Press "Enter" to skip to content

Posts published in “Writing”

The art, craft, and life of writing.

Why Resist Breaking the Mold?

centaur 0

dickinson.png

Emily Dickinson, barely known as a poet in her lifetime, ranks impossibly large in our own. Yet when her complete works were first published, she was dismissed by the critics. Author Thomas Bailey Aldrich dispensed with her thus:

"It is plain that Miss Dickinson possessed an extremely unconventional and grotesque fancy. She was deeply tinged by the mysticism of Blake, and strongly influenced by the mannerism of Emerson ... But the incoherence and formlessness of her — versicles are fatal ... an eccentric, dreamy, half-educated recluse in an out-of-the-way New England village (or anywhere else) cannot with impunity set at defiance the laws of gravitation and grammar".

Yet now Aldrich is all but lost to literary history, while Dickinson looms larger and larger in our minds. Collector of folktales Andrew Lang said "if poetry is to exist at all, it really must have form and grammar, and must rhyme when it professes to rhyme. The wisdom of the ages and the nature of man insist on so much" … yet history has proved him so wrong, and equally forgotten him.

The truth is, an eccentric, dreamy, half-educated recluse in an out-of-the-way town anywhere can, with impunity, defy the laws of gravitation and launch her poetry to the stars, and no-one unwilling to make the trip has the power to stop her.

-the Centaur

Pictured: Emily Dickinson bending space and time with the power of her mind. Emily's portrait taken from the Todd-Bingham Picture Collection and Family Papers, against a backdrop of star streaks taken by John Fowler, both from Wikimedia Commons.

Write Your Own Damn Sentences

centaur 0

IMG_20120701_164742.jpg

Recently I've been reading a lot on sentence construction - in particular the "little books" Mark Doty's The Art of Description: Word into World, Stanley Fish's How to Write a Sentence (and How to Read One), and Bruce Ross-Larson's Stunning Sentences, not to mention essays scattered across half a dozen books. I've enjoyed all this writing on writing, and I think all of it has been useful to me, but, as usual, there's one bit of advice I find myself encountering, find myself willing to take, yet find myself reacting against:

Find examples of great sentences to emulate.

On the one hand, I agree with this: finding great examples of sentences, then deconstructing them, imitating them and attempting to progress past them is a great exercise for writers, one I intend to follow up on (in my copious free time). On the other, focusing on exemplars of great sentences in the past, like it or not, encourages a mindset of focusing on the greatness of writers of the past, idolizing them, and then following in their footsteps.

I'm extremely allergic to the "idolizing the greats" syndrome. There have been greats in history, no doubt: great writers and thinkers, leaders and followers, heroes and villains. And there are people you will encounter that will impact you like no other: prophets whose principles will change your life, philosophers whose thought will change your mind, and authors whose writing will strike you like a physical blow. But they won't affect everyone the same way, and they won't solve your problems for you.

There are no secrets. It's all up to you.

Having said that, let me undermine it by recommending the following book of secrets: First Thought, Best Thought by Alan Ginsberg, Anne Waldman, William S. Burroughs and Diane Di Prima - an audiobook by four authors of the Beat Generation, talking about their experimental methods of poetry. I recommend the Beats because, like the Beats, I feel the need to counteract "conservative, formalistic literary ideals," but unlike the Beats, I don't reject those ideals: I just want more tools in my toolbox.

The Beats don't recommend emulating the past; they recommend finding ways of producing text that violate the norms. Ginsberg used breaths and rhythms. Burroughs cut words and sentences up and pasted them together until he had a whole page of, potentially, gibberish, which he then would mine for gems - perhaps finding a paragraph or even just a sentence out of an entire page of cut-up. Each author had their own method of breaking out of the mold. And a mold breaker … is a tool you can use.

So don't just find sentences to emulate. Write your own damn sentences. Cut up words on a page until they're confetti and rearrange them until they make sense. Build a program that writes random sentences. Throw down Rory's Story Cubes. Try magnetic poetry. Learn rap. Take improv. Stay up all night until you're loopy with sleep deprivation. No matter what crazy ideas you have, write them all down, then winnow through them all and pick the best ones - the ones that hit you like a physical blow.

