Words, Art & Science by Anthony Francis
The art, craft, and life of writing.
The Neurodiversiverse submission window has finally closed, Liza and I have triaged the art and assigned the stories, and I'm now digging into my first chunk of the slush pile. Onward!
-the Centaur
Pictured: A universe of science fiction books from nearby Angel's bookstore.
Now, it's not true that I have writer's block: I wrote +600 words on a new story, "Plains of Deathless Ice", a sequel to my recently-submitted story "Shadows of Titanium Rain". But I do seem to have blogger's block, as I had two or three ideas for posts but had great difficulty writing them.
This is not one of those post ideas.
Pfui on you, writer's block.
-the Centaur
Pictured: Some books from my "books wanted" album.
In ATL for the Conference on Robot Learning, very tired after a long day, please enjoy this picture of a Page One from Cafe Intermezzo. Actually, today was a really good example of "being where you need to be" ... I ran into a fair number of colleagues from Google and beyond just by being out on the town at the right time and the right place, and was also able to help out a fellow who seriously needed some food. And when the evening was ending ... three more Google colleagues appeared on the street as I sat down for coffee.
I don't actually believe we live in a simulation, or in the Secret, or whatever ... but if you're doing the right thing, I find that Providence tends to open the doors for you right when you need it.
-the Centaur
P.S. Being in the right place DOESN'T mean you get all your nano wordcount done though. I am making progress on "Blessing of the Prism", my Neurodiversiverse story, but on Dakota Frost #7 I found myself spending most of my writing time sorting chapters in the big manuscript into sections, as I realized that one of the ungainly sections I didn't like was actually a coherent start for Dakota Frost #8.
P.P.S. On my blogroll, I saw someone say, "no writing is wasted", and in a sense the chapters I just saved are not wasted. In another, and I say this as a bloviating maximalist, a big part of writing is selection, and sometimes having too many versions of a thing can make it hard to pick the right one and move on.
Okay, really going to crash this time, peace out.
So the turkeys are out again! Love to see these fellas in the yard. But they're not the only big ungainly birds out there. I've been reading a lot of writing books recently, and some of them have really great advice. True, in each good book there is, usually, at least one stinker.
But most of the good ones build on the two related ideas that "whatever works, works," so you can adapt their advice to your own needs - HOWEVER, "some things usually work better than others," so if you are having trouble, here are some tools you can try.
One thing I draw from this is a refutation of the idea that if an artist achieves their artistic vision then there's nothing wrong with that piece of art. Phooey. It may be great for them that they achieved their vision - heaven knows, I so rarely do that - but what they envision itself may be flawed.
Dwight Swain, who wrote Techniques of the Selling Writer, talks about this in audio courses built on his book. As a novelist, he claims you often don't know how good an idea is until you get a chapter or three into the story, and that if you find your idea doesn't work (or that you don't care about your protagonist), quit.
There's no shame in this. But if you've got the time, talent or treasure, you can sometimes push a bad idea to its logical conclusion without ever questioning the foundation. For example, hiring Samuel Jackson, but directing him to act woodenly as if he's in an old Republic serial (I'm looking at you, George Lucas).
What you focus on as your artistic vision is itself a matter of choice, and achieving your artistic vision does not mean that you'll end up with something that is aesthetically effective. Hey, as always, you're free to do you, but that doesn't mean that the rest of us are going to get what you've got.
-the Centaur
So! National Novel Writing Month is here again, but I haven't finished my story for the Neurodiversiverse. So I'm working on two stories at once. Hopefully this will not become confusing.
But, if you see something from me in which space centaurs fight werewolves, or Dakota Frost goes to space, you know why - hang on, wait a minute, I already had those storylines going.
Hmm ... this might be trickier to debug than I thought...
-the Centaur
Hooray! Our Kickstarter for Writing Inspiration Postcards funded!
This project was fascinating for me because we learned so much about what to look for in our Kickstarter campaigns:
And, for me personally, I'd have run the Kickstarter for another week, as we were just figuring out how to improve our outreach as the Kickstarter wound down. But, there's a tradeoff between how long the Kickstarter runs and how much time and effort it takes for us to manage it, so there's no exact formula for how long a Kickstarter should run in terms of wear and tear on the team.
Anyway, I hope you backed it, and get to enjoy the postcards!
-the Centaur
Hey folks! Thinking Ink Press is running a Kickstarter to create postcards that inspire writers, based on Keiko O'Leary's book Your Writing Matters. The Kickstarter just funded, but we're approaching our stretch goals of $1500 which will unlock greeting cards as well. Please check it out and help us reach our goals!
