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Posts tagged as “Dragon Writers”

Reading “One Day Your Strength May Fail” at the Los Gatos Lit Crawl

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Hail, fellow adventurers! I’ll be reading my flash fiction short, “One Day Your Strength May Fail” at the Los Gatos Lit Crawl this Sunday - today, in about twelve hours, eek! Axually, my reading will be closer to four, but as part of the Los Gatos - Listowel Writers Festival, and organized by the Flash Fiction Forum, a whole passel of writers will read from 3 to 5 all over the city:

3:00pm – Los Gatos Coffee Roasting Company – featuring :

  1. Kevin Sharp – Saturday Night & Sunday Morning
  2. Victoria Johnson – Broken Dreams
  3. Lita Kurth – How to be my Revolutionary Boy
  4. Pushpa McFarlane – Bring on the Harlequins

3:30pm – Carry Nation – featuring:

  1. Susannah Carlson – The Whale’s Bargain
  2. Bob Dickerson (and Ina on banjo) – River Bird
  3. Caesar Kent – Weekend Work Program
  4. Parthenia Hicks

4:00pm – The Black Watch – featuring:

  1. Maria Judnick – Walking the Line
  2. Caroline Bracken – Five
  3. Keiko O’Leary – The Golden Beauty of Carlina Johansen, Author of Milliner’s Dreams
  4. Anthony Francis – One Day Your Strength Will Fail

4:30 pm – C.B. Hannegan’s – featuring:

  1. C.K. Kramer – Kendra
  2. Jade Bradbury – Blam
  3. Beth Collison
  4. Tania Martin – Brut 33

Lots of great readers will be there, including Keiko O’Leary of Write to the End and Thinking Ink Press reading her fascinating and disturbing story “The Golden Beauty of Carlina Johansen, Author of Milliner’s Dreams", along with many other authors who are mainstays of the Flash Fiction Forum reading stuff I haven’t heard before. Come check it out!

-the Centaur

Pictured: Something I ate in Los Gatos once, as I could not easily find other pictures I’ve taken of Los Gatos.

Jeremiah Willstone and the Choir of Demons

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Jeremiah Willstone returns to your aerograph dial in her latest cylinder of two-fisted science adventure: “A Choir of Demons”, published this October 1st on Aurora Wolf magazine!
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Michael Pennington, the editor of Aurora Wolf, did these two super fun digital illustrations of Jeremiah for the story, which he graciously agreed to let me use to promote the story - a tale of Jeremiah’s very first adventure out of Academy. It’s one thing to have an great reputation. It’s another to be thrust too much responsibility too soon. On her very first day as an Expeditionary, Jeremiah is called on to fight what appears to be a choir of demons - but is she up to the task?

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An excerpt:

Bharat looked at her thoughtfully. “Well, Lieutenant,” he said, handing the dispatch to her. “Looks like your bailiwick.”

“A … police matter, sir?” Jeremiah said, her voice unexpectedly rising; most unbecoming in a soldier, but she hadn’t expected to be sent on a formal mission on her very first day. Navid clearly had talked her up too much! “With respect, sir, I’ve not even completed orientation—”

“You’re wearing the tailcoat,” Lord Bharat said firmly. “Aquit it well. Dismissed.”

Jeremiah clicked her heels, whirled and marched off, her head positively spinning. What were the protocols? Who were the players? She was going in blind! She tried to pump the dispatcher for details, but he sternly sent her on her way: the plea was urgent.

And so, within the hour, Jeremiah found herself halfway across Boston standing beside a detective policeman opening the bloodied front door of an artisan’s shop. Even as the hardbitten woman’s shaking hand cranked the passkey, Jeremiah steeled herself.

“Not sure whether this is an Incursion,” the detective muttered, “but it sure as hell looks like Expeditionary business.” The lockpick engaged, and the spattered door swung open with an ominous creak …

To read more, check the story out at Aurora Wolf! And stay tuned for more Jeremiah in upcoming anthologies and the novel THE CLOCKWORK TIME MACHINE!

