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Posts tagged as “Dragon Writers”

Your Adopted Cat Picture of the Day

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We've had Gabby a lot longer than Loki, but you can see from the size of this little fur monster why we think he and Loki might be cousins or brothers.

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In case you're wondering, Gabby is indeed enjoying this, and is not simply a large cat shaped rug that we've procured for the purpose of the photo. Note the movement of the tail.


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Just distracting myself from LIQUID FIRE. Back to it. That is all.

-the Centaur

Pictured: Gabby, Loki, and Gabby. And some guy.

Pouring that LIQUID FIRE

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Plugging away at LIQUID FIRE, chewing into Chapter 2. That is all.

-the Centaur

Pictured: Coupa Cafe, a frequent writing spot.

The Doorway Creaks

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The first pass at the complete DOORWAYS TO EXTRA TIME manuscript is off to my coeditor. That is all.

-the Centaur

Treat Problems as Opportunities

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Recently I had a setback. Doesn't matter what on; setbacks happen. Sometimes they're on things outside your control: if a meteor smacks the Earth and the tidal wave is on its way to you, well, you're out of luck buddy.

But sometimes it only seems like a tidal wave about to wipe out all life. Suppose your party has lost the election. Your vote didn't stop it. You feel powerless - but you're not. You can vote. You can argue. You can volunteer. Even run for office yourself.

Even then, it might be a thirty year project to get yourself or people you like elected President - but most problems aren't trying to change the leader of the free world. The reality is, most of the things that do happen to us are things we can partially control.

So the setback happens. I got upset, thinking about this misfortune. I try to look closely at situations and to honestly blame myself for everything that went wrong. By honestly blame, I mean to look for my mistakes, but not exaggerate their impact.

In this case, at first, I thought I saw many things I did wrong, but the more I looked, the more I realized that most of what I did was right, and only a few of them were wrong, and they didn't account for all the bad things that had happened beyond my control.

Then I realized: what if I treated those bad things as actual problems?

A disaster is something bad that happens. A problem is a situation that can be fixed. A situation that has a solution. At work, and in writing, I'm constantly trying to come up with solutions to problems, solutions which sometimes must be very creative.

"Treat setbacks as problems," I thought. "Don't complain about them (ok, maybe do) but think about how you can fix them." Of course, sometimes the specific problems are unfixable: the code failed in production, the story was badly reviewed. Too late.

That's when the second idea comes in: what if you treated problems as opportunities to better your skills?

An opportunity is a situation you can build on. At work, and in writing, I try to develop better and better skills to solve problems, be it in prose, code, organization, or self-management. And once you know a problem can happen, you can build skills to fix it.

So I came up with a few mantras: "Take Problems as Opportunities" and "Accept Setbacks as Problems" were a couple of them that I wrote down (and don't have the others on me). But I was so inspired I put together a little inspirational poster.

I don't yet know how to turn this setback into a triumph. But I do know what kinds of problems caused it, and those are all opportunities for me to learn new skills to try to keep this setback from happening again. Time to get to it.

-Anthony

Pictured: me on a ridge of rock, under my very own motivational poster.

P.S. Now that I've posted this, I see I'm not the first to come up with this phrase. Great minds think alike!

Approaching 33, Seen from 44

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I operate with a long range planning horizon – I have lists of what I want to do in a day, a week, a month, a year, five years, and even my life. Not all my goals are fulfilled, of course, but I believe in the philosophy “People overestimate what they can do in a year, but underestimate what they can do in a decade.”

Recently, I’ve had that proven to me.

I’m an enormous packrat, and keep a huge variety of old papers and materials. Some people deal with clutter by adopting the philosophy “if you haven’t touched it in six months, throw it away.” Clearly, these people don’t write for a living.

So, in an old notebook, uncovered on one of my periodic archaeological expeditions in my library, I found an essay – a diary entry, really – written just before my 33rd birthday, entitled “Approaching 33” – and I find its perspective fascinating, especially when you compare what I was worried about then with where I am now.