-the Centaur
Hey folks, I and my coeditor Liza Olmsted are happy to announce we're looking for stories for THE NEURODIVERSIVERSE ANTHOLOGY, which will explore how neurodivergent folks might have an advantage in dealing with aliens whose thought processes might also be different. From the call for submissions:
The universe is filled with aliens—creatures with different histories, cultures, and even biologies—who may seem strange to us. But our world is filled with a diversity of people, many of whom find each other strange. One particular group finds the rest of humanity especially strange: neurodivergent people.
Would neurodivergent folks find themselves at an advantage in dealing with aliens?
Let’s find out.
From the call for submissions:
We're looking for short stories, flash fiction, poetry, and black-and-white line art. You can find out all the details at www.neurodiversiverse.com. Send us your stories! We can't wait to read them.
-the Centaur
So far, so good, on the new strategy of starting off with the projects, rather than the maintenance: I've tweeted, checked in with LinkedIn, worked on some non-fiction books, am blogging, and am about to switch gears to writing my Camp Nano entry, SPIRAL NEEDLE.
I'd felt like I was falling into a bit of a slump after getting through the big Embodied AI and Social Navigation deadlines (more on that later) and I gave this new strategy a try after chatting with my buddy, popular science author Jim Davies (author of Riveted, Imagination, and Being the Person Your Dog Thinks You Are).
Jim taked to me about how prioritizing book-writing was critical for his process. I don't really have to do that for fiction - or, more properly, I have structured my entire life around ensuring I have time set aside for fiction writing, so at this point it is practically free - but non-fiction books are new to me.
But one of his other suggestions baffled me, not because it didn't make sense, but because it made too much sense - except I was already doing it, and it wasn't working. Jim pointed out that most people go through periods of vigilance, slump, and recovery during their day, and that as a morning person he reserved book writing, which required critical thinking, for his early vigilant time. Errands like bill-paying worked well for him in the slump, and he felt most creative in the recovery period in the evening.
Okay, great, I thought, I can use this. Already I can see shifting the order I do things in my day - as a night owl, I start my day off in the slump, recover from that, and then get increasingly and increasingly vigilant the further and further I go into the night. (If I have a project due and no obligations the next day, this can go on for hours and hours before exhaustion starts to outpace execution and productivity finally drops).
So maybe switch errands to earlier in the day, I thought, and productivity in the afternoon. But wait a minute: I'm already using my late nights for my most creative time. Why isn't this working.
What I realized is that I have an irregular schedule. In THEORY my late-night time is my most productive time, but in PRACTICE on some nights I get an hour, on some nights I get two (or five) and on some nights I am already so wiped that I really don't get much done at all.
But I do almost always get something done in the morning, even if it takes me time to get rolling. And for me, catching up on papers or writing notes or catching up on my blog is a mostly mechanical activity: it's not that creative thought isn't required, but it isn't to the level of, say, a novel or a scientific paper, where a hard-won sentence may be the result of a half an hour's search tracking down a key reference or fact, or, worse, an hour's worth of brainstorming alone or meeting with others to decide WHAT to write.
So: I can't count on myself to do a creative "chore" - something that has to be done regularly, like blogging or social media, or something that has to be done incrementally over a long period of time, like collating references or thoughts for a non-fiction book - by putting it in my evening creative block. The evening creative block is too irregular, and needs to be reserved for novels and art anyway.
The fix: blog (et al) in the morning.
Let's see how it goes.
-the Centaur
Pictured: tomato and lettuce sandwiches for breakfast, with the leftovers of the tomato as a side dish. At the breakfast table is Christopher Bishop's Pattern Recognition and Machine Learning, also available as a PDF, the latest of a long series of "difficult breakfast table books" which I laboriously read through, a page at a time - sometimes, one page over several days, until I "get" it - to increase my understanding of the world. Past breakfast table books have included Machine Vision, A New Kind of Science, and Probability Theory: the Logic of Science, the first is out of date now, but the latter two are perennial and highly recommended.
tl;dr: get to the point in the first line in your emails, and also in the subject.
"TL;DR" is an acronym meaning "Too Long; Didn't Read" which is used to introduce a quick summary of a longer document - as I did in the first line of this email.
Often when writing an email we are working out our own thoughts of what should be communicated or should happen - which means that the important point usually comes at the end.
But people don't often read to the end. So it's important, when you get to the end of your email, to port the most important point up to the top (which I typically do with the TL;DR tag).
And, even better, if you can put it in the subject line, do that too.
Your email is more likely to work that way.
-the Centaur
Pictured: our wedding dragon lamp, sitting on a side table with our wedding DVD, which is sort of a coincidence; and a very cool light bulb.
Discussed: a topic I swear I've written about in this blog, but I cannot find via searching past posts.
After truly terrific hailstorms, we were treated to a truly awesome sunset.
And, got some work done on editing SPECTRAL IRON: Dakota Frost #4. FINALLY, getting the rewrite of the slow section rolling with some good Dakota Frost action segueing right into an ambulance ride.
