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Posts tagged as “Blogging Every Day”

[twenty twenty-four day fourteen]: there’s no such thing as an “egg vegan”

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My wife eats vegan almost exclusively, and I often try to eat vegan when I'm with her. But she's experienced a lot of difficulty in finding vegan food, even at restaurants that claim to serve it; it's not resistance to veganism per se, but a strangely baffling lack of understanding that vegan means "no animal products".

On our recent trip to Asheville, we got a BIG set of clues as to why this is happening: purely by chance, a number of people inadvertently exposed to us why there's so much confusion around the concept of vegan as "plant based food".

First, there's no such thing as an "egg vegan" - but, apparently, there are a lot of people who are going around claiming that they are, and confusing the heck out of restaurants because of it. At one restaurant in Asheville, the host stand told us they had a "vegan southwestern benedict" but there was nothing vegan about it: it had eggs, butter and hollandaise sauce (which is egg AND butter). Our server then let slip that many people claimed to be "egg vegans" and this dish was aimed at them.

Well, maybe they THINK they're "egg vegans," but there's no such thing: the word for someone who eats eggs is "vegetarian", or if you want to get specific, "ovo-vegetarian". Regardless, the FOOD is not vegan if it has eggs in it, so it is really unhelpful to people who have chosen to be vegan, or who are avoiding eggs for health reasons, to mislabel food with eggs in it as vegan.

"Egg vegans" remind me of another group of people: those who say "they're mostly vegan, but they eat fish". The word for that is "carnivore", or if you want to get specific, "pescatarian". I actually knew a real vegan who added fish to his diet for about a month for nutritional reasons, but he was clear to everyone and himself that this was a departure from the vegan diet.

Second, some people literally do not understand that vegan is different from vegetarian - and if that person owns a restaurant, he's going to have many unhappy customers. At one Japanese restaurant we visited this weekend, there were dozens of "vegan" items marked as such on the menu - but a kindly waitress stopped by our table and warned us that the owner did not know the difference and repeatedly labeled food with butter and eggs as "vegan", despite being told otherwise.

This reminds me that some people do not understand that any animal products makes a dish not vegan. My wife's mother frequently tried to get her to eat food cooked with a ham hock in it because "it's just for flavor". The P.F. Chang's we used to go to put fish flakes in most of their vegetarian items, which makes them not just not vegan, but not even vegetarian. And so on.

Third, even when a restaurant is trying, vegan and vegetarian are confusing because they both start with VEG and end with N - and there's no standard abbreviation for either of them which can be used to unambiguously label a meal. I've seen "V", "VG", "VE" all used to refer to both vegan and vegetarian, and if you look around I bet you'll find some menus using "VN" for both purposes. Regardless, at one or two restaurants this weekend, even the waitstaff got confused as to what was vegetarian or vegan due to the "V/VE" issue.

And finally, sometimes the waitstaff just gets it wrong. And at another restaurant this weekend, the waiter didn't write our order down and completely messed it up in her head - but fortunately came back to ask before passing the wrong order to the kitchen. As another example, the staff at a very vegan-friendly local pizza joint told us that one of their pizza sauces was vegan, only to discover months later that it was not.

So it's seemed strange to us that some people can't seem to wrap their head around what vegan is. But if some people are running around claiming to be "egg vegans", the owners are mislabeling the meals, the meals are not labeled clearly enough even for the staff to tell, and sometimes people are just mistaken even when they're trying to get it right, it seems more clear why things get messed up.

But really, vegan is just plant based food, and if it's not plant based food, it's not vegan.

-the Centaur

P.S. Fine, fine, bacteria and fungi aren't technically plants, but they're vegan. Just nothing with a face or a mother, and nothing from something with a face or a mother, okay?

Pictured: Sunny side up eggs, bacon, and French toast, NONE of which are vegan.

[twenty-twenty four day thirteen]: are you registered to vote?

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2024 is shaping up to be one of the most consequential American elections in recent history, in which our first twice-impeached ex-president is running AGAIN for the highest office in the land. When he ran for office the first time, it wasn't clear precisely what he would do if elected, and Clinton had her own problems.