THEN go back to the tools for sentence analysis from all those little books, and use them to make more of your own.

Seriously, what do you have to lose? Try the exercise. If you don't like what you produce, you may learn that your inspiration lies in understanding the past and building on it to create something new. If you do like it … you may add something to the world which, while its parts may come from the past, is in its whole ... wholly new.

-the Centaur

Pictured: a truly bizarre photographic composition that occurred by chance, and which I could not have planned if I tried.

The Doorway Cracks Open

centaur 0

doorways6.jpg

At last! DOORWAYS TO EXTRA TIME is available for preorder on Amazon! The book's out August 13 … that makes it almost exactly two years from conception to publication. For your amusement, I thought I'd dredge up the original call for submissions that I sent to the Write to the End and Dragon Writers groups way back in September of 2011:

DOORWAYS TO EXTRA TIME

In our busy world of meetings and microwaves, car radios and cellphones, you always hear people wishing they could get an extra hour in the day.

But what if you could?

DOORWAYS TO EXTRA TIME is an anthology that explores ways to get extra time (be it an hour, a day, or a decade) and the impact it would have (whether upon a single life, a family or an entire world).

We’re looking for stories with a touch of the fantastic—whether mystical, magical, mechanical, or just plain mysterious—but they can be set in any time or any genre: contemporary or historical, science fiction or fantasy, horror or magic realism. We could even find a place for a nonfiction essay if it was truly exceptional.

In short, show us something showstopping, and we’ll make time for you.

Suggested Length: full stories from 3,000 to 7,000 words and flash fiction under 1,000 words. We will accept good stories up to 10,000 words but it’s a hard sell.

Due Date: January 31st, 2012

Editors: Anthony Francis and TBD

The theme's still the same, but due date January 31st, 2012? Really? HAHAHAHA no. As you all probably know, the estimable Trisha J. Wooldridge signed on as my coeditor and helped me make this a much stronger (and more diverse!) book. Thank you, Trisha, for helping make DOORWAYS possible!

So, please, everyone, preorder and enjoy!

-the Centaur

Approaching 33, Seen from 44

centaur 0

33-to-44.png

I operate with a long range planning horizon – I have lists of what I want to do in a day, a week, a month, a year, five years, and even my life. Not all my goals are fulfilled, of course, but I believe in the philosophy “People overestimate what they can do in a year, but underestimate what they can do in a decade.”

Recently, I’ve had that proven to me.

I’m an enormous packrat, and keep a huge variety of old papers and materials. Some people deal with clutter by adopting the philosophy “if you haven’t touched it in six months, throw it away.” Clearly, these people don’t write for a living.

So, in an old notebook, uncovered on one of my periodic archaeological expeditions in my library, I found an essay – a diary entry, really – written just before my 33rd birthday, entitled “Approaching 33” – and I find its perspective fascinating, especially when you compare what I was worried about then with where I am now.

“Approaching 33” was written on the fifth of November, 2011. That’s about five years after I split with my ex-fiancee, but a year before I met my future wife. It’s about a year after I finished my nearly decade-long slog to get my PhD, but ten years before when I got a job that truly used my degree. It’s about seven months after I reluctantly quit the dot-com I helped found to care for my dying father, but only about six months after my Dad actually died. And it’s about 2 months after 9/11, and about a month after disagreements over 9/11 caused huge rifts among my friends.

In that context, this is what I wrote on the fifth of November, 2011:

Approaching 33, your life seems seriously off-track. Your chances of following up on the PhD program are minimal – you will not get a good faculty job. And you are starting too late to tackle software development; you are behind the curve. Nor are you on track for being a writer.

The PhD program was a complete mistake. You wasted ten years of your life on a PhD and on your ex-fiancee. What a loser.

Now you approach middle fucking age – 38 – and are not on the career track, are not on the runway. You are stalled, lacking the crucial management, leadership and discipline skills you need to truly succeed.

Waste not time with useful affirmations – first understand the problem, set goals, fix things and move on. It is possible, only if you face clearly the challenges which are ahead of you.

