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Posts published in “Writing”

The art, craft, and life of writing.

Nano Rules That Lead to Progress

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Mocha Freeze at Cafe Borrone, With Laptop Reflection This is my sixth year attempting Nanowrimo and my sixth (and seventh) Nano book, and I've learned to adopt a few rules to help make the thing progress.
  • Nanowrimo comes first. All existing writing projects should be scheduled for before or after Nano. One of the worst experiences I had was trying to finish 38000 words of Nano in 10 days after having lost almost half of it to editing FROST MOON.
  • The Internet stays off until 1,667 words are done. There are a dozen reasons to use the Internet - to look something up, to check your email, to blog on Facebook. DON'T. Not even if you're ahead. Get a whole day's writing in before you log on. In particular, NO BLOGGING, Tweeting or Facebooking until you're caught up. Turn your Internet off if you have to - that's what I do, writing on a laptop.
  • Don't read+eat, then write; write+eat, then read. This one may not apply to you. I have a day job at The Search Engine That Starts With A G, so to get writing done, 3-5 days a week as wife, cats and friends permit, I go to dinner by myself, read something to feed my head, and then go out for coffee and write. But sometimes writing gets the short shrift when you do that, if you're reading something interesting or get lost in email. Normally that's OK; you should read more that you put out in writing. In Nano, I have to upend this and write first, come hell or high water.
  • Look things up later - use <angle brackets> if you have to. Even if you don't have the Internet, there are ways to look things up when you're writing. Don't. If you don't know Marcus Tullius Cicero's name, just write <cicero's name> in angle brackets and go back later, searching for angle brackets and looking things up. Your writing will thank you.
  • If you know the plot, write all the beats down, then expand them later. My process involves thinking about stories long before I write them. I think of a dozen, a hundred, a thousand ideas for every one I write down. I've been thinking about HEX CODE, for example, for a few years, and my head's full of ideas. So sometimes, even when your writing juice is gone, you can quickly bang down the beats of the plot - "Cinnamon leaves for the Rogue. She gets paranoid by the park. She thinks she sees somebody. Then Tully surprises her and gives her grief." There's 500 words tomorrow, all planned out today.
  • Use the Nano community. There's a South Bay Nanowrimo community and while I haven't had time to go to their events this year I did have time to learn from their wisdom. In particular, they had a suggestion to get a head start by going to a Denny's on Halloween and starting writing at midnight to get an entire day's writing in before the first day had really started. I was too wiped to do that, but ...
  • Get a head start. ... but I was not too wiped to set my alarm for thirty minutes past midnight and to get up and write at home. I stayed up from about 12:45 to 3AM, alternating between writing and puttering with the cats. I got a lot written - 1129 words. Then I took my laptop to lunch and finished out my day. Then I took my laptop to dinner and started work on the next day. Then I took my laptop to Cafe Borrone's and finished out the SECOND day. The result? I wrote 3500 words today. If I can keep up 1667 words a day, then I'll finish a day early. Woot!
  • Track your progress. I use a spreadsheet which I'm going to detail in a later post, but the long and the short of it is that you need to do 1667 words a day to finish 50,000 words by the end of November. Track your progress and hold your feet to the fire.
  • Write, write, WRITE! Enough said? No. There's a lot of planning you may need to do to finish Nano. WRITE FIRST. Get yourself a day or two ahead. THEN PLAN. Some of your best work will come from winging it.
Finally, one more word of wisdom. Don't start work on your second Nano book until you've finished your daily quota for the first. It's better to finish one book than it is to have two half finished books in the month. Remember, it's better to be done! In fact, I'll go further and say you should take a little break between the two of them, to say, for example, blog your Nano writing rules, just so you'll tackle the second book fresh. This advice only applies to insane people trying to do 2 novels in Nano. So, the result of me following these rules? 3500 words done today on HEX CODE: And seriously, I'm only 96 extra words into STRANDED. Instead of trying to complete two Nano books, I'm going to try to make progress on completing my beta reader draft of STRANDED during my Nano downtime, as long as I'm making ahead-of-schedule progress on HEX CODE. And if I finish that ... THEN I can think of tackling STRANDED as a second Nano. -the Centaur

Nanowrimo 2011 Begins

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So it's another year, another National Novel Writing Month. This year, what was supposed to be my first YA (young adult) novel, HEX CODE. Actually, I've already started one called STRANDED, which makes me feel even better about tacking this new genre. A sneak preview of the first young adult novel featuring the mathemagical weretiger Cinnamon Frost, adopted daughter of the magical tattoo artist Dakota Frost:
It sucks trying to do your homework when you’ve turned into a tiger. It’s not that your body turns two sizes too big for your chair, that your balance goes so you can’t stand, or even that your claws are so sharp that you could punch straight through a keyboard. It’s the little things. Big cats are nearsighted, so you need big old dorky “tiger” glasses you can barely get on once your hands have gone to claws. And we’re predators, reflexes tied to movement, so I has to fight smashing the screen every time my mouse pointer moves. And turning into a tiger hurts like getting pummeled with a thousand bars of soap in socks, so the only thing I really want to do after the Change is gnaw on someone, regardless of whether I have three papers all due tomorrow morning.
The material above is actually from the 1500 words of "seed" material I started prior to National Novel Writing Month. I always start with a seed, be it 500 words or 10,000, but commit to fulfilling the Nano challenge by doing 50,000 additional words. This year my final target, counting the seed, is 51544 words. Time to climb that mountain! Already 1129 words into the challenge (not counting the seed). Go Team Centaur! -the Centaur