But now, what Trump stands for - and would do - is clear. Even if you forget the two impeachments (no convictions) and the many indictments (not conclusive yet), Trump was more than just a poor loser hawking false claims of a stolen election: he actively tried to overturn it, and stoked the fires of insurrection on January 6th. He's a proven threat to American democracy.

And, not just a proven threat: he's an openly stated threat to American democracy. If elected, he openly admits plans to purse his enemies, Ron Desantis-style. And he's backed by the Heritage Foundation's Project 2025 plan to reshape our civil-service-based federal bureaucracy into a Soviet-style system controlled by the Republican party apparatus.

American democracy is the light of the world. Whether you're Democrat or Republican, you should register to vote, and vote for almost anyone else than Trump. And if you're a Republican, you should contact your congrescritter and state your opposition to Project 2025.

Democracy is a wonderful thing - if we can keep it.

-the Centaur

[twenty twenty-four day twelve]: this is why we don’t use pesticides

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Some people wonder why me and my wife are so strict about not using pesticides and weedkillers in our yards. Well, there's the general principle of not contributing more toxic chemicals to the environment, and in San Jose there was the concern that our cats walked in the yard, then slept in our beds, and we didn't want them tracking in chemicals (other than dust and pee and poop, but, oh well).

But in South Carolina? We have a well. Our yard is our source of drinking water. And the recent unexpected excess precipitation event really brought that home by making the water drainage channels visible:

We get enough chemicals from our neighbors poisoning their lawns. We don't need to add any more to it. In fact, we're busy enough trying to slowly clean up the waste that the previous owners left on the property ... it's a nice house, but someone seemed to think that the woods around it were a dumping ground.

One step at a time. But one of those steps is, don't add pesticides or herbicides to your own drinking water.

-the Centaur

P.S. Yes, I understand a lot of chemicals get filtered out by the dirt. There's still no need to add to it.

[twenty twenty-four day eleven]: where water falls from the sky

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When we decided to live in a place where water falls from the sky, we didn't realize how much we meant it.

The good news is that there's more places to go swimming. The bad news is that you can swim in only one direction, much like a muddy simulation of the interior of a black hole.

Honey, I hope you didn't need anything at the store.

-the Centaur

[twenty twenty-four post nine]: failaka, tylos and dilmun to scale

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The star Dilmun, its planet Tylos, and the hypothetical exo-Io Failaka, to scale. For comparison, if our Sun, Jupiter, and Earth took those positions, this is what they would look like:

What's funny about the Dilmun system is that normally you have to say "planetary distances and sizes are not to scale". However, Tylos is so close to Dilmun, orbiting only 4 million kilometers away with a year of 1.25 days, that the top diagram IS to scale. And this is in real life, not fiction.

What an amazing universe.

-the Centaur

[twenty twenty-four day nine]: cold traps and atmospheric collapse

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It's fascinating to me how concepts far from our daily experience can help us understand our world. Far out in the galaxy, many planets like Earth orbit far closer to their suns, and can become tidally locked - always facing their parent star, the way that the Moon always faces the Earth.

As you might imagine, the light side gets hot, and the dark side gets cold. But what isn't clear is that the atmospheres of such planets are bistable - there are two different conditions many of these planets can exist in, even traveling at the same distance away from their parent stars.

If the atmosphere is hot enough, then greenhouse gases trap heat at the surface, sustaining the atmosphere so it can warm the night side through convection. But if the night side ever gets cold enough, the greenhouse gases can freeze out into ice deposits, which act as a cold trap.

As greenhouse gases disappear from the atmosphere, the atmosphere loses its ability to retain heat, and the night side gets colder and colder, harvesting more and more of the atmosphere to the cold trap. Eventually most of the atmosphere freezes on the night side, creating an ice cap.

Either of those states - a hot greenhouse world with a thick atmosphere, or a hot light side world with a thick frozen ice cap on the dark side - is stable enough on its own. An active greenhouse world stays hot, and an ice cap world stays nearly airless. But the transition from greenhouse to ice cap is a vicious cycle.