You need to pick and embrace a career and a secondary vocation – your main path and your entertainment – in order to advance at either.

Without focus, you will not achieve. Or perhaps you are FULL OF SHIT.

Think Nixon. He had major successes before 33, but major defeats and did not run for office until your age. You can take the positive elements of his example – learn how to manage now, learn discipline now, learn leadership now, by whatever means are morally acceptable.

Then get a move on your career – it is possible. Do what you gotta do and move on with your life!

It appears I was bitter.

Apparently I couldn’t emotionally imagine I could succeed, but recognized, intellectually, that if I focused on what was wrong, and worked at it, then maybe, just maybe, I could fix it. And in the eleven years that have past … I mostly have.

Eleven years ago, I was enormously bitter, and regretted getting my PhD. It took five years, but that PhD and my work at my search-engine dot-com helped land me a great job, and after five more years of work I ended up at a job within that job that used every facet of my degree, from artificial intelligence to information retrieval to robotics to even computer graphics. My career took a serious left turn, but I never gave up trying, and eventually, I succeeded as a direct result of trying.

Eleven years ago, I felt enormously alone, having wasted a lot of time on a one-sided relationship that should have ended naturally after its first year, and having wasted many years after that either alone or hanging on to other relationships that were doomed not to work. But I never stopped looking, and hoping, and it took another couple of years before I found my best friend, and later married her.

Eleven years ago, I felt enormously unsure of my abilities as a software developer. At the dot-com I willingly stepped back from a software lead role when I was asked to deliver on an impossible schedule, a decision that was proved right almost immediately, and later took a quarter’s leave to finish my PhD, a decision that took ten years to prove itself. But even though both of those decisions were right, they started a downward spiral of self-confidence, as we sought out and brought in faster, more experienced developers to take over when I stepped back. While my predictions about the schedule were right, my colleagues nevertheless got more done, more quickly, ultimately culling out almost all of the code I wrote for the company. After a while, I felt I was contributing no more and, at the same time, needed to care for my dying father, so I left. But my father died shortly thereafter, six months before we expected. I found myself unable not to work, thinking it irresponsible even though I had savings, so I found a job at a software company whose technical lead was an old friend that who had been the fastest programmer I’d ever worked with in college, and now who had a decade of experience programming in industry – which is far more rigorous than programming in academia. On top of that, I was still recuperating from an RSI scare I’d had four years earlier, when I’d barely been able to write for six months, much less type. So I wrote those bitter words above when I was quite uncertain about whether I’d be able to cut it as a software developer.

Eleven years later — well, I still wish I could code faster. I’m surrounded by both younger and older programmers who are faster and snappier than I am, and I frequently feel like the dumbest person in the room. But I’ve worked hard to improve, and on top of that, slowly, I’ve come to recognize that I have indeed learned a few things – usually, the hard way, when I let someone talk me out of what I’m sure I know, and am later proved right – and have indeed picked up a few skills – synthetic and organizational skills, subtle and hard to measure, which aren’t needed for a small chunk of code but which are vital as projects grow larger in size and design docs and GANTT charts are needed to keep everything on track. I’d still love to code faster, to get up to speed faster, to be able to juggle more projects at once. But I’m learning, and I’ve launched things as a result of what I’ve learned.

But the most important thing is that I’ve been writing. A year after I wrote that note, I gave National Novel Writing Month a try for the first time. I spent years trying to perfect my craft after that, ultimately finding a writing group focused just on writing and not on critique. Five years later, I gave National Novel Writing Month another try, and wrote FROST MOON, which went on to both win some minor awards and to peak high on a few minor bestseller lists. Five years after that, I’ve finished four novels, have starts to four more, and am still writing.

I have picked my vocation and avocation – I’m a computer programmer, and a writer. I actually think of it as having two jobs, a day job and a night job. At one point I thought I was going to transition to writing full time, and I still plan to, but then my job at work became tremendously exciting. Ten years from now, I hope to be a full time writer (and I already have my next “second job” picked out) but I’m in no rush to leave my current position; I’m going to see where it takes me. I learned that long ago when I had a chance to knuckle down and finish my PhD, or join an unrelated but exciting side project to build a robot pet. The choice to work on the emotion model for that pet indirectly landed me a job at two different search engines, even though it was the skills I learned in my PhD that I was ultimately hired for. The choice to keep working on that emotion model directly led to my current dream job, which is one of the few jobs in the world that required the combined skills of my PhD and side project. Now I’m going to do the same thing: follow the excitement.