“Approaching 33” was written on the fifth of November, 2011. That’s about five years after I split with my ex-fiancee, but a year before I met my future wife. It’s about a year after I finished my nearly decade-long slog to get my PhD, but ten years before when I got a job that truly used my degree. It’s about seven months after I reluctantly quit the dot-com I helped found to care for my dying father, but only about six months after my Dad actually died. And it’s about 2 months after 9/11, and about a month after disagreements over 9/11 caused huge rifts among my friends.

In that context, this is what I wrote on the fifth of November, 2011:

Approaching 33, your life seems seriously off-track. Your chances of following up on the PhD program are minimal – you will not get a good faculty job. And you are starting too late to tackle software development; you are behind the curve. Nor are you on track for being a writer.

The PhD program was a complete mistake. You wasted ten years of your life on a PhD and on your ex-fiancee. What a loser.

Now you approach middle fucking age – 38 – and are not on the career track, are not on the runway. You are stalled, lacking the crucial management, leadership and discipline skills you need to truly succeed.

Waste not time with useful affirmations – first understand the problem, set goals, fix things and move on. It is possible, only if you face clearly the challenges which are ahead of you.

You need to pick and embrace a career and a secondary vocation – your main path and your entertainment – in order to advance at either.

Without focus, you will not achieve. Or perhaps you are FULL OF SHIT.

Think Nixon. He had major successes before 33, but major defeats and did not run for office until your age. You can take the positive elements of his example – learn how to manage now, learn discipline now, learn leadership now, by whatever means are morally acceptable.

Then get a move on your career – it is possible. Do what you gotta do and move on with your life!

It appears I was bitter.

Apparently I couldn’t emotionally imagine I could succeed, but recognized, intellectually, that if I focused on what was wrong, and worked at it, then maybe, just maybe, I could fix it. And in the eleven years that have past … I mostly have.

Eleven years ago, I was enormously bitter, and regretted getting my PhD. It took five years, but that PhD and my work at my search-engine dot-com helped land me a great job, and after five more years of work I ended up at a job within that job that used every facet of my degree, from artificial intelligence to information retrieval to robotics to even computer graphics. My career took a serious left turn, but I never gave up trying, and eventually, I succeeded as a direct result of trying.

Eleven years ago, I felt enormously alone, having wasted a lot of time on a one-sided relationship that should have ended naturally after its first year, and having wasted many years after that either alone or hanging on to other relationships that were doomed not to work. But I never stopped looking, and hoping, and it took another couple of years before I found my best friend, and later married her.

Eleven years ago, I felt enormously unsure of my abilities as a software developer. At the dot-com I willingly stepped back from a software lead role when I was asked to deliver on an impossible schedule, a decision that was proved right almost immediately, and later took a quarter’s leave to finish my PhD, a decision that took ten years to prove itself. But even though both of those decisions were right, they started a downward spiral of self-confidence, as we sought out and brought in faster, more experienced developers to take over when I stepped back. While my predictions about the schedule were right, my colleagues nevertheless got more done, more quickly, ultimately culling out almost all of the code I wrote for the company. After a while, I felt I was contributing no more and, at the same time, needed to care for my dying father, so I left. But my father died shortly thereafter, six months before we expected. I found myself unable not to work, thinking it irresponsible even though I had savings, so I found a job at a software company whose technical lead was an old friend that who had been the fastest programmer I’d ever worked with in college, and now who had a decade of experience programming in industry – which is far more rigorous than programming in academia. On top of that, I was still recuperating from an RSI scare I’d had four years earlier, when I’d barely been able to write for six months, much less type. So I wrote those bitter words above when I was quite uncertain about whether I’d be able to cut it as a software developer.

