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Posts tagged as “Dragon Writers”

Making Progress…

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Yerk. Still amazingly behind ... 23 pages in, need 77 more to go. Need to write 8 pages a day to get back on track. Can you say AAAAAAA! I can. People stare at me when I do. But I can. Here's a bit more about the script from the Script Frenzy site:

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Latest excerpt:

Green crackling fire envelops the whole machine, tinged by a growing blue glow of Cerenkov radiation. The air around the machine ripples, like the machine is dipped in water.

Images begin appearing in the rippling miasma: Jeremiah and Patrick, Natasha raising her weapon, a footman falling. It's clear these are a jumble of events, past and future.

JEREMIAH

(tilting her head)

That's more than an air craft.

START FLASHBACK

Jeremiah, in a ridiculous dress, half undone, lounges in a punt. She waves at the shore, where Patrick walks with Georgiana, who glares jealously on.

Jeremiah plucks a bit of cheese from a basket, strong hands push a pole, and the camera pans back to a young Albert Einstein, similarly disheveled, pushing the punt.

JEREMIAH

I wish we had more time.

EINSTEIN

(smiling sadly)

What is time, but another kind of space? Ripples in one move us along the axis of the other.

Jeremiah looks aside, where a dragonfly alights on a leaf. Water churns around the pole, an eddy catches the leaf, and it is whipped back around the pole as it moves forward.

JEREMIAH

If ripples are time and space, what's flow? Can we get more time?

EINSTEIN

(winks at her)

Must I give up all my secrets?

JEREMIAH

(crooks her finger)

If you want to make more ripples.

The dragonfly alights ... and Jeremiah takes his hand.

Poor Albert! Jeremiah will only break your heart. Onward!

-the Centaur

Script Frenzy 2012: THE CLOCKWORK TIME MACHINE

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I'm so busy I can't see straight, so that must mean it's time to take on another project. I'm doing Script Frenzy this month, a challenge to write 100 pages of a script in 30 days, much like National Novel Writing Month, only for film.

I'm adapting my recently completed novel JEREMIAH WILLSTONE THE CLOCKWORK TIME MACHINE to film. I'm using Scrivener. It's great. Here's a sample of the screenplay:

EXT. NEWFOUNDLAND - CONSERVATORY. NIGHT

A mammoth complex looms in the night, an airship hangar made of glass attached to a hulking Victorian palace.

Lightning reflects off the glass of the hangar --- then flashes of light appear inside the windows of the palace.

INT. STAIRCASE. NIGHT

More flashes illuminate a long, narrow Victorian staircase with wainscoting and elaborate rails. A figure hurls herself backwards down the stairs, firing electric pistols from both hands as she bumps down the steps on her rear, sliding on her tailcoat.

JEREMIAH slams into the base of the stair, gritting her teeth, keeping both guns trained back the way she came. She wears a long tailcoat, an black corset vest filigreed with gold wire, and a pair of airman's goggles on her forehead.

At the top of the stairs, crackling green foxfire ripples over the metal bands of the stout wooden door. Holes are blasted in it, and light shifts behind them, but JEREMIAH has no clear shot.

She sees sparks coming from her left gun, and tosses it aside with a curse. She glances at her right gun, seeing the indicator bead hover between three and four notches. A creak upstairs refocuses her attention. Jeremiah murmurs to herself as she focuses on the holes in the door.

JEREMIAH

Very well, sir, show yourself. Three shots? I'll get you in one.

Here I mumble "J Michael Straczynski's the Complete Book of Scriptwriting," "The Empire Strikes Back Fascimile Script," "other writing resources I'm too tired to mention". What? I'm only 9 pages in when I should be around 33. Back to work!

That is all.

-the Centaur

What Are You Working On?

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There's an open call for comments at a post on Write to the End for people to list the current creative projects you are working on. My entry:

Hey, I’m Anthony Francis, and I’m a writer of urban fantasy, steampunk and science fiction. My day job involves the Search Engine That Starts With A “G” and my background is in artificial intelligence and emotional robotics.

