Or maybe the day after that. Art toys on a book box, from my artist's studio. Pencils, then inks, with a tiny cleanup with levels in Photoshop. Consciously had to force myself not to touch up a few errors: the point is quantity, not quality: to create a new, consistent habit where I am constantly drawing all the time, whatever comes to mind, whatever I need to draw, with no fear or shame.
Now is not the time for fear; that comes later. Now is the time for regular practice of quick sketches in which "It's better to be DONE!"
Drawing every day.
-the Centaur
NOW it's my car. A near-copy of my California 2010 Prius, minus 120K miles and plus a slightly darker interior trim, on the principle that it's a known quantity, and was darn cheap. The equivalent of a "quick sketch" but in Photoshop, just seeing what I could accomplish with the different brushes and tools.
Drawing every day.
-the Centaur
Reverend Karen of Saint Stephen's in-the-Field Episcopal Church of San Jose, presiding at a joint service with our partner congregation down the way, St. John the Divine of Morgan Hill. Drawn pencils, then ink, from a still screenshot of recorded services we are using to avoid the zombie apocalypse.
Drawing every day.
-the Centaur
It's late and I'm tired, so I drew this completely freehand - in inks, with no pre-sketch - on my TODO clipboard, took a photo with my phone, and then downloaded it to my drawing workstation and spent a few minutes playing with comic coloring in Photoshop. Eh, it's a sketch.
Depicted is, surprisingly enough for people who know me, not my Prius. At least, not yet.
Still, drawing something every day.
-the Centaur
tl;dr: sometimes the solution to a bad drawing is to practice on something else
Finally, the completed page. Frankly, meh.
I could have done a lot more work on it to clean it up, add some pop, fill in some more cloud layers, etc., etc., but diving into the fiddly bits on this particular composition would not fix the deficiencies in the core drawing or in my abilities to realize it.
The solution, I think, is not to overwork a single piece of artwork trying to compensate for its deficiencies, but to instead identify those deficiencies, to practice to eliminate them on different drawings, and then to return to the original subject matter with a wholly new concept and composition.
In this case, the deficiencies - oh, I don't know where to start. My poor hand drawings, my lack of details about body anatomy, my poor inking skills, my lack of strategies to overcome my slight RSI tremor, my poor page layout, my lack of knowledge about digital coloring techniques, or my need for strategies to overcome my moderate color blindness? But identifying even a few of them starts me on the road.
Note fixing these issues requires a comprehensive approach: some involve practice, like drawing hands or working on inking. Others require research (and practice): learning more anatomy or digital coloring. Others require actual strategies: if I want to clean up my inking line, I need to focus on ways that do not irritate my RSI or trigger the slight wobbly tremor, and if I want to deal with my color blindness, I need both more knowledge of color theory and a plan to deal with it. But now I have GPS directions.
Time to get started. And at some point, when I've traveled around the country of comics and returned to the start with a better set of tools, perhaps I'll draw another Batman cover. Or a Green Lantern page.
Or ... maybe ... a comic of my own design. Not that I have one in mind or anything.
Till then, drawing every day.
-the Centaur
My cousin helped unload those books too. I am so pleased he is not dead after the entertainment center I'm trying to get rid of nearly fell on him! The bleeding will stop soon, I'm sure, but I don't know whose femur this is lying around ... not good ...
Pictured: a plush Tachikoma atop my wife's artwork Petrified Coral, in my partially-assembled library. If you have to explain a drawing, how good is it anyway?
Drawing every day.
-the Centaur
Oy, this guy again. Not a finished drawing: these are "flats", used in digital coloring to isolate different elements of the image for further processing, hence the false colors used to make sure each element can be selected by color - I'm not that colorblind! Hopefully I'll finish up the color composite tomorrow.
Drawing every day.