24 Hour Comics Day, Redux

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24HCD at Sunnyvale No, I'm not doing 24 Hour Comics Day 2 weekends in a row ... but my buddy Nathan Vargas is. He's the other half of Blitz Comics and through an odd set of circumstances involving the Alternative Press Expo we ended up signing up for a 24 Hour Comics event at Mission Comics 1 week before today, the official 24 Hour Comic Day. (And I completed mine!) my 24 hour comic ... in my lap I owe too many people too many things (fixing my wife's computer, finishing edits of "Steampunk Fairy Chick", finishing a draft of STRANDED, doing an interview, scanning last week's comic, etc) to do 24HCD again, but after tonight's Doctor Who finale I did drop by around midnight tonight with donuts and good cheer. Krispy Kreme (and Pizza) We hung out, gave donuts to the security guards, and watched some Batman fan film. Then, while the toiling artists toiled, I spent some time cleaning up the images from last week's 24 Hour Comic Day (which I had scanned while watching Doctor Who). I just finished, it's only been two hours, but it already feels like another 24HCD! However, I'm happy with the results, and will do 24HCD again next year. I particularly like the dual page spread from Stranded, but I'll hold it back until I get the whole comic uploaded to Dresan.com and will instead tease you with the first page of the novella: The first page of the adapted STRANDED novella. Onward! Upward! Homeward, for me! And best of luck to the toiling comickers here in Sunnyvale! -the Centaur

A 24 Hour Comics Day Timeline

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24 Hour Comics Day can be quite the intimidating challenge, especially if you haven't done it before. Because Nathan Vargas and I had tried it before and failed, we started thinking hard about how to succeed - and I in particular started thinking about timing: how to break down your hours, how long you typically take breaks, and so on. To keep myself on track, I started writing down panel timings as I was working, an almost unconscious decision that soon turned into a policy. As a result, I produced a nearly complete timeline of events of a successful 24 Hour Comics Day. Everyone's method will be different, and this may not apply to you. But it shows at least ONE successful approach: preparing ahead, bringing good food, other refreshments and adequate supplies, getting planning done early, keeping each page tight, noticing that you're falling behind, finding faster ways to do things, taking breaks to stay energized - and never, never, never giving up.

BEFORE THE EVENT

T-Minus 1 year: Fail to finish 24HCD ... Again. Resolve to take more life drawing classes. As a result ... actually took more life drawing classes and practiced. T-Minus 4 months: Reminded by Nathan about 24HCD. Started to panic. Nathan mentioned he was thinking about how to succeed this time. I started thinking about that too. T-Minus 3 months: Drunk guy at a comics booth at the Sub Zero festival hears us talking about 24HCD. He suggests we should do a tutorial. We go to Slave Labor Graphics, find out they aren't set up to host a full 24 hour event. A tutorial or boot camp starts to sound like a better idea. T-Minus 2 months: We decide to do the boot camp. After a marathon brainstorming session where we came up with the name BLitz Comics, we start meeting every Wednesday, producing tutorial materials. T-Minus 1 week: We do a runthrough of the bootcamp. Around this time, we find out that 24HCD at the venue we've chosen is not October 1 but September 24 ... 1 day after our boot camp. Panic. T-Minus 18 hours: Last minute trips to University Art to buy notebooks, pens, pencils for the boot camp (which will also be used at 24HCD as well). T-Minus 15 hours: BLitz Comics hosts its first 24 Hour Comic Day "boot camp" at Kaleid Gallery. The camp includes a 45 minute tutorial (that ended up going on for an hour and a half) and included 2 1-hour drawing exercises. I learn precisely what I *can't* draw in just 1 hour. T-Minus 12 hours: Boot camp concludes. Hours of packing required. Get to bed at 3:30am, get up at 7. T-Minus 3 hours: Pick up Nathan. Trek to Mission Comics begins with a hearty breakfast at Stacks, a trip to Starbucks for coffee, and a trip to Safeway for bagels, cereal, tangerines and bananas. T-Minus 1 hour: Traffic jam. Panic should be in full swing now, but we just had coffee, a hearty breakfast, and have gone through boot camp. No worries. T-Minus 1 minute: Pull in front of Mission Comics; Nathan runs in with our art supplies and I leave to go find parking.