Eleven years later — well, I still wish I could code faster. I’m surrounded by both younger and older programmers who are faster and snappier than I am, and I frequently feel like the dumbest person in the room. But I’ve worked hard to improve, and on top of that, slowly, I’ve come to recognize that I have indeed learned a few things – usually, the hard way, when I let someone talk me out of what I’m sure I know, and am later proved right – and have indeed picked up a few skills – synthetic and organizational skills, subtle and hard to measure, which aren’t needed for a small chunk of code but which are vital as projects grow larger in size and design docs and GANTT charts are needed to keep everything on track. I’d still love to code faster, to get up to speed faster, to be able to juggle more projects at once. But I’m learning, and I’ve launched things as a result of what I’ve learned.

But the most important thing is that I’ve been writing. A year after I wrote that note, I gave National Novel Writing Month a try for the first time. I spent years trying to perfect my craft after that, ultimately finding a writing group focused just on writing and not on critique. Five years later, I gave National Novel Writing Month another try, and wrote FROST MOON, which went on to both win some minor awards and to peak high on a few minor bestseller lists. Five years after that, I’ve finished four novels, have starts to four more, and am still writing.

I have picked my vocation and avocation – I’m a computer programmer, and a writer. I actually think of it as having two jobs, a day job and a night job. At one point I thought I was going to transition to writing full time, and I still plan to, but then my job at work became tremendously exciting. Ten years from now, I hope to be a full time writer (and I already have my next “second job” picked out) but I’m in no rush to leave my current position; I’m going to see where it takes me. I learned that long ago when I had a chance to knuckle down and finish my PhD, or join an unrelated but exciting side project to build a robot pet. The choice to work on the emotion model for that pet indirectly landed me a job at two different search engines, even though it was the skills I learned in my PhD that I was ultimately hired for. The choice to keep working on that emotion model directly led to my current dream job, which is one of the few jobs in the world that required the combined skills of my PhD and side project. Now I’m going to do the same thing: follow the excitement.

Who knows where it will lead? Maybe it will help me develop the leadership skills that I complained about in “Approaching 33.” Maybe it will help me re-awaken my research interests and lead to that faculty job I wanted in “Approaching 33.” Maybe it will just help me build a nest egg so when I finally switch to writing full time, I can pursue it with gusto. Or maybe, just maybe, it’s helping me learn things I can’t even yet imagine how I’ll be using … when I turn 55.

After I sign off this blogpost, I’m going to write “Passing 44.” Most of that’s going to be private, but I can anticipate it. I’ll complain about problems I want to fix with my writing – I want it to be more clear, more compelling, more accessible. I’ll complain about problems I want to fix at work – I want to work faster, to ramp up more quickly, and to juggle more projects well while learning when to say no. And I’ll complain about martial arts and athletics – I want to ramp up working out, to return to running, and to resume my quest for a black belt. And there are more things I want to achieve – wanting to be a better husband, friend, pet owner, person – a lot of which I’m going to keep private until I write “Passing 44, seen from 55.”

I’m going to set bigger goals for the next ten years. Some of them might not come to pass, of course. I bet a year from now, I’ll have only seen the barest movement along some of those axes. But ten years from now … the sky’s the limit.

-the Centaur

Pictured: Me at 33 on the left, me at 44 on the right, over a backdrop shot at my home at 44, including a piece of art by my wife entitled "Petrified Coral".

Caught Up

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For one brief moment, I'm caught up.

For the DOORWAYS TO EXTRA TIME anthology, I knew I was diving off the deep end as I'd never edited an anthology before. So, I recruited a more experienced editor, Trisha Wooldridge, who despite being insanely busy, always managed to stay ahead of me on the schedule of getting edits out to our authors.

Well, for the past few days, Trisha was at Boskone, busily talking up our book, whereas I, in contrast, needed to stay at or near home the whole weekend. The whole long, three-day weekend, in which I managed to get all the edits on my plate out to authors, and then to review the correspondence with all our authors to ensure there was nothing left on my plate.

I've "tossed everything over the cube wall" - and for one brief moment, am caught up.

Back to Daktota Frost.