So many things in our world are like these cold traps: we don't always see good things when we have them, and once the runaway process is started, it's hard to stop.

Belief is one such thing: an open mind can interrogate itself, but once an ideology starts to take us over, it actively attacks conflicting information, until we're left with nothing but a thick crust of conspiracy theories.

Where's your cold trap? It may feel something like a blind spot.

-the Centaur

[twenty twenty-four day seven]: tylos and dilmun from failaka

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So! I'm working on a series of stories set on a tidally locked moon called Failaka, orbiting a "hot Jupiter" called Tylos around an even hotter star called Dilmun. I don't know if anything like Failaka exists, but Tylos is a real planet originally designated WASP-121b, orbiting a star called, um, WASP-121, about 850 light years from Earth.

Dilmun is a yellow-white star hotter and brighter than our Sun (itself white, not yellow), and Tylos orbits so close its parent star that its orbit takes one and a quarter Earth days, cooking the planet to a sizzling 2500 degrees Kelvin (about four thousand degrees Fahrenheit). Failaka is a cometary remnant, and if it exists, it could only survive in the shadow of Tylos, which itself appears as a bright orange, hot as a hot coal.

SO, to make the story more grounded, I worked out where Failaka would have to be (Tylos's L2 point, currently calcuated as about the distance from the Earth to the Moon), how relatively bright Tylos and Dilmun were, and how large Tylos and Dilmun would be in the sky, as well as their colors.

The above renders this in Mathematica. Tylos is the orange circle partially occluding the white disk of Dilmun behind it, and Failaka is the blue plain of ice below - ice which, if it really was this exposed to Tylos and Dilmun, would be rapidly sublimating away, as the plot demands that the planet "roll" due to an orbital shift, leading to plains of former darkside ice shifting into the light and rapidly disintegrating.

Oh, and the tiny dots to the right of Dilmun? The white dot is the Sun, in natural color. The next dot is the Moon, rendered in grey, as the moon's albedo is actually kinda like charcoal.

And now, a helpful safety tip: do not stand on Failaka where you can see this view of Tylos and Dilmun. The radiation would be thousands of times as bright as the Sun seen from Earth, and you would rapidly have a very abbreviated day.

If you see this unprotected, you will die.

The good news? Cremation is free.

-the Centaur

[twenty twenty-four day six]: you have to remember to blog …

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... or you're not blogging every day. And I even went down to the library TO blog, but forgot what I was supposed to be working on when I got here, and did a whole buncha other tasks.

So, anyway, here's a margarita. It was strong. Enjoy.

-the Centaur

[twenty twenty four day five]: plan for success, but for art

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One of the productivity tools I use is a technique called "plan for success." I mostly use it for todo lists, and for that topic it's worth a blog post of its own, but, briefly, when taking on a task, I like to start off with a "plan for success" sheet where I list:

  • What the project is (e.g, going to Dragon Con)
  • Where I currently am on the project (e.g, about to leave, just arrived)
  • What the context of the next work block is (the next 4-5 days, or the next month)
  • What success would look like (e.g., attend all my panels, meet all my friends, hit the dealer's room)

Once I have that, I start listing todo items, then categorizing them into the four Stephen Covey quadrants - Urgent and Important, Not Urgent yet Important, Urgent yet Unimportant, and Not Urgent and Not Important. Making sure that the "Not Urgent yet Important" stuff gets done is the hardest part, so I usually tranche the TODOs into "do immediately, do today, do before I leave".

But the whole "plan for success" idea came from an artist - I don't remember who - talking about the difference between professionals and amateurs. An amateur may produce great art, they said, but on accident, even if they're skilled, because they don't know how they're doing what they're doing. A professional, on the other hand, makes a plan to ensure that their art piece succeeds. They may not always succeed at it - plenty of professional artists have to start pieces over - but they don't paint themselves into a metaphorical corner as much because they've taken steps to ensure the piece comes out well - for example, by getting reference art, doing perspective or construction lines, or practice drawings.

