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Posts tagged as “Dakota Frost”

Plotting from the bottom up

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piles of books in my library Recently I was asked about how I plot books:
I was wondering if you could help me out a bit. I've always wanted to create my own comicbook from my own design and mind but I always, I mean ALWAYS have problems coming up with and sticking with a good plot. I can make the basis of the story, the characters, the world and different terms and creatures but I can never stick with a plot or make a good one that I know will drive the story. Could you give me any advice on these things or some pointers on how to make a really great story I could draw out? I'm so close to it blossoming I can taste it!
Great question! I'm not sure I'm the best person in the world to answer it - my first pointer to anyone on plot would be Ayn Rand's The Art of Fiction - yes, I know, it's Ayn Rand, but if you're one of those idiots who can't see past your unjustified distaste for her political philosophy, well, then you deserve to miss out on her opinions in other areas which might prove of more value to you despite your disagreements - but I do think about plot quite a bit, so I'll give it a go. A lot of what I do is simply write cool scenes I enjoy ... and then think hard about who's the protagonist and what's their major conflict. Once you know, for example, the protagonist is a magic tattoo artist, that suggests she's going to be in conflict over some tattoo related thing - like someone skinning people who have tattoos. Once you know the conflict, then you can design the climax - well, your tattoo artist will eventually have to meet the evil skinning person, who will want to make her a victim. That basic strategy - write stuff that's fun, figure out who the protagonist really is, find what conflict they're embroiled in, design the final conflict, then work backwards from there - has worked very well for me. Why take this approach, rather than, say, starting with some theme and working back from there. Start with an abstract goal? Yuk! That might work for nonfiction but in fiction it's a recipe for heartless exercises in craft - and craft can't sell a story. The instant someone notices you're telling a story on skill alone, you're done. There are prominent authors I can't read anymore because I realized they had some point they were driving to and were using all of their craft to get me there ... even though there was no reason to go there in the first place. That might work in a movie with a lot of explosions, but it's not going to sustain a 300 page book. So. I need concrete events, realized situations with full-bodied characters where interesting things are happening. In short, I need to be entertained - in my writing most of all. That's why I start with "cool scenes" - I write to entertain myself first, so I have to write what I enjoy writing. But I want others to enjoy it too - someone once said the hallmark of a great writer is that they take what they find interesting and make it interesting to other people. To do that, to make my stories interesting to people not invested in my characters, I need to create a strong conflict that will engage. And to do so, I listen to the story. Whether the story features a tattoo artist accosted by a werewolf deep in the Lovecraftian underbelly of Atlanta - or that same tattoo artist and her adopted weretiger daughter out school shopping in the sun - those first key scenes of the story, those first inspirations, will tell you what belongs in the story. If the story begins with Dakota school shopping with Cinnamon, then some part of the story must hinge on Cinnamon and Dakota in a school - or that scene's got to go. If the story features a magic tattoo artist investigating magic graffiti, then some part of the story must hinge on our tattoo artist confronting the graffiti artist. And for the story to really be interesting, something important must be at stake - generally, life has to be on the line in the kind of melodramatic action adventures I write, but it can be more subtle if you're writing something more subtle. One famous way of looking at this idea is Chekov's Gun - "If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there." Ayn Rand's take on this is similar: you should decide on your theme (what your story is about), then your plot-theme (what type of events realize your theme), then your conflict (what is being fought over in the plot) then the plot itself (the actual sequence of events) which will then dictate the characters, scenes and settings in your story. I believe in the same causal structure, but prefer the opposite order. I let my subconscious play scenes out I find entertaining, and then let the characters and the situations tell me who they are, what conflicts they encounter, and what themes I should explore. You have to find your own way of doing things, of course; every writer is unique, and it's your unique story and vision that matter. Whatever you have to do - outline or no outline, start from the beginning or write backwards for the end - just do it. Just write, and eventually it will all sort itself out. -the Centaur