-the Centaur
Try #4 at the drawing behind this page, using the improved layout from #3. In addition to that trick, I increased the size of the page by 50% so I was effectively drawing at 300dpi, and zoomed in to work on the details, using all three previous drawings composited in increasingly ghostly transparency like an ersatz lightbox. Darker outlines were used for Batman and Zombie Wayne.
Altogether, I like how this one came out better. Hopefully, if there are no more disasters with the water or the power or yearly planning, I can color this one tomorrow #dontjinxitfrancis so you can stop seeing this and we can move on to something else.
Drawing every day.
- the Centaur
As it says on the tin: it's late and I'm tired. Based on the Monkey Selfie Copyright Dispute. Seven layers in Photoshop (not counting blank background), five of them still active, including oh I'm too tired to type, here they are:
I go zzz now.
-the Centaur
tl;dr: if the flaw is in the bones of the art, you must change its skeleton, not its clothing
Today's drawing is a revised layout for the "Batman 80's style cover" page. While the previous page had more refined inks, Batman's body posture was a bit off, and the Dreamweaver's hands were floating about like he was Rayman. While I could have finished those inks, when I got to coloring the disembodied Dreamweaver would have posed a problem, and the misproportioned Batman would have just looked bad, no matter how much effort I put into the inks or coloring.
I've seen a lot of people spend a lot of effort trying to fix things with finesse or technique when the problems actually lie in the layout. If the flaw is in the bones of the art, you need to change its skeleton, not its clothing. And one of the freedoms that working in Photoshop on the Wacom Cintiq is that you can take a problematic layer, reduce its opacity to 25%, slap a new layer over it with its compositing set to darken, and --- BAM --- you have an instant lightbox to help you sketch a new one.
When Jim Lee got started, reputedly he spent a lot of time drawing from photo reference to help build up his skills. I'm no Batman, but nevertheless, I spent some time tonight taking reference photos of myself clutching my chest and a throw-blanket, trying to perfect Batman's cape-grab, and other references of me villainously spidering my fingers, trying to imitate this "Dreamweaver" chap.
The result is a layout which, at first glance, looks a lot like the old one. Everything is where it was, more or less. But Dreamweaver's hands are now attached to his body, his helmet makes sense, and Batman's arms and cape now interact in a more realistic way. And his fingers aren't rigid as boards, so it actually looks a bit like he's clutching his heart.
No amount of refining the original drawing in place would have fixed these issues: Batman's arm was too long and bent, his fingers were in the wrong place, and the Dreamweaver's thumbs were actually out of their sockets - never mind the missing arms and shoulders. Finesse and technique only take you so far: at some point you may have to stop and rethink your layout to make real progress.
One step backward, two steps forward. Drawing every day.
-the Centaur
tl;dr: to get good at something, you've got to put in a lot of practice
Hail, fellow adventurers! You may have been wondering what's up with the "Drawing Every Day" on this website. Or, hey, maybe you just got here. But I've gotten far enough into it that I feel comfortable taking a short break from developing this habit to tell you about this habit I'm trying to develop.
I've loved comic books since I was a child. I've drawn since I was a young kid. I even started working on comics in graduate school, consciously refining my art until I was able to launch a webcomic, f@nu fiku, partially inspired by anime, manga, and the FLCL anime.
Then I broke my arm. And while I was recovering, someone stole my laptop. I took the opportunity to switch from Windows to Mac, and, as luck would have it, got my first book contract for FROST MOON. By the time I got enough free time from editing and book launches to go back to the webcomic and pick up where I left off, I found out my hand-crafted webcomic software wouldn't work on the Mac.
The real blow, however, was hidden: my confidence in my artwork had collapsed.
I went from fearlessly putting together two-page spreads way beyond my ability, doing bodies and perspective, and changing my layout theory at the drop of a hat, eventually producing pages that appeared in an art show - to being unable, or more precisely, unwilling to draw at all.
I had become intimidated by - embarrased by - my art. My wife is also an artist, and is familiar with the phenomenon. She and I talked about the reasons behind this at length, and like writer's block preventing writers from writers, one of the things that really affects artists is simply getting started.
