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Posts tagged as “Dakota Frost”

Closing in on Victory

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Almost at the end of Nanowrimo. Closing in. About a day’s more work to go. Perhaps I’ll get to enjoy my vacation.

Oh, an excerpt:

FROM: “Cinnamon Frost” <frost.csf@dwa.gov>

TO: “Norcross Office” <everyone-norcross@dwa.gov>

CC: austin.wj@dwa.gov, cagayan.rg@dwa.gov, waldona.dg@dwa.gov

SUBJECT: Your security totally sucks

Okay. Hi! Straight to it: your security sucks.

Oh, wait, most of you don’t know me. Well, some of you may know me from “when the APD almost got its ass sued off” or “that time I saved the DWA's ass in the tunnels,” but for the rest, uh, Hi! I’m Cinnamon. I like to gnaw on things and do math.

SO ANYWAY, y’all have been botherin’ me a lot, so I hacked ya.

Hacking a government agency won’t have any negative repercussions, now will it? But very fun to write...

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That’s why the last two days have been so productive! More tomorrow.

-the Centaur.

Nanowrimo Continues …

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Somewhat over 25,000 words. Closing in on the end of HEX CODE. That is all... -the Centaur

Getting it together

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What you see there is my "working stack" at home ... the piles of books for my most active projects. These include Dakota Frost (shelves to the left and right that you can't quite see), Cinnamon Frost (middle shelf on the right, middle center shelf and others below), robotics at work (top shelf on the right), Thinking Ink Press (bottom visible shelf on the right and middle center shelf), Lovecraft studies (middle center shelf and top shelf on the left you can't quite see), and general writing (above, below, all around). I accumulate lots and lots of books - too many, some people think - but there's a careful method to this madness, as most of these books are not recreational, but topical, filling out a library around things I'm trying to accomplish. This means that when I'm working on a problem on, say, a Cinnamon Frost novel, and get stumped, I can have the pleasant experience I had last night of glaring at a Wolfram MathWorld article, not finding all the info I needed, peering through the references ... and finding that the references pointed to a book I had on the topic, right in the Cinnamon shelf (pictured above). For a long time I was terrified of my own library. Well, not terrified, but I'd piled up and accumulated so much stuff that I couldn't effectively use it. This has been accumulating since the days of my condo in Atlanta, which was approaching near gravitational collapse, but I've made two major pushes to clean up the library since I moved to California, which organized it usefully, as I've reported on previously, and since then two major pushes to clean up the files. I've still got a lot go go - you can see more piles below - but now I've got a better system for organizing paper, I am starting to develop a system to get things out of the library and back to used bookstores (slowly, grudgingly, occasionally) and ... I actually find myself wanting to go in here again. The piles are still scary, but now I've got a nice reading area set up, which I can lean back and be cozy in... My current reading pile and art projects are intimidating, but now organized and useful and even attractive ... My cognitive science section has developed a cozy, hallowed feel, that makes me want to dig in more ... ... and at last I once again have a workspace which makes me want to sit down and work, or write: I can't tell you how healthy that feels. I need to stay on top of that. But for now ... time to get back to it. -the Centaur P.S. Yes, I do actually use all those computers and monitors, though the one on the far right is slowly getting replaced by the floating hoverboard of an iMac that is now struggling to supplant my MacBook Air as my primary computer (good luck, you'll need it). For reference, there's my ancient MacBook Pro on the left, which formerly served as my home server; the iMac that's replacing it, hovering over the desk, a MacBook Air which is my primary computer, and the secondary keyboard and monitor for my old Linux workstation, which is about to be replaced because it's not beefy enough for my experiments with ROS.

