“Your voice,” the priest said, taking another step back. “If not a vampire, surely … surely not a werewolf … but your voice … why do I know your voice?” I spun, rolling my neck, unfurling more vines into a soft green halo that lit my face. “Do you know me now?” I asked. “Oh … God,” the priest said. “You were on the news, the mother of that weretiger—” “That I am, and if she is here,” I said, “you should point the way … then run.” “She … here?” The priest blinked, then his eyes flicked at the coffin. “But it’s not—” My heart fell. The prisoner in the coffin was not Cinnamon—but as the priest’ eyes went wide in terror, I realized that in his shock he’d given away there was a prisoner in that coffin. I drew a breath, my face flushing, feeling my blood pounding in my ears.Hopefully I'll pick up speed now that I'm out of the Lenten "Jesus and Godel" series. I wrote 45,000 words of nonfiction in Lent, which is nowhere near the needed Nano rate, but I think is probably the fastest rate and largest single body of nonfiction writing I've done since perhaps my thesis. But what I really did today was move boxes into the room that's going to become my wife's art studio. Drawing, writing, moving every day. -the Centaur
Posts tagged as “Dakota Frost”
My eyelids flickered as the orchid petals infiltrated the lock, a jumble of images and feelings flooding back to me as the interlocking parts of the stamen column felt the tumblers. It was hard to see and “see” at the same time, much less guide the— Click. I drew a careful breath, then turned my hand. The petals and sepals closed on the knob and turned it, softly, and I gingerly opened the doors. My vines and their floating leaves shifted as the heavy wood parted, but did not otherwise react: no security system had been triggered. The church was spacious, almost cavernous … but not wholly dark. An eerie blue glow filtered in from the twin rows of stained glass, but the white light glinting off the rows of pews came from a pool of spotlights, pinioning before the altar a gleaming silver coffin. “My friend,” came a quiet Asian voice. “You should not have come here.” Instantly I whirled 270, twisting mana up in my body, murmuring shield just as I came face to face with … a priest? A typical, nay, stereotypical long-cassocked priest, stepping from a confessional, bearing an ornate pectoral cross and carrying a gun … no … a water pistol? “Let this be a warning to you,” he said, and fired. “Begone!”Writing every day. -the Centaur
I strode up to the silver coffin, the parallel blades of the Salt Chamber Sword singing hungry in my hand. The closer I got, the more it vibrated, testing my grip and rattling my teeth. The coils of my Dragon looped out around me in a spiral, pushing the guards back; her wings covered me protectively, but none of them were fool enough to try shooting again. “Alright, alright,” I murmured to my sword. “I’ll give you what you want.” I drew the Salzkammergutschwert down the length of the silver coffin. The black tuning-fork blade squealed through the thick metal case as easily as drawing a pen across paper, except the line left by this writing instrument was a hot metal gash. The ancient faerie blade jerked and popped in my hand, and I struggled to control it so I didn’t harm the occupant—oh, that precious occupant!—as the screeching Salt Chamber Sword popped clamps and cut hinges alike, bits of hardware clattering to the floor in glowing showers of sparks. My arm completed its motion. The Salzkammergutschwert quit singing. Something thudded against the lid, which shuddered, jumped, then flipped aside, the thin hands of the occupant clawing for the air. A slender child rose from the prison, screaming, fanged, eyes glowing, and for the briefest snap-second I imagined it might have been Cinnamon. Then the starved vampire child’s gaze fell on me—and he lunged.Onward. -the Centaur
Agent Grant, commander of the MIRTH unit—if I remember my DEI alphabet soup, that stands for something twee like Magical Incident Response Transportable Headquarters—turned towards us, turned off his earpiece, and turned completely serious. “She’s right, this is an operation,” he said evenly but firmly, his full beard making him look grimmer and sterner than he already sounded. “It doesn’t matter if you two are the only ones on deck. If you’re not ready, I am not sending you in.” “I fought in the Great War, you ridiculous pup!” But Nyissa’s voice quavered. I knew she was not particularly brave; but what was up? More than just anger at being awakened before the crack of sunset, I think. “But I’ll not be going in at all, I think—” My hand fell on her knee. “And no-one thinks less of you for it,” I said. Nyissa sagged a bit. Grant raised his eyebrows at me. “So we have one operative,” he said. “We have one operative,” Philip said. “And it’s Red Sonja here,” Grant said. “Hey!” I said. “Just because I have a metal bikini and a sword—” “Outclassed by my own supposed sub,” Nyissa said. “Some bodyguard I am.” “Different kind of discipline,” Grant said, looking between us. “Frost, you ready?” “As much as I ever am,” I grumbled, squinting at the church. “What can you tell me?”That is all. Zzzzz... -the Centaur
