdown way out in the country, and we had to call a friend to pick us up. We waited hours then, like I waited an hour and a half that night; but the car came, the ride home happened, and then the problem was fixed. I got home late, sure, but it was after a nice ride with my wife talking about life. I missed a couple of morning meetings at work, sure, but I got to have a sandwich with my wife before she went home, and I drove my own car to my next meeting, which went swimmingly. And I even got some work done, and learned something. Studying the different methods of gradient descent, working through implementations in TensorFlow, and modeling function parameters in Mathematica, that time in the parking garage was long forgotten.

So, red herrings. Things can go wrong, but the obvious causes aren’t the obvious causes. Don’t blame the wrong thing, or you can spend a lot of effort hurting yourself. Do the due diligence to find the real causes - and then make the right choices to solve the real problems, and then move on, and on, and on, solving one problem at a time until you at last fall asleep at home, content.

That’s the only thing that really works.

-the Centaur

I can’t channel John Scalzi

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Imitating Scalzi’s inimitable style (at least when he’s too busy to blog): “Has the novel been sent back to the editor? NO.”

But Debra did like the new first couple of chapters for THE CLOCKWORK TIME MACHINE, and her guidance gives me a clear path forward to cleaning them up, and the changes to the rest of the novel are minor … if I could Just. Get. More. Time. Friends from grade school are crossing the country to visit me, and friendly mathematicians are dropping by my coffeehouse table to school me on Clifford algebras and deep learning, to the point at which I finally had to turn down an impromptu lunch meeting today with someone who really wanted to know more about my team, just because I had no more time.

So, having no more time, just now I wanted to throw up a quick blogpost, other than the half dozen half-finished longer blogposts I can’t get done and still get to my own work. So I tried imitating John Scalzi’s quick posts when he’s backed up. Normally a sentence, and a photo. That’s it. But today, Google Photos and AT&T’s network and my phone and SPACE GREMLINS have conspired to make it impossible for me to upload photos in a timely fashion, I mean, dammit, how hard is it to write a sentence and post a photo?

THIS is why Scalzi is paid the megabucks.

I am no John Scalzi, so, here, you get a picture of the structure of the first 72 positions in tic-tac-toe, because I can’t not do the foundational work on a problem once I’ve thought of it, or I’ll never get back to it. This is important, it will mean something, I promise. But later.

Back to the novel.

-the Centaur

P.S. Yes I know my Mathematica could be simplified via NestList or something like that, don’t bother me, don’t bother me.
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