-Anthony

Persistence is Rewarded, Despair is a Mistake

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So I’m proud to announce that “A Choir of Demons” was just accepted by Aurora Wolf magazine, with a projected release date of October 1st. More news as that gets finalized, but I’m more interested right now in the process by which this story was sold. Had I acted on feedback which made me despair on the story, I might have changed it ways that ruined it for its right home.

As I’ve documented before, I once sent my stories out to many places, only to get discouraged, and created a narrative that I’d sent them out until I exhausted the markets, and gave up. The reality was that several stories I told myself were no damn good actually got great feedback, but the markets that wanted to publish them went out of business.

Maybe those markets went under because they weren’t accepting better stories, but actually, many, many magazines went out of business right around that time, so I really was in a market contraction - and a time crunch, as I quit work on stories as my PhD ratcheted up, as I cut back writing because of RSI, and because I helped found a startup.

But when I started sending things out again, things got much better. I still get only a 15% acceptance rate, so on average I need to send a story to half a dozen markets or more before I get a success. But my latest story, “A Choir of Demons”, a steampunk police procedural which I wrote specifically for Analog or Asimov’s, wasn’t getting a lot of traction: it racked up almost a dozen rejections.

Most were form letters, but a few had detailed feedback. But that feedback was strange and contradictory. One complained that the beginning of the story didn’t get inside the character’s head … when the first two pages were primarily the protagonist’s reactions to her situation. Another complained the story wasn’t sufficiently standalone, when I tried to make it specifically standalone. And so on.

I was considering a major rewrite, but remembered Heinlein’s famous advice for writers: “Write. Finish what you write. Send your work out. Keep it on the market until sold. Only rewrite to editorial order” and so reactivated my subscription to the story-market service Duotrope, finding another dozen markets I hadn’t seen on the free listings on the similar site Ralan.

I have to give kudos to Duotrope - I found three markets that each responded almost immediately. The first two gave me prompt but nice rejections. The third was Aurora Wolf - whose editor passed on a few kind words which essentially called out “A Choir of Demons” as the kind of thing that they were looking for.

Had I limited myself to just a few markets, I might not have found a right home for “A Choir of Demons”. Had I changed the story to mold it to fit the markets that didn’t want it, I might easily have broken the things about the story that made it a good fit for its ultimate home.

So persistence is rewarded - but the road of persistence can get lonely at times, and it’s easy to lose your way. Don’t despair while traveling that road, or you might drive off the road straight into a mistake.

-the Centaur

Con Crud!

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So, I had all sorts of plans to post on my upcoming panels and the ambience of Dragon Con, but I overslept. Not by, like, an hour, or two hours, but more like eight hours. Sure, I got up and killed my alarms, a few times, but what really happened as I kept trying to get up and kept crashing out was that I realized I had caught a case of con crud. Science fiction conventions gather an enormous amount of people, and hence, their diseases, and hence: con crud, that mysterious illness that hits you a day or two after you get to a con. I know a lot of people who have been knocked out by it, but it's hit me hard only two or three times. This time, I ended up sleeping on and off for twelve hours out of sixteen. Fortunately I didn't get the cough or sniffles, though I felt them starting. But I rested up, and got up when I felt rested, and even though I missed hitting the dealer's room today, I had a lot of fun at my two panels. So what I'm saying is, be good to yourself. It's easy, when you're at a con on a mission, to get caught up on all the things you could do. Well, do the things you should do, take care of yourself, and relax: cons will roll around again, and you want to be healthy enough to survive them. Up tomorrow, 10AM: You've sold your first book, now what? A bunch of people much more experienced than me tell you what to do when you're facing book two. Oh, and I'll be there. At 2:30PM, I'll be talking about synopses that will sell - or not sell - your book. And at 10PM, I'll be talking about fun ways to kill your character. Oh, hell, here's the whole list:
  • You’ve Sold the First Book, Now What? Saturday 10am, Embassy CD – Hyatt What happens next? Publishing professionals offer information about the industry–what they’re going to do, and what you need to do for yourself.
  • Writing a Synopsis That Will Sell Your Book – MODERATOR Saturday 2:30pm, Embassy CD – Hyatt Writing a great synopsis may be harder than writing a book. These outliners and pantsers will offer suggestions to make the process easier.
  • 101 Fascinating Ways to Kill off a Character Saturday 10pm, Embassy CD – Hyatt Description: Our favorite writers recount some of the more interesting ways they’ve eliminated characters–or tried to.
Also, THIRTY DAYS LATER is still on sale for $0.99! Onward! -the Centaur