Why yes, I’m writing a young adult novel…

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... why do you ask? Technically, a Cinnamon Frost novel is an urban fantasy novel with a young adult protagonist. I am doing some work to make it young adult friendly, up to a point, but at some point you have to acknowledge that as much as we all love her, we've got a formerly homeless and abused teenage weretiger with behavior problems as our protagonist, in a world which is a "real" world, not a young adult friendly world - and she's supposed to be a math genius, and if I'm going to have a story with a math genius, dang it, I want the math to be real math, even if takes me a while to figure out how to coherently explain what the heck a "loxodrome" is. It's the spiral you get if you run stairs up the side of a dome, but your architect was lazy and made the stairs cut a fixed angle to the meridians in their drawing, rather than a fixed angle that's useful for constant climbing. Sigh. That's not clear either. Needs more work. Back to it ... -the Centaur P.S. And yes, I'm still on track for Nano.

Nanowrimo is going well…

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… just now getting to the point where I can think clearly. For a refresher, I’m working on the Spellpunk series, finishing up HEX CODE … and, since I discovered last time that I was actually writing all three Spellpunks in the same manuscript, there’s a small chance I’ll finish HEX CODE itself this month and move on to BOT NET. More news in a bit. That is all.

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Overwhelmed

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So, wow, long time no post. What’s been up? Well, I’ve been busting my ass to finish the edits to JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE, which I finally sent back to Bell Bridge last Saturday at midnight. Then Sunday I finished up a pair of Jeremiah Willstone stories to the editors of THIRTY DAYS LATER, an upcoming anthology. Then on Monday I finished up writing up my comments on the audio version of LIQUID FIRE so Traci Odom could finish her reading. Then I joined a new team at work.

Phew.

This week, I’ve spent a little time cleaning up Dakota Frost #4, SPECTRAL IRON, but today, I started diving back into Cinnamon Frost #1, HEX CODE, for National Novel Writing Month. So, so much is going on I barely have time to blog. I hope to say more about all that’s going on shortly, but in case I don’t, I wanted to take a few moments out to fill you all in. Coming off the stress of all those projects has left me rattled - people ask how I’m doing, and I say “Fiiiine,” and have to clarify that yes, I am fine, but my body hasn’t yet adjusted to being in a situation that I’m fine, so I’m still feeling strung out. But objectively speaking, things ARE fine.

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So I rewarded myself with a nice dessert at dinner, and had fun at a truly epic haunted house with my wife.

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So all is right with the world. Sorry to be incommunicado for a while; More in a bit.
20151101_180704.jpg -the Centaur

Now THAT Was a Book Reading

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So my book reading at Books Inc in Mountain View happened, and I'm really happy with how it turned out. We had a lot of people show up - more than at first I thought - and there was a lot of positive energy from the people in the audience which made it easy to read. (Note: I took pictures before the event, but not during, because I was the speaker, and that would be just rude).

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I actually was less nervous and stuttery speaking to this crowd than I was when I was sitting alone in my great room reading the passages I had planned. The thing I'm happiest about, however, is that I planned what I was going to read deliberately.

Normally I read, by reflex, the first section of whatever new thing I've got. But sometimes the setup is not that interesting, so I've tried reading really exciting bits. But that doesn't seem to work either - people demand context.

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That led to a brainflash: I decided I should think not about what I wanted to read but what I wanted people to get out of the reading. I chose the first page and a half of FROST MOON to set the stage. At the last minute, I also decided to read a page and a half of BLOOD ROCK, filled with police, magic and vampires, to show progression in the world (and unabashedly to show off what I thought was a nice bit of writing). And then I chose to read the first half of a chapter out of LIQUID FIRE, tuning again at the last minute, to show off the action and adventure of "The Battle of Union Square." People seemed to love it - I even got applause.

What's more, the sequence of selections enabled me to talk about various aspects of the world I'd built - setting it in a time and place, making the action realistic, exploring consequences - and led into a really good Q&A session. Finally, I left a little time out to read the first chunk of THE CLOCKWORK TIME MACHINE, which also seemed to strike a chord. At the end, we had a line of people for signing, including one who bought a copy of the whole trilogy; many of those joined us for a victory dinner.

Wow. I am so happy that you all came, and that you all liked it. You really made my day. Thank you.

At first I thought just enough people showed up to fill half the seats, but I was wrong - there were actually many more people standing and watching who didn't sit down because they were late. I didn't see them because I was paying attention to the nearer audience, but I know this because some of them came up afterward to talk to me … and others took pictures and sent them to me.