If you've only done a handful of drawings, well, then, every one is super important, and there's pressure to make it perfect. But if you've done lots of drawings, then each one is an experiment, and if it doesn't turn out good, well, then, you can always draw another one.
We moved recently, and I made it a priority to set up an art studio. But things by themselves don't create good habits - believe me, I know: purchasing a keyboard and bass guitar all those years ago didn't turn me into a musician, because I didn't build the proper habits around them.
But how do you build a habit if you're too intimidated to get started? At the Write to the End writing group, we tackle it by sitting down to write for 20 minutes, no excuses. At Taos Toolbox, Walter Jon Williams pointed out that this seemingly small amount of writing per day could produce a novel.
So I started to come around to the idea: what if I drew every day?
There's this theory in cognitive science that quantity begets quality. A famous example from the book Art and Fear alleges a ceramics professor graded half of a class on quality, the other half on quantity - but the students who produced more pieces also produced the better work.
There are no secrets: if you want to get good, you've got to put in the work. (Well, there are secrets, but the secret is, you have to put in a hell of a lot of work to take advantage of them). This is such a common thing in webcomics that it has its own TV Tropes page on Art Evolution.
I really want to draw again. I want to make science fiction webcomics like the ones I grew up loving in the 80s and 90s. But to do that, I've got to draw. So, once I finally got settled here and the holidays were in the taillights, once I finally got the Cintiq working ... I started drawing every day.
14 days running so far (counting complex drawings that took 2-3 sessions as 1 per session). How long does it take to cement a habit? 2-3 months, it sounds like from the online research; so, a good ways to go. If I keep at it, I'll have +70 more drawings, five times as many as I have so far.
I bet I'll see some changes.
I bet if you have something you want to change, start working on it every day, and keep it up for 2-3 months, you may see some changes too.
Roughs in Photoshop. Some of the limits of the original composition are becoming clearer here - like, what are the hands of our villain attached to? Has he no shoulders? Is he secretly Rayman?
Enough for now. Still, drawing every day.
-the Centaur
Day 11's drawing, colorized. Lots I would fix in the underlying drawing; many techniques of digital coloring I wished I had learned. But enough of that. Tired, going to bed now.
Still ... Drawing. Every. Day.
-the Centaur
Hello, Porsche, my old friend; time to draw you again.
Getting more comfortable with the Cintiq + Photoshop + Humanscale combo. But only had time for the inks today. Colors maybe tomorrow, or perhaps another drawing.
Drawing every day.
-the Centaur
Cinnamon is tired and so am I. No-regrets quick cartooning with a heavy ink pen - a Faber-Castell "Pitt Artist Pen bullet nib 1.5", according to the label. It came in a box. (I filled a cup of pens after an emergency run for art supplies and literally just picked this pen at near random tonight).
Drawing every day.
-the Centaur
A sketch of a National Geographic magazine cover that reminded me of the vampire Lady Nyissa from Dakota Frost, Skindancer.
Yeah, I'm not liking the broad lines of these colored pencils or the roughness of the texture I can get out of this charcoal pen, especially compared to my preferred comfort zone of pencils-then-ink for line art then Photoshop for color. And you can even see a bit of the previous page, where I'd been sketching the logo to the old space furry comic Dalgoda. Ugh!
But, as my wife and I were talking ... you have to put pen to paper in order to improve. So ... sigh ... lots more work to be done improving will require lots more work that, um, sucks.
Still ... Drawing. Every. Day.
-the Centaur
Or maybe the day after that. Art toys on a book box, from my artist's studio. Pencils, then inks, with a tiny cleanup with levels in Photoshop. Consciously had to force myself not to touch up a few errors: the point is quantity, not quality: to create a new, consistent habit where I am constantly drawing all the time, whatever comes to mind, whatever I need to draw, with no fear or shame.
Now is not the time for fear; that comes later. Now is the time for regular practice of quick sketches in which "It's better to be DONE!"