That's more like it.
-the Centaur
Woohoo! After being just about as behind on a Nano challenge as I have ever been and still won, I managed not only to complete 50,000 words in the month of April, but to blow past it to 53,266 words! Hooray!
To be frank, that steep slope over the top there feels really good, and I'm quite proud of the effort that I put in to make sure I made it this Nano. But, to be equally frank, the steep slope there PRIOR to going over the top really su-u-u-cked, and I pulled two almost-all-nighters (and one actual all-nighter) to finish.
Early in the month, I prioritized Clockwork Alchemy, and the Social Navigation paper, and getting work done in our old house in California that we're trying to renovate. But once I was back in the East Coast, I really had to knuckle down, writing up to 6,000 words a day near the end.
But, by the end, I was so far ahead that the "velocity required" to stay on track actually went negative (as you can see at the very end of the graph). I broke 50,000 words yesterday, but I still had a scene in mind involving the Big Bad of the Jeremiah Willstone stories, the dreaded Black Queen, Victoria. I didn't want to lose that inspiration, so I wrote it today, and the next scene, which is starting to roll back together with other parts I've written already. So now will be a good time to take a break and take stock of my life, to resume editing Dakota Frost #4 SPECTRAL IRON, and to get my new consulting business, Logical Robotics, rolling.
According to my records, I've attempted Nanowrimo challenges (Nanowrimo, Camp Nano, and Script Frenzy) 37 times, with 35 successes, producing over 1.85 million words in successful months. If I'm lucky, and I can keep up the pace, I may crack two million words next year - wish me luck. But I think it's more pressing to get the editing of the existing books done - so wish me even more luck with that.
Oh, one more thing, the excerpt:
“Alive, but deposed,” Jeremiah said, as the proboscis of the thing behind her touched the back of her head—then bit in with a sickening CRACK. “Aaah! Deposed in 1865—or enslaved by the Plague today,” she moaned, as it dug in. “It’s y-your … choice … your … Majesty—”
The Queen raised the pistol. “I am no-one’s slave,” she said, and pulled the—
Falconer Cadet Specialist Jeremiah Willstone awoke with a start. Staring at the ceiling, she tried to hold on to the dream … no. She knew better than that. It felt like a fading dream … but they were echoes of memories, the last remnants of some disruption in time.
The jumbled recollections were slipping away, the tangled thoughts dissipating: canaries and scarabs and plagues and queens. But she remembered at least three key things: there was a war on, in time; her memories would be out of date; and she had to rise to the occasion.
Jeremiah glanced at the clock: 4:45AM on a radium dial that did not look familiar—no, did not look like her style at all, a frilly elegant thing more French than Austrian. She looked over, found what she expected from seeing the clock, and considered. It was late enough.
“Oi, roommate,” Jeremiah sat up, feet off her cot. “Name, rank, year. No joke.”
The human computer on the cot opposite her groaned. “Wha—” the woman muttered, a dark-skinned woman with impressive curls and chest, who managed to make waking up seem elegant. Then one of the vacuum tubes in her head sparked, and she sat bolt upright, blinking.
“The Lady Westenhoq,” the woman whispered icily, then swiveled to look at Jeremiah. “Liberation Academy Cadet. And, like you, Cadet Willstone, I’m a first year.”
“Thank you, Lady Westenhoq,” Jeremiah said quietly, “but I meant the date.”
Westenhoq looked at her, then swiveled her own feet of the cot to face her.
“Eighteen-ninety five,” Westenhoq whispered. “Out drinking again, Mya?”
“No, and I … think I’m going to start going by Jeremiah.” She rubbed her face. “Sounds more professional, and pet names remind me of my uncle anyway. But, since you knew my nickname and used it freely, I … take it we’ve worked together before.”
Oh, have they. Prevail, Victoriana!
-the Centaur
Pictured: Breakfast at Stax Omega, lots of graphs, and the Camp Nano winner's badge.
I finished Camp Nano. It's late, I'm tired, I have church in the morning enjoy a random picture, victory post tomorrow.
-the Centaur
No, I'm not giving up on blogging at a rate of once per day this year, even if I am already roughly forty percent behind. But my top focus now that I'm outside the Google firewall is to get back to work: after two and a half months of uncertainty following my layoff from Google, the paperwork is now done: the End Date has passed, the Severance is signed, the laptops have been shipped back to the office, and, excepting a bit of COBRA / IRA business, I be done with all that.
But my research isn't done. Coincidentally, I had a few scientific papers-in-flight going when the layoffs happened; not coincidentally, I dove in to making sure those went out. One is under review, with a possibility that we may need to open-source the code, but another has already been published, at the Workshop on Human-Robot Interaction in Academia and Industry. This is a "splinter paper," a small topical paper we forked out of a larger journal article in preparation, and that journal paper needs to go out.