Who knows where it will lead? Maybe it will help me develop the leadership skills that I complained about in “Approaching 33.” Maybe it will help me re-awaken my research interests and lead to that faculty job I wanted in “Approaching 33.” Maybe it will just help me build a nest egg so when I finally switch to writing full time, I can pursue it with gusto. Or maybe, just maybe, it’s helping me learn things I can’t even yet imagine how I’ll be using … when I turn 55.

After I sign off this blogpost, I’m going to write “Passing 44.” Most of that’s going to be private, but I can anticipate it. I’ll complain about problems I want to fix with my writing – I want it to be more clear, more compelling, more accessible. I’ll complain about problems I want to fix at work – I want to work faster, to ramp up more quickly, and to juggle more projects well while learning when to say no. And I’ll complain about martial arts and athletics – I want to ramp up working out, to return to running, and to resume my quest for a black belt. And there are more things I want to achieve – wanting to be a better husband, friend, pet owner, person – a lot of which I’m going to keep private until I write “Passing 44, seen from 55.”

I’m going to set bigger goals for the next ten years. Some of them might not come to pass, of course. I bet a year from now, I’ll have only seen the barest movement along some of those axes. But ten years from now … the sky’s the limit.

-the Centaur

Pictured: Me at 33 on the left, me at 44 on the right, over a backdrop shot at my home at 44, including a piece of art by my wife entitled "Petrified Coral".

The Dark Labyrinths of Lovecraft and Borges

centaur 0
Borges and Lovecraft v2.png In many ways, Howard Philips Lovecraft and Jorge Luis Borges are different. Howard Philips Lovecraft wrote dark, atmospheric American horror at the dawn of the twentieth century. Jorge Luis Borges, born ten years later, wrote learned, ethnic Argentinian magic realism.

Lovecraft toiled in obscurity, writing for pulps; Borges was crowned with every prize the literary world has to offer short of the Nobel. Lovecraft was a high school dropout; Borges was a renowned professor of literature.

But in many ways, Howard Philips Lovecraft and Jorge Luis Borges are similar.

There’s the obvious: both the dropout and the professor were masters of erudition, capable of bring a vast number of literary techniques to their stories. Both focused largely on stories that were deeply regional, steeped in the lore of the cultures that they loved. And both were obsessed with odd details: for Borges, the labyrinth, the knife, and the tango; for Lovecraft, tangled streets, dark forests, and fishy odors.

But the important similarities between Lovecraft and Borges run far deeper.

Borges plays games with the infinite, constructing labyrinths of time and symbols that dig at the foundations of our concepts of thought and identity. His most famous story, “The Library of Babel,” imagines an infinite library filled with useless books, whose meaning might only be discerned by the allseeing eye of a god—a story that plays with ideas of faith in a random universe.

Lovecraft plays games with the cosmos, constructing vistas of time and space that threaten the foundations of our concepts of safety and knowledge. His most famous story, “The Call of Cthulhu,” imagines an undersea city inhabited by an enormous monster, whose existence threatens the sanity of humanity—a story that plays with ideas of fear and cosmic insignificance.

Borges and Lovecraft are similar, but not identical.

In Borges, the supernatural rarely breaks into the natural world openly, and when it does, it happens in dreams and visions or subtle events. The supernatural is subtle, but the meaning is not: Borges often tells us his aim directly in his stories, frequently writing them like essays that explore their own morals, or examining their meaning in conversations with himself. Borges plumbs the depths of human thought through stories that show us the vast scale of conceptual space. Throughout his work is a taste of nihilism: humans seeking meaning in a meaningless cosmos.