-the Centaur

Pictured: Loki, our outdoor cat, expressing his enjoyment of food coma.

Blogging is like a job. One I’m bad at.

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One of the things I've always felt about myself is that I'm slow. I have ideas for fiction, but before I ever develop them, I see them brought to completion by someone else. When I was a child, I had a wonderful story involving spacecraft made to look like sailing ships, only to turn on my television to find that it had been done in Doctor Who.

Next I read Drexler's Engines of Creation shortly after it came out and planned a series of nanotech stories, before I'd ever read another science fiction author dealing with the theme. I was in college, still trying to finish my first novel, which I'd updated to include nanotechnology, when Michael Flynn published The Nanotech Chronicles.

Now in the blogoverse, things have gotten worse.

It's bad enough that my evil twin Warren Ellis, a man only one year older than me, has propelled himself to the pinnacle of the writing profession using only whisky and a cane while still blogging more than anyone could believe. Warren Ellis has his own ideas and I don't feel like we're competing in the same headspace.

No, my it's my nemesis John Scalzi, who has not only beaten me to the punch on the serialized novel The Human Division - I'm pretty sure my own designed-for-serialization novel THE CLOCKWORK TIME MACHINE predates it, but my novel is still in beta draft while his is like, you know, released to accolades and stuff - but also somehow seems to have plugged into my brain by beating my blog to the punch on his Hobbit at 48 Frames Per Second impressions and his attempts to tame a feral cat - I mean, come on! Everyone saw The Hobbit but even if Scalzi has a direct pipeline to my brain, how does one arrange to have a feral cat fortuitously run by one's door so one can tame it right when someone else does? Is there a service for such things? Synchronicity Unlimited?

Now dark mental wizard Caitlin Kiernan has beaten me to the punch by blogging about the correct pronunciation of kudzu.

Sigh.

Alright, thanks, Caitlin, for breaking the ice on one of my pet peeves. For the record: if you are recording an audiobook and have a Southern character speaking or thinking, they will pronounce the Borg-like pest vine kudzu "CUD-zoo." A character who lives in another part of the country can call it "kood-zoo" all they want, but in my 38 years in The South I never heard it pronounced that, nor, after nine months of research, have I been able to find anyone from The South who calls it anything other than "CUD-zoo," nor have any of those people ever heard anyone from anywhere call it anything other than "CUD-zoo". (And Wikipedia backs me - it claims the pronunciation is /ˈkʊdzuː/, with the first u pronounced as the u in full and the second pronounced as the oo in food).

It wasn't so hard to say that, was it? Why didn't I say that earlier, nine months ago, when I first heard it in an audiobook (I think in The Magnolia League, but it might have been Fallen)? I know I've been busy, but how hard was it? But, according to the timestamp on the image I downloaded of Loki at the start of this blogpost, I've been at this "little" blogpost for about an hour.

What I'm saying is, blogging is like a job. You find things, reflect on them, and post about them; it takes time to do it right. But I already work two jobs: I've got a slightly-more-than-full-time job at The Search Engine That Starts With A G, and I'm also a slightly-less-than-full-time writer. So this, my third job, has to come behind hanging out with my wife, friends and cats. I'm taking time out from editing an anthology to write this, and that's taking out time from Dakota Frost #3 and THE CLOCKWORK TIME MACHINE.

So: yes, I know. Lots to say, lots to do. Gun control. The Hobbit. Meteors falling from the sky and a drill making its way to a creepy buried lake in Antarctica. I'm working on it, I'm working on it - but two editors have claim on my writing first, and the provider of the paycheck that pays for this laptop has first claim on my time before that.

So if the freshness date on these blogposts is not always the greatest, well, sorry, but I'm typing as fast as I can.

-the Centaur

Pictured: Loki, our non-feral outdoor cat, who has grown very fat and but not very sassy given lots of love and can food.