Too late, I realized the thickening arms of the octopus mist echoed the ghostly glow of the streetlights. “Teleporter! We’ve got to find a weakness!” I cried, flicking and snapping my wrist to loose a crossbow bolt, a feather from my origami peacock—an analysis spell. The feather flitted out, replicating itself in the flood of magic, its unfolding structure revealing an intricate, oh so intricate pattern embedded in the misty galaxy. Unfortunately, Nyissa, far older and faster than me, had fired her own analysis glyph. Our spells collided in a flash of sparks and feathers. “Damnit,” I cried, flinching. “Only one of us needed to do that—” “Sorry, was reacting to your idea, not your action,” Nyissa said. “I—” A long black shaft lanced out—and with a terrific report, blasted Nyissa in the face. Nyissa flew back. Her mask shattered. It would have been so romantic to scream her name and lunge my hand toward her—but both of us had been in fights so many times before, and I instinctively swung the Waystaff up, its spine catching bayonet and flipping the long gun upwards. The hooked beak hissed, striped cloak flapping, and I saw the thing whole. Towering. Raptor-beaked. Cloaked in tattered striped cloth, draped over a flaring dark greatcoat. Black leather straps bound a tortuously lean torso seemingly rippled with twitching muscle. But the clawed arms fighting mine held what looked like a musket, the striped cloak looked like the ruins of a flag, and atop the thing’s plague doctor mask was a tricorn hat. “What are you?” I yelled, shoving against the musket with the Waystaff. The thing screamed at me, foul smoke erupting from its beak, and I flinched and gagged. It wailed at me with its musket, alternately clubbing aside the Waystaff and jabbing at me with the bayonet, as sparking smoke roiled into what I assumed was the musket’s flintlock—it was preparing to fire! I leapt backward, spinning through a knight’s move version of the Dance of Five and Two, hastily pulling together a spell: “Spirit of flame, act as my shield!” The plague knight screeched and dropped a grimy black ball into its musket—just as my Dragon tattoo uncoiled from my skin and looped around me in a helix of Technicolor scales and feathers. The plague knight fired with a clap of thunder—met by a gout of flame.Wow! Excitement! Adventure! Tattoo magic versus magical monsters! And while we didn't get to see that much of the costumes in this excerpt, we've got cute vampires wearing sexy clothes fighting alongside our heroine in her long black vest / trenchcoat. What's not to like? That is all for now. Until next time, please enjoy this picture of a cat. -the Centaur
2020 Dragon Con Writer's Track Virtual Mentoring Guests We have 30 established authors and other publishing pros who've generously donated their time and expertise to host 15-minute, one-on-one mentoring sessions with aspiring authors. If you're signing up for an acquiring editor or publisher, you are welcome to pitch your completed book! If you are meeting with an established author, the door is pretty wide open. You can ask about craft. If you're struggling with something specific, you can ask them about it. We have a number of indie authors, so if you're interested in self-publishing, you can pick their brains. Think about what you want to get out of this dedicated one-on-one session and choose your mentor accordingly.So, who am I in all of this, if you're just encountering this link and haven't read my books or this blog?
If you're interested in talking with me about writing science fiction, urban fantasy, or steampunk, or would like to talk about a new book proposal of interest to Thinking Ink Press, the signup sheet for sessions is here: https://form.jotform.com/202435857025050. This is the first time we've done this virtually, but I've participated before in the live events (on the mentee end, rather than mentor :-D) and found it very valuable. So come on board, ask your questions, and help us make Virtual Dragon Con a success! Virtual Dragon Con is already running - and I've been on two recorded panels already for the Writer's Track, though I don't know when they'll air yet, just figuring that out myself - but please go check it out and help the world have fun in the face of the zombie apocalypse! -the CentaurAnthony Francis - Thinking Ink Press & Author
Session schedule: Friday - 4:30, 4:50, 5:10, 5:30
Secret origin: By day, Anthony Francis teaches robots to learn; by night, he writes the Dakota Frost urban fantasy series (FROST MOON, BLOOD ROCK and LIQUID FIRE) and the steampunk Jeremiah Willstone series (THE CLOCKWORK TIME MACHINE). He's also an editor, and co-founded Thinking Ink Press. Genres & expertise: I'm a science fiction, urban fantasy and steampunk author with experience in space travel, general physics, artificial intelligence, robotics, cognitive science, fictional magic and myth, and real and fictional military systems. Acquisition wishlist: we're looking for fresh voices in science fiction accessible to new audiences. We've recently published YA military science fiction and humorous cyberpunk novels featuring LGBTQIA characters, and have also published a series of steampunk anthologies.