I wonder if this idea also works for learning art? Let's find out.

-the Centaur

Pictured: My drawing desk and books on drawing.

[twenty twenty four day four]: there’s some problems on that boat

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Okay, I'm going to start out with the best of the images that I produced trying to create Porsche the Centaur using ChatGPT's DALL-E interface. The above is ... almost Porsche, though her ears are too high (centaurs in the Alliance universe have ears a little more like an elf, but mobile like a dog's). And, after some coaxing, the ChatGPT / DALL-E hybrid managed to produce a halfway decent character sheet:

But both of these images came after several tries. And when I tried to get ChatGPT / DALL-E to generate a front and back view of the same character sheet, it just disintegrated into random horse and human parts:

Similarly, the initial centaur image came only after many prompt tweaks and false starts, like this one:

There are legitimate questions about whether the current round of AI art generators were trained on data taken without permission (they almost certainly were), whether they could displace human artists (they almost certainly will), and whether they will have destructive effects on human creativity (the jury is out on this one, as some forms of art will wane while new forms of art will wax).

But never let anyone tell you they've worked out all the bugs yet. These systems are great renderers at the image patch level, but their notion of coherence leaves a lot to be desired, and their lack of structural knowledge means their ability to creatively combine is radically limited to surface stylistics.

One day we'll get there. But it will take a lot of work.

-the Centaur

[twenty twenty-four day two]: writer’s block sucks

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Now, it's not true that I have writer's block: I wrote +600 words on a new story, "Plains of Deathless Ice", a sequel to my recently-submitted story "Shadows of Titanium Rain". But I do seem to have blogger's block, as I had two or three ideas for posts but had great difficulty writing them.

This is not one of those post ideas.

Pfui on you, writer's block.

-the Centaur

Pictured: Some books from my "books wanted" album.

[2024 post one] blogging every day, redux

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Welcome to 2024, everyone! This year, I plan on resuming my aborted "Blogging Every Day" and "Drawing Every Day" experiments (and, perhaps, even "Music Every Day"). But let's focus first on the blogging. I really enjoy reading the blogs of people who regularly take out the time to comment on the world, because it gives me a view not just into their thought process but into the gears of the world as they grind.

As for my gears grinding, this first day of the new year has been quite busy! It feels like I did nothing, as there were things that I had planned to do this morning that never happened. But, actually, I spent a few hours managing (counts them) 8 research projects and 2 nonfiction book proposals, met with a friend/research colleague online, did some prepwork for the Neurodiversiverse, helped my wife with some plane tickets, resolved issues with some online systems, and hung out with a cat.

Little of that was on my agenda, but it all has to get done. And it's easy to forget that. One way I've been using to track that is Clockify, which I started using when my consulting business picked up a bit. It really helps you see what you've been spending your time on - or neglecting - if you remember to use it.

Of course, one of the things I had wanted to do this morning was enter my hours for the weekend. Time to get to timing it.

-the Centaur

Pictured: Downtown Greenville's Falls Park.

We want your stories for the NEURODIVERSIVERSE Anthology!

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Hey folks, I and my coeditor Liza Olmsted are happy to announce we're looking for stories for THE NEURODIVERSIVERSE ANTHOLOGY, which will explore how neurodivergent folks might have an advantage in dealing with aliens whose thought processes might also be different. From the call for submissions:

The universe is filled with aliens—creatures with different histories, cultures, and even biologies—who may seem strange to us. But our world is filled with a diversity of people, many of whom find each other strange. One particular group finds the rest of humanity especially strange: neurodivergent people.⁠

Would neurodivergent folks find themselves at an advantage in dealing with aliens?⁠

Let’s find out.⁠

From the call for submissions:

We're looking for short stories, flash fiction, poetry, and black-and-white line art. You can find out all the details at www.neurodiversiverse.com. Send us your stories! We can't wait to read them.

-the Centaur

(Back to Dragon Con)^3!