The Dark Labyrinths of Lovecraft and Borges

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Borges and Lovecraft v2.png In many ways, Howard Philips Lovecraft and Jorge Luis Borges are different. Howard Philips Lovecraft wrote dark, atmospheric American horror at the dawn of the twentieth century. Jorge Luis Borges, born ten years later, wrote learned, ethnic Argentinian magic realism.

Lovecraft toiled in obscurity, writing for pulps; Borges was crowned with every prize the literary world has to offer short of the Nobel. Lovecraft was a high school dropout; Borges was a renowned professor of literature.

But in many ways, Howard Philips Lovecraft and Jorge Luis Borges are similar.

There’s the obvious: both the dropout and the professor were masters of erudition, capable of bring a vast number of literary techniques to their stories. Both focused largely on stories that were deeply regional, steeped in the lore of the cultures that they loved. And both were obsessed with odd details: for Borges, the labyrinth, the knife, and the tango; for Lovecraft, tangled streets, dark forests, and fishy odors.

But the important similarities between Lovecraft and Borges run far deeper.

Borges plays games with the infinite, constructing labyrinths of time and symbols that dig at the foundations of our concepts of thought and identity. His most famous story, “The Library of Babel,” imagines an infinite library filled with useless books, whose meaning might only be discerned by the allseeing eye of a god—a story that plays with ideas of faith in a random universe.

Lovecraft plays games with the cosmos, constructing vistas of time and space that threaten the foundations of our concepts of safety and knowledge. His most famous story, “The Call of Cthulhu,” imagines an undersea city inhabited by an enormous monster, whose existence threatens the sanity of humanity—a story that plays with ideas of fear and cosmic insignificance.

Borges and Lovecraft are similar, but not identical.

In Borges, the supernatural rarely breaks into the natural world openly, and when it does, it happens in dreams and visions or subtle events. The supernatural is subtle, but the meaning is not: Borges often tells us his aim directly in his stories, frequently writing them like essays that explore their own morals, or examining their meaning in conversations with himself. Borges plumbs the depths of human thought through stories that show us the vast scale of conceptual space. Throughout his work is a taste of nihilism: humans seeking meaning in a meaningless cosmos.

In Lovecraft, the supernatural manifests in dreams and vision and subtle events, but it always breaks into to the natural world openly. The supernatural is not subtle, but the meaning is: Lovecraft rarely tells us his aim directly in his stories, instead writing essays that explain their morals, or examining their meaning in letters to friends. He explores the cosmic through metaphor. Lovecraft plumbs the depths of human insignificance through stories that show us the vast scale of physical space. Throughout his work is a taste of nihilism: humans seeking sanity in an inhuman cosmos.

Lovecraft and Borges are two sides of the same coin.

They write about the same terrors. In Borges, the monsters swim beneath the surface, their shapes only dimly suggested by the churning existential confusion left in their wakes. In Lovecraft, the monsters break the surface, turn their dripping, shaggy visages towards the horrified faces of his protagonists, and show us that if we could truly see what Borges only hints at, we would surely go mad.

-the Centaur

Credits: public domain images of Lovecraft and Borges both from Wikimedia Commons; composition by me.

Going Gonzo

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It would be hard to adequately describe the story I'm working on now in between gaps of finishing up the anthology Doorways to Extra Time, but from the reading list I have above, you can fairly assume it's going to be gonzo.

Of course, everything that has Jeremiah Willstone in it is a bit gonzo.

-the Centaur

My New Year’s Gift To You: A Mulligan

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If you're not one of those people who gives yourself too much to do, this post may not be for you.

For the rest of us, with goals and dreams and drive, do you ever feel like you've got too much to do? I'm not talking about wanting more hours in the day, which we all do, but simply having too many things to do ... period. That sense that, even if you had a magic genie willing to give you endless hours, you'd never get everything you wanted to do done.

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To keep track of stuff, I use a Hipster PDA, enterprise edition - 8.5x11 sheets of paper, folded on their long axis, with TODO items written on them and bills and such carried within the folder. Each todo has a little box next to it that I can check off, and periodically I copy items from a half-filled sheet to a new sheet, reprioritizing as I go.