24 HOUR COMIC DAY BEGINS

11:00AM, September 24th: Driving around for parking. Find a great place. 11:15AM: Arrive at Mission Comics. Nathan has found primo spots halfway back the main table; we're sitting opposite each other but are in easy view of the window, door, bathroom and 10,000 comics. 11:21AM: PLANNING PHASE Start comic with a planning page. Consider two ideas; decide to go for broke and adapt my novella "Stranded" rather than wussing out with the stick-figure "Story of Blitz Comics" which I had already done a 1-pager on anyway. 11:30AM(ish): Skim novella I'm adapting, especially chapter headings. Decide on a rough breakdown; can probably draw half the novella. Pick a good stopping point. 11:38AM: Did the 24-page thumbnail sheet. Laugh at my foolish notion that I can draw half the novella. Some things that take a line in the novella need a full page; other things that take a full page don't even need to appear at all or need to be completely rewritten. Added talking animal to the plot as the only way to make the story work (it's OK, it's a robot). Break down the pages into approximately the first third. 12:13PM: Done planning. Total planning time: 52 minutes In my experience, it can take 2-4 hours to plan if you don't have a story in mind (the first two years I had vague stories in mind but no novella in hand to adapt). As it turns out, that extra 3 hours of planning would not have hurt me. 12:13PM: START PAGE ONE Did a space scene (not recommended from the boot camp!) as the first image. 12:30PM: Panel 1 Done. Blacks are surprisingly time consuming even with wide Sharpie. 12:45PM: Panel 2 Done. More blacks, more time; starting to get worried. 01:08PM: Panel 3 Done. Damn spacecraft again. Almost no blacks, but it took longer. 01:34PM: Panel 4 Done. Closeup of a character in a pose I'm bad at. Argh. Total page time: 1 hour, 15 minutes. Did some calculations; need to DOUBLE my page rate to succeed. 01:37PM: START PAGE TWO No black space vistas on this page at all. Maybe easier going? 01:43PM: Finished roughs for the page. 02:10PM: Panel 1 Done. Getting a grip on figures, sound effects, word balloons. 02:25PM: Panel 2 Done. Needed to know fuse ratings to fill in detail on the end of a fuse pulled by central character. Decided to use phone instead of computer to look it up - the answer was "in kA" and 207 is a good super-high number. This worked so well I resolved not to turn computer on until I was "way ahead". 02:39PM: Finished Panel 3. Liking this "draw people from the back half obscured" trick. Total page time: 1 hour, 2 min. Need to pick up pace by at least 20 minutes. 02:39PM: START PAGE THREE One huge panel, but 4 characters and some perspective. 02:48PM: ~10 minute break + boxing in outer panel border. 02:58PM: Central character outlined 03:02PM: Dialogue outlined, drawing characters around word bubbles. LOVE the technique! Had to spend more time looking up the appearance of a bird's eye for a drawing. In hindsight, I'm glad I did that rather than wing it, I had to draw that bird eye on a helm maybe a dozen times or more over the comic. 03:22PM: Page finished. Finally ahead (ish) but not really: hour 4.5 with only 3 pages Total page time: 43 minutes. Counting the 9 minute break. 03:22PM: START PAGE FOUR Back to a multi-panel page with black areas. 03:34PM: ~12 minute break. 03:39PM: Panels done. Realize my target time (45 minutes) is 4:07. Oh shit. 03:51PM: Roughs done for Panel 1, a closeup of a character's face. 03:58PM: Panel 1 done. Came out rather nice, perhaps the nicest face in the comic. 04:02PM: Panel 2 done. 04:11PM. Panel 3 blacks done. Great music from band "07" is playing over Mission Comic's sound system. 04:16PM: Page finished. Total page time: 54 minutes. Almost on schedule. 04:16PM: START PAGE FIVE More panels, 5 this time, but no black areas. 04:21PM: ~5 minute break. 04:24PM: Pencil panel borders done. 04:27PM: Ink panel borders done. 04:40PM: Panel 1 done. Realize my human profiles suck. So do my full figures. Ugh. 04:49PM: Panels 2-3 done. 04:55PM: Panels 4-5 done. Total page time: 39 minutes. Not sure how I pulled that off. 04:55PM: START PAGE SIX More space vistas! And crosshatching! 05:04PM: ~9 minute break. 05:05PM: Pencil borders done. 05:09PM: Ink panel borders done 05:11PM: Dialogue done - needed adaptation from novella. 05:16PM: Frame 1 roughs done 05:31PM: Frame 1 blacks done 05:38PM: Frame 2 done 05:45PM: Frame 3 done 05:53PM: Page finished. Total page time: 58 minutes. Black backgrounds will kill ya. 05:53PM: START PAGE SEVEN 05:55PM: ~2 minute break ... then pizza arrives! 06:38PM: ~43 minute dinner break. Yum! 06:39PM: Pencil border. 06:43PM: Ink panel borders. 06:48PM: Roughs. 07:10PM: Panel 1 "done". 07:19PM: Further polish (it's a large and important panel that introduces Serendipity, the protagonist). 07:29PM: Panel 2 done. 07:36PM: Panel 3 done. Total page time: 1 hour, 43 minutes. 07:36PM: START PAGE EIGHT 07:53PM: ~17 minute break (flagging a bit?) 07:54PM: Pencils. 08:00PM: Panels 08:08PM: Panel 1 rough / dialogue. Realize we're in hour 10 now. 08:24PM: Panel 2. 08:38PM: Page finished. Total page time: 1 hour, 2 minutes. 08:38PM: START PAGE NINE 08:54PM: ~16 minute break 09:06PM: ~12 minute break (someone came by to talk?) 09:08PM: Panels penciled. 