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So! I'm back at Dragon Con once again. So good to be back in Atlanta after almost a year! (Well, actually, I was down here a month or so ago, but that was swinging through just for the day zip zap zop to see a little movie answering to no-one, but that's not a real visit in my mind).

The fans are already starting to gather, and so are the curious onlookers, pouncing with questions if you wear a Dragon Con shirt! (Ask me how I know).

This year, I'll mostly be at the Writer's Track, except for my reading on Friday:

Welcome to Writers' Track 2023 - Thu 08:30 pm - Embassy EF Hyatt
Join us for an introduction to the best Writers' Track ever! Let us give you a hint of what's coming up for Dragon Con 2023 - and get you started on your way to becoming a professional author, if you aren't already.
Panelists: Yasmin Bakhtiari, Anthony Francis, Vanessa Guinta, Nancy Knight(M), John Robinson

Reading Session: Anthony Francis - Fri 02:30 pm - Learning Center Hyatt
This will be me reading from my books and essays.
Panelists: Uh, the me.

Social Media: Your Friend, Enemy or Frenemy? - Sat 02:30 pm - Embassy EF Hyatt
Description: Social media can boost your career or torpedo it. What's a writer's best approach to all the social media, both old and new? How do you develop a strategy that makes sense for your career?
Panelists: Gail Z. Martin, Venessa Guinta(M), Anthony Francis, Bob McGough, J F Brink, Noel Plaugher

AI and What It Means for Writers - Sun 11:30 am - Embassy EF Hyatt
Hearing a lot about the 'takeover' of AI? Let's dispel some of the myths, while we confirm some of the truths.
Panelists: Anthony Francis(M), Rich Gatz, Andrew Greenberg, Amie Stepanovich, D.J. Bodden, Phillip Pournelle
Note your beanie: possibly the most apropos panel I've ever been on.

Career Advice: WHAT? - Sun 01:00 pm - Embassy EF Hyatt
People give advice freely. How to raise your children, save money - they even want to tell you how to develop and maintain your writing career. Who should you listen to? Listen up for some great advice from people who've been there and done that.
Panelists: Greg Keyes, Bill Fawcett(M), Anthony Francis, Esther Friesner, Jeanne C Stein, Drew Hayes

How to Be a Professional Writer in One Easy Lesson - Mon 01:00 pm - Embassy EF Hyatt
What's the difference between a professional writer and a hack? Let's draw some boundaries…
Panelists: Trisha J. Wooldridge(M), Anthony Francis, Mel Todd, Ryan DeBruyn, Richard Lee Byers, Jeffrey L Kohanek

Hope to see you all there!

-the Centaur

Pictured: A view from the Hilton Garden Inn, a pretty good hotel to stay in at Dragon Con if you don't mind a walk and if you missed signing up for a closer hotel, Francis.

[ninety-one] minus one-four-two: we have opinions on tomatoes

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So my wife is back from her business trip, and we and our housekeeper made a lunch of tomato sandwiches out of the remaining tomatoes that from my last grocery trip prior to Sandi's return.

My wife is actually hesitant to buy tomatoes, as she's gotten a lot of poor ones, and I realized that my youth growing up as a child of a produce wholesaler - from an ethnic community that has heavily tomato-flavored dishes - may have left me with some definite opinions about tomatoes.

We all discovered we had firm opinions about tomatoes: that heirloom tomatoes are generally more flavorful, less meaty and dense, and generally better for sandwiches because they're often wider and less juicy than their beefsteak companions.

Regardless, tomatoes may be on their way out this season, but they're still good now.

Get them while the getting is good.

-the Centaur

Pictured: End-of-season tomato sandwich, and a hummus-lettuce-tomato salad.

[ninety] minus one-three-seven: the spectacle of moviemaking

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One of the striking things about this depressing, all-streaming, post-Covid apocalypse that many of us (including myself) seem to think we're sliding into is the resurgence of Movies, Real Movies. In another sense, neither the depression nor the resurgence were all that surprising. Many movements and media have gone away: disco died, 8 tracks went out, and the goth-industrial club scene of the 90's is mostly dead.