But I'm a pack rat, so I keep a lot of my old TODO lists, organized in a file. Sometimes the TODO sheets get saved for other reasons - for example, the sheets are good headers for stacks of papers and notes related to a project. As projects get completed, I come across these old sheets, and have the opportunity to review what I once thought I had to do.

And you know what? Most of the things that you think you need to do are completely worthless. They're ideas that have relevance at the time, that may seem pressing at the time, but are really cover-your-ass responses to possibilities that never came to pass. The situation loomed, came, and then passed you by ... and should take your TODOs with it.

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I'm not saying you shouldn't have things on your TODO list. I'm planning my 2013 right now. And I'm not saying you should give yourself a pass on obligations you've incurred to others. But I am saying you don't need to maintain every commitments you've ever made to yourself, especially those that came in the form of a TODO list item or a personal challenge.

As an example, a thing I do is take pictures of food and post it to my Google+ stream. Originally I was doing this as preparation for doing restaurant reviews, but I found I actually like the images of food more than I wanted to spend time writing reviews, especially since I have so much more writing to do. But when I get busy, I'll take more pictures than I post. I get a backlog.

So how much effort should I take going back to post the pictures? None is one good answer, but that begs the question to be asked: why are you taking the pictures in the first place? Periodically is another good answer, but it's actually difficult to figure out what I've posted and what I haven't. So hunting through my image feeds can become its own form of archaeology.

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But you know what? The world won't come to an end if I don't post every picture I've ever taken of one of my favorite dishes at my favorite restaurants. If you're not obsessive-compulsive, you may not understand this, but the thought of something you said you were going to do that isn't getting done is an awful torment to those of us who are.

That's where a mulligan comes in. In the competitive collectible card game Magic: The Gathering, players compose decks of cards which they use in duels with other players - but no matter how well a player has prepared his or her deck of cards, success in depends a good initial hand of cards. The best deck in the world can be useless if you draw seven "lands" - or none.

So the game allows you to "mulligan" - to discard that initial hand and re-draw with one less card. That's a slight disadvantage, but a hand with no "lands" is useless - you can't do anything on the first round, and your opponent will clean your clock. Better to have a balanced hand of six cards than seven you can't do anything with at all. Better to have at least a chance to win.

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So that's my gift to you all this New Year's Eve: declare yourself a mulligan. Maybe the turn of the seasons are just a notch on the clock, but use this passage as a point of inspiration. It's a new year, a new day, the starting point of a new path. Remind yourself of your real goals, and throw away any out of date TODOs and collected personal obligations that are holding you back.

Hug your wife, pay your bills, feed your cats. Write the software that pays the bills, and the books that you plan to do.

But don't let yourself get held back something you wrote a year ago on a piece of paper.

Not for one minute.


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If you let yourself, the sky is your limit.

-the Centaur

On John Scalzi On Writing for Free

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John Scalzi recently complained about people asking him to write for free. His article's funny and reveals a lot about the writing industry many people who aren't in the industry don't know. Then I realized:

If someone asks you to write for free, that means they think writing is worth nothing.

(Well, maybe they're broke, or ignorant, or something similar. But generally that's clear from context.)

Today's moment of clarity was brought to you by Whatever.

-the Centaur

Pictured: "Sudden Clarity Clarence," a young man who's just realized he's spawned an internet meme.

Viiiictory Seven Times

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For the seventh time, I've won the National Novel Writing Month "contest", completing 50,000 words of a new novel in just 30 days. Actually, it took me just 29 days. Woohoo!

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This year's entry, SPECTRAL IRON, is the fourth book in the Dakota Frost series, my urban fantasy series featuring the best magical tattooist in the Southeast (and she's not afraid to tell you that herself). SPECTRAL IRON was a bit of a detour from the work I was doing to edit LIQUID FIRE, the third entry in the series, but I'm glad I did: SPECTRAL IRON taught me a lot about what makes a book coherent and I can use that to edit LIQUID FIRE.