Taking a Sabbath from Microsoft Word

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The Notes on Blood Rock I'm not a very literal Christian, but I do believe that a lot of Christianity is good. But I don't think it's good because God says so - I think it's God said so because it's good for you. One example is the Sabbath. But what is a Sabbath? Going to church on Sunday, then sitting around reading psalms? No, a Sabbath is first and foremost a day of rest, and second a day of worship. And God doesn't ask us to observe it because he's needy for worship: he asks us to do it because we need time off. I'm not going to go into the Episcopal theology which suggests that Jesus doesn't care what day you take your Sabbath as long as you do take one - I'll let my fundamentalist and atheist friends thumbwrestle over that one. I'm just going to take it as a given that we need a day off. So ... what does the Sabbath have to do with Microsoft Word? In my personal life, I'm like a submarine: I disappear into whatever project I'm working on (see the bursty timing of my blogposts as evidence for this). And even though I usually have something on the order of four to six major projects going at once, I'm really only good at focusing on one of them at a time. My current project: revising my second novel BLOOD ROCK, which I've been doing since something like September, responding to hundreds of comments from my editor. I'm down to the wire now. The book is over 100 pages shorter and tighter after months of edits. I've gone from a HUGE list of TODO items that sprawled over two pages down to a short list of items I'd written on the back of a receipt. One of my last items is re-reviewing all the remaining Microsoft Word comments, which I've been doing over the last several days. But as I did so, I found that somehow I'd either lost my memory or Word had neglected to show a whole bunch of comments to me. Months ago, I went through the entire document in detail resolving differences and addressing comments before starting my big tightening edit, and yet there are real, material important comments I would remember if I'd seen them that only showed up in the last few days. Having observed Word's behavior looking for possible bugs, I'm guessing either it was collapsing comments when there were lots of edits on a page, or, more likely, this is a scrolling bug that caused some comments to appear "over the top of the page" and thus effectively become invisible. Another alternative is that it might have to do with the "ribbon" ... I recently switched from Word 2004 for Mac to Word 2011 and the interface for comments seems to have changed. A simple interface change; they happen. But that's not the point. My frustration is that even minor offhand comments from the editor can lead to big changes. If she asks me to delete something on page 204, I might just do it --- but if I don't agree, I generally think hard about whether I need it, whether it's important to me, and if so how to integrate it so deeply into the novel that it's inevitable --- ideally to the point where she'd tell me to put it back in if I took it out, though I don't know if I ever achieve that. :-) So now I have a whole load of comments that I'm essentially getting fresh. Worse, they're commenting on things in sections that I had previously reworked in response to the editor's written comments, sections where I didn't think there were major in-line comments. So I've spent a great deal of effort fixing things in response to the revision email, the suggested changes, and a long hallway conversation with the editor at Dragon*Con, but I'm now finding dozens of things, both little and great, that would have potentially changed what I would have done. So ... what does Microsoft Word have to do with the Sabbath? Well ... I am taking today off. :-) I have a great job at the Search Engine That Starts With a G, but it takes a lot of time - partly work, partly travel time, partly mental recuperation time. And I have a wife, and friends, and cats. By lugging my laptop to breakfast, lunch, dinner and coffee, I can eke out 3-4 hours a night 3-4 days a week, but that's not enough, and generally need to work on my writings on the weekends. This gets especially intense when editing, because I can't futz around doing research reading or shift gears to another story if I'm stumped; I've got to keep my brain focused on the EDITING process. But my frustration reached its limit last night. I blew my stack and fired off a few frustrated emails to the editor, and decided to take today off. To use the Sabbath that God gave us. I don't have a link to the great sermon that Father Ken of Saint Stephens in the Field gave on the topic, but I do have a link to my atheist friend Jim Davies, who takes Saturdays completely off so he is free the rest of the week to pursue the top priority items on his nobility list. The theology is different - but the idea is the same. The point? The moment I decided to take the day off, I felt completely liberated. I'm going to do something fun like ride a bike or design a robot brain - or maybe visit a bookstore for something other than their wifi or coffee. Before writing this blog post, I spent the previous hour implementing "Hello World" in every language installed on my new Macbook Air as part of a project to crack my programming knuckles again (and oddly, the hardest language was Awk, which I actually use so much at the command line it's like a reflex. Weird). I've been wanting to do this for weeks, but I've spent it revising. Now instead, I've had a little fun. My batteries are already recharged. Maybe you're one of those people who find it easy to take time off. Good for you. If you're not, especially if you live in the Bay Area ... take a break. Maybe not even take a break from work; take a break from whatever you won't let yourself take a break from.