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What a wonderful event. I want to send my sincere thanks to Alex, the whole staff of Books Inc, and the staff of the upstairs Cafe Romanza, who have not only made this a great experience for me, but also have made this environment one of the best places I know to sit down, to get some good coffee, and to find and read a good book - or to imagine and write one.

-the Centaur

Reading LIQUID FIRE at Books Inc

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So it's crept up upon me: the first author event for Dakota Frost #3, LIQUID FIRE, this Wednesday the 26th at 7pm at Books Inc!

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Well, as I recall, we had a small reading at Clockwork Alchemy, but this is the official premiere of the book! What's more wonderful is that this reading will be in the bookstore that hosts the cafe where a goodly chunk of LIQUID FIRE was written!

http://www.booksinc.net/event/anthony-francis-books-inc-mountain-view

Local author Anthony Francis shares his latest urban fantasy, Liquid Fire. Filled with spectacular magic, pyrotechnic action, and kinky romance, Liquid Fire is the action-packed third installment in the Dakota Frost, Skindancer series.

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I'll likely read a bit of FROST MOON to set context, then some of LIQUID FIRE, take questions, and finish up with a preview of something special coming soon!

So please drop in and support your local independent bookstore … and your favorite magical tattoo artist!

-the Centaur

The Centaur at Dragon Con

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So I'll be at Dragon Con this year, the convention I've attended the longest. It's where I sold my first book, it's where I've served on endless panels, it's where I'm an Eternal Member, of course, but this year, I'm a bit more: I'm an attending professional, which means I finally rate my own tiny, tiny little space in the program:

By day, Anthony Francis works on search engines and robots; by night, he writes science fiction and draws comic books. He's the author of the Dakota Frost, Skindancer series including Frost Moon, Blood Rock, and Liquid Fire, and is the co-author of the 24 Hour Comic Day Survival Guide.

And the really good news is, I'll be having a reading to celebrate the release of my latest novel, LIQUID FIRE, on Friday at 2:30PM! If you're a fan of Dakota Frost, you should definitely come by, because I'll read selections from LIQUID FIRE, answer questions, give away swag, and read preview versions of other future books in the series!

Title: Reading: Anthony Francis
Time: Fri 02:30 pm Location: Edgewood - Hyatt (Length: 1 Hour)

From my perspective, however, what's even more important is that because I'm an attending professional, I actually get to know my schedule in advance! (At least most of it!) That means I can not only show up at my panels with more than a minute's preparation, I can actually, like, tell you all about them! I'm tentatively scheduled to appear on three panels:

Title: Steampunk/Magepunk/Dieselpunk?
Description: Steampunk branches out! Tips for the market for the Punk genres.
Time: Sat 08:30 pm Location: Embassy D-F - Hyatt (Length: 1 Hour)
(Tentative Panelists: Lisa Mantchev, Stephen L. Antczak, Gail Z. Martin, Anthony Francis)

Title: Steampunk and the TARDIS
Description: Victoriana and retrofuturist Steampunk themes are popular in Doctor Who.
Time: Sun 05:30 pm Location: Augusta 1-2 - Westin (Length: 1 Hour)
(Tentative Panelists: Dr. Scott Viguié, Anthony Francis, That Darling DJ Duo, Ken Spivey)

Title: World Building, Part 2: The Multicultural Multiverse
Description: This Q&A covers the wide world beyond Britannia.
Time: Sun 07:00 pm Location: Augusta 3 - Westin (Length: 1 Hour)
(Tentative Panelists: Michael J. Martinez, Milton J Davis, Anthony Francis)

There's a chance I may be on a few more, but for that, stay tuned. Otherwise, I look forward to seeing you at my reading!

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-the Centaur

From My Labors Rested

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Well, another Nano has come to an end. I've added over 50,000 words to the HEX CODE manuscript, succeeding at the month's 50K as of a few days ago, and last night I added the framework for the last few scenes that the revised story still needed, putting me way ahead of the game. Calling it done … for now, that is.