In Lovecraft, the supernatural manifests in dreams and vision and subtle events, but it always breaks into to the natural world openly. The supernatural is not subtle, but the meaning is: Lovecraft rarely tells us his aim directly in his stories, instead writing essays that explain their morals, or examining their meaning in letters to friends. He explores the cosmic through metaphor. Lovecraft plumbs the depths of human insignificance through stories that show us the vast scale of physical space. Throughout his work is a taste of nihilism: humans seeking sanity in an inhuman cosmos.

Lovecraft and Borges are two sides of the same coin.

They write about the same terrors. In Borges, the monsters swim beneath the surface, their shapes only dimly suggested by the churning existential confusion left in their wakes. In Lovecraft, the monsters break the surface, turn their dripping, shaggy visages towards the horrified faces of his protagonists, and show us that if we could truly see what Borges only hints at, we would surely go mad.

-the Centaur

Credits: public domain images of Lovecraft and Borges both from Wikimedia Commons; composition by me.

Viiiictory Seven Times

centaur 0

spectralironwin.png

For the seventh time, I've won the National Novel Writing Month "contest", completing 50,000 words of a new novel in just 30 days. Actually, it took me just 29 days. Woohoo!

Winner-180x180.jpg

This year's entry, SPECTRAL IRON, is the fourth book in the Dakota Frost series, my urban fantasy series featuring the best magical tattooist in the Southeast (and she's not afraid to tell you that herself). SPECTRAL IRON was a bit of a detour from the work I was doing to edit LIQUID FIRE, the third entry in the series, but I'm glad I did: SPECTRAL IRON taught me a lot about what makes a book coherent and I can use that to edit LIQUID FIRE.

So what is SPECTRAL IRON about? Originally, I was thinking the story was about a villain that murders ghosts, but now it's looking like the villain is a ghost who's a murderer. Maybe. There are some very interesting plot complications developing. Let me see if I can pull out an excerpt that doesn't give much away. Well, maybe it spoils a minor surprise, but it doesn't give away the plot. This is the kind of thing they'd put in a movie trailer. Regardless ... SPOILERS:

Now, all that was left was to walk down a hundred more yards of train tracks in the dark.

The dolly had left us, but the spotlight had not. The mobile klieg operator wheeled it forward, slowly, tracking me, Ron and Sunny as we walked down the pathetic, waterlogged track. The further we went, the more layers of mystery were stripped off, one by one, by the light.

By the end, we no longer stood in a chasm of night. We merely stood in a dilapidated warehouse loading bay, a long, low brick-walled chamber, weathered with graffiti, with chained-up wooden doors atop its loading dock and beer bottles in the puddles between its train tracks.

“Nothing here,” the Lady Nyissa said. “Nothing obvious, at any rate.”

I stopped before the back wall of the loading dock. It stretched up before us, a mottled wall of brick thirty feet wide and fifty feet high, with a notch cut out of its bottom right by the platform and another cut out the top by a door. Rusted zig-zag metal stairs led up to it.

“Well,” I said, putting my foot on the train-brake at the end of the tracks, staring down at the pathetic mud puddle rippling before us between the end of the tracks and the wall. “It looks like The Exposers have found another Al Capone’s vault.”

Oh, me and my dumb mouth.

From the water erupted a foul spray of black—topped by a bone white mask.

So, there's a few thousand more words of brain dump to go, and then it's back to editing LIQUID FIRE, revising THE CLOCKWORK TIME MACHINE, and working on the DOORWAYS TO EXTRA TIME anthology, oh, and revising my own story for the anthology, "The Doorway to Extra Time" ... aaaa! But at least I have this year's Nano victory to console me:

Screen shot 2012-11-29 at 10.13.37 PM.png

Regardless, now that Nanowrimo and 24 Hour Comics Day and the Google Holiday Toy Collection are all behind me, I'm looking forward to getting back to my other projects, including all my writing, the Dakota Frost blog, and, heck, I dunno, my wife, friends and cats. Onward and upwards!

-the Centaur

Alllmost there…

centaur 0

spectral-iron-day28-progress-1.png

48735 words written ... 1265 words to go. Almost there.

spectral-iron-day28-progress-2.png

Onwards...