This pays for that

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I’m not dead, I’m just playing a game of this pays for that. The above is this - reinforcement learning for robotics. The below is that - writing. I want to be doing more writing, but I need to keep working to pay for the writing. That is all for now …

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-the Centaur

Finished a rough draft of PHANTOM SILVER

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I just finished a rough draft of Book 5 in the Dakota Frost, Skindancer series. I’d love to sit back and reflect on all the novels I’ve finished (3 published, one at the editor, 3 more drafts finished, 3 more beyond that partially finished, one in the sock drawer, and one half-finished novel that got away from me) but I have contracts to edit. So, for now, I’ll just leave this here...

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Viiictory the Fifteenth

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Once again, I’ve completed the challenge of writing 50,000 words in a month as part of the National Novel Writing Month challenges - this time, the July 2016 Camp Nanowrimo, and the next 50,000 words of Dakota Frost #5, PHANTOM SILVER!


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This is the reason that I’ve been so far behind on posting on my blog - I simultaneously was working on four projects: edits on THE CLOCKWORK TIME MACHINE, writing PHANTOM SILVER, doing publishing work for Thinking Ink Press, and doing my part at work-work to help bring about the robot apocalypse (it’s busy work, let me tell you). So busy that I didn’t even blog successfully getting TCTM back to the editor. Add to that a much needed old-friends recharge trip to Tahoe kicking off the month, and I ended up more behind than I’ve ever been … at least, as far as I’ve been behind, and still won:

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What did I learn this time? Well, I can write over 9,000 words a day, though the text often contains more outline than story; I will frequently stop and do GMC (Goal Motivation Conflict) breakdowns of all the characters in the scene and just leave it in the document as paragraphs of italicized notes, because Nano - I can take it out later, its word count now now now! That’s how you get five times a normal word count in a day, or 500+ times the least productive day in which I actually wrote something.

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Also, I get really really really sloppy - normally I wordsmith what I write as I write, even in Nano - but that’s when I have the luxury of writing 1000-2000 words a day. When I have to write 9000, I write things like "I want someoent bo elive this whnen ai Mideone” and just keep going, knowing that I can correct the text later to “I want someone to believe this when I am done,” and, more importantly, can use the idea behind that text to craft a better scene on the next draft (in this case, Dakota’s cameraman Ron is filming a bizarre event in which someone’s life is at stake, and when challenged by a bystander he challenges back, saying that he doesn’t have any useful role to fill, but he can at least document what’s happening so they’ll all be believed later).

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The other thing is, what I am starting to call The Process actually seems to work. I put characters in situations. I think through how they would react, using Goal Motivation Conflict to pull out what they want, why they want it, and why they can’t get it (a method recommended by my editor Debra Dixon in her GMC book). But the critical part of my Process is, when I have to go write something that I don’t know, I look it up - in a lot of detail. Yes, Virginia, even when I was writing 9,000+ words a day, I still went on Wikipedia - and I don’t regret it. Why? Because when I’m spewing around trying to make characters react like they’re in a play, the characters are just emoting, and the beats, no matter how well motivated, could get replaced by something else.