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It's interesting to compare this with previous months, as I did before. Even after the huge push near the end, I didn't quite catch up to the last time that I worked on HEX CODE. I must have been going gangbusters!

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I'd love to keep going, but I now see why in the past, whenever I hit the limit, my writing rate dropped off. By my calculations, I have five novels due over the next two years - one down into the final edits, one in rough draft, one (HEX CODE) almost complete, and two more in lesser stages of completion. So it's good to take a breather … after climbing the mountain.

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Now, back to CLOCKWORK ….

-the Centaur

Viiictory the Twelfth

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As of this afternoon, I have completed an additional 50,000 words on my Cinnamon Frost novel HEX CODE … making me an official winner of the Nanowrimo challenge twelve times. Woohoo!

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This was a good Nano, in that I stayed ahead of the game more than I thought I had. Even a couple of days I got physically sick helped me, as I holed up with my laptop and typed. Paradoxically, some of the best-feeling personal days I had this month I got no writing done at all. Yet, in the end, I managed to stay ahead, way ahead.

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But, while analyzing this data, I found out something else … I haven't tackled Nanowrimo twelve times with one failure; I've tackled it fourteen times. You see, I remembered all the times I tackled Nanowrimo in November, and all the times I tackled Camp Nanowrimo, and even Script Frenzy. But ever since 2009, I've kept day-to-day word counts, and I found at least one more time I've tried Nano, in December of 2010. I was apparently having so much fun with CLOCKWORK TIME MACHINE that I decided to keep going. Putting all this data together revealed something very interesting: this hasn't been my best month at Nano.

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In a recent post, I said I thought I'd never been this consistently far ahead for this long, but was I wrong. Way wrong. In 2011, when I was tackling HEX CODE for the first time, I was so far ahead it's crazy: several thousand words ahead of my best times on all the other months. Apparently I was going gangbusters. This month was close, up till Friday and Saturday where I fell off a bit and then had to take a day of for writing business stuff, but today after writing 4,500+ words I ended up only 8,000 words ahead, but at this time in November of 2011 I was almost 13,000 words ahead.

Cinnamon is such a delightful character, it doesn't surprise me - though it does hurt your brain writing tens of thousands of words in broken English. Still, I'm really happy with how this book is developing. I realized, partway through this month, that this manuscript is actually the whole of the Spellpunk trilogy, and I reorganized it so the parts of #2 BOT NET and #3 ROOT USER were downstream of where I was writing, letting me focus on the story of HEX CODE #1, giving its own problems and climax. I think it's gone quite well, giving the story room to breathe, making certain events more rational because they can happen over time in a natural sequence … and giving Cinnamon even more time to shine.

I'll probably keep going on HEX CODE for a few more days making sure I core dump the rest of my story ideas, but then it will be back to editing THE CLOCKWORK TIME MACHINE in time to send it to Debra, then revising SPECTRAL IRON in time to send it to beta readers, plus two stories for an upcoming anthology, then an essay, plus conference travel, oh finishing the Hugo reading and voting, plus that wedding, and wait shouldn't I pay my bills aaaaaa ….

It's a wonderful life. Back to it!

-the Centaur

Soaring on Thermals

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As you may be able to see above, I've managed to do something I don't recall having done ever in Nano: consistently stay ahead of the curve for the whole month to date. By my count, I'm almost 8% ahead of the game at the halfway point … over two full days.

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While there were a few days I didn't get any writing done, I was always ahead of the game, so I never fell behind … meaning the "Current Debt" column was always positive … meaning I'm always in the black. Huzzah!

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This is a good feeling, but there's slightly more to it than that. I made a discovery. I'm not actually writing HEX CODE.

I've been writing the whole damn SPELLPUNK trilogy.

As I wrote, the story kept getting bigger and more bloated, while at the same time it was missing something. Threads left out. Pieces which didn't quite fit. The magical computer virus of the title, the "hex code", appeared in strangely spotty ways. And there were all these other threads, threads about the Werehold, the new werekin home.