BLOOD ROCK now under 500 pages…

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Me at work at the kitchen table Editing BLOOD ROCK in response to the notes from Bell Bridge Books is progressing. It's been quite the challenge, but I've preserved the bulk of the book and got it to under 500 pages. I'm going to try to get this editing pass (#2) done today, a third editing pass done next week, and send it to the editors the following week. -the Centaur UPDATE: BLOOD ROCK is now 488 pages (as my personal reading copies are formatted, which is probably about 400-450 pages of a normal novel), meaning I've successfully cut 100 pages from the novel. And, as I hoped, I JUST FINISHED THE SECOND REVISION. On to pass 3.

Where is BLOOD ROCK?

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National Novel Writing Month Kickoff Card A fan wrote:
I would like to purchase Blood Rock, but I have not been able to find it anywhere.... Can you direct me to a site which has it for sale? If it is in fact for sale? I am a little curious since your site says it is in Beta release, but the site has not been updated in several months, so I am unsure as to the status of the book.
Well, sorry about that ... Blogger changed their terms of service and the Dakota Frost site is frozen until I can fix it. The answer? BLOOD ROCK is in editing right now - the publisher wanted some big cuts, but I'm in the last throes of National Novel Writing Month right now and had to put BLOOD ROCK down while working on my new series. I'm picking up BLOOD ROCK December 1st and hope to have it to the publisher before the first of the year, so if all goes well it will be out in March. I'm well into the sequel to the sequel, LIQUID FIRE, which I hope will be out the following October. -Anthony

Guest Blogging on Manga Maniac Cafe!

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I am (or, I guess at this point, just have) guest blogged about FROST MOON at the Manga Maniac Cafe, which is running a Got Books event through today. Julie at the Manga Maniac Cafe had these kind words to say about me:
Today is the kickoff for the Got Books Event, which lasts until tomorrow. You can win all kinds of books and book related swag, just by visiting the site and then visiting the other participating blogs. I’m super geeked to have Anthony Francis, the author of Frost Moon, here to join in the celebration. To make things even sweeter, we have 5 (FIVE!!!) copies of Frost Moon to give away to readers. Let’s get things kicked off by asking Anthony a few questions about his book!
So please go check the site out, and support the Manga Maniac Cafe and Dakota Frost! -the Centaur

I write like…

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Thanks to Elf Sternberg, I've caught the meme to analyze your writing style with the automated tool on the I Write Like website. Elf fed in a whole bunch of different stories and found that the tool gave different results based on what stories you feed into it. I observed a similar effect. For example, if I feed in the first two chapters of FROST MOON, I write like David Foster Wallace, author of Infinite Jest:

I Write Like by Mémoires, Mac journal software. Analyze your writing!

However, feed in FROST MOON chapters 3 and 4, and I become James Joyce, author of Ulysses:
I write like
James Joyce

I Write Like by Mémoires, Mac journal software. Analyze your writing!

How complimentary! (And apropos, given that Ulysses is one of the favorite books of Cinnamon Frost, a major character in the SKINDANCER books). However, when I put in something completely different, like my science fiction story "Sibling Rivalry", I get ... perhaps unsurprisingly ... something completely different:
I write like
Arthur C. Clarke

I Write Like by Mémoires, Mac journal software. Analyze your writing!

I'm speechless. I think I will go out on that note. No. That's not quite honest. I have to do one more. From the current draft of SPELLPUNK: HEX CODE, narrated by Cinnamon Frost, broken English and all:
I write like
Margaret Atwood

I Write Like by Mémoires, Mac journal software. Analyze your writing!

