
What a year! Hard to believe 2020 is over. Well, now that we're moving on to 2021 ...
Wait, what? 2021 is over already?
-the Centaur
Words, Art & Science by Anthony Francis
What a year! Hard to believe 2020 is over. Well, now that we're moving on to 2021 ...
Wait, what? 2021 is over already?
-the Centaur
Out with October, in with November, and with it, a bunch of updates. Dragon*Con came and went and was a success. Our Kickstarter for Beyond Boots 'n' Bars was funded; thanks to everyone who participated! But most importantly, the move from California to the East Coast is mostly done.
That last I blame for my lack of posting (and drawing - sheesh, I am ~80+ drawings behind) but, ultimately, that was the most important thing that I and my wife needed to be working on for quite a while. Now, she's got a functioning art studio again, and my library is ... getting there.
But, now it's time to get back to it. I'll be doing Nanowrimo again - JEREMIAH WILLSTONE AND THE FLYING GARDENS OF VENUS, something-like-book 2.75 on my original outline. Since Nano has been so great to me, I'm sponsoring it this year, which in turn, means you can find FROST MOON there!
Welp, back to it. Onward, fellow adventurers!
-the Centaur
Hail, fellow adventurers! Our small press, Thinking Ink, is running a Kickstarter to launch a journal for parents of children with clubfoot. Written by Betsy Miller, one of Thinking Ink Press's founders and an active contributor to the clubfoot community, this journal will enable parents to track the progress of their children's treatment, as well as providing exercises and notes to help them process their experiences.
The Kickstarter is live now! Please spread the word, as we love getting specialty books like this into the hands of people who truly need them!
-the Centaur
a long day. but a good one. more tomorrow.
-the centaur
Well, it looks like the way WordPress is going to pull the Classic Editor out of my cold, dead hands is to screw up the formatting of any post published with the Classic Editor. The only way it seems to get posts to appear correctly in the blog roll is to use the new Gutenberg garbage. I will be updating posts a few at a time to try to overcome this. The problem is only "new" Classic Editor posts ... the older content in the blog doesn't appear to be affected, so hopefully it won't take too long if I update a few a day.
-the Centaur
Hi, I'm Anthony Francis, and I teach robots to learn, particularly deep reinforcement learning for robot navigation as well as the intersection of memory, emotion, and planning for contextual control.
I write urban fantasy about a woman who can bring her tattoos to life and steampunk about women scientists and adventurers, as well as space opera featuring a young centauress explorer. I also draw a webcomic about a girl who can travel to any possible story.
On this site, I also have resources on how to become a better writer, on how to overcome writer's block, on the science of airships, my thoughts on how religion intersects with artificial intelligence, and even a collection of recipes and thoughts on food.
If you're looking for a good place to get started, my first novel, FROST MOON, won an EPIC Ebook award, and my team's work on PRM-RL won the ICRA 2018 Best Paper Award. Otherwise, I hope while you are here in the Library that you find something informative, interesting or at least entertaining!
-the Centaur
P.S. This is a "sticky" post designed to introduce the blog; keep scrolling down for more recent content, or check out the site menu, tags or categories to explore more.
Well, Dragon Con 2021 was a resounding success. I have a page full of notes to transcribe here, but just wanted to put a stake in the ground, now that the move and the con are over, so I can get back to blogging and drawing and posting drawings every day.
-the Centaur
Pictured: The bus stop, after all the busses stopped.
Well, we're back at a con at last! And as usual, I'm posting my schedule at the last minute. At least I got the chance to see some people I haven't seen in person for two full years!
And here is my schedule:
Title: Star Trek Essays
Description: There are thousands of worlds within Star Trek, & thousands of topics to talk about. Where do we start? Join a panel of published writers & producers to discuss what's worth discussing in Trek essays, articles, & videos.
Time: Fri 11:30 am Location: Galleria 2-3 - Hilton (Length: 1 Hour)
(Tentative Panelists: Kyle Mackenzie Sullivan, R Alan Siler, Anthony Francis)-------------------
Title: Teaching Robots to Learn
Description: When you tell a machine to learn, all bets are off on what it will learn to do. In this panel, we'll discuss techniques used today to teach robots to recognize objects, to grasp them, to navigate autonomously around people, & even to imagine the future.