Reading Session: Anthony Francis Time: Sat 11:30 am Location: Marietta - Hyatt (Length: 1 Hour) (Tentative Panelists: Anthony Francis)I'll be reading from a mixture of my fiction and nonfiction, urban fantasy and steampunk, published works and unpublished works, and maybe even a preview of the Jeremiah Willstone radio drama! Or, since this got finalized on the schedule at the last minute, I might just be reading a book by myself in a quiet room. Either way, so full of win! :-D -the Centaur
P.S. It appears my author signing is still on the schedule, so I will also be appearing at 2:30 on Sunday: Title: Author Signings Time: Sun 02:30 pm Location: International Hall South 4-5 - Marriott (Length: 1 Hour) (Tentative Panelists: Anthony Francis)Don't miss it! (I won't.)
Social Media as an Effective Tool for Authors Social Media is an author's best friend/worst enemy. This panel discusses how to maximize the benefits without the side effects. Time: Fri 04:00 pm Location: Embassy CD - Hyatt (Length: 1 Hour) (Tentative Panelists:Moderator: Bill Fawcett, Anthony Francis, Tyra A Burton, Anya Martin, Trisha J. Wooldridge, James Nettles) When Life Intrudes Writers often seem impervious to their surroundings. But occasionally life throws us a problem we have to face head on. How do we manage career & crisis at the same time? Time: Fri 10:00 pm Location: Embassy CD - Hyatt (Length: 1 Hour) (Tentative Panelists: Holly Sullivan McClure, Katherine Kurtz, Nancy Knight, Anthony Francis) Reading Session: Anthony Francis Time: Sat 11:30 am Location: Marietta - Hyatt (Length: 1 Hour) (Tentative Panelists: Anthony Francis) Fightin' 'n' Writin' How to write realistic fight scenes--whether utilizing guns, edged weapons, martial arts...or something not yet invented. Time: Sat 10:00 pm Location: Embassy CD - Hyatt (Length: 1 Hour) (Tentative Panelists: John D. Ringo, Clay and Susan Griffith, Anthony Francis, Alison Sky Richards, R M Meluch) Stitch & Witch We are getting crafty for a bit. Feel free to bring projects to share or work on! While we explore the role that art, crafts, & hobbies play for characters & worlds. Time: Sun 11:30 am Location: Embassy EF - Hyatt (Length: 1 Hour) (Tentative Panelists: Jody Lynn Nye, Anthony Francis) Transformations: Shapeshifter Magic Urban Fantasy features many types of shapeshifters. Our panel of authors will discuss the type of magic used by their characters & where their inspiration regarding it is rooted. Time: Mon 11:30 am Location: Chastain 1-2 - Westin (Length: 1 Hour) (Tentative Panelists: D.R. Perry, Tina Glasneck, Jennifer St. Giles, Aaron Crash, Anthony Francis)When life intrudes? Oh, I got this. -the Centaur
Good news, Edgeworlders! FROST MOON is on sale through the 15th!
FROST MOON is my first novel, the tale of Dakota Frost, a woman who can bring her tattoos to life, and her very first encounter with the sharp edges of the Edgeworld she's been dancing around all her adult life. She meets vampires and werewolves, weretigers and faerie, and soon is on the ride of her life when the police warn her about a serial killer attacking the magically tattooed near the full moon ... right when a werewolf asks her to tattoo a design on him. Is he the killer ... or the next victim?
Go check it out on Amazon, Kobo, Nook or wherever fine ebooks are sold!
-the Centaur
Wow. It's been a long time. Or perhaps not as long as I thought, but I've definitely not been able to post as much as I wanted over the last six months or so. But it's been for good reasons: I've been working on a lot of writing projects. The Dakota Frost / Cinnamon Frost "Hexology", which was a six book series; the moment I finished those rough drafts, it seemed, I rolled into National Novel Writing Month and worked on JEREMIAH WILLSTONE AND THE MACHINERY OF THE APOCALYPSE. Meanwhile, at work, I've been snowed under following up on our PRM-RL paper.