Well. I still feel highly complimented: Margaret Atwood, author of The Handmaid's Tale, is "among the most-honoured authors of fiction in recent history; she is a winner of the Arthur C. Clarke Award and Prince of Asturias award for Literature, has been shortlisted for the Booker Prize five times, winning once, and has been a finalist for the Governor General's Award seven times, winning twice." Wow. What company. Not sure what that says when the most award winning author of recent memory was the best match for a chapter written entirely in broken English. Maybe ... keep doing what I'm doing? Or maybe, just maybe, don't put too much stock into computer algorithms. -the Centaur UPDATE: thanks to the magic of comments, I've found the I Actually Write Like website, a "highly advanced statistical analysis tool which was actually genuinely written by a guy with a real PhD which has some statistics," which gives this verdict on SPELLPUNK: HEX CODE:
I actually write like
an adolescent goth after a heavy night on the absinthe

I Actually Write Like Analyze your writing!

NOW we're talking! And STILL highly accurate! Let's try FROST MOON again:
I actually write like
a lolcat

I Actually Write Like Analyze your writing!

Even more accurate! Actually, since the Cinnamon Frost speech is like a lolcat, and FROST MOON is gothy, I strongly suspect a random number generator somewhere in there. :-) However (after a brief application of the scientific method) results seem to be consistent from run to run. That intertest reliability suggests a deterministic algorithm. HOWEVER (after a brief application of a sources of power analysis) extremely small changes to the text result ... deleting the first word ... result in completely different outcomes, so I suspect the text is being hashed into a fortune file. Changing the final word addition to the first word still shows this sensitivity to initial conditions, ruling out an analogue of the primacy effect caused by taking the head of the file. Procrastination. It's a wonderful thing.

The Stanford Department of Alchemy

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Alright, enough blogging, time to get back to "real" work. Let me leave you with a teaser, the scene I'm working on right now - the Stanford Department of Alchemy, from LIQUID FIRE: stanford department of alchemy
“Magicians have survived by being secretive,” Devenger said, folding his arms sternly. “You, I can find out anything I want on Wikipedia, including pictures of your tattoos good enough to reverse-engineer some of their logic—” “Wait, back up. I have a Wikipedia page?” I said, laughing. “Bullshit.” Devenger’s salt-and-pepper eyebrows lifted. “And I thought you were web savvy. Haven’t you ever Googled yourself?” And with that he turned to the screen, tapped out my name, and ten seconds later had found a Wikipedia page on Dakota Caroline Frost, complete with that same old out-of-date picture everyone scarfed from the Rogue Unicorn web site. “Damn,” I said, leaning over his shoulder. “That’s me all right—” “Down to a list of your tattoos,” Devenger said, scrolling down through the page. “Even ones you no longer have, like your original Dragon tattoo—” “Wait,” I said. “ Scroll back up. There, my daughter’s name. Why is that a link?” “Maybe she has a Wikipedia page too,” he said. Something cold ran up my spine. "Click on it," I said quietly.
Why is Dakota so worried? Until 2011, when LIQUID FIRE comes out: wonder. -the Centaur

The. Door. To. Hell!!!

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Found while researching the next Dakota Frost trilogy...
http://englishrussia.com/index.php/2008/03/25/darvaz-the-door-to-hell/ This place in Uzbekistan is called by locals “The Door to Hell”. It is situated near the small town of Darvaz. The story of this place lasts already for 35 years. Once the geologists were drilling for gas. Then suddenly during the drilling they have found an underground cavern, it was so big that all the drilling site with all the equipment and camps got deep deep under the ground. None dared to go down there because the cavern was filled with gas. So they ignited it so that no poisonous gas could come out of the hole, and since then, it’s burning, already for 35 years without any pause. Nobody knows how many tons of excellent gas has been burned for all those years but it just seems to be infinite there.
See also http://en.wikipedia.org/wiki/Derweze#The_.22Door_to_Hell.22. While I did find it researching Skindancer Books 4 through 6, this this specific site will probably not appear until somewhere around book 20 or 21. (Yes, I'm planning at least 21 books, though I have less on paper for things past Book 6 than Lucas had for Star Wars 9 (and yes, I know Lucas now denies there were plans for Star Wars 9, but what does he know, he also thinks Greedo shot first ... or does he? :-) )).