I was thinking through how to fit these things together, and then started to notice something. I always had three titles in mind for the SPELLPUNK trilogy: HEX CODE, BOT NET, and ROOT USER (originally the last two were swapped, but whaddya know). And then I noticed: the first part of the book deals with the "hex code", then later a "bot net" appears, then later, in the last part of the story … a "root user" appears.

Am I writing the whole trilogy? I asked myself. I pulled in the 700 words I'd written on the second novel. I reorganized some sequences. I started fleshing out more and more pieces. Finally, I allowed myself to write a sequence that I had considered dropping, when I thought I was writing just one young adult novel. But if this part of the book isn't a part of a book, but an entire book in and of itself, that sequence was needed, was logical, was even demanded …

And 1400 words immediately popped out of my pen. (Well, keyboard, but you know).

So I'm even further ahead than I expected, not just on this month's Nanowrimo thanks to this burst of creativity, but now on the next few years of my life. I knew I needed to get three books out in the next year - THE CLOCKWORK TIME MACHINE, HEX CODE, and SPECTRAL IRON - and five in the next two years - PHANTOM SILVER and one or more sequels. But now, I'm closer to the end of HEX CODE proper than I'd ever thought I'd be, I have a huge jump on the sequels, these books will all be shorter than the 150,000 word behemoths that I'd been turning into Debra … and they'll have an inter-book cohesion that I've never attempted before, but which falls out naturally from the nature of the story.

In short, the story gets to breathe … and so will I.

At least, that's the theory. I still have five novels due in the next two years. So, back to Nano. I have almost 22,000 words to finish for this month, after all. But now I'm not just flying above the mountain; I'm soaring above it, rising on thermals to new heights. Now, beyond what I have due, I also have a ray of hope - and a plan for success.

Onward!

-the Centaur

Reading the Manual after Jumping from the Plane

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Still plugging away at HEX CODE. But even in the middle of Nanowrimo, when I'm desperate to make my word count before my upcoming adventures, even when I have a good feel for what needs to happen in the next scene … it still helps to do research. Above you see a pile of books fairly typical for working on Cinnamon Frost stories, plus one recreational one (I'll leave it to you to figure out which one from the negative space of the context) and here's how they have helped me. For those just joining us, Cinnamon Frost is a teenage weretiger with Tourette's Syndrome who grew up basically on the streets, and ...

  • Chelsea Cain's "Wild Child: Girlhoods in the Counterculture" helped me get in touch with something entirely outside my experience … growing up as a teenage weretiger in essentially a werekindred commune.
  • Brooks Landon's "Building Great Sentences" audio course (of which I have the printed notes above) reminded me to keep vary the patterns in my sentences, which helps me (in my terms) "solve problems" as I try to deliver the information I need to keep the plot moving while maintaining the right rhythm.
  • Ntozake Shange's "For Colored Girls Who Have Considered Suicide / When the Rainbow is Enuf" also helped me get in touch with the experiences that someone in a marginalized community might have, though I wasn't able use this idea in today's writing session, it might come up soon.
  • Patrick Newman's "Tracking the Weretiger" is just damn fascinating, and is helping me flesh out the plot of the rest of the "Dakota Frost, Skindancer" / "Cinnamon Frost, Spellpunk" / "Quarry" series.
  • The Jesus Seminar's "The Parables of Jesus" is helping me flesh out the moral dimensions of the story, by deriving the moral stances of the more "heroic" characters from the more "authentic" parables (at least, according to the Seminar) and deriving the stances of the more morally gray characters from the more "questionable" parables. Of course, all Scripture is profitable for instruction … but some parts of it do seem to get Jesus's message more on point than others, and by assigning a spectrum of goodness to different characters I get to play with a lot of interesting moral conundrums.
  • Mitzi Waltz's Tourette's Syndrome: "Finding Answers & Getting Help" is also useful for helping me portray the subtle aspects of Tourette's Syndrome, which Cinnamon suffers from, but which is notoriously difficult to portray correctly without it devolving into caricature. It has given me new plot ideas for the whole book and actually makes some of Cinnamon's weird behavior seem much more understandable, but I need to work it in.