Time: Fri 04:00 pm Location: Atlanta - Sheraton (Length: 1 Hour)
(Tentative Panelists: Anthony Francis)-------------------
Title: To Series or to Stand-Alone?
Description: Fantasy readers fall in love with the characters & worlds we build. How do you sustain the interest in a series--or would this idea work better as a stand-alone?
Time: Sat 10:00 am Location: Embassy EF - Hyatt (Length: 1 Hour)
(Tentative Panelists: Anthony Francis, Moderator: Nancy Knight, A. J. Hartley, J. Gregory Keyes, Seressia Glass, Dakota Krout)-------------------
Title: Author Signings:
Time: Sun 01:00 pm Location: International Hall South 1-3 - Marriott (Length: 1 Hour)
(Tentative Panelists: Clay Gilbert, Patricia L. Briggs, Anthony Francis)
-------------------
Title: Dead at the Keyboard
Description: Panelists discuss strategies to combat writers' block, stress, fatigue, boredom, insecurity, & deadline anxiety.
Time: Mon 11:30 am Location: Embassy EF - Hyatt (Length: 1 Hour)
(Tentative Panelists:Moderator: Nancy Knight, Keith R.A. DeCandido, Anthony Francis, Peter David, Trisha J. Wooldridge)-------------------
Title: My Favorite Author, Book, Series, Character...
Description: Authors discuss their favorites among their own works & offer insights into their favorites in other authors' writing.
Time: Mon 01:00 pm Location: Embassy EF - Hyatt (Length: 1 Hour)
(Tentative Panelists: Anthony Francis, Moderator: Bill Fawcett, Trisha J. Wooldridge, James R. Tuck)
Hope to see you there!
-the Centaur
P.S. I have been drawing more or less every day, but I have also been moving, so you get a drawing another time.
Day 203: Damnit, Jim, I'm a sketch, not a headshot!
Let's see how I did:
Huh ... not entirely terrible, though it needed stretching horizontally.
What about Day 204? A quick sketch of Dakota Frost:
Day 205 apparently hasn't been cleaned up, so we'll return to that.
Drawing every day, posting when I get to it.
-the Centaur
It's not that I've not been drawing every day. But my marriage is more important than drawing every day, and my job is more important than my posting every day, and just from the perspective of posting, while we're on that subject, site maintenance is more important than all of that, since I couldn't post.
However, taking a shotgun to all of my plugins (except the Classic Editor, which WordPress Gutenberg can pry out of my COLD DEAD HANDS) and running all available updates got the site back to life. Still not sure what precisely went wrong here, as the failure wasn't correlated with any detectable change.
SO anyway, drawing hasn't stopped, but posting of them will resume when I get the huge box of stereo wires detangled so the site is smooth again. Pictured: me, having a drink with my wife, spending a wonderful afternoon and evening together, most of which did NOT involve any form of drawing.
-the Centaur
UPDATE: The problem was the Jetpack plugin, and it persists even if the plugin is reinstalled from scratch. This has some precedent, as I see other users with the same problem, though I haven't dug deeply enough to understand what is going on in my case.
Congratulations, Sir Richard Branson, on your successful space flight! (Yes, yes, I *know* it's technically just upper atmosphere, I *know* there's no path to orbit (yet) but can we give the man some credit for an awesome achievement?) And I look forward to Jeff Bezos making a similar flight later this month.
Now, I stand by my earlier statement: the way you guys are doing this, a race, is going to get someone killed, perhaps one of you guys. A rocketship is not a racecar, and moves into realms of physics where we do not have good human intuition. Please, all y'all, take it easy, and get it right.
That being said, congratulations on being the first human being to put themselves into space as part of a rocket program that they themselves set in motion. That's an amazing achievement, no-one can ever take that away from you, and maybe that's why you look so damn happy. Enjoy it!
-the Centaur
P.S. And day 198, though I'll do an analysis of the drawing at a later time.