09:13PM: Panels inked. 09:18PM: AAARGH! Blocked. PHUQ IT. 09:26PM: Panel 1. Some of the facial positions are hard. Screw it. 09:35PM: Panel 2. 09:44PM: Page finished. Total page time: 1 hour, 6 minutes. 09:44PM: START PAGE TEN 09:50PM: ~6 minute break 09:52PM: Penciled panels. 10:00PM: Inked panels. Realize it's hour 11 (actually 12, but never mind) and you should be working on page 12 or more. Cut it in half! 10:11PM: Panel 1 done. Damn black space around spaceships again. 10:28PM: Panel 2 outlines done. Was intimidated by this crowd scene, easier than I expected. 5 people and 4 ghostly background outlines - 9 people total! 10:34PM: Panel 2 done. 10:40PM: Page finished. Total page time: 56 minutes. 10:40PM: START PAGE ELEVEN 10:46PM: ~6 minute break 10:47PM: Pencil outlines. 10:49PM: Panels inked. 10:57PM: Dialogue for all panels inked. This really helped, but as I found out later, I was reading in columns but other people read left-to-right, so this was a flaw. Zoned out around here. 11:14PM: Panel 1 done. 11:28PM: Page finished. Total page time: 48 minutes. 11:28PM: START PAGE TWELVE - on a roll, no break. Thought it was hour 12, actually hour 13. 11:34PM: Panels and dialogue complete. Met Google guy, should contact later. Also found out about Mobcomics, a comic publishing platform. 11:38PM: Panel 1 done. 11:44PM: Panel 2 done. 11:51PM: Page done. Total page time: 23 minutes. That seems almost impossible! But it happened, in part because I was skipping pencils or just doing light pencils on certain characters. 11:52PM: START PAGE THIRTEEN 12:00AM: Break. Didn't even realize it was midnight and September 25 now. Did realize it was not hour 12 but hour 13 (not true, actually hour 14 had started). "On Schedule" ... NOT! :-) 12:07AM: Script complete. All those people who are complaining that by adapting a novella I'm "cheating because the script is worked out already" can go jump in a lake. It isn't that simple. That's why they call it ADAPTING, folks. 12:21AM: Page done. Total page time: 29 minutes. This page went fast because it was primarily diagrams and dialogue, no figures - this is the point where the crew of Independence realizes that they're screwed if they don't land. 12:22AM: START PAGE FOURTEEN 12:32AM: ~10 minute break. 12:45AM: Panel 2 done. 01:03AM: Page done. Total page time: 41 minutes. I don't know it yet, but I'm just about to get caught up with where I "should" be to finish on time. 01:03AM: START PAGE FIFTEEN 01:04AM: No significant break, really. 01:14AM: Panels done. 01:38AM: Page done. Total page time: 35 minutes. I don't know it yet, but I am now officially AHEAD. 01:38AM: START PAGE SIXTEEN 01:55AM: ~17 minute bathroom break 01:58AM: Panels done. I now realize my hour count was off and this is hour 15. 02:06AM: Panel 1 done. 02:15AM: Panel 2 done. I am digging that it's hour 16 and I'm progressing on page 16. 02:23AM: Page done. Total page time: 45 minutes. We may win this thing yet! 02:23AM: START PAGE SEVENTEEN 02:31AM: ~8 minute break 02:34AM: Panel borders 02:45AM: Panel 1 done ... digging that it's STILL hour 16 and I'm on page 17. 02:54AM: Panel 2 done. 02:58AM: Page done. Total page time: 35 minutes. I am now officially a page ahead. 02:58AM: START PAGES EIGHTEEN AND NINETEEN - DUAL PAGE SPREAD 02:59AM: On a roll, jazzed that I have finally gotten to a dual page spread, will LEAP ahead now. Sure, it's a gigantic outer space vista that requires some actual diagramming and thought, but its SO COOL that I'm going to go from just about ahead to way ahead in one swell foop! 03:07AM: Borders and sketch done. 03:16AM: Inks done. 03:39AM: Blacks done. 03:47AM: Page done. Total page time: 49 minutes. I am now TWO pages ahead. 03:47AM: START PAGE TWENTY 04:04AM: ~17 minute break. 04:21AM: Panel lines done. 04:28AM: Page done. First (and only time I had to use whiteout) because I was inking and not sketching. Total page time: 41 minutes. I am now THREE pages ahead. 04:28AM: START PAGE TWENTY-ONE 04:35AM: ~7 minute break 04:43AM: Script done. Repeat note to snarky guys who don't know what "adapting" means. 04:44AM: Boxes done. Wow, that was fast for that many panels. 04:51AM: Panel 1 done. 04:54AM: Panel 2 done. Largely skipping pencils now. 04:57AM: Inks on Panel 3 done. 05:04AM: Panel 3 blacks done. 05:09AM: Panel 4 inks done. 05:13AM: Panel 4 blacks done. 05:26AM: Panel 5 done. 05:31AM: Panel 6 done, page done AND IT'S STILL HOUR 18. Total page time: 1 hour, 3 minutes. 05:31AM: START PAGES TWENTY-TWO AND TWENTY-THREE 05:33AM: ~2 minute break. I am so glad I put in two dual page spreads. And this is my favorite page - a redo of the very first drawing I did of Serendipity two or three years ago, before I even knew her name: a young centauress with her barrel draped in tapestries, bouncing along a field of wheat towards a castle beneath a gas giant floating in the sky. Had to completely redo the drawing, but ultimately this was the point of the story. 05:38AM: Border done. 05:48AM: Sketch done. 06:06AM: Page done. Total page time: 35 minutes. Woo woo on dual page spreads! 06:06AM: START PAGE TWENTY-FOUR 06:13AM: ~7 minute break. The last page is a huge single panel "to be continued". Go for it! 06:41AM: DONE and DONE! Total page time: 35 minutes. DONE and DONE! Total comic time: 19:20 minutes!