I’m working on a steampunk novel called JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE, which is aaalllmost ready to send to beta readers. I’m also working on an interactive fiction and a screenplay in the same universe. I’ll be participating in Script Frenzy this April to get the screenplay done.

I’m almost done with the rough draft of LIQUID FIRE, the third urban fantasy novel in my Skindancer series featuring magical tattooist Dakota Frost. I’m excited about this one and hope to have it out to beta readers this summer. The first two novels in the series, FROST MOON and BLOOD ROCK, are doing very well.

I’m halfway done with the rough draft of HEX CODE, the spinoff YA series in the Skindancer universe featuring weretiger and math prodigy Cinnamon Frost. I’m also excited about this one which is going in an interesting new direction.

I’ve got the first third of a YA space novel called MAROONED out to the editor. We’re breaking it into 3 novellas and the first one, called “Stranded” we hope will come out this year. This will hopefully be a seven book series.

I’ve got a stalled webcomic called f@nu fiku I’m trying to restart, but while that’s going on I’m working with Nathan Vargas on BlitzComics.com, a project to help blocked comic writers and artists make progress on their dreams.

I’m writing a monthly column on writing on Write to the End called “The Centaur’s Pen” and I’m working on another column for my own website called “Getting Traction”, both as a part of trying to get into nonfiction writing.

I have many more projects in partial states of completion: novels, comics, artworks, webworks, computer programming investigations, games, and so on. But I’m comfortable not making a lot of progress on my side projects, because I’ve got enough main projects to keep me gobstackingly busy.

Just how I like it.

-the Centaur

Just how I like it, indeed. Do I agree with myself? Yes, I agree with myself. I am large, I contain multitudes, but we get along.

It's a surprisingly useful exercise to remind yourself of all that you're doing. So drop in on Write to the End and tell everyone what you're up to!

-the Centaur

Too Many Projects … or an External Memory?

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Anyone who knows me in detail knows I'm a pile person. You can see the all the windows open above, but that's not the half of it: I had 14 tabs open in Firefox, 3 windows with 17, 13, and 3 tabs open in Chrome, and ten windows open in Finder, Mac OS X's file browser. I hammer my operating systems, loading them with as many windows, programs, files and fonts they can take.

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But it's not just operating systems. I've got a huge folder of todos in my jacket pocket, a pile of books in my bookbag, on the table, in my car. My library, office, spare office and even kitchen table are filled with piles, as is my desk at work.

On the one hand, this could simply be because I'm a hoarder and need to learn to clean up more, and maybe I do. But most of the piles are thematically organized: in the shot above you can see (slightly overlapping) piles for a young adult and urban fantasy series, an art pile, a pile of bills, CDs being organized, and so on.

Some of this is, again, a product of mess, but the rest of it is a deliberate strategy. A collection of books on a topic serves as an external memory that augments the goo we have in our heads. This is part of the theory of situated cognition, which posits that our memories are elaborated through interaction with the external world.

William Clancey, one of the founders of situated cognition, puts it this way: his knowledge of what to take on a fishing trip isn't in his internal memory: it's in his fully stocked tacklebox, which represents the stored wisdom of many, many fishing trips; if he was to lose that tacklebox, he'd lose a portion of his memory, and become less effective.

My toiletry bag for flying serves the same role. Its contents have been refined over dozens, maybe even hundreds of trips. It doesn't just have a toothbrush and toothpaste, contact lens solution and hairspray, it has soap, shampoo, cough drops, nail clippers, bandaids and more. If I forget it, and try to recreate the toiletries that I need for a trip on the fly, I almost always have to go back to the store.

Situated cognition has been challenged, and I couldn't find the perfect reference that summarized what Clancey said in the Cognitive Science Brownbag talk I attended at Georgia Tech so many years ago. But I know how I work, and I know how it's influenced by that framework.

When I'm tackling a project, I build a pile. It might be a pile of tabs in a browser, folders of links in my bookmarks, files in a directory, books from my mammoth library. These serve as references I use to generate the text, the material I use to generate my writing, but they also serve as something more. They serve as a pointer to return me to an old mental state.