Drawing every day.
-the Centaur 
Very tired. But drawing every day. Sketched no-regrets with a whiteboard marker.
-the Centaur 
Drawn in Photoshop from a random picture from my Cinnamon Frost inspiration file.
Drawing every day.
-the Centaur 
NOW it's my car. A near-copy of my California 2010 Prius, minus 120K miles and plus a slightly darker interior trim, on the principle that it's a known quantity, and was darn cheap. The equivalent of a "quick sketch" but in Photoshop, just seeing what I could accomplish with the different brushes and tools.
Drawing every day.
-the Centaur 
Reverend Karen of Saint Stephen's in-the-Field Episcopal Church of San Jose, presiding at a joint service with our partner congregation down the way, St. John the Divine of Morgan Hill. Drawn pencils, then ink, from a still screenshot of 
It's late and I'm tired, so I drew this completely freehand - in inks, with no pre-sketch - on my TODO clipboard, took a photo with my phone, and then downloaded it to my drawing workstation and spent a few minutes playing with comic coloring in Photoshop. Eh, it's a sketch.
Depicted is, surprisingly enough for people who know me, not my Prius. At least, not yet.
Still, drawing something every day.
-the Centaur 
tl;dr: sometimes the solution to a bad drawing is to practice on something else
Finally, the completed page. Frankly, meh.
I could have done a lot more work on it to clean it up, add some pop, fill in some more cloud layers, etc., etc., but diving into the fiddly bits on this particular composition would not fix the deficiencies in the core drawing or in my abilities to realize it.
The solution, I think, is not to overwork a single piece of artwork trying to compensate for its deficiencies, but to instead identify those deficiencies, to practice to eliminate them on different drawings, and then to return to the original subject matter with a wholly new concept and composition.
In this case, the deficiencies - oh, I don't know where to start. My poor hand drawings, my lack of details about body anatomy, my poor inking skills, my lack of strategies to overcome my slight RSI tremor, my poor page layout, my lack of knowledge about digital coloring techniques, or my need for strategies to overcome my moderate color blindness? But identifying even a few of them starts me on the road.
Note fixing these issues requires a comprehensive approach: some involve practice, like drawing hands or working on inking. Others require research (and practice): learning more anatomy or digital coloring. Others require actual strategies: if I want to clean up my inking line, I need to focus on ways that do not irritate my RSI or trigger the slight wobbly tremor, and if I want to deal with my color blindness, I need both more knowledge of color theory and a plan to deal with it. But now I have GPS directions.
Time to get started. And at some point, when I've traveled around the country of comics and returned to the start with a better set of tools, perhaps I'll draw another Batman cover. Or a Green Lantern page.
Or ... maybe ... a comic of my own design. Not that I have one in mind or anything.
Till then, drawing every day.
-the Centaur 
It's late and I'm tired. ZZzzzz.... cthulhu ftaghn ... zzzz....
Drawing every day until the stars are right again.
-the Centaur 
My cousin helped unload those books too. I am so pleased he is not dead after the entertainment center I'm trying to get rid of nearly fell on him! The bleeding will stop soon, I'm sure, but I don't know whose femur this is lying around ... not good ...
Pictured: a plush Tachikoma atop my wife's artwork Petrified Coral, in my partially-assembled library. If you have to explain a drawing, how good is it anyway?
Drawing every day.
-the Centaur 
Oy, this guy again. Not a finished drawing: these are "flats", used in digital coloring to isolate different elements of the image for further processing, hence the false colors used to make sure each element can be selected by color - I'm not that colorblind! Hopefully I'll finish up the color composite tomorrow.
Drawing every day.
-the Centaur 
Try #4 at the drawing behind this page, using the improved layout from #3. In addition to that trick, I increased the size of the page by 50% so I was effectively drawing at 300dpi, and zoomed in to work on the details, using all three previous drawings composited in increasingly ghostly transparency like an ersatz lightbox. Darker outlines were used for Batman and Zombie Wayne.