You know, Jeff Bezos isn’t likely to die when he flies July 20th. And Richard Branson isn’t likely to die when he takes off at 9am July 11th (tomorrow morning, as I write this). But the irresponsible race these fools have placed them in will eventually get somebody killed, as surely as Elon Musk’s attempt to build self-driving cars with cameras rather than lidar was doomed to (a) kill someone and (b) fail. It’s just, this time, I want to be caught on record saying I think this is hugely dangerous, rather than grumbling about it to my machine learning brethren.
Whether or not a spacecraft is ready to launch is not a matter of will; it’s a matter of natural fact. This is actually the same as many other business ventures: whether we’re deciding to create a multibillion-dollar battery factory or simply open a Starbucks, our determination to make it succeed has far less to do with its success than the realities of the market—and its physical situation. Either the market is there to support it, and the machinery will work, or it won’t.
But with normal business ventures, we’ve got a lot of intuition, and a lot of cushion. Even if you aren’t Elon Musk, you kind of instinctively know that you can’t build a battery factory before your engineering team has decided what kind of battery you need to build, and even if your factory goes bust, you can re-sell the land or the building. Even if you aren't Howard Schultz, you instinctively know it's smarter to build a Starbucks on a busy corner rather than the middle of nowhere, and even if your Starbucks goes under, it won't explode and take you out with it.
But if your rocket explodes, you can't re-sell the broken parts, and it might very well take you out with it. Our intuitions do not serve us well when building rockets or airships, because they're not simple things operating in human-scaled regions of physics, and we don't have a lot of cushion with rockets or self-driving cars, because they're machinery that can kill you, even if you've convinced yourself otherwise.
The reasons behind the likelihood of failure are manyfold here, and worth digging into in greater depth; but briefly, they include:
I don't know if Richard Branson is going to die on his planned spaceflight tomorrow, and I don't know that Jeff Bezos is going to die on his planned flight on the 20th. I do know that both are in an Egotistical Idiot's Relay Race for even trying, and the fact that they're willing to go up themselves, rather than sending test pilots, safety engineers or paying customers, makes the problem worse, as they're vulnerable to the Paradox of the Director's Foot; and with all due respect to my entire dot-com tech-bro industry, I'd be willing to bet the way they're trying to go to space is an oversized Inexpensive Magnesium Coffin.
-the Centaur
P.S. On the other hand, when Space X opens for consumer flights, I'll happily step into one, as Musk and his team seem to be doing everything more or less right there, as opposed to Branson and Bezos.
P.P.S. Pictured: Allegedly, Jeff Bezos, quick Sharpie sketch with a little Photoshop post-processing.
"No, sir. All thirteen!" Sketch of the iconic shot of Peter Capaldi's eyes from The Day of the Doctor, roughed with non-repro blue and sketched with Pigma Micron and Graphic pens. I've included the roughs below, color-enhanced, to show that process:
This one isn't a quick sketch, so, let's see how I did:
The eye shape is not terrible, though the one on the left of the drawing has a misshapen iris, and that weird tilt of the eyes with respect to the head is back, as you can see when the eyes and hair are lined up (below) - if those features line up, the cheeks are tilted, and v. v.:
It's instructive to compare this with the Sharpie sketch I did a while back:
Not bad, certainly bolder with the dark lines, but how does it compare? I worked from a brighter, if smaller picture last time, but did that help? I can already see the eyes are just the wrong darn shape:
The eyebrows are insufficiently Capaldi in both of them, not as exaggerated as his real-life eyebrows, and the older sketch shares the property that you can line up the cheeks (black, below) or eyes (white, below), but not both at the same time:
Didn't like how the re-sketch of yesterday's post was turning out, so I drilled in on the eyes, using non-repro-blue roughs (which you can see below).
I'm not happy with how I'm perceiving shapes; the eyes are too wide, and it can't just be chalked up to angle (look at the eye on the right of the drawing in particular). Also, my rendering is still off, as the iris on the left is misshapen from the rounded originals. Oh, and that tilt is back.
Drawing every day.
-the Centaur