If I have to close my browser, reboot my machine, put a project aside, switch to another book, I can keep the pile. I have mammoth collections of files and bookmarks, and a mammoth library with something like 30 bookcases (that's cases, not shelves). And when I'm ready to reopen the project, I can start work on it again.

I've done that recently, restarting both my work on the "Watch on a Tangled Chain" interactive fiction and an exploration of programming languages - one project I hadn't worked on for a year, and one maybe for several years. But when I found the files, I was able to resume my work almost effortlessly. With physical piles of books, the process is even more joyful, as it involves reading snippets from half a dozen or so books until I'm back into the mindset.

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So thank you, my poor processor, my crowded browser, my packed library. You make me more than I am on my own.

-the Centaur

The Rules Disease at Write to The End

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I've a new essay on writing at the Write to the End blog, called "The Rules Disease." A preview:

Anyone who seriously tackles the craft of writing is likely to have encountered a writing­ rule, like “Show, Don’t Tell,” or “Never Begin a Sentence with a Conjunction.” “Don’t Split Infinitives” and “Never Head Hop” are also popular. The granddaddy of all of them, “Omit Needless Words,” is deliciously self-explanatory … but the ever baffling “Murder Your Darlings” is a rule so confusing it deserves its own essay.

This is part of my ongoing column The Centaur's Pen.

-the Centaur

Scientific Citations in Popular Literature

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Lightly edited from a recent email:
Here's the revised version. Rather than just including linked references [in that middle section as you suggested], I actually expanded that section so that it was clear who I was citing and what I was claiming they said. Citations work for science types but I want to learn (create? promote?) a new way of including references for popular literature in which, rather than saying something like, "Scientists think it's OK to start sentences with a conjunction [Wolfram 2002]." I instead want to say things like, "In the foreword of his mammoth tome A New Kind of Science, computer scientist Stephen Wolfram defends starting sentences with conjunctions, arguing forcefully that it makes long, complex arguments easier to read." Yes, it's longer, but it's more honest, and the [cite] style was aimed at scientific papers with enormously compressed length requirements. Tell me what you think.
What do you think about the use of citations in non-scientific literature? I think we can do better. I'm just not sure what it is yet. Textbooks have generally solved this problem with "info boxes," but that's not always appropriate. -the Centaur

How Crazy is Comic-Con?

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How crazy is Comic-Con registration? I logged on at 8:00am this morning to get in the waiting list and by the time I cleared the "waiting room" for the signup page (at 9:10ish) it was completely sold out. This is what I saw when it finally "let me in" to register: I hate to do it, but I have to lay the blame squarely on Gmail. Comic-Con sent me a registration form, I clicked on the link at 8:00am, just like they told me to ...
The wait is over! Comic-Con 2012 badges will go on sale at 8:00 a.m. PST on Saturday March 3rd, 2012. To access the EPIC online registration website, click the following link: (link deleted for security reasons)
. The link kept timing out, as one might expect from an overloaded system, but after 5 or so minutes of click ... timeout, click ... timeout, I started to get suspicious. But the problem wasn't in the site ... it was in something Gmail was doing to the URL. Clicking on it didn't work; copying the link location didn't work. Copying just the text and pasting it ... got me in at 9:10AM. Too late. Ah, Gmail, can't live without you, but every once in a while... BANG! ZOOM! To the moon. Oh well, here's hoping I get in as a professional like I did the last two years ... this year I have even more claim, I guess, as I have a second book out, appear in two more books, and am involved with Blitz Comics. Crossing my fingers! -the Centaur Pictured: Lots of stuff. Fair use and whatnot ... parody, informative commentary, transformative and educational uses, and so forth.

Five Favorite Noises

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My friend Keiko started a meme over at Write to The End: what are your five favorite noises? The rules:

Don’t take too long on it. I’d say post your list within 24 hours. And don’t worry about trying to get your absolute top 5 favorite sounds ever. When you’ve collected 5 sounds you love, just post the list. We know this is just for fun, and we won’t hold you to any of your stated favorites. (And if you think of 5 more, you can post those, too!)