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But when it strikes me that the place my characters area about visit looks like a basilica, I can do more than just write “basilica.” I can ask myself why I chose that word. I can look up the word “basilica” on Apple’s Dictionary app. I can drill through to famous basilicas like the Basilica of Saint Peter. I can think about how this place will be different from that, and start pulling out telling details. I can start to craft a space, to create staging, to create an environment that my characters can react to. Because emotions aren’t just inside us, or between us; they’re for something, for navigating this complex world with other humans at our side. If a group of people argues, no matter how charged, it’s just a soap opera. Put them in their own Germanic/Appalachian heritage family kitchen in the Dark Corner of South Carolina, on on the meditation path near an onsen run continuously by the same family for 42 generations, and the same argument can have a completely different ambiance - and completely different reactions.

The text I wrote using my characters reacting to the past plot, or even with GMC, may likely need a lot of tweaking: the point was to get them to a particular emotional, conceptual or plot space. The text I wrote with the characters reacting to things that were real, even if it needs tweaking, often crackles off the page, even in very rough form. It’s material I won’t want to lose - more importantly, material I wouldn’t have produced, if I hadn’t pushed myself to do National Novel Writing Month.

Up next, finishing a few notes and ideas - the book is very close to done - and then diving into contracts for Thinking Ink Press, and reinforcement learning policy gradients for the robot apocalypse, all while waiting for the shoe to drop on TCTM. Keep your fingers crossed that the book is indeed on its way out!

-the Centaur

To think, I could be in epic crowds right now!

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And instead, I’m eating veggie quesadillas with salmon, reading about neural networks and reinforcement learning, and waiting to find if my jury number is going to be called. In truth, I miss Comic-Con this year, but I only have myself to blame for not renewing my professional registration, and in truth I need the time to work on PHANTOM SILVER.

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As you can see, I’m way behind, in part because of my Tahoe trip, in part because I’m also trying to finish THE CLOCKWORK TIME MACHINE, and in part because work is cuh-RAY-zee. But I’m making progress; I just cracked 20,000 added words..

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Back to work. Comic-Con, next year.

-the Centaur

Hashtag #stormofghosts

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Once again, starting behind on Camp Nano, but I am starting to get a little traction on the story, thanks to a lot of help from my friends. Of course, the most important thing is taking this week off for vacation, so I’m cutting myself a little slack here - but I plan to take one full day to just get caught up on writing. Hopefully soon. But at least tonight I solved two major problems in the story - how the climax works out, and how and why a couple characters that seemed to get dropped from the story can come back with a vengeance. Onward, fellow adventurers!

-the Centaur

P.S. Upon uploading this, I noticed I made a mistake - I counted writing done yesterday the 5th as being today the 6th (it’s just after midnight). The role of posting about Nanowrimo is to reinforce the purpose of National Novel Writing Month - to provide a public benchmark for your private achievement. Many people are runners, but a marathon provides a specific, external, timed goal at which you have to participate to succeed — and at which you fail if you don’t go the distance that everyone else is at the time everyone else is. My buddy Nathan Vargas worries that this can create a failure mentality, and I agree at that; many people don’t need to be exposed to the possibility of failure, but instead encouraged to success. But as my buddy David Cater knows, a marathon can push you to do things that you never would otherwise - and Nanowrimo can do the same. But that external accountability only works if you externalize it - and that’s why I sign up for Camp Nanowrimo, and why I post my writing goals here. I want to write more than 150,000 words a year - and I rely on all of you to help me do it. Onward!

Camp Nano July 2016: PHANTOM SILVER

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National Novel Writing Month is November, but the Camp version - Camp Nanowrimo - has rolled around yet again, and I am returning to finish the final part of PHANTOM SILVER, which will be Dakota Frost Book 5. For my own entertainment, I put together the above cover, which will NOT be the cover of the final book - but it’s teaching me more about cover design.

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Magical tattoo artist Dakota Frost just wants to raise her adopted children in peace, but when a routine film shoot at a haunted house awakens a real ghost and an ancient curse, she finds herself in a race to prevent the devious phantom from hurting her family ... if the curse hidden in the family silver doesn't kill her first.