As for the last book, for now it's fun, but who knows, she's a math genius, so maybe it will work in.

I didn't read all of these over lunch, but I got a chapter or a half dozen pages of each, and as a consequence: I found out some interesting other conditions people might suffer from, gave them to a character, creating an instant conflict, and gave Cinnamon a new coping tool, leading to more conflict.

Easily three to five hundred words popped out of today's salsa of reading, putting me way ahead:

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I'm doing my level headed best to not rest on my laurels though, as I have a LOT more to go:

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Still climbing that mountain. Still reading the manual as falling out of the plane. Still writing 1666+ words a day.

Onward!

-the Centaur

Still flying above the mountain…

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… trying to get a good buffer before the crazy that is Comic-Con starts. That is all. Oh wait, an excerpt:

“So … how’s the investigation going,” I asks warily.


Mom chews, thinking. “Like shit,” she says. “One round of emails, mostly to my friends, but neither Philip nor Jinx nor Avenix were able to track the emails back to the source. They’re arguing now whether it’s Korean or Russian hackers, based on plaintext in the binaries, but—”


“That could be, like, contract work, or a smokescreen,” I says, tryin’ to keep up.


“Either one would be scary,” Mom says. “There’s more thought going into this assault than at first I thought.”


“And you’re still cuttin’ me out,” I says, scowling.


“Until Jinx gets us a way to look at the material without getting killed, yes.” Mom says. “After we have a better grip on what’s safe … actually, I would love your mathematical expertise on this one, Cinnamon.”


“Why?” I asks suspiciously.


“The mathematical patterns in the display code,” Mom says. “Jinx says they remind her of your cat’s cradles—”


“I did not have anything to do with this,” I says hotly.


“I know, I know,” Mom says, “but you are familiar with dangerous magic. I … I just don’t want you hurt, but you might be able to help us.”


“Fine,” I says. “Math is supposed to be fun, not a chore.”


“You don’t have to help,” Mom says.


“I’ll do it,” I says. “I … sigh, can I lay the cards on the table, Mom?”


“Sure.”


“I feel better, and want to go for a run tonight,” I says.


Mom purses her lips.


“I’ve already asked a friend from the werehouse, like you asked,” I says. I juts my chin out in defiance. “My boyfriend. Tully.”


Mom frowns.


“Whatdja got to say about that?” I asks defiantly.


Mom shrugs. “That … is what I said, isn’t it. Run with a friend from the werehouse—”


“It sure as hell is,” I shoots back.


“What about that thing on your ankle?” Mom says.


“I’ll be sure not to take it into any Edgeworld locations,” I says. “I ain’t stupid.”


Lots going on there. More to come. That is all.

-the Centaur

Happy Freedom Day

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That's not a flag, but it is my Nanowrimo word count for the day, so I'm off to enjoy the Fourth of July holiday with my wife. If you're American, celebrate this moment - by convention, commemorating the signing of the Declaration of Independence, but by connotation, commemorating our liberty. If you're not American, hey, you can still take this moment to reflect on the ways in which you are free … and how important it is to preserve those freedoms. Enjoy the day!

-the Centaur

Now this is a different way to start the month

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Normally a couple of days into a Nanowrimo project I'm already a bit behind, wondering how I'll catch up. Today I'm actually ahead for the second day in a row. Onward!

-the Centaur

Climbing the Mountain Again

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Well, I haven't finished editing THE CLOCKWORK TIME MACHINE in June like I wanted to, but it's now July, and I'm out of time. So it's back to another Nano challenge, the Camp nano challenge for July, in which I'll write 50,000 words of the Cinnamon spin-off novel, HEX CODE.