AFTER THE EVENT

Not timing it. Chilling out. Futzed around for an hour or so, talked to people, texted my wife. Took a nap around 7:40 to 8ish, then read a comic I'd bought during one of my breaks. Chilled out a while, looked at other people's finished and unfinished comics, then when Nathan finished, bought one more book, thanked Leef of Mission Comics and went to get the car. We packed up, had a great breakfast at Mel's, and I dropped Nathan off at his apartment right at 11am - two 24 Hour Comic Day victors.
And that's it. I'm pleased to see that even with adapting the novella on my side, I still finished early enough to absorb the 3-4 hours I took getting the story straight on the previous two 24 Hour Comic Days, so I think the technique would work even if I didn't have a story to tell. Knowing how many stories I have buzzing around in my head, that's never likely to happen - but if you're a 24 Hour Comic purist, it's good to know that preparing ahead, carefully tracking your page timings and shooting for 45 minutes or less per page is a technique that can make you succeed. Best of luck on your own comics! -the Centaur (Anthony Francis) Crossposted at BLitz Comics.

BLitz Comics 24 Hour Comic Boot Camp @ Kaleid

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blitz comics boot camp september 23 2011 at kaleid gallery in san jose Nathan Vargas and myself are facilitating a 24 Hour Comic Boot Camp at Kaleid Gallery in downtown San Jose tomorrow, September 24 from 7pm to 11pm. For those that don't know, 24 Hour Comics Day is a challenge held each year to create a 24 page comic from scratch in 24 Hours. Nathan and I have tried this five times between the two of us, and we've been discussing techniques to succeed over the last year. Then a drunk guy manning a comics booth at the Sub Zero festival overheard us saying that and said we should put on a tutorial. And since we have a policy of always following the advice of random drunk guys when it sounds like they are serving as a hotline for God, we said OK! The Birth of Blitz Comics Our work has produced a pretty nice 24 Hour Comics Day Survival Kit which is now getting distributed to a lot of 24 Hour Comics venues. And it's free under a Creative Commons license! So you can download it and use it on your own. But we're going one step further and providing a "Boot Camp" where we'll help participants create a 2 page comic, involving discussions of comic theory and 2 hours of drawing exercises. So please show up and enjoy ... or at least check out Blitz Comics and our survival kit if you want to survive 24 Hour Comics Day. -the Centaur

Who Am I?

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me in front of the bell bridge books promotional material for BLOOD ROCK Who are you? Good question. I'm Anthony Francis, and I write stuff and make computers jump through hoops for a living. What have you done? I'm most notable for the EPIC award winning urban fantasy novel FROST MOON and its sequel, BLOOD ROCK, which are about magical tattoo artist Dakota Frost and are therefore hopefully both more interesting than my ~700 page PhD thesis on context-sensitive computer memory. Also on the computer side, I've done some exploration of robot emotions. What are you doing next? Forthcoming in the Dakota Frost series is the third book, LIQUID FIRE, and this November for National Novel Writing Month I plan to work on HEX CODE, the first in a spin-off series featuring Dakota's adopted daughter Cinnamon Frost. Are you working on anything other than Dakota Frost? I've also recently completed a rough draft of the first book in a new series, JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE. A short story set in this universe, "Steampunk Fairy Chick", will be included in the forthcoming anthology UnCONventional. What are you working on currently? I'm also currently working on a fourth new series with the working title STRANDED, a young adult science fiction novel set a thousand years in the future, featuring a spoiled young centauress who must rescue a shipload of children who have crashlanded upon a world she wanted to claim as her own. This story's set in the "Library of Dresan" universe from which this blog takes its name and which was setting of my very first unpublished novel "homo centauris", which I am now happily milking for its 57 billion year backstory. Anything else? I have a flash fiction story called "The Secret of the T-Rex's Arms" to appear on the Smashed Cat Magazine. I've also published one short story, "Sibling Rivalry" in the Leading Edge Magazine. I have a webcomic, f@nu fiku, on hiatus. And I'm actively involved with helping people succeed at 24 Hour Comics through tutorials that I and my friend Nathan Vargas have put together at Blitz Comics. Is that enough questions for now? Yes, it is. Please enjoy. -the Centaur

Where is BLOOD ROCK?