Nor is my work done. Today is Camp Nano, the start of yet another 50,000 word challenge, and I hope to finish the novel-in-progress, JEREMIAH WILLSTONE AND THE PLAGUE OF GEARS, which my friend Tony Sarrecchia is helping me adapt into a series of audio dramas. And I need to finish editing Dakota Frost #4, SPECTRAL IRON, at which I recently made a lot of progress solving plot problems - and for which I recently conducted a research trip to Jack Kerouac Avenue to scope out the site of a battle.
That doesn't even count the game artificial intelligence work I want to do, or the games I want to write, or the drawing I want to do, or my new interest in music, or the regular robotics research I want to get started under the Logical Robotics banner.
My point is, "work" for "the man" should not define you. At least, it doesn't define me: it inspired me, definitely, in many ways, but as for now ... I'm tanked up with my own projects, thanks.
Back to work.
-the Centaur
Pictured: Breakfast of the First Day of the New Era, sending back the laptops, Jack Kerouac Alley.
Restarting the numbering a little bit so we're capturing 'blog per day' (day of year: 44 - blog series: 23 = 21 behind). Up late doing various stuff, so here's a neat shot from a parking garage in downtown Berkeley, after I did my traditional artist date "visit a couple of cool bookstores, get some nice food, find a coffeehouse to work on my book." The road in question is just chock full of theaters and other artistic venues, so there's often quite the interesting crowd milling about when I'm heading from the garage to grab some food.
-the Centaur
Image apropos of nothing. Nevertheless, avoidance behavior has gone on long enough ... soon it comes ...
-the Centaur
Pictured: Another shot of the real place in Palo Alto which must have subconsciously inspired the Librarian's Favorite Ramen noodle shop, from an unpublished story.
This is a place, a very real place in Palo Alto, but in an even more important sense, this is an unreal place, the location of a very special ramen noodle shop that exists only in my mind. The strange thing about this real place is that I don't think the fictional place (from an as-yet unpublished story) is consciously derived from it; yet the ramen shop (fictionally located in the dark glass arch) fits so precisely between the stairs upwards on the right (fictionally, to the upper terrace, only opened for special parties) and the tunnel to the left (fictionally, leading off to the chef's domicile) that I can only imagine this real place, which I have walked past so many times, must have burrowed its way into my subconscious and provided me with the layout I needed for the ramen shop when I needed it.
I've seen this before in stories where an image I encountered years earlier subconsciously wormed its way into a story - most notably, when names and resonances of Wargames and The Bionic Woman wormed their way into my first published story, "Sibling Rivalry", without me realizing it until much later.
Funny how the mind works ...
-the Centaur
Yeah. The microblogging will continue until the posting rate reaches 1/day.
I feel that one problem I have with "daily blogging" is that quick posts are no problem. But if I have a longer idea - but can't finish it in time - I then forget to do a shorter post to make up for it.
And missing a post itself is a problem. What I find when trying to build a regular practice (daily blogging, taking karate twice a week, whatever) is that if you skip one time, even for a "really good reason", then mysteriously the next two or three times you'll HAVE to skip for "unavoidable" reasons.
In this, case in point, I started writing a longer article on debugging software. There was more to it than I expected - I had wanted to make an off-the-cuff comment, and found my thoughts rapidly expanding - and then the next day I was flying, and the next day catching up on work, and the next day owed my part of the annual report to the church board, and so on. And then its DAYS later and boom no posts. I think at this point I am 8 behind in numbered posts, though there were a few un-numbered ones which I would count, except, if I don't, it makes the problem harder, which helps build the discipline I'm trying to build.
SO! Let's get back on that horse then. Update metadata, hit publish.
-the Centaur
Pictured: my evening work ritual, 2-3 times a week when I'm not having dinner with my wife, is to go to some place to eat (preferably one with a bar or high top tables, so I can stretch out my bum knee), crack open a book, and read a chunk of a chapter while having a nice meal. Most of my books get read this way.
... I finished Nano for the umpteenth time. But it's just shy of 3am, so I am going to hit the hay and do my usual "Viiiictory N times" post tomorrow.
-the Centaur
P.S. (It will be "Viiictory, 34 times", for 1.8 million words written in Nano).
Well, it's that time of year again ... 65,000 of my closest friends have gotten together in five hotels and two convention halls in Atlanta to celebrate all things science fiction!
My schedule is below. I worked right up to the start of the con, so am just now posting this two days later, but for the benefit of the time travelers in my audience, I'll include the first two panels:
At each panel, I'll be giving away signed copies of the writing inspiration book Your Writing Matters by my friend Keiko O'Leary. This is the latest release from Thinking Ink Press, and we're very proud of it! No matter where you are on your writing journey, I think this book can probably help you, so come on by!
See y'all tomorrow!
-the Centaur