So what is SPECTRAL IRON about? Originally, I was thinking the story was about a villain that murders ghosts, but now it's looking like the villain is a ghost who's a murderer. Maybe. There are some very interesting plot complications developing. Let me see if I can pull out an excerpt that doesn't give much away. Well, maybe it spoils a minor surprise, but it doesn't give away the plot. This is the kind of thing they'd put in a movie trailer. Regardless ... SPOILERS:

Now, all that was left was to walk down a hundred more yards of train tracks in the dark.

The dolly had left us, but the spotlight had not. The mobile klieg operator wheeled it forward, slowly, tracking me, Ron and Sunny as we walked down the pathetic, waterlogged track. The further we went, the more layers of mystery were stripped off, one by one, by the light.

By the end, we no longer stood in a chasm of night. We merely stood in a dilapidated warehouse loading bay, a long, low brick-walled chamber, weathered with graffiti, with chained-up wooden doors atop its loading dock and beer bottles in the puddles between its train tracks.

“Nothing here,” the Lady Nyissa said. “Nothing obvious, at any rate.”

I stopped before the back wall of the loading dock. It stretched up before us, a mottled wall of brick thirty feet wide and fifty feet high, with a notch cut out of its bottom right by the platform and another cut out the top by a door. Rusted zig-zag metal stairs led up to it.

“Well,” I said, putting my foot on the train-brake at the end of the tracks, staring down at the pathetic mud puddle rippling before us between the end of the tracks and the wall. “It looks like The Exposers have found another Al Capone’s vault.”

Oh, me and my dumb mouth.

From the water erupted a foul spray of black—topped by a bone white mask.

So, there's a few thousand more words of brain dump to go, and then it's back to editing LIQUID FIRE, revising THE CLOCKWORK TIME MACHINE, and working on the DOORWAYS TO EXTRA TIME anthology, oh, and revising my own story for the anthology, "The Doorway to Extra Time" ... aaaa! But at least I have this year's Nano victory to console me:

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Regardless, now that Nanowrimo and 24 Hour Comics Day and the Google Holiday Toy Collection are all behind me, I'm looking forward to getting back to my other projects, including all my writing, the Dakota Frost blog, and, heck, I dunno, my wife, friends and cats. Onward and upwards!

-the Centaur

Alllmost there…

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48735 words written ... 1265 words to go. Almost there.

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Onwards...

-the Centaur

One Day Ahead, Four Days To Go

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I've completed another 2237 words today. By my count, this puts me one whole day ahead of the game. You can see that a bit above, but even more clearly below, where the darker blue "cumulative progress" bar is just a notch higher than the level for a day's progress. If I was right on target, 100%, daily progress would be at this point, but cumulative progress would be at 0.

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Well, again I don't think I have a good spoiler free excerpt, so I'll just close with ... onward!

-the Centaur

Back on Track, Redux

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Back from vacation, back at work, but got a chunk of writing done this lunchtime. Back on track:

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If my calculations are correct, I am roughly one day ahead at this point (that is, I'm essentially starting today where I want to finish today). So my mountain of words is still over the top of the line:

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No time for an excerpt; back to work. But tonight, here's shooting for one more day ahead!

-the Centaur

Back on Track, Redux

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Back from vacation, back at work, but got a chunk of writing done this lunchtime. Back on track:

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If my calculations are correct, I am roughly one day ahead at this point (that is, I'm essentially starting today where I want to finish today). So my mountain of words is still over the top of the line:

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No time for an excerpt; back to work. But tonight, here's shooting for one more day ahead!

-the Centaur

Friendstop

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Saturday: day off in the City, seeing the Golden Gate, Tiburon and Union Square with good friends. Totally worth it.

Today: back to it, +800 words and counting.