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National Novel Writing Month Kickoff Card A fan wrote:
I would like to purchase Blood Rock, but I have not been able to find it anywhere.... Can you direct me to a site which has it for sale? If it is in fact for sale? I am a little curious since your site says it is in Beta release, but the site has not been updated in several months, so I am unsure as to the status of the book.
Well, sorry about that ... Blogger changed their terms of service and the Dakota Frost site is frozen until I can fix it. The answer? BLOOD ROCK is in editing right now - the publisher wanted some big cuts, but I'm in the last throes of National Novel Writing Month right now and had to put BLOOD ROCK down while working on my new series. I'm picking up BLOOD ROCK December 1st and hope to have it to the publisher before the first of the year, so if all goes well it will be out in March. I'm well into the sequel to the sequel, LIQUID FIRE, which I hope will be out the following October. -Anthony

Viiiiictory … A New Series

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Winner's Badge for Nanowrimo 2010Once again, I have completed National Novel Writing Month! This year’s entry is the first in the Jeremiah Willstone series, THE CLOCKWORK TIME MACHINE:
On an alternate Earth, the feminist revolution started a century early, technological progress doubled ... and Mary Shelley's granddaughter Jeremiah Willstone is an adventurer defending the world in a flying airship! She's used to fighting off monsters with nothing more than goggles, an electric gun and the advice of a half-human computer, but what will she do when her own uncle changes the rules of the game ... with a Clockwork Time Machine?
I've posted a few snippets in this series ... let me see if I can find one which doesn't give any key plot elements away.
With Patrick’s blunderblast slung over her shoulder, Jeremiah whizzed through the streets on her autocycle, discharging its cylinder flat out, its teakettle scream and clanking frame adding another layer of mist and noise to the steam and bustle of Boston. Her legs were tensed, her knees bent against the pedals, half to jump the cycle over curbs, and half to keep the juddering vibration from the cobblestones of Beacon Hill from rattling her tailbone clean off. She squealed to a stop before the Moffat’s, pulled the cylinder and tossed it to a street urchin. “Top me off?” she asked, hopping off onto the sidewalk with a whirl and pulling her bag out of its basket in one smooth motion. “Yes, ma’am,” the boy said, taking the cycle. His eyes lighted on her vest, her denims—and on the big brass buttons on her lapels, a steering wheel, sword and airsail overlaid with a stylized V. “Are you an Expeditionary?” Jeremiah smiled. “Yes,” she said, ruffing his cap so that tufts of blond hair showed. “Maybe one day you’ll become one too. Polish the brasslite a bit and there’s a second shilling in it for you. Quick now; I won’t be long.” “Yes, ma’am,” he said, walking the cycle off. Jeremiah turned to the tottering three-story shop, glancing up at the enclosed balcony jutting out from the newer brick buildings around it. Beneath the balcony, carbide-etched into the thick window of carbonate glass, were the words: MOFFAT’S MECHANISMS & MYSTERIES Her mouth quirked; as usual, today she was in the market for a bit of both.
Unlike last year, I didn't have to write 38,000 words in only ten days. But I did do pretty well; I still have a few days of writing left and I'm going to try to push further on the story. [caption id="attachment_797" align="alignnone" width="450" caption="Victory Point for Nanowrimo 2010"]Victory Point for Nanowrimo 2010[/caption] Prevail, Victoriana! -the Centaur

National Novel Writing Month Approaches Again

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Once again Nanowrimo approaches ... every November, a collection of insane people around the Earth get together to write 50,000 words of a new novel in 30 days. I usually tweak the rules and write 50,000 MORE words on top of some seed of a few thousand words I've already started. This year, I'm doing Jeremiah Willstone and the Clockwork Time Machine, what I hope is a twist on the steampunk mythos:
Xenotaur on Nanowrimo.org Synopsis: Jeremiah Willstone and the Clockwork Time Machine On an alternate Earth, the feminist revolution started a century early, technological progress doubled ... and Mary Shelley's granddaughter Jeremiah Willstone is an adventurer defending the world in a flying airship! She's used to fighting off monsters with nothing more than goggles, an electric gun and the advice of a half-human computer, but what will she do when her own uncle changes the rules of the game ... with a Clockwork Time Machine? Excerpt: Jeremiah Willstone and the Clockwork Time Machine Lightning gouged a chunk of the wainscoting an inch from Jeremiah Willstone’s head and she hurled herself back, bumping down the stairs on her tailcoat, firing both Kathodenstrahls again and again until the doorpanels were blasted into sparks and splinters. Her shoulders hit the landing hard enough to rattle her teeth, but Jeremiah didn’t lose her grip: she just kept both guns trained on the cracked door, watching foxfire shimmer off its hinges and knobs. The crackling green tracers crept around the frame, and with horror she realized the door was reinforced with iron bands. She’d intended to blast the thing apart and deny her enemy cover, but had just created more arrowholes for him-or-her to shoot from. As the foxfire dissipated, the crackling continued, and her eyes flicked aside to see sparks escaping the broken glass of her left Kathodenstrahl’s vacuum tubes. Its thermionics were shot, and she tossed it aside with a curse and checked the charge canister on her remaining gun. The little brass bead was hovering between three and four notches. Briefly she thought of swapping canisters, but a slight creak upstairs refocused her attention. No. You only need three shots. Keep them pinned, wait for reinforcements.
Like last year, I donated to help keep Nanowrimo running, and if it's helped you you should think about it as well. If that's not in your budget, try setting up or joining a local Nanowrimo group. I participate in the South Bay Nanowrimo group, and I'm trying to organize one at the Search Engine That Starts With A G if I can get enough people to participate. Happy writing! -the Centaur