My favorite noises are:

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Gabby's Purr

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Dad's Whistle

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The Enterprise Going to Warp

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The Sound of a Lightsaber

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The Engines of the TARDIS

Runner up goes to the weird noise I can make in my throat.

-the Centaur

Gödel, Escher, Bach: An Eternally Inspiring Tome

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This is the book that got me started on artificial intelligence ... and now has inspired me again to attack my craft with greater vigor. I was writing an essay for The Centaur's Pen column for the Write to The End site and realized it depended on a concept - true, but unprovable theorems - which isn't in wide circulation. So I've started an essay on that topic for this site, and decided to go reread Gödel, Escher, Bach, the book which introduced me to the concept.

At the writing group, the topic of the essay and Gödel, Escher, Bach came up, and we all started discussing how intricate, how rewarding, and how friendly Hofstadter's immense tome is. It's a work of genius that continues to stagger me to this day. And then my writing friends told me that in the new edition there's a foreward with the entire back story of how the book came to be.

I picked it up last night, and reading the new intro I was gratified to learn that I understood his basic thesis - that conscious intelligence arises from bare matter by grounding its symbols in correspondence to reality, then inexorably turning that grounding inward into a spiral of self-reference with no end. Hofstadter and I might disagree about what's sufficient to produce conscious intelligence, but we'd just be quibbling about details, because I think he nailed a necessary component.

But after the intro of the foreword, when I began to read the story of how this 750 page long Pulitzer Prize winning book started its life as a 20 page letter that Hofstadter decided needed to be turned into a pamphlet, I was stunned.

He wrote it in 5 years.

Well, it actually took 6 to complete, because he typeset it himself---through a happy-but-not-at-the-time accident, twice---producing an amazing work that was polished far beyond his original intention. But he wrote it while in graduate school, while teaching classes, while traveling cross-country. He put it down for a bit finishing his PhD thesis itself, but basically the book's a white hot blaze of inspiration polished to pure excellence.

I'm inspired, all over again.

-the Centaur

I have to fall in love with a story

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My fundamental philosophy about writing is very simple: I want to have fun, I want my readers to have fun, and I hope, if we're both lucky, that they learn something.

I've long understood that the third part of this troika, the learning, is both a product and a cause of the mammoth amount of research I do for even the simplest pieces. (And yes, I did look up Fat Albert on Wikipedia just to write the first sentence of this supposedly throwaway blogpost).

I've also understood that the second part, my readers having fun, is why I need to constantly work to hone my craft. That's why I don't self-publish, but work with a publisher with a strong editor who serves as a gatekeeper and holds my work to a high standard. That's why I attend a writing group; that's why I work with beta readers; and that's why I'm writing a monthly column on writing called The Centaur's Pen over at the Write to the End blog.

But only tonight did I realize the first part is why I need to fall in love with my own stories. When I'm writing a story, I can power through it if I have to, daydreaming sequences inspired by music, character and knowledge, weaving those scattered fragments together with the rules of plot and conflict, and winnowing the chaff until what's left is a cohesive whole.

But I'm better off if I fall in love with a story. I need characters to spring to life in my books and derail them, like Cinnamon in FROST MOON or Beneficenitor in HEX CODE (in progress). I need settings l fall in love with, like the Werehouse in FROST MOON and BLOOD ROCK or the Werehold in HEX CODE. I need vehicles on which I want to lavish detail, like the doomed Abadulon in DELIVERANCE (unreleased) or Independence in MAROONED (forthcoming). And I need scenes that I desperately want to write, like Dakota's challenging encounter with Transomnia in FROST MOON or her somewhat different encounter with the Streetscribe at the end of BLOOD ROCK.

I realized this need for love of my own work when I caught myself daydreaming about the first encounter of the Freemanship Independence with a mammoth Dresanian starship near the end of BESIEGED, the third book I have planned in the Seren series. A clip of "The Planet Krypton" shuffled through my iPod, I realized how the aftermath of the climactic battle could be shot in the movie ... and then began daydreaming how all the characters would react to what's happening.