Frost Moon Really Moving…

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Cover of Frost MoonMore Frost Moon news ... the Amazon $0.99 promotion (in turn, caused by the iPad $0.99 promotion) is having good effects:
http://ireaderreview.com/2010/07/01/some-interesting-friday-kindle-book-deals/ There are lots of good kindle book deals doing well on the charts today ... 7.Frost Moon by Anthony Francis has made its way into the Top 100. It’s rated 4.5 stars on 30 reviews and is just $1.
In an alternate Atlanta where magic is practiced openly, where witches sip coffee at local cafes, shapeshifters party at urban clubs, vampires rule the southern night like gangsters, and mysterious creatures command dark caverns beneath the city, Dakota Frost’s talents are coveted by all. She’s the best magical tattooist in the southeast, a Skindancer, able to bring her amazing tats to life. When a serial killer begins stalking Atlanta’s tattooed elite, the police and the Feds seek Dakota’s help. Can she find the killer on the dark fringe of the city’s Edgeworld?
Quite a collection of deals.
It's almost like my hard working publisher's efforts to promote my book are, uh, working. Yaay Bell Bridge Books! -the Centaur

Frost Moon is Rocking the Kindle

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Clipped by a friend:
Amazon Bestsellers Rank: #58 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
#22 in Kindle StoreKindle BooksFictionContemporary Fiction
#3 in Kindle StoreKindle BooksFantasy
#4 in BooksScience Fiction & FantasyFantasy
Wow. I'm flabbergastled. Rest assured, though, Blood Rock is at the publisher and Skindancer:Liquid Fire and Spellpunk:Hex Code are underway! -the Centaur

It’s finally happened…

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... in one of those instances which exposes really how shallow you are, I find myself gratified that it, indeed, has finally happened. What is it?

Professional recognition.

Since I was a child I always wanted to be a "real science fiction writer". For some reason, I got it in my head that this meant membership in the Science Fiction and Fantasy Writers of America. Not sure how that happened, but it did: the external approval of that group of strangers somehow came to matter to me. So I tried to join.

First I wrote a science fiction short story that got published in 1995 in The Leading Edge magazine, but when I checked I found that the Leading Edge was not eligible for SFWA.

Then I wrote an urban fantasy novel that got published in 2010 by Bell Bridge Books, but when I checked I found that Bell Bridge was not eligible for SFWA.

Then, I missed the deadline to register for Comic-Con this year, and decided, what the heck, I'll try to register as a professional. After all, I've written an urban fantasy novel, drawn its frontispiece, and even created a webcomic. And for years I've felt that comics are my future as a creator. So, what the heck, why not?

Ding:

Dear Comic-Con Creative Creative Professional Attendee,

Thank you for registering for Comic-Con International 2010: San Diego

Please take a few moments to review your registration information...

Well. Allrighty then.

Yes, it's shallow of me to base some part of my evaluation of my personal self worth on the approval of others. Yes, this shows a deep-seated insecurity that needs to be addressed by a deep increase in maturity. Yes, yes, yes, I'll work on that. But still ...

... it's finally happened.
Well, enough basking. Back to work on Blood Rock. But wait - it is indeed working.

Boo-yah.
-the Centaur

Reading from Liquid Fire on the Radio

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Reading from Liquid Fire tomorrow at 7 on KFJC radio's Unbedtime Stories with Ann Arbor ... sorry for the late notice!

Book Trailer for Frost Moon

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Amazing to see some of the concepts in the story brought to life ...
[youtube=http://www.youtube.com/watch?v=cR5emfakFWE]
... and many of the "filler" images are actually going to create scenes in future books. :-)

-the Centaur
Crossposted on my Dakota Frost blog.