But I've been having fun! The MACHINERY OF THE APOCALYPSE is (at least possibly) spaaaace steampunk, which has led me to learn all sorts of things about space travel and rockets and angular momentum which I somehow didn't learn when I was writing pure hard science fiction. I've learned so much about creating artificial languages as part of the HEXOLOGY.
So, hopefully I will have some time to start sharing this information again, assuming that no disasters befall me in the middle of the night.
Oh dag nabbit! (He's going to be fine).
-the Centaur
Hail, fellow adventurers! If you want to experience our world the way Jeremiah Willstone and her friends first experienced it, there’s no better way than to come to Dragon Con in Atlanta! I’ve been going to Dragon Con longer than almost any con - certainly longer than any still-running con - and after enough time here they put me on panels! And here they are:
- Practical Time Travel for the Storyteller
Sat 05:30 pm / Athens - Sheraton
Panelists: Darin M. Bush, Michael J. Martinez, S.M. Stirling, Anthony Francis, Jack Campbell
This panel discusses the real science behind time travel, as well as how these scientific theories can place both challenging and rewarding demands on the stories we tell. Time dilation, the grandfather paradox, and more will be explained as we discuss the stories that reference these theories. - Partners: Collaborating on Your Novel
Sun 11:30 am / Embassy CD - Hyatt
Panelists: Nancy Knight, Janny Wurts, Anthony Francis, Clay and Susan Griffith, Gordon Andrews, Ilona Andrews
When writers collaborate, the results can be great--or horrible. How do you insure that your collaboration turns out well? - Plotting or Plodding?
Sun 02:30 pm / Embassy CD - Hyatt
Panelists: Janny Wurts, Anthony Francis, Lee Martindale, Richard Kadrey, Laura Anne Gilman, Melissa F Olson
It's the story, stupid! Everybody loves a great story. This panel discusses how to create that unforgettable story roiling within you. - Magic Practitioners in Urban Fantasy: Witches and Warlocks
Mon 10:00 am / Chastain 1-2 - Westin
Panelists: Jeanne P Adams, David B. Coe, Linda Robertson, Kevin O. McLaughlin, Anthony Francis, Melissa F Olson
Witches and warlocks in the genre range from being an accepted part of their communities to the most feared. Our panel of authors will discuss the characteristics of those in their works. - Write a Damn Good Book
Mon 11:30 am / Embassy CD - Hyatt
Panelists: Bill Fawcett, Peter David, E.K. Johnston, Diana Peterfreund, Anthony Francis
Writers worry about all sorts of things, but the first thing to worry about is writing a great book. Here's how.
Other fun things at the con are the Parade, the Masquerade, performances by the Atlanta Radio Theater Company, and, of course, The Cruxshadows. So come on down and hang out with 80,000 fans of fantasy and science fiction! Some of them may become your new best friends.
-The Centaur
On our way out, I sighs. “That went … well—” “It so very did not,” Karoo says, bouncing from rock to rock. “What?” I says. “We learned a lot—” “We learned nothing but that this so-called Huntswoman wants the Ere Mother dead—or worse!” Karoo snarls. “You learned nothing from the Huntswoman about the Ere Mother herself that I could not have told you, had you only asked—” “Was she wrong about the spell that’s killing her?” I asks, and Karoo says nothing. “If you knew that, why didn’t you tell me?” “You didn’t ask,” Karoo says. “Well, maybe I should change that,” I says, “startin’ now. But I learned a lot—” “A faerie queen flattered you by putting you through paces that would not have fazed the most junior adept in medieval times, when training meant something,” Karoo said. “You learned what you should have learned months or years ago in your training—” “I have not been wand training for years,” I says. “Graffiti magic, three years, wand magic, more like one and a half. Actually, a bit closer to one—” “So you’re hungry and she fed you,” Karoo says huffily. “One way and one way alone this creature is like the Li’ía Ní’qua I remember. You heard her banish me from her court, me, her consort? I loved her once, with all my heart. Now I hate her with equal fervor—” “Don’t say that,” I says. “She’ll … she’ll eventually remember you—” “Li’ía Ní’qua is dead,” Karoo says. “I never want to come back to this place again!”Ouch, Karoo, that's harsh! Especially coming from a cute glowing anthropmorphic fox. -the Centaur
Cinnamon Frost, once-delinquent weretiger stray, is now a rising star in the secretive werekindred kingdom ... until she unwittingly unleashes an ancient faerie monster and is banished to the human world as a result. As the monster wreaks havoc on human and werekin alike, Cinnamon must scramble to save herself, save her city - and save her mother, as the monster turns upon them all in its rage.And, of course, the obligatory excerpt:
I clenches my fist. The fox shimmers, his magic going through my fingers; of course, it’s a magic projectia, not a holographic projection. Mom told me about this: an entombed court of faerie, and the warriors that went back to finish the job. I folds my hands to my breast. “I’m sorry,” I says. “I knows the story. I just didn’t know it happened here too.” “Only three of us were left,” the fox says. “My shattered body. The queen, entombed in layers of crystal too hard to be destroyed—though she freed herself and left us, I have no idea how. And the other, the Ere Mother, entombed half-alive, half-dead on the other side of the cavern; I have not seen her directly for centuries … until now.” The hair creeps up on my spine: the cracking and scraping is louder now. “Did you free her?” the fox asks. “Perhaps she will be grateful—” I whirls. Behind the shattered iceberg, something looms, a glint of red—and a mammoth bony paw slams down to the iceberg’s right. Rock scrapes on rock, and the crystal-encased paw grinds against stone, formin’ and reshapin’, crystal planes flashin’ intermittently within as it rearchitects itself. Then the lumberin’ split head of the sloth-corpse roars into view, wobblin’ on a half-crystal, half-bone neck, its single red eye blazin’ like a laser. “Maybe yes,” I says, “and looks like no!” Red eye blazin’, the Ere Mother screams magic at me in a rasping bellow of rage.Now, none of the Cinnamon Frost books have been published yet; since Cinnamon Frost #1, #2 and #3 are interleaved in time with Dakota Frost #4, #5, and #6, and since both are loose trilogies, I've been working on all six together, in a giant manuscript which would be close to 750,000 words if all put together. Oy! But the outcome is I understand the story much better, and when this giant Hexology is finally put out, I think it will be a much stronger story. Onward! -the Centaur Pictured: a mockup cover for SPELLPUNK: ROOT USER, based on a picture of an eremotherium by Eden, Janine and Jim, and a picture of Doll's Theater in Carlsbad Cavern picture by Daniel Meyer, both licensed for reuse with attribution on variants of the Creative Commons license.
“The Ere Mother is … not the most dangerous enemy I’ve ever faced,” I says. “Actually, she doesn’t rate really highly compared to the thing we found in the Vault of Nightmares, which was the real source of the magic that tried to burn down this city, Lady Scara—not me. But the Ere Mother is terribly dangerous, that I admit, Magus Meredith, Elder Jackson-Monarch. She’s terribly dangerous. But I did not ‘unleash’ her on the city. I went where my leadership told me to go and did what they told me to do, and the bottom dropped out under me. Yes, she came to life when I fell into the chambers of her court, but I strongly doubt that she was brought to life by a magic tiger butt. As unstable as that structure was—and it was still subsiding from time to time—the Ere Mother could have been unleashed at anytime, and we’d know even less about her than we do because I was down there investigatin’—as you all asked me to.” I stands there, quietly. “OH!” I says. “Um, yeah. That’s … that’s my report.” “Well,” Mom says. “Thank you, First Mage, for your testimony—” “Chair Frost?” Meredith says, raising his hand politely. “Are questions allowed?” Mom blinks. “Always, as long as we maintain order. You have the floor.” “Shoot,” I says. “Not literally—” “How do you know the structure was still subsiding?” asked Meredith. I stares at him. The hair rises on the back of my head. I thinks very, very fast. “I heard it from the remaining member of the Dire Court,” I says. “A fox changeling, er, proto-fox changeling, at least I assume it was a changeling—er, anyway, we spoke, briefly, before the Ere Mother attacked. He mentioned a subsidence that, um.” “Yes?” Meredith says, eyes gleaming. “That, ah, uncovered his eye, so he wasn’t stuck in the dark anymore,” I says quietly. Meredith’s face falls, with true horror. “There was light down there, from runes. But after the Ere Mother’s attack … I don’t think there’s anything left of the fox fae anymore.” “That’s … horrible,” Meredith says. “Do you remember what else you spoke about?” “I will try to reconstruct a transcript. Mostly, he said shit like, ‘Oh, God’, and ‘Don’t hurt me.’” Somebody laughs, and I idly turns towards them and says, “Hey, I was pretty scared. You wanna be pretty scared to, I can always Change into what I looked like down there.” “Cinnamon Stray Foundling Frost,” Mom says sternly, “if you eat anyone at this Council, you’re grounded!” “Yes, Mom,” I says.Ah, Cinnamon. You and your wacky hijinks with ancient faerie changelings! Now ... zzzzz... -the Centaur