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Posts tagged as “We Call It Living”

Finished a rough draft of PHANTOM SILVER

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I just finished a rough draft of Book 5 in the Dakota Frost, Skindancer series. I’d love to sit back and reflect on all the novels I’ve finished (3 published, one at the editor, 3 more drafts finished, 3 more beyond that partially finished, one in the sock drawer, and one half-finished novel that got away from me) but I have contracts to edit. So, for now, I’ll just leave this here...

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Viiictory the Fifteenth

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Once again, I’ve completed the challenge of writing 50,000 words in a month as part of the National Novel Writing Month challenges - this time, the July 2016 Camp Nanowrimo, and the next 50,000 words of Dakota Frost #5, PHANTOM SILVER!


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This is the reason that I’ve been so far behind on posting on my blog - I simultaneously was working on four projects: edits on THE CLOCKWORK TIME MACHINE, writing PHANTOM SILVER, doing publishing work for Thinking Ink Press, and doing my part at work-work to help bring about the robot apocalypse (it’s busy work, let me tell you). So busy that I didn’t even blog successfully getting TCTM back to the editor. Add to that a much needed old-friends recharge trip to Tahoe kicking off the month, and I ended up more behind than I’ve ever been … at least, as far as I’ve been behind, and still won:

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What did I learn this time? Well, I can write over 9,000 words a day, though the text often contains more outline than story; I will frequently stop and do GMC (Goal Motivation Conflict) breakdowns of all the characters in the scene and just leave it in the document as paragraphs of italicized notes, because Nano - I can take it out later, its word count now now now! That’s how you get five times a normal word count in a day, or 500+ times the least productive day in which I actually wrote something.

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Also, I get really really really sloppy - normally I wordsmith what I write as I write, even in Nano - but that’s when I have the luxury of writing 1000-2000 words a day. When I have to write 9000, I write things like "I want someoent bo elive this whnen ai Mideone” and just keep going, knowing that I can correct the text later to “I want someone to believe this when I am done,” and, more importantly, can use the idea behind that text to craft a better scene on the next draft (in this case, Dakota’s cameraman Ron is filming a bizarre event in which someone’s life is at stake, and when challenged by a bystander he challenges back, saying that he doesn’t have any useful role to fill, but he can at least document what’s happening so they’ll all be believed later).

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The other thing is, what I am starting to call The Process actually seems to work. I put characters in situations. I think through how they would react, using Goal Motivation Conflict to pull out what they want, why they want it, and why they can’t get it (a method recommended by my editor Debra Dixon in her GMC book). But the critical part of my Process is, when I have to go write something that I don’t know, I look it up - in a lot of detail. Yes, Virginia, even when I was writing 9,000+ words a day, I still went on Wikipedia - and I don’t regret it. Why? Because when I’m spewing around trying to make characters react like they’re in a play, the characters are just emoting, and the beats, no matter how well motivated, could get replaced by something else.

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But when it strikes me that the place my characters area about visit looks like a basilica, I can do more than just write “basilica.” I can ask myself why I chose that word. I can look up the word “basilica” on Apple’s Dictionary app. I can drill through to famous basilicas like the Basilica of Saint Peter. I can think about how this place will be different from that, and start pulling out telling details. I can start to craft a space, to create staging, to create an environment that my characters can react to. Because emotions aren’t just inside us, or between us; they’re for something, for navigating this complex world with other humans at our side. If a group of people argues, no matter how charged, it’s just a soap opera. Put them in their own Germanic/Appalachian heritage family kitchen in the Dark Corner of South Carolina, on on the meditation path near an onsen run continuously by the same family for 42 generations, and the same argument can have a completely different ambiance - and completely different reactions.

The text I wrote using my characters reacting to the past plot, or even with GMC, may likely need a lot of tweaking: the point was to get them to a particular emotional, conceptual or plot space. The text I wrote with the characters reacting to things that were real, even if it needs tweaking, often crackles off the page, even in very rough form. It’s material I won’t want to lose - more importantly, material I wouldn’t have produced, if I hadn’t pushed myself to do National Novel Writing Month.