-the Centaur

One Day Ahead, Four Days To Go

centaur 0

spectral-iron-day26-progress-4.png

I've completed another 2237 words today. By my count, this puts me one whole day ahead of the game. You can see that a bit above, but even more clearly below, where the darker blue "cumulative progress" bar is just a notch higher than the level for a day's progress. If I was right on target, 100%, daily progress would be at this point, but cumulative progress would be at 0.

spectral-iron-day26-progress-3.png

Well, again I don't think I have a good spoiler free excerpt, so I'll just close with ... onward!

-the Centaur

Back on Track, Redux

centaur 0

IMG_20121126_123052.jpg

Back from vacation, back at work, but got a chunk of writing done this lunchtime. Back on track:

spectral-iron-day26-progress-1.png

If my calculations are correct, I am roughly one day ahead at this point (that is, I'm essentially starting today where I want to finish today). So my mountain of words is still over the top of the line:

spectral-iron-day26-progress-2.png

No time for an excerpt; back to work. But tonight, here's shooting for one more day ahead!

-the Centaur

Back on Track, Redux

centaur 0

IMG_20121126_123052.jpg

Back from vacation, back at work, but got a chunk of writing done this lunchtime. Back on track:

spectral-iron-day26-progress-1.png

If my calculations are correct, I am roughly one day ahead at this point (that is, I'm essentially starting today where I want to finish today). So my mountain of words is still over the top of the line:

spectral-iron-day26-progress-2.png

No time for an excerpt; back to work. But tonight, here's shooting for one more day ahead!

-the Centaur

Friendstop

centaur 0

friendstop.png

Saturday: day off in the City, seeing the Golden Gate, Tiburon and Union Square with good friends. Totally worth it.

Today: back to it, +800 words and counting.

-the Centaur

Me and my dumb mouth

centaur 0

Screen shot 2012-11-23 at 11.33.42 PM.png

Axually, it's Dakota's dumb mouth at issue here, and while I'd love to include an extract ... ssh, SPOLIERS! But the point being, the day after Thanksgiving, I'm back on track for National Novel Writing Month. And this includes an evening hanging out with my friends at the wonderful Nola restaurant I'm so fond of. No pictures of that (phone battery gave out) but I do have a followup picture from my solo excursion to Cocola Cafe in Santana Row, where I finished out today's Nano:

IMG_20121123_230047.jpg

I've done Nano enough times that I probably could have skipped today and even tomorrow if I wanted, just to hang out with my friends who are in town (staying at another friend's house). But this "vacation" isn't really a vacation for me: it's a writecation. Writing really is like a second job now: if I want to be a writer, certain things have to get done. In this case, it's Nano, and sending off acceptances and rejections for DOORWAYS TO EXTRA TIME:

Screen shot 2012-11-23 at 11.48.52 PM.png

You'll note a little asymmetry there: my coeditor, who's done this before, is way ahead of me contacting people about their stories. And those are just the acceptances. Argh. And then I've got to respond to Trish's comments on my own story, which, while I was proud of it before, now looks like it will need a lot of work. Sigh. This is why I like working with editors, I tell myself, they make my stories better. Sob. At least Nano is on track:

spectral-iron-day23-progress-2.png

Of course, the second half of the story is a complete salsa, and I don't know where it's going, but there's a building, and it's on fire, and it's a spectral fire, that only starts once a year, and there's William Blake's spirit guide riding a tiger, and oh yeah Cinnamon wears a Santa hat, then threatens to punch him in the gut if she meets him in a dark alley. So yeah, I'm having fun, even if I briefly hit a little plateau there while recuperating from all that turkey.

spectral-iron-day23-progress-1.png

Now, more mountain to climb! Onward!

-the Centaur

Thanksgiving: Mission Accomplished

centaur 0

thanksgiving2012a.png

Once again, I have successfully written NOTHING on Thanksgiving Day, spending it instead with friends!

thanksgiving2012b.png

Mission accomplished. What am I thankful for? My great friends that I've known for a quarter century.

thanksgiving2012c.png

The wonderful food we all prepared (mostly) by hand on a holiday that's not yet commercialized.

thanksgiving2012d.png

Preparing my first nearly perfect pound cake in a few years (more on that later). Not to mention living in a land where we can all not just eat, but have dessert! Most of all, being far enough ahead in Nano to just hang out and spend time with friends without worrying about keeping myself caught up.

thanksgiving2012e.png

As Fonzie would say, "Ayyy, little buddy."