-the Centaur

Me and my dumb mouth

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Axually, it's Dakota's dumb mouth at issue here, and while I'd love to include an extract ... ssh, SPOLIERS! But the point being, the day after Thanksgiving, I'm back on track for National Novel Writing Month. And this includes an evening hanging out with my friends at the wonderful Nola restaurant I'm so fond of. No pictures of that (phone battery gave out) but I do have a followup picture from my solo excursion to Cocola Cafe in Santana Row, where I finished out today's Nano:

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I've done Nano enough times that I probably could have skipped today and even tomorrow if I wanted, just to hang out with my friends who are in town (staying at another friend's house). But this "vacation" isn't really a vacation for me: it's a writecation. Writing really is like a second job now: if I want to be a writer, certain things have to get done. In this case, it's Nano, and sending off acceptances and rejections for DOORWAYS TO EXTRA TIME:

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You'll note a little asymmetry there: my coeditor, who's done this before, is way ahead of me contacting people about their stories. And those are just the acceptances. Argh. And then I've got to respond to Trish's comments on my own story, which, while I was proud of it before, now looks like it will need a lot of work. Sigh. This is why I like working with editors, I tell myself, they make my stories better. Sob. At least Nano is on track:

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Of course, the second half of the story is a complete salsa, and I don't know where it's going, but there's a building, and it's on fire, and it's a spectral fire, that only starts once a year, and there's William Blake's spirit guide riding a tiger, and oh yeah Cinnamon wears a Santa hat, then threatens to punch him in the gut if she meets him in a dark alley. So yeah, I'm having fun, even if I briefly hit a little plateau there while recuperating from all that turkey.

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Now, more mountain to climb! Onward!

-the Centaur

Thanksgiving: Mission Accomplished

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Once again, I have successfully written NOTHING on Thanksgiving Day, spending it instead with friends!

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Mission accomplished. What am I thankful for? My great friends that I've known for a quarter century.

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The wonderful food we all prepared (mostly) by hand on a holiday that's not yet commercialized.

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Preparing my first nearly perfect pound cake in a few years (more on that later). Not to mention living in a land where we can all not just eat, but have dessert! Most of all, being far enough ahead in Nano to just hang out and spend time with friends without worrying about keeping myself caught up.

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As Fonzie would say, "Ayyy, little buddy."

I don't know how much more time I'll have this weekend to hang out with my friends; if it wasn't for Nano I'd be spending all my time sending out acceptances and rejections on DOORWAYS TO EXTRA TIME. But I do have to eat, so I'll be having at least one and possibly two more nice meals with my friends. And I hope several long phone calls with my wife (away on business).

More things to give thanks for. The gifts, they don't stop coming.

So, thanks, God, for everything.

-the Centaur

God’s Marines Wield Strange Weapons

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At last, back on track for National Novel Writer's Month. I like the graph: I like seeing how the week of a software release has taken a neat chunk out of my progress, and how a few days on vacation gets things back on track again. This reminds me to continue taking of the week of Thanksgiving every year if I want to get new novels done.

The title comes from a scene I've just written, in which Dakota Frost is baited into a battle with a wand-wielding priest. Soon Dakota realizes they were set up --- and figures out how to de-escalate:

The priest cried out, striking me with the back of his free hand.

I winced … then turned the other cheek.

The priest stared, drawing back his hand again. I reached up and put my thumbs through the straps of my backpack. Then I turned my head even further, exposing the cheek, eyes glaring at him sidelong in silent accusation. The priest frowned, then lowered his hand.

“Dakota Frost,” I said, extending mine. “Best magical tattooist in the Southeast.”

The priest stared at my hand dumbly, then realized he had a free one.

“Father Aidan Cosgrave, SJ.”

“A Jesuit,” I said. “Interesting to find a Jesuit wielding a wand.”

“God’s Marines,” Cosgrave said, “often find themselves wielding strange weapons.”

I'm over the halfway point of Nano now, with 6 or so free days on vacation to try to really get a head. Onward!

-the Centaur