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Visualizing the Independence docking against the backdrop of a giant door like a Michael Whelan painting, a scenario I can visualize so strongly I was inspired to scribble it down on the spot, the question occurred to me: "Would the hero Serendipity finally secure sanctuary for her people ... or would the war criminal Seren finally be called to account for her crimes?" And how would the crew of Independence react if someone else came to claim someone they'd chosen to claim as their own?

That's falling in love with your story: when you think about it so much that random clips of music inspire you to write scenes, but you don't just visualize them, you are forced to think through how all the characters will react to what happened, how it fits their own personalities, the setting, the story.

That's what you should strive for in your writing: a love for your story that goes all the way down to its bones.

-the Centaur

Now that’s a sign we have a protagonist on our hands…

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Above is a wordle of the near-completed first draft (as opposed to rough draft) of THE CLOCKWORK TIME MACHINE. Wordles are great visualization tools for your texts, and this one reveals ... well, yes, Jeremiah is the protagonist.

Actually, now that I think of it, the full title of the book is JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE so I should have expected that her name would bubble to the top.

Jeremiah's also the protagonist of "Steampunk Fairy Chick", which was published recently in the UnCONventional anthology now available on Amazon ... why yes, that was a shameless plug, why do you ask?

-the Centaur

“Stranded” Away

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"Stranded", the novelette which is the first third of the first book of my new young adult space pirates trilogy, is away to the editor! It came in somewhat over the desired length, so I hope she doesn't hurt me, but it is the first third of the first book of a planned trilogy, so some of that length is unavoidable. (My awesome beta and gamma readers liked it. :-)

"Stranded" tells the story of Serendipity, a young centauress explorer who must come to the aid of a shipload of children who've crashlanded on a world she wanted to claim as her own. It's got aliens and fungi, spaceships and rayguns, and plush robots and kung fu, but it's really about how people should be treated and learning to stand up for what's right.

Here's a teaser, illustrated thanks to my work on 24 Hour Comics Day:

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Sirius flinched as sizzling grey bullets tumbled around him in zero-gee. The grey dented veligen pellets rattled through the cramped innards of Independence’s life support plant, stinging his nose with the scent of bitter almonds as his hands strained at the yellow-striped master fuse. The girls shouted, their guns fired, more bullets twanged around him, ricocheting off the ancient, battered equipment, striking closer with every shot—but Sirius just gripped the hot, humming tube harder, braced both booted feet, and pulled.

Andromeda and Artemyst screamed for him to stop. Dijo, the engineer, screamed for the shooting to stop. Even the air screamed, out a bullet hole in a vacuum duct near his feet. But with every second, Independence shot a half million clicks farther into the deep, flying away from the Beacon that was their only hope of survival, so Sirius didn’t stop: he just screamed too, pulling, pulling, jerking—until the master fuse popped out and he shot free, bursting the hatch open.

Sirius flew out of the life support service chamber into Independence’s cavernous cargo hold. His head clanged off a handrail, knocking him into a dizzy spin in zero-gee. He smacked into the tumbling brassfiber grille of the hatch he’d knocked free, halving his spin—and leaving him right in the crosshairs of Dijo, Artemyst and Andromeda, all clipped to orange handrails far out of his reach. All had their guns on him, red laser sights on, green safety lights off.

Then the ship’s lighting flickered, and the whine of the air cycler slowly spun down.

“Halfway Boy!” Andromeda said, staring at the yellow and black striped master fuse in Sirius’s hands, her eyes as wild as the spray of feathers sticking out of her snakeskin cowl. She motioned to Dijo, who kicked off towards the life support plant. “What have you done?

“Saved all our lives,” Sirius said, still dizzy, still spinning. “You can thank me later.”

Assuming the editor doesn't put me in the hospital over the length issue, we hope the story will be out in an anthology later this year. "Stranded's" parent novel, MAROONED, will hopefully be out mid 2012. So I guess the above is really a teaser. Sorry about that. Well, not really. I hope you enjoy!