After much struggling, I have come to accept that this Cinnamon Frost novel, which comes between Book 4 and Book 5 of the Dakota Frost series, can go nowhere else other than between Book 4 and Book 5. if HEX CODE had happened before Book 4, SPECTRAL IRON, the story would collapse: Dakota could solve the problem with one phone call, if that, and my 150,000 word book would collapse to a 30,000 word novella. Same thing with PHANTOM SILVER: if HEX CODE hadn't happened immediately before Book 5, half the plot would collapse, and I'd need to contrive reasons to do things which are completely natural.

But I still owe THE CLOCKWORK TIME MACHINE to Debra sometime before the end of August for the book to come out this year, and I still need to get SPECTRAL IRON to Debra by January 31st of 2016 so it can come out in 2016, and PHANTOM SILVER to her by January of 2017 so it can come out in 2017 … which means HEX CODE needs to be done in the middle of 2016 so we can get that book out between Books 4 and 5. That means I need to write something like 50,000 to 100,000 words in the next six months, and edit the draft, and send it to beta readers, and edit it again, all on top of everything else I'm doing.

I sure do live in interesting times.

But I'm done with my word count for today, so I'll be diving back into CLOCKWORK for the rest of tonight. And I've got a long weekend coming up, with all next week off leading into Comic-Con, with no responsibilities for Comic-Con itself this year (thank God) other than showing up and having fun, so … perhaps this is going to work out.

Oh, right, an excerpt! I think that's safe in this case. From today's first draftiness:

I tenses up. I knows where this is going.

“I,” Mom says, whapping my leg, “am not my mother. I remember fighting monsters and wizards with you. You are reckless and amazing, and I’d love to say you can definitely take care of yourself … but I also remember you’ve been kidnapped, and you nearly set the city on fire.”


“Yes, Mom,” I says. “Sorry, Mom.”


“You are not formally grounded,” Mom says. “But I don’t want you going on a run—”


“Aww, man,” I says.


“—don’t want you going on a run until the situation and your vitals are more stable,” Mom says, pointing at the heartbeep machine. “Not until we can get more security for the house, and coordinate a plan to keep you safe away from the house—”


“Aww, Mom,” I says, “that spoils it. I gotta run by myself—”


“You run with Tully,” Mom says. “You ran with hunts at the werehouse. Did any of that spoil it? Look, Cinnamon, I’m not stupid. I will find out if you have snuck out … but I can’t stop you from sneaking out. You’re an experienced and stealthy street tiger who can turn invisible, and I’m a weak mortal human who needs to sleep. You will get out if you want to. But we’re in a difficult and terrible situation in which our friends are literally exploding and you were attacked so hard it put you in the hospital. All I ask is that you not go for a run until you heal up and the situation calms down, and that if, God forbid, you’re crawling the walls so much you can’t stand it, find a friend from the werehouse and go on a run with a partner.”


I set my lip. I wants to run free. I can outrun anybody. I wants to run free.


“Fine,” I says at last, fuming. But I’m really smart … and I’ve seen the escape hatch.


Mom stares off in the distance. “I know you’re really smart, so I want you to think about what our friend Special Agent Philip Davidson would call operational security. Think about what you can do to make it hard on the bad guys. Change your time, change your route, run with a friend or even a whole hunt—and text me your location. I promise not to freak. In fact, if you’ve done something bad and you need my help, I want you to say that. Tell me, “don’t freak”—but tell me, or I swear to God I am going to ground you until the heat death of the universe.”

Only 48,000 words left for the month of July. Onward!

-the Centaur

Taking Stock

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What you see above are (almost) all the author's copies I have of all the published fiction I've written. Why am I taking stock of all this now? Well, at Clockwork Alchemy, this happened:

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I sold many, many other copies of my books and a solid dozen copies of FROST MOON - nearly cleaning out my stock of my first novel. I'd ordered twenty when LIQUID FIRE came out, but between that dozen, a few for a shelf at work, and a box that I sent to BayCon, I was left with just two of them. Time to order more.

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I'm in the writing game for the long haul, so I generally order 20-30 copies of any book or anthology that my work is published in (less or more if the publisher has a deal on sending a specific amount). Generally, north of 20 is a good number - I just sold out of 20 FROST MOON, but it can take a few years to sell out of 30 copies of an anthology. Your mileage may vary.