Dakota Frost Reloaded

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revised version of dakotas composited

Dakota Frost in the ink, if not the flesh. Changes include a new face, facial tattoos fixed, left hand enlarged.

-the Centaur
P.S. And have I mentioned I really love my little "imagelink" program that automatically formats HTML inserts for images just the way I like them? Latest tweak is to copy it to ~/bin/ so I can run it anywhere I'm working at the command prompt.

This … this is WORKING …

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revised version of dakotas face

Oh ... oh my goodness. I'm working on a revised version of Dakota's face for the frontispiece of Frost Moon and ... and ... "working" is not just a metaphor. This is actual work. I'm sketching, and soon after that I will be writing again on Liquid Fire or Jeremiah Willstone. As part of real work, and not just some crazy hobby anymore.

Too cool.

-the Centaur
Pictured: the revised face of Dakota Frost for the frontispiece, pre-cleanup and compositing into the original drawing.

The Process: Fiction Novels

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the centaur in a coffeehouse
Recently I commented on Facebook that I was working with editors on Frost Moon and a friend asked:
"I've always been curious about this process. Generally speaking, what kind of changes are they asking you to make?"
Well, my writing process involves many, many drafts before it ever hits the editors, so the changes are generally minor. I write large chunks of everything I write in a writing group, reading sections aloud and making corrections before the first draft is ever finished. I then print out the first draft, read it myself, and make corrections to produce a second draft, which I give to trusted "beta readers". Some of my beta readers give me very detailed comments, almost copyediting, so the "gamma release" that I send to the publishers is pretty polished.

However, the editors have an eye for the market and audience, and will generally ask to tighten things up. At Bell Bridge Books, you work with an editor who first tackles theme, plot and logic - in Frost Moon, she asked me to reduce the emphasis on the romance in a few places, to improve the clarity of the action, and to clear out some of the deadwood; in response to these changes I send them a revised draft. For Frost Moon, the same editor then did a closer edit with some suggested changes right in the text using Microsoft Word's track changes feature, focusing on on general style to sand off the rough edges - intensifying some scenes while muting others to make them more realistic. I tweaked these changes, she approved them, and then I sent them a cleaned up copy with all formatting and Track Changes removed - a "final author's draft".

From then on the editing of the document is in the hands of the publisher, so they know what changes are happening to the text. This goes through several stages. First was a "line edit" where a new editor looks at the sentence structure for clarity. That's what we're doing now through an email exchange and I have to say it's been a pleasant and professional process. Next up is a "copy edit" where a third editor specifically looks for errors that the I and the other two editors have missed. In parallel with the whole editing process they're also putting together the bio, acknowledgments, cover art, cover text, frontispiece, etc., usually generating the materials themselves but occasionally asking me for input or text or images (like the author's headshot above). Finally there will be "galley proofs" where we all look at a quasi-finished document for anything that looks wrong.

And once we're all happy with that ... then that will be it.

-the Centaur

Pictured: me, in Atlanta Bread Company, as taken by Bolot Kerimbaev at the time of this post. This will most likely be my author's picture on the back of Frost Moon

Frost Moon in the Publisher’s Marketplace…

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... thanks to Bell Bridge Books:
Last but not least, our new fantasy series, SKIN DANCER, by debut author Anthony Francis, is careening through production and drawing absolute, total RAVES from early insider reads. Filled with adventure, humor, edgy characters and an incredible alternate reality, this story of a "magical tattoo artist" in modern Atlanta is going to rock the fantasy readers' world. Book one, FROST MOON, introduces the coolest heroine evah: tattoo specialist and "skin dancer" Dakota Frost, a tall, gorgeous, bi-sexual twenty-something whose tats are admiringly known as "Frost bites."

Ahem. I'm very flattered. I hope Frost Moon lives up to that description!
-the Centaur

Crossposted to the Dakota Frost blog...