A noble failure

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Well, it was a noble failure, but a failure it was. I had indeed not overcome my food poisoning, not that I threw up or anything but I indeed got gurgly. During Page 7, I started having sleep microbursts during my crosshatching. And finally, as I was recovering from gurgle and looking at Page 8, I realized it was even more complicated than the previous page, and flipping through the remainder realized I needed to finish each page in ten to twenty minutes ... and I was taking forty five minutes per page. There was no way to make it. So that was it. Took a brief nap, freshened up, and started packing it up. What a fantastic experience. I have a complete 24 page story roughed out, 7 inked pages, and a lot more learning under my belt. Two of the five people who were at our site look like they are going to finish. Oh well ... next year! Ad comika! -the Centaur

The Halfway Point

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What you see is Page 24 of my rough layouts - THE HALFWAY POINT: On time, on schedule. 24 roughed up pages complete. For those who don't know my process, the act of putting together a comic
  • begins with some scribbled sketches and notes
  • continues with 24 tiny scribbled panels all one page
  • continues with 24 super rough letter size (actually 9x12, what I had on me) pages
  • continues with 24 "detail roughs" on larger (10x14, what I had on me) pages
  • then I pull out the lightbox and the vellum and trace each page over and over itself until it looks good
Normally I'd scan those pages and screw around a lot with Photoshop, Illustrator, Painter and Xara, but screw that. This time I'm inking, lettering, drawing panel borders by hand. No time. No time. To help me along, these are the tools of the trade, my crutches, and my models ... that and Google Images. We're doing this at Noisebridge in San Francisco, a great shared hacker space I should blog. Later. It's their second, or third, birthday. Huge loud distracting party. I've met quite a few friends from The Search Engine That Starts With A G. I've explained 24 hour comics day like 24 times. More on that ... later. Here's another hardworking comicker: Here's Nathan Vargas, who shanghaied me into this: And here I am, from a few hours ago, looking a lot fresher than I do now. And this is me closing the laptop and getting back to work. Out of time to blog. Page 1 of the roughs becomes a real page now. See you in 12. -the Centaur

24 Hour Comic Day Begins

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SO once again I'm participating in 24 hour comics day, the insane attempt to complete a new 24 page comic from scratch in 24 hours. Add to that that I've gotten less than 8 hours of sleep in the past 48 hours because of food poisoning, fully expect the food poisoning to kick back in in about 12 hours, and the fact I need to go back to my church and set up some tables, I think this is more likely going to be a 4 hour comics day. :-( However, I'm not going to bail too early: my buddy Nathan Vargas has shanghaied me up to Noisebridge in San Francisco, a great shared hacker space you can see below. So here goes nothing! TRANSNEWTONIAN OVERDRIVE: The Front begins now...

Guest Posting for Blogathon at A Novel Friend

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My friend from the DragonWriters, Trisha Wooldridge, is participating in the Blogathon - sort of the 24 Hour Comic Day for bloggers - and I'm sponsoring one slot with a donation to Bay State Equine Rescue and a guest post on "Greed and Charity". A teaser:
At the beginnings of their careers, a lot of authors and other creative types are obsessed with making money off what they produce and are deathly afraid of people stealing it. I've seen people charging their friends for copies of short stories printed in magazines, putting their artwork on the web behind passwords or with huge watermarks, or pricing their software out of reach of the people who want to buy it. But this doesn't help them - in fact, it hurts. And I'm here to tell you to give stuff away for free.
If you want to read the whole post, please check it out at her blog, A Novel Friend - it should go up sometime this weekend. -the Centaur

Let’s Do The Qumana Thing Again…

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... testing the suitability of this tool for WordPress.

Why did this come up? Well, I'm at San Diego Comic Con, where my AT&T wireless dongle has had an awful time connecting, and on top of that I'm working hard on LIQUID FIRE, which often prompts me to turn off the Internets so that I can focus on getting writing done.  SO it's useful to have an offline blogging tool again, and I had good luck with Qumana ... though it was not perfect, it got the job done.

OK, here we go ... reconfiguring blog ... aaand ... post.

404 error: not found.

OK, so obviously, that was was not the right endpoint ... Qumana needs to know where your control panel for your blog is, and if you don't tell it, it can't post for you.  Fixing ... OK.  Aaaand ... post.

302 error: a redirect.

Rassen frassen ... ID:10T error, stupid Centaur, read the documentation you include in your article and add the xmlrpc.php to the final end of the path to your endpoint. Fixing ... OK.  Aaaand ... post. 

404 error: not found.

No, still not quite correct ... don't need the /wp-admin/ in there to make it work, which I could easily have seen by inspecting the PHP files on the server, or in the local MAMP copy of my WordPress installation.  The actual final path seems to be http://SITE/BLOGPATH/xmlrpc.php, which makes sense, but since I've got a custom site organization I stuffed a  /wp-admin/ in there which didn't need to be. Fixing ... OK. Aaaaand ... post.