I don't know how much more time I'll have this weekend to hang out with my friends; if it wasn't for Nano I'd be spending all my time sending out acceptances and rejections on DOORWAYS TO EXTRA TIME. But I do have to eat, so I'll be having at least one and possibly two more nice meals with my friends. And I hope several long phone calls with my wife (away on business).

More things to give thanks for. The gifts, they don't stop coming.

So, thanks, God, for everything.

-the Centaur

God’s Marines Wield Strange Weapons

centaur 0

spectral-iron-day18-progress-1.png

At last, back on track for National Novel Writer's Month. I like the graph: I like seeing how the week of a software release has taken a neat chunk out of my progress, and how a few days on vacation gets things back on track again. This reminds me to continue taking of the week of Thanksgiving every year if I want to get new novels done.

The title comes from a scene I've just written, in which Dakota Frost is baited into a battle with a wand-wielding priest. Soon Dakota realizes they were set up --- and figures out how to de-escalate:

The priest cried out, striking me with the back of his free hand.

I winced … then turned the other cheek.

The priest stared, drawing back his hand again. I reached up and put my thumbs through the straps of my backpack. Then I turned my head even further, exposing the cheek, eyes glaring at him sidelong in silent accusation. The priest frowned, then lowered his hand.

“Dakota Frost,” I said, extending mine. “Best magical tattooist in the Southeast.”

The priest stared at my hand dumbly, then realized he had a free one.

“Father Aidan Cosgrave, SJ.”

“A Jesuit,” I said. “Interesting to find a Jesuit wielding a wand.”

“God’s Marines,” Cosgrave said, “often find themselves wielding strange weapons.”

I'm over the halfway point of Nano now, with 6 or so free days on vacation to try to really get a head. Onward!

-the Centaur

Derailed

centaur 0

spectral-iron-day16-progress-1.png

Software launches. Anthology editing. I am now officially behind. Time to get back to Nano.

Fortunately I have the next nine days off, starting with tomorrow!

This is why I plan Nano carefully ahead ... this always happens, so you need to plan to have a buffer ... not just getting ahead early, but a place and time to catch up later for if and when you fall behind.

-the Centaur

Now that’s what I’m talking about…

centaur 0

spectraliron.png

Yesterday was nearly a wash - worn out after three long consecutive work days pushing software in preparation for a release, and then out late on date night with my wife - dinner at Aqui's (yum) and movie Tron 3 (AKA Wreck it Ralph, you're not fooling me, Disney). Totally. Worth. It., of course, but still ... less than 300 words done for the day.

sandiyums.png

But today? Up early to take my wife to the airport, had breakfast at Crepevine, and got almost triple that before even 9:30AM!

spectral-iron-day10-progress-1.png

And now, I'm in for my second writing session, before even 10AM. This is what makes Nano work.

Excelsior!

-the Centaur

Pictured: Crepevine as seen from the upper window of Cafe Romanza, my wife at Aqui's, and progress.

UPDATE: Writing Session 2 done, I am now officially caught up for the day:

spectral-iron-day10-progress-2.png

And, despite the last week's slippages, I'm still ahead overall for Nano:

spectral-iron-day10-progress-3.png

Plus there are at least one and maybe two or three more writing sessions today.

Hyperion!

You have got to be kidding me

centaur 0

Screen shot 2012-11-09 at 1.50.38 AM.png

You have got to be kidding me.