Up next, finishing a few notes and ideas - the book is very close to done - and then diving into contracts for Thinking Ink Press, and reinforcement learning policy gradients for the robot apocalypse, all while waiting for the shoe to drop on TCTM. Keep your fingers crossed that the book is indeed on its way out!

-the Centaur

To think, I could be in epic crowds right now!

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And instead, I’m eating veggie quesadillas with salmon, reading about neural networks and reinforcement learning, and waiting to find if my jury number is going to be called. In truth, I miss Comic-Con this year, but I only have myself to blame for not renewing my professional registration, and in truth I need the time to work on PHANTOM SILVER.

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As you can see, I’m way behind, in part because of my Tahoe trip, in part because I’m also trying to finish THE CLOCKWORK TIME MACHINE, and in part because work is cuh-RAY-zee. But I’m making progress; I just cracked 20,000 added words..

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Back to work. Comic-Con, next year.

-the Centaur

Happy Birthday America!

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Today marks the 240th anniversary of the most important civic event in the history of humankind, the founding of America - the first nation founded on the principle that the purpose of the government is to defend the liberty of all human beings, rather than to protect the privileges of a particular tribe of people who live in a region. We didn't get it all right at first - it actually took almost a hundred and fifty years - but it's now an idea shared by peoples and governments all around the globe, notably in the Universal Declaration of Human Rights. So, to celebrate, I hope you all freely joined with friends and family to celebrate your freedom to do so, and then got to watch things explode. Because that last part may not be part of the universal fabric of human rights, but that's the American way!

Skindancer in Sweden

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I think I’ve mentioned this on Facebook, but not here: sometimes real life lurks beneath the surface. I read what I write, both to myself and out loud; I have beta readers and editor and publishers; I follow the reviews of my books; I follow their sales; and I pay close attention when people mention they’ve seen or read or liked my books. And then something happens which exceeds your expectations - a friend going to the ICRA conference sent me this pic of a full copy of my Skindancer trilogy in a bookstore in Sweden:

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It is an English-Swedish science fiction bookstore with an extremely complete collection … but still, my trade-paperback sized volumes from a midsize publisher are up there with mass-market paperbacks from the big N publishing houses. That means someone on the other side of the world … someone with no contact with me, someone with no contact with my publisher that I know of … decided to compile a list of urban fantasy series … and mine was included.

Wow. I’m honored. And a little bit shocked.

Must write faster.

-the Centaur

Thrown off the horse and back into the saddle

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I have not yet finished dealing with the aftermath of Clockwork Alchemy, and yet I already find myself dealing with the prepwork for Dragon Con! But the good news is, once again, I’m a guest (well, technically, an “attending professional”):

Anthony Francis By day, Anthony Francis is a roboticist; by night, he's an author and comic book artist. He wrote the Dakota Frost, Skindancer urban fantasy series including Frost Moon, Blood Rock, and Liquid Fire; edited the Doorways to Extra Time anthology; and published the steampunk anthology Thirty Days Later.

Yaay! Oh wait, that means I have to do panels. Aaaa!

Watch this space.

-the Centaur

Unexpected Complications

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So if I haven’t posted here in the past few days it’s because I’ve been FREAKING OUT about an unexpected problem with a project, where two separate contributors had computer failures and travel disruptions. What seemed like a nice, on-time, if tight project became a total freakout O.M.G.-we-may-miss-the-date over the course of a week and a half.

That slow slide off the cliff was halted today and it looks like we’re back on track, but it was touch and go for a while - I woke up in the middle of the night in a cold sweat and sent a round of emails trying to get things on track, which worked - but I found out a more experienced coworker had been worried about this last month, and had been trying to say so.

Ah well. Hard lessons. I think it will be fine … but I was motivated to take this picture for this blogpost as I sat here and worked on it, and after a bit, I realized why: it’s another example of unexpected complications. What you see is a giant pile of cat bedding, which didn’t work … because why sleep on something warm, fuzzy, and sheltered when hard shingles will do just fine.