Geronimo!

-the Centaur

The Stanford Department of Alchemy

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Alright, enough blogging, time to get back to "real" work. Let me leave you with a teaser, the scene I'm working on right now - the Stanford Department of Alchemy, from LIQUID FIRE: stanford department of alchemy
“Magicians have survived by being secretive,” Devenger said, folding his arms sternly. “You, I can find out anything I want on Wikipedia, including pictures of your tattoos good enough to reverse-engineer some of their logic—” “Wait, back up. I have a Wikipedia page?” I said, laughing. “Bullshit.” Devenger’s salt-and-pepper eyebrows lifted. “And I thought you were web savvy. Haven’t you ever Googled yourself?” And with that he turned to the screen, tapped out my name, and ten seconds later had found a Wikipedia page on Dakota Caroline Frost, complete with that same old out-of-date picture everyone scarfed from the Rogue Unicorn web site. “Damn,” I said, leaning over his shoulder. “That’s me all right—” “Down to a list of your tattoos,” Devenger said, scrolling down through the page. “Even ones you no longer have, like your original Dragon tattoo—” “Wait,” I said. “ Scroll back up. There, my daughter’s name. Why is that a link?” “Maybe she has a Wikipedia page too,” he said. Something cold ran up my spine. "Click on it," I said quietly.
Why is Dakota so worried? Until 2011, when LIQUID FIRE comes out: wonder. -the Centaur

This … this is WORKING …

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revised version of dakotas face

Oh ... oh my goodness. I'm working on a revised version of Dakota's face for the frontispiece of Frost Moon and ... and ... "working" is not just a metaphor. This is actual work. I'm sketching, and soon after that I will be writing again on Liquid Fire or Jeremiah Willstone. As part of real work, and not just some crazy hobby anymore.

Too cool.

-the Centaur
Pictured: the revised face of Dakota Frost for the frontispiece, pre-cleanup and compositing into the original drawing.

Viiiiictory … Episode III

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Nanowrimo 2009 WinnerOnce again, I have completed National Novel Writing Month! This year's entry is the third in the Dakota Frost series, Liquid Fire. I'll have more to say about this later this week, especially the mad scramble to write 38,000 words in 10 days (oy). But until then, let me leave you with the synopsis of Liquid Fire: "Dakota Frost, a magical tattoo artist who can bring tattoos to life, is caught in a war between rival fire magicians over liquid fire - dragon's blood. An ancient order of pyromancers needs it to survive; modern fireweavers need it to perform their magic --- and Dakota Frost is the only person to have summoned a dragon in two hundred years."


Oh, heck, I'll throw in a repost of the first chapter too ... as edited:
“What is life? No scientist can tell you. Oh, the pocket-protector variety will say that living things move, eat and grow, wrapped up in ten-dollar words like ‘locomotion’ and ‘intake’ and ‘self-organization’. But these by themselves are not life: a waterfall moves more vibrantly than any animal, a fire eats more efficiently, a crystal is more organized.

“A worldly scientist, aware of the dance of the sexes, will mention the heat of metabolism, the fire of reproduction. But a fire eats to live just like we do, but faster: and where we breed in a slow dance of desire, a fire lives in a hot orgy of giving, casting off its own substance, flying sparks, glowing seeds, drifting through the air to start the cycle again. If metabolizing and reproducing were all there were to life, would not fire be alive?

“But life is not any one of these things: life is all of them together. It is the combination of moving and eating and organizing, of metabolism and reproduction, of a thousand things more. Put them all together, and you get more than you started with: a holistic—holy—combination that is more than the sum of its parts. Life is magic.

“Or more precisely, magic is life,” I said. Nowhere was this more clear than with my traveling companions, werekin and vampires whose very biology was woven with magic; but since they would not approve of outed just so I could make a point, I instead picked on myself. “I know this, because I’m a skindancer. I ink magic tattoos that only work because their magical lines are laid on a living canvas that powers them. Each tattoo is like a circuit, that captures the intent of the wearer and projects it out it into the world. But it is the flow of the blood beneath the flex of the skin that powers them: without that life, they’d be useless.”

I don’t know what got me on that dissertation, but when I was done, the airline stranger in the seat to my left—a cute granola girl, curvy almost to the point of chubby, with a refreshing patchouli scent and dirty blond hair so curly it looked like coils of copper wire, I mean, really, just my type, down to the nose ring—put her magazine down and looked at me quizzically.

“Lady, are you for real?” she asked.

+3200 words

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... still on schedule, but still not ahead because I am still sick and crashed out for hours after Thanksgiving brunch (or maybe that was the turkey).

Still, Not good. I'd say it's time to go to the doctor but this on-again-off-again sniffle, cough, randomly crash out for three hours always seems like "it's getting better".

Even though it ruined half of my Thanksgiving day, I went to sleep last night actually thinking my cold was probably about over.

Today: carshopping, housecleaning, and, oh yeah, I need ~3800 words to stay on target, ~6500 to get back to where I should be if I'd been keeping up with 1666 words a day from the beginning, and 11,580 words to finish Nanowrimo completely.