Sounds exciting! What’s more exciting to me is that after a long conversation with the estimable Gayle Schultz, I’ve found a way to resolve the climax which could only appear in a Dakota Frost book - or maybe in a Jim Butcher book if he got on a lot of drugs. Now I have a destination - time to finish the drive.

Onward!

-the Centaur

“Sibling Rivalry” returning to print

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sibling-rivalry-cover-small.png Wow. After nearly 21 years, my first published short story, “Sibling Rivalry”, is returning to print. Originally an experiment to try out an idea I wanted to use for a longer novel, ALGORITHMIC MURDER, I quickly found that I’d caught a live wire with “Sibling Rivalry”, which was my first sale to The Leading Edge magazine back in 1995. “Sibling Rivalry” was borne of frustrations I had as a graduate student in artificial intelligence (AI) watching shows like Star Trek which Captain Kirk talks a computer to death. No-one talks anyone to death outside of a Hannibal Lecter movie or a bad comic book, much less in real life, and there’s no reason to believe feeding a paradox to an AI will make it explode. But there are ways to beat one, depending on how they’re constructed - and the more you know about them, the more potential routes there are for attack. That doesn’t mean you’ll win, of course, but … if you want to know, you’ll have to wait for the story to come out. “Sibling Rivalry” will be the second book in Thinking Ink Press's Snapbook line, with another awesome cover by my wife Sandi Billingsley, interior design by Betsy Miller and comments by my friends Jim Davies and Kenny Moorman, the latter of whom uses “Sibling Rivalry” to teach AI in his college courses. Wow! I’m honored. Our preview release will be at the Beyond the Fence launch party next week, with a full release to follow. Watch this space, fellow adventurers! -the Centaur

Clockwork Alchemy Schedule

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Ahoy, fellow adventurers, if you’re interested in tales from a traveler who’s voyaged far and wide across the sea of unending stories, yet somehow returned to the shores we know, you can come listen to me talk at Clockwork Alchemy this year - I’m on four panels!

Saturday
4PM: Overcoming Writer's Block
Scheduled Presentation Time: Saturday 4pm - 4:50pm
Location: Author's Salon (Monterey Room)

Sunday
10AM: Writing Victorian Sci-Fi
Scheduled Presentation Time: Sunday 10am - 10:50am
Location: Author's Salon (Monterey Room)

12 Noon: The Science of Airships
Scheduled Presentation Time: Sunday Noon - 12:50pm
Location: The Academy (San Martin Room)

2PM: Organizing an Anthology
Scheduled Presentation Time: Sunday 2pm-2:50pm
Location: Author's Salon (Monterey Room)

I’ve given the "Science of Airships" before, and have done panels similar to “Writing Victorian Sci-Fi” and “Organizing an Anthology”, but “Overcoming Writer’s Block” I’ve not presented before to a public audience, so it should be interesting!

Come check it out!

-the Centaur

At Clockwork Alchemy 2016!

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Greetings, fellow adventurers! At long last, that time has rolled around again - Clockwork Alchemy, the Bay Area’s premiere steampunk convention. I’ll be here this weekend, most importantly for the launch of THIRTY DAYS LATER!

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SO this year blogging every day was supposed to be a thing, but life is more important, and after taking care of my mom after her knee surgery, being there for my wife, and doing a good job at that thing I do that keeps a roof over our heads and food in the cats’ bellies, the next most important thing was … well, not 30DL, it was THE CLOCKWORK TIME MACHINE!

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But that ain’t out yet, as it is still in copyedit. We may go another round on this one. Whatever. I want this book to win the Hugo and I trust my editor, so we’re going to work on it and Get It Right. But AFTER making sure my editor did not send ninjas to have me killed, the next most important thing was launching THIRTY DAYS LATER on time!