I noticed a little extra space on my previous post at the top of a quote I pulled out of SPECTRAL IRON. I wanted to cut it out, so I went to Ecto, my blog client, and switched to its HTML mode. This is what I found embedded in my document as a result of the cut and paste - three hundred and thirty five lines of hidden goop, which looks like it came from Microsoft Word:

  <p><!--[if gte mso 9]><xml>

<o:DocumentProperties>

<o:Revision>0</o:Revision>

<o:TotalTime>0</o:TotalTime>

<o:Pages>1</o:Pages>

<o:Words>172</o:Words>

<o:Characters>779</o:Characters>

<o:Company>Mythologix Press</o:Company>

.... hundreds of lines deleted ...

mso-style-parent:"";

mso-padding-alt:0in 5.4pt 0in 5.4pt;

mso-para-margin:0in;

mso-para-margin-bottom:.0001pt;

mso-pagination:widow-orphan;

font-size:10.0pt;

font-family:"Boldface PS","serif";}

</style>

<![endif]-->

<!--StartFragment--></p>


Charming! Feel like dieting much, Word? Axually, it looks like this may be part of a strategy to ensure formatted cut and paste works in Word and other programs, probably just interacting badly with Ecto.

S'ok, Word. We love you anyway, just the way you are.

-the Centaur

P.S. Pro tip: Option-Command-V pastes unformatted in Ecto.\

Back on Track

centaur 0

todolistcat.png

I don't see catfood on your todo list there, mister.

No, but I am back on track for National Novel Writing Month, even though today was consumed almost completely by a software release that just ... wouldn't ... die. I'm actually planning a postmortem on a tiny little patch that ended up becoming a complete new release of our software that exposed interactions everywhere from our unit test framework to software we're launching next year. That made me late for the monthly Writing Allies meeting - normally I chunk out a piece of time to write over dinner before I get there, even if we all are having too much fun talking about writing to actually write. But when I got home, even after a lot of cat wrangling, I did manage to sit down with the laptop (or, from time to time, follow cats around with the laptop):

spectral-iron-day08-progress-3.png

Back on track for the day: 18179 words, or 16219 added. Still a day ahead. Woohoo! An excerpt:

Doug stared with interest at the footage from Ron and Sunny’s cameras, then at the pictures I’d taken of the graffiti with my cell phone. He asked if we had more, and I was embarrassed to admit that we’d hightailed it before fully finishing our location scouting.

“S’alright,” he said, reviewing the tape one more time. “Most interesting.”

“Well,” Sunny demanded. “What is it?”

“Definitely magic,” Doug said. “But I’m guessing you knew that.”

“Well—” Sunny began.

“C’mon,” Ron said. “There’s a demonstration of magic on the tape—”

“I was there,” Sunny reminded him. “And I do believe in magic. It’s just—”

“A projectia,” I said suddenly. “A caster’s will magically projected as a form.”

“Precisely,” Jinx said. “Like your tattoos, but free-floating. They can be as insubstantial and transparent as, well, ghosts, or as solid and opaque as physical objects. Your old boss, Christopher Valentine, used them to create his famous doppelganger illusion.”

Congratulations, Nano writer! Now back to work.

-the Centaur

Why do we get ahead in Nano, Master Bruce?

centaur 0

spectral-iron-day08-progress.png

Because we know we'll fall behind again.

What' s the cause? Launch crunch, exhaustion, and spending time with my wife before her upcoming trip.

spectral-iron-day08-progress-2.png

And you know what, writing friends? All that's more important than Nano.

IMG_20121025_200522_1.jpg

Totally. Worth. It.

I'm taking a whole week off at Thanksgiving just to write, so its Ohe. Kay. if I fall behind from time to time, as long as I don't let myself slip down the slope altogether.

According to my calculations, I'm fine. I could slip one whole day and still be fine.

Not that I plan to. Tonight is writing night!

-the Centaur

Getting off on the right foot

centaur 0

spectral-iron-day03-progress-3.png

Alright! I set aside time for two long writing sessions today, so I finally got ahead, writing 3473 words today. If I can push it just a bit further, another 1600 words, I think I'll hit my target for tomorrow. If only I had a doorway to extra time ... oh wait: tonight, I do.

Set your clocks back, everyone. As for me, who knows if I'll get there, but it's back to climbing that hill:


spectral-iron-day03-progress-2.png  

-the Centaur

UPDATE: 1:40AM (after Daylight Savings Time) and 4292 words added today, totaling 9828 words. Night!