-the Centaur

(No) More Procrastination

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Finally finished my "From Nano to Novel" pep talk for the National Novel Writing Month site ... should be coming out later this month to the donors list. (What? You're not a Nanowrimo donor? You can fix that here: https://store.lettersandlight.org/donations). But I've posted that to Facebook and to Google+. Posting it again here is, I think, a good idea to make sure people know what I'm up to, but in another way it's just procrastination ... I've got the gamma comments on "Stranded" to work on and this is not that. Back to work! -the Centaur

Last gamma comments for STRANDED in…

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Alright, the last gamma reader comments for "Stranded" are in. (Gamma, because this is actually the second round of beta readers. :-) "Stranded" is the first novelette of three in a planned YA space adventure novel with the working title MAROONED. This will be part of a trilogy including MAROONED, PURSUED, BESIEGED, SHANGIAIED, COMMANDEERED ... oh damnit I've done it again, haven't I? "Stranded" is also the novelette I adapted for 24 Hour Comics Day. Don't know if I'll get back to that as I have already 3 books plotted out in this series and parts of the next two outlined. Hope to get "Stranded" the novelette out to the editor in the next two weeks for inclusion in an anthology maybe later this year (with MAROONED coming out next year we hope). When "Stranded" is away, then it's back to LIQUID FIRE (finishing the draft) and THE CLOCKWORK TIME MACHINE (polishing the draft to send to beta readers). -the Centaur

The Stack is Growing

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FROM THE WRITER'S ANONYMOUS 12-STEP SUPPORT GROUP MEETING: Hi, I'm Anthony Francis, and I'm an author. ("Hi, Anthony!") To feed my addiction, I get stuff published.

My first published novel, the urban fantasy FROST MOON featuring magical tattoo artist Dakota Frost, won an EPIC e-book award. It's out in paperback, Kindle, in German as SKINDANCER, and soon to be audiobook thanks to the wonderful reading skills of Traci Odom. The second book in the series, BLOOD ROCK, came out last year to good reviews, and the third book, LIQUID FIRE, will come out later this year. A spinoff series starring Dakota's daughter Cinnamon Frost, HEX CODE, will come out next year, also part of a planned trilogy.

One of my short stories, "Steampunk Fairy Chick," was recently published in the UnCONventional anthology. The story, featuring steampunk adventurer Jeremiah Willstone, is based on a novel called THE CLOCKWORK TIME MACHINE (again part of a planned trilogy) which I've got in rough draft form with a possible release late this year or early next year. Another of my short stories, "Sibling Rivalry," was published in The Leading Edge magazine in 1995, but is now available on my web site. I also write flash fiction. One of my flash shorts, "If Looks Could Kill", was just published in THE DAILY FLASH 2012 (pictured above) and another, "The Secret of the T-Rex's Arms", was just published in Smashed Cat Magazine.

My nonfiction research papers are largely available on my research page, including my nearly 700-page Ph.D thesis (hork). I and my thesis advisor Ashwin Ram have a chapter on "Multi-Plan Adaptation and Retrieval in an Experience-based Agent" in David Leake's book CASE BASED REASONING: EXPERIENCES, LESSONS AND FUTURE DIRECTIONS, and Ashwin, Manish Mehta and I have a chapter on "Emotional Memory and Adaptive Personalities" in THE HANDBOOK OF RESEARCH ON SYNTHETIC EMOTIONS AND SOCIABLE ROBOTICS.

I have more writing in the works, including a novelette called "Stranded" set in the Dresanian universe from which this blog takes its name, and more writing on the Internet. But what I list above is The Stack At This Time - what you can get in print. Enjoy!

-the Centaur

It’s Better to Be Done

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I am very interested in promoting creation. I think the world would be a better place if more people wrote, drew, painted, sculpted, danced, programmed, philosophized, or just came up with ideas. Not all ideas are great, and it's important to throw away the bad and keep the good - but the more ideas we can generate, the more we can test.

One of the biggest problems I see in unprofessional, unpublished or just unhappy creators is not finishing. It's very easy to start work on an idea - a painting, a novel, a sculpture, a program, a philosophy of life. But no matter how much you love what you do, there's always a point in creating a work where the act of creating transforms from play to work.