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THIRTY DAYS LATER is Thinking Ink’s first full length fiction anthology, and we wanted to get this one right, or at least not so wrong that all the books were gone. Now that I am at the con with a giant pile of books, at last, I can breathe easy.

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Oh, and I can finish my slides for Saturday’s presentation. Aaaa!

-the Centaur

Finnegan’s Firewall Flashcard

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Wow, something awesome just happened. Our publishing company, Thinking Ink Press, independently invented the idea of a postcard short - a flash fiction story on a postcard - and a new one has just been published which really ups the ante in the genre with its postmodern take on a postmodern book, illustrated with a mashup of The Book of Kells and a Nook!

Finnegan's Firewall: Awesome art by my wife Sandi Billingsley, great design by Keiko O'Leary, cool story by David Colby, all in a postcard! Right now you need to get this in person from Thinking Ink, but we’re working on making it possible for you to check it out!

-the Centaur

Two Jeremiah stories reviewed on Publisher’s Weekly

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THIRTY DAYS LATER was reviewed on Publisher’s Weekly, and my two stories got a great review:

Each [story in THIRTY DAYS LATER] is broken into two separately titled parts, with events in the second part unfolding 30 days after those in the first. Anthony Francis, in “The Fall of the Falcon/The Rise of the Dragonfly,” uses that interval to work a crafty time-travel paradox into a futuristic tale of “infectious Foreign gearwork” run amok.

THIRTY DAYS LATER officially comes out June 1st, but you can order it now on Amazon! Check it out!

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They’re Heeere…

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It is with an enormous sigh of relief that I can announce that THIRTY DAYS LATER will indeed be available by Clockwork Alchemy!

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Above is the stack of books as they arrived at my house today, and below is my smile when I inspected the shipment!

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I don’t even want to start to go into the snafus which happened at the last minute, because they are OVER! I can at last add this to the stack, and move on. More later on how THIRTY DAYS LATER is Thinking Ink Press’s first fiction anthology, how it features the next of the Jeremiah Willstone stories, and why you want to watch out for yaks and Sasquatch … but for now … they’re here!

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-the Centaur

Viiictory the Fourteenth

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Viiictory! I successfully completed Nanowrimo for the fourteenth time - adding 50,000 words to PHANTOM SILVER, Dakota Frost #5. And, by working hard, I did it!

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Because of work, life, and other writing, I got behind early this month, and had to press hard to really make it. But I successfully got it off my plate one day early. Because Nano’s site counts words differently than Microsoft Word, I had to push a bit past my Word word count, and so saw something I rarely see on this graph: a negative velocity debt, meaning I could write backwards and still end up finishing the count (at least the Word count) exactly on time.

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For a bit late in the month, especially around the 26th, it was as bad as I’ve ever gotten it: 6000+ words behind only 5 days from the end of the month. But somehow I managed to pull it out, setting a couple of daily records on writing … though I never even came close to my absolute max writing rate of 7,000 words a day.

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Strangely, even though Camp Nano doesn’t have November’s holidays, it still works out that most of the writing gets done near the end of the month. Go figure.

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Alright, late, tired, going to bed, more commentary later.

-the Centaur

Reality intervenes, but …

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… we may still pull it out. We’ve been in worse scrapes ...

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Er … well, no we haven’t, but it’s still clearly possible. More news in a bit.

-the Centaur

THIRTY DAYS LATER reviewed by the Punkettes

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Excellent news - THIRTY DAYS LATER has been reviewed by the Punkettes!

Need help steaming up your Summer? The other day I made myself a cup of tea and sat down to read the THIRTY DAYS LATER anthology put on by Thinking Ink Press. I wasn’t expecting the soirée of steam/clock infusion. I soon found my tea turning cold and me turning the next page. Thirty Days Later is full of interesting diverse stories that will appeal to a wide variety of readers with sightings of Royals, ghosts, dragons, Japanese folklore, spies, and even a Sasquatch(?!).

Very cool! Go check the review out, and remember, THIRTY DAYS LATER comes out in a couple of months!

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