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Along with the books are piles of swag, postcards, t-shirts and various display materials which I organize into boxes so they can easily be taken to conventions. After several iterations of this, I've grown to keeping the stock in one big box, the swag in another box, keeping an empty "useful box" for extra copies on the first day of a convention (or a few copies for a smaller event like a signing) and all the oversized books and display materials needed at a full table in another box.

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This way if I want to go to a con, I can just grab a couple boxes and go. If I want to go to a con where I've got a table, everything I need is in just a couple more boxes, all of which fit in a couple shelves (more or less) in one bookcase.

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For a local con where I have a table, like Clockwork Alchemy, I go all out, so I need a couple more boxes of props, a display stand, and some tablecloths and an antique easel on loan from my wife. But the results, I think, are impressive.

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At least, thanks to my helpful assistants (thanks!) ...

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… it helped me sell a lot of books, and hopefully, make a lot of new fans.

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Time to order more FROST MOON …

-the Centaur

Clockwork Alchemy in Transit

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No time to blog this proper - things are moving too fast. But here's a flyover of Clockwork Alchemy in pictures.

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There's an awesome dealer's room … with droolworthy clothes (not my size, or it would be mine):

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There's an awesome art show, with epic props and artwork:

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And I do mean epic:

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There are amazing costumes of all kinds ...

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... with bleedover from Fanime and Baycon:

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There's an awesome Author's Salon organized by the redoubtable volcano lady, T.E. MacArthur …

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... and featuring alternate historian Harry Turtledove, Madeline Holly-Rosing of the Boston Metaphysical Society, Kaja & Phil Foglio of Girl Genius ...

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... and me!

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Many people at Thinking Ink Press helped out, either getting materials together prior to the con or helping out at the table ...

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… and we managed to make many fans happy by bringing them LIQUID FIRE!

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… and much more! For the very first time … someone bought the first Skindancer trilogy as a bundle!

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Let's end on that happy note, and I'll have more tales of the con soon! One more day to go...

-the Centaur

Jeremiah Willstone and the Sorting of the Secret Post

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If you love steampunk, flash fiction, or cool things printed on paper, come by Clockwork Alchemy this weekend. I'm pleased to announce that Thinking Ink Press is printing two pieces of ephemera for the con - the flash fiction Instant Book "Jagged Fragments" and the short story Snapbook "Jeremiah Willstone and the Sorting of the Secret Post."

I had hoped we'd have JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE ready for Clockwork Alchemy, but Debra, my editor at Bell Bridge Books, thought we should focus on getting Dakota Frost #3, LIQUID FIRE, out first - and she was right. That's out right now, in fact, just in time for the con - I got the books early this week.

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But Betsy Miller of Thinking Ink Press suggested that I put something together for the con, thinking of three pieces I already had - the flash fiction pieces "The Secret of the T-Rex's Arms" and "If Looks Could Kill" and the essay "The Rules Disease". Not to be daunted by taking on too much, I decided I wanted a piece teasing THE CLOCKWORK TIME MACHINE.

So I wrote a brand new short story just for the occasion, "The Sorting of the Secret Post".

Hand-printed copies of these books will be available at the con. We aren't sure what we'll do with these in the future - the beauty of instant books (books printed on a single sheet of paper) and snap books (chapbooks printed on conventional printers) is that they can be printed on demand for an event. We call them "ephemera" and they enable us to experiment with the printed word.

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Here you see Keiko O'Leary of TIP folding instant books (and Liza Olmsted of TIP scowling at a tax form). The editions we've produced this time just came together in time for the con. You can't even have the first ones - Nathan Vargas of TIP bought the very first copies of both books, one-of-a-kinds that will never come around again.

"The Sorting of the Secret Post" in particular is a direct prequel to THE CLOCKWORK TIME MACHINE, but it isn't clear whether we'll reprint it once the book from Bell Bridge is out (though I hope we will, we haven't decided). So come on down and get your copies … because whatever they become in the future, they'll be something different.

-the Centaur