Whether you stall out because the work gets hard or because you get distracted by a new idea, it's important to realize the value of finishing. An unfinished idea can be scooped, or become stale, or disconnected from your inspiration. If you don't finish something, the work you did on it is wasted. More half finished ideas pile up. Your studio or notebook becomes a mess.

If you don't finish, you never learn to finish. You're learning to fail repeatedly. The act of finishing teaches you how to finish. You learn valuable skills you can apply to new works - or even to a new drafts. I know an author who was perpetually stalled out on a problematic story - until one day she made herself hit the end. Now it's on it's fourth draft and is really becoming something.

The tricky thing is you have got to put the cart before the horse: you've got to finish before you know whether it was worth finishing. This does not apply to experienced authors in a given genre, but if you're new to a genre, you have to finish something before you worry about whether you can sell it or even if it is any good.

You don't need for something to be perfect to finish it. I know too many amateurs who don't want to put out the effort to finish things because they don't know whether they can sell it. No. You've got a hundred bad programs in you, a thousand bad paintings, a million bad words, before you get to the good stuff. Suck it up, finish it, and move on.

Procrastination is a danger. This is the point in the article that I got distracted and wrote a quick email to a few other creators about ideas this (unfinished) article had inspired. Then I got back to it. Then I got distracted again doing the bullet list below and went back and injected this paragraph. The point is, it's OK to get distracted - just use that time wisely, then get back to it.

Finally, sometimes you just need help to finish the first time. The biggest thing is to find a tool which can help you over that hump when it stops being fun and starts being work - some challenge or group or idea that helps you get that much closer to done. To help people finish, I'm involved with or follow a variety of challenges and resources to help people finish:

  • Write to the End: It's not a critique group; it's a writing group. We meet almost every Tuesday at a local coffee house and write for 20 minutes, read what we wrote, and repeat until they kick us out. We normally hit three sessions, so I usually get an hour of writing in every night - and hear a half dozen to a dozen other writers. Inspirational. Our web site contains articles on writing, including my new column The Centaur's Pen.
  • National Novel Writing Month: A challenge to write 50,000 words of a new novel in the month of November. This seems daunting, but Nanowrimo has a truly spectacular support group and social system which really helps people succeed at the challenge. Even if you don't "win" the first time, keep at it, you will succeed eventually!
  • Script Frenzy: Write 100 pages of a script (play, screenplay, or comic script) in the month of April - another event sponsored by the creators of Nanowrimo. This is an event I haven't yet tried, but am planning to tackle this year to get back into screenwriting (as part of my 20-year plan to get into directing movies).
  • 24 Hour Comics Day: It's a challenge to produce a 24 page comic in 24 hours, usually held the first weekend of October. I've tried this 3 times and succeeded once. It's taught me immense amounts about comic structure and general story structure and even improved my prose writing.
  • Blitz Comics: Because I failed at 24 Hour Comics Day, me and my buddy Nathan Vargas decided to "fake it until we make it" and to put on a boot camp about how to succeed at 24 Hour Comics Day. We produced a Boot Camp tutorial, a 24 Hour Comics Day Survival Kit - and along the way taught ourselves how to succeed at 24 Hour Comics Day.
  • Other Challenges: There are a couple of events out there to create graphic novels in a month - NaGraNoWriMo and NaCoWriMo - though both of these are 2010 and I don't know if either one is live. (If they're not active, maybe I'll start one). There's also a 30 Character Challenge for graphic artists to create 30 new characters in a month.


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Finally, I want to finish with what inspired this post: the Cult of Done. I won't go too deeply into the Done Manifesto, but from my perspective it can be summed up in two ideas: posting an idea on the Internet counts as a ghost of done, and done is the engine of more. Get your stuff done, finish it, and if it's still half baked, post it to force yourself to move on to newer and better things.

The plane is landing. Time to get it done.

-the Centaur

Credits: The BlitzComics guy is penciled, inked and colored by me and post-processed by Nathan Vargas. Joshua Rothass did the Cult of Done poster and distributed it under a Creative Commons license. This blog post was uploaded by Ecto, which is doing well (other than an upload problem) and is probably going to get my money.