Altogether, I like how this one came out better. Hopefully, if there are no more disasters with the water or the power or yearly planning, I can color this one tomorrow #dontjinxitfrancis so you can stop seeing this and we can move on to something else.
Drawing every day.
- the Centaur 
As it says on the tin: it's late and I'm tired. Based on the 
I go zzz now.
-the Centaur 
tl;dr: if the flaw is in the bones of the art, you must change its skeleton, not its clothing
Today's drawing is a revised layout for the "Batman 80's style cover" page. While the previous page had more refined inks, Batman's body posture was a bit off, and the Dreamweaver's hands were floating about like he was Rayman. While I could have finished those inks, when I got to coloring the disembodied Dreamweaver would have posed a problem, and the misproportioned Batman would have just looked bad, no matter how much effort I put into the inks or coloring.
I've seen a lot of people spend a lot of effort trying to fix things with finesse or technique when the problems actually lie in the layout. If the flaw is in the bones of the art, you need to change its skeleton, not its clothing. And one of the freedoms that working in Photoshop on the Wacom Cintiq is that you can take a problematic layer, reduce its opacity to 25%, slap a new layer over it with its compositing set to darken, and --- BAM --- you have an instant lightbox to help you sketch a new one.
When Jim Lee got started, reputedly he spent a lot of time drawing from photo reference to help build up his skills. I'm no Batman, but nevertheless, I spent some time tonight taking reference photos of myself clutching my chest and a throw-blanket, trying to perfect Batman's cape-grab, and other references of me villainously spidering my fingers, trying to imitate this "Dreamweaver" chap.
The result is a layout which, at first glance, looks a lot like the old one. Everything is where it was, more or less. But Dreamweaver's hands are now attached to his body, his helmet makes sense, and Batman's arms and cape now interact in a more realistic way. And his fingers aren't rigid as boards, so it actually looks a bit like he's clutching his heart.
No amount of refining the original drawing in place would have fixed these issues: Batman's arm was too long and bent, his fingers were in the wrong place, and the Dreamweaver's thumbs were actually out of their sockets - never mind the missing arms and shoulders. Finesse and technique only take you so far: at some point you may have to stop and rethink your layout to make real progress.
One step backward, two steps forward. Drawing every day.
-the Centaur 
Roughs in Photoshop. Some of the limits of the original composition are becoming clearer here - like, what are the hands of our villain attached to? Has he no shoulders? Is he secretly Rayman?
Enough for now. Still, drawing every day.
-the Centaur 
Rough sketch for a cover design a la Batman covers of the late 80's.
Drawing every day.
-the Centaur 
Day 11's drawing, colorized. Lots I would fix in the underlying drawing; many techniques of digital coloring I wished I had learned. But enough of that. Tired, going to bed now.
Still ... Drawing. Every. Day.
-the Centaur 
Hello, Porsche, my old friend; time to draw you again.
Getting more comfortable with the Cintiq + Photoshop + Humanscale combo. But only had time for the inks today. Colors maybe tomorrow, or perhaps another drawing.
Drawing every day.
-the Centaur 
Cinnamon is tired and so am I. No-regrets quick cartooning with a heavy ink pen - a Faber-Castell "
A sketch of a National Geographic magazine cover that reminded me of the vampire Lady Nyissa from Dakota Frost, Skindancer.
Yeah, I'm not liking the broad lines of these colored pencils or the roughness of the texture I can get out of this charcoal pen, especially compared to my preferred comfort zone of pencils-then-ink for line art then Photoshop for color. And you can even see a bit of the previous page, where I'd been sketching the logo to the old space furry comic Dalgoda. Ugh!
But, as my wife and I were talking ... you have to put pen to paper in order to improve. So ... sigh ... lots more work to be done improving will require lots more work that, um, sucks.
Still ... Drawing. Every. Day.
-the Centaur