But vinyl, which many people thought would go the way of the 8 track given that CDs are more durable and accurate, is having a resurgence because records are larger, more beautiful, sound more pleasant, and are useful in DJ'ing. In the early 2000's, with the rise of ebooks, a friend told me that he would be so worried if he was a physical publisher or a bookstore owner - but, speaking as a publisher, physical books are now being produced at a higher quality than they have been since the book of fucking Kells, and speaking as a bookstore lover, there is a fricking renaissance of bookstores, which in the 2010s felt like a dying breed.

So maybe it isn't surprising that, with the rise of streaming, 85-inch screens for the home, and the whole zombie apocalypse, that there would be some pessimism about the future of movie theaters. But, speaking as somebody who really loves streaming, I've always preferred media that I can physically own, and I've always preferred seeing movies on the big screen to the small.

Now, some things seem just made for streaming. Marvel movies, for example. Star Trek: Strange New Worlds, for another. And Doctor Who. Yet my greatest memories of Doctor Who were seeing "The Pandorica Opens / The Big Bang" at Comic-Con, and "Day of the Doctor" in the theater. My greatest memories of Star Trek were watching the re-release of Wrath of Khan for something like its 35th or 40th anniversary. And I must have seen Avengers: Endgame in the theaters like six or seven times (admittedly, one extra time because I got food poisoning in the middle of a showing and had to go back to see it again, and another extra time when they did a special showing to push it past Avatar).

But for the real revival of filmmaking, I credit Christopher Nolan and Tom Cruise. They consistently make movies which are, well, real movies. Movies that look best on the big screen. Movies that show us things we haven't seen before. Movies that push the personal and technology envelope to create experiences that no-one has ever created before.

I really enjoyed Tenet - it's my favorite Christopher Nolan movie - but Oppenheimer takes the spectacle of moviemaking to the next level with an unending, almost seamless wall of sound and imagery, broken only when Nolan chooses to go dark or quiet for effect. Top Gun: Maverick may be a popcorn movie, but, at the same time, I think it is very literally one of the best movies ever made, and if you understand the behind the scenes stories, the effort that Cruise put into making it shows in every frame. And the Mission Impossible series, similarly, continues to excel at showing us stunts which are, well, impossible.

Even beyond Nolan and Cruise, other moviemakers are doing the same. Doctor Strange and the Multiverse of Madness or Ant Man and the Wasp: Quantumania may ... not be the best movies ever made, but they are some of the most visually imaginative. No Time To Die may suffer a bit from the just-so storytelling that afflicts many modern movies and TV shows, but it's truly a spectacular Bond outing. And the quality of acting, directing, and even writing in recent years means we get truly spectacular achievements like Knives Out, which uses little to no obvious special effects to achieve a truly spectacular result just by clever writing, deft directing, and amazing performances orchestrated to a crescendo.

So, hey, go catch a movie in the theater. It's better than it's been since the late seventies / early eighties.

-the Centaur

[eighty-nine] minus one-three-six: oppenheimer is good, go see it

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long day driving down to atlanta to see oppenheimer with a friend, followed by work on the novel and on social navigation paper followups. very tired, crashing. oppenheimer is good, go see it.

-the centaur

pictured: lazy dog atlanta, and their signature smoked maple bacon old fashioned. it's good, go drink it.

[eighty-eight] minus one-three-five: wiped after a four hour bike ride

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The Swamp Rabbit Trail rules! But it is very long, and I'm tired after two hours there, two hours back (even with a break in the middle for a bookstore / writing run, and a break for dinner on the return journey.).

So, no real blog post for you ... but I learned something very interesting on the way about how to push through things, such as, for example, a steep unexpected hill when you are a very out-of-shape cyclist.

Actually, the steep expected hills are even worse, but the same trick works on them too - very simply, counting to a hundred, and doing that again. More on that tomorrow.

-the Centaur

Pictured: the car, and the bike, after the ride; the break to write in the middle; and the dinner near the end.