The Centaur’s Pen at Write to the End

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I'm part of a fantabulous writing group called Write to the End that meets at Mission City Coffee. This group, which started at Barnes and Noble at Steven's Creek before the economy and contracting book market convinced B&N to cut back on their community programs, has been the best thing for my writing productivity since ... well, ever. I'd even stopped doing National Novel Writing Month until I started attending the WTTE, but now I do Nano every year ... and go to the writing group almost every Tuesday. SO ... it's now time to give back. I'll be doing a monthly column on the WTTE blog titled "The Centaur's Pen." In it, I will write about writing: about why to write, what to write, how to write, how to edit, how to get published --- and how to behave AFTER you get published. Now, I am not a great writer, but I'm trying very hard, I think about writing almost all the time, and I've spent a lot of time talking to other aspiring writers and learning about the art, craft and business of writing. So I hope my insights will be of use to you! January's inaugural article is on "Learning from Publication:" how seeing your work in print can be an opportunity to improve your craft, even though you can no longer change it. An excerpt follows:
Recently I wrote a short story called “Steampunk Fairy Chick” for the UnCONventional anthology. Even though the story went through many revisions, lots of beta readers, two editors and a copyeditor, when I read through my author’s copy I found there were still things I wanted to change. Nothing major—just line edit stuff, a selection of different choices of sentence structure that I think would have made the story more readable. I can’t react to this the way I would with a draft; the story’s in print. And I don’t want to just throw these insights on the floor. Instead, I want to analyze the story and find general ideas I could have applied that would have improved the story before it hit the stands—ideas I could use in the future on new stories.
To read more, click through to Write to the End and "Learning from Publication." If you want to read the story the article is talking about, click through to Amazon and buy the UnCONventional anthology (in print or ebook). Enjoy! -the Centaur

Yosemite puts the awe in awesome

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Awesome is a word I overuse, wearing away its original meaning of "breathtaking." Yosemite, now Yosemite is breathtaking. Hey human, get off my lawn. Unlike the Grand Canyon, which is overwhelming in its detail, Yosemite's beauty comes from its sheer variety packed so close together. Truly God's Country. -the Centaur

Teaser for Steampunk Fairy Chick

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The UNCONVENTIONAL anthology is now available on Amazon, featuring my story "Steampunk Fairy Chick" starring Jeremiah Willstone, heroine of THE CLOCKWORK TIME MACHINE. The editors of the anthology, Kate Kaynak and Trisha Wooldridge, have made teasers of the first few pages of each story available, and you can read the start of "SFC" here. If you can't wait for that, you can see the first two paragraphs below: Please enjoy! -the Centaur

Victory, Official

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Well, the team at Nano are handing out winner's certificates now, so it's official: I've won Nano, with an official word count of 55,492 words. I'm still writing more of the story, but am switching to work on STRANDED tonight. I didn't get much done over Thanksgiving, but I did get this chunk written either Wednesday night or this afternoon (don't remember):
I shoves the monster back, between 5 and 6, dinosaur legs scrabbling, towards the loading dock shared with 7 and 8, hurling it backwards through the pedestrian rail which snaps with a tong as Mister Gargoyle falls on his fanny into a Dumpster of yesterday’s garbage. I’m about to leap down on it and rub his face in it, yes I am, when one of those clawed extra-thick raptor legs flies out and connects with my tiger chin. I yelp, shake it off, but when I’m back to snarlin, the monster’s runnin, holdin’ its shoulder, limpin’ off into the night. I stands on the loading dock and lets out my best bloodcurdlin’ roar. I mean, I knows he’s a gargoyle, but I hopes it gives him blood just so it can curdle. But the tiger doesn’t want to give chase, and neither does I. The two of us are of one mind: we gotta go save All Hours Todd.
I've captured almost all of my notes on the story, so it's hopefully safe to shift gears. Though I have to admit it's hard to shake the momentum. But I have deadlines ... in this case, Tuesday of next week, to get a draft of STRANDED to beta readers in time to get a final to my editors by January 31, 2012. Onward! -the Centaur