And who could have anticipated that, but a cat. Sigh.

-the Centaur

Viiictory the Fourteenth

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Viiictory! I successfully completed Nanowrimo for the fourteenth time - adding 50,000 words to PHANTOM SILVER, Dakota Frost #5. And, by working hard, I did it!

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Because of work, life, and other writing, I got behind early this month, and had to press hard to really make it. But I successfully got it off my plate one day early. Because Nano’s site counts words differently than Microsoft Word, I had to push a bit past my Word word count, and so saw something I rarely see on this graph: a negative velocity debt, meaning I could write backwards and still end up finishing the count (at least the Word count) exactly on time.

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For a bit late in the month, especially around the 26th, it was as bad as I’ve ever gotten it: 6000+ words behind only 5 days from the end of the month. But somehow I managed to pull it out, setting a couple of daily records on writing … though I never even came close to my absolute max writing rate of 7,000 words a day.

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Strangely, even though Camp Nano doesn’t have November’s holidays, it still works out that most of the writing gets done near the end of the month. Go figure.

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Alright, late, tired, going to bed, more commentary later.

-the Centaur

Life is More Important

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So after catching up for a while on Camp Nano, I fell behind again … because I and my wife traveled back to Greenville, South Carolina to assist my mother’s rehab from knee surgery, and frankly that’ more important than any amount of word count. The good news is, she’s doing very well, and came home from the hospital yesterday … the even better news is, that my wife and my mom patched it up after eight years of not speaking to each other, a feat which I didn’t think was even possible. What a wonderful trip!

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I lost my momentum the moment I hopped on that plane, and after that it was tough to get it back when I was caring for Mom - you can see the dent in the schedule around the 20th - and getting back on track after that required a full court press. But, in the past several days, I was able to do just that, and managed to pump out 2000+ words on all of the past five days, and double that on three of those. As of tonight, I am caught up.

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As for now, there’s two days left, which I could tackle at a normal pace—though I’ll likely try to finish by Friday so that I can chill out on Saturday and have a nice relaxing weekend.

Wish me luck.

-the Centaur

Hounded

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Is the novel back on track? NO.

For an idea of why I push so hard on this, though, take a look at this graph of how popular my books have been over time (a graph compiled by myself looking at data from various sources). It may not be readily apparent, but every time a new book is released, all my books spike in popularity, then slowly decline. The graph starts at the release of BLOOD ROCK, and the big gap between that and LIQUID FIRE - working on stories for anthologies - really caused things to fade away. If I want to write all the time, I need people to buy my books, so I need to produce books, to get back on track with novels coming out on a regular basis.

So … back to PHANTOM SILVER.

-the Centaur

Blood in the Water

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Well, shoot. Camp Nano not going well so far. Blast ye, taxes. Is the date right? Should I make Dakota worry about her taxes too, just to be mean? Checking The Grid … no, dangit, her taxes wouldn’t be due until the next book. Sigh.

Back to work.

-the Centaur

Can’t Blog! Noveling!

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Can’t blog! Noveliing! Also, taxing, Q2 OKR planning, book publishing, and general panic. Enjoy pictures of a nice restaurant and its delicious food!

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-the Centaur

Back to PHANTOM SILVER

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Back at work on Dakota Frost #5, PHANTOM SILVER, for Camp Nanowrimo. I’m at 50,000+ words already and hope to get it to 100,000 words the month of April, then finish the book off in Camp Nanowrimo in July. My summary from the Camp Nano page:

Dakota Frost --- Skindancer, magical tattooist, chair of the Magical Security Council, and harried mother of a teen weretiger and a teen half-elf --- still has to pay the bills. Fortunately that involves something awesome, being a headliner on the supernatural debunking show The Exposers billed as the Skeptical Witch.

Too bad their latest adventure turns up a very real ghost, which latches onto Dakota to help dispel its ancient family curse. Add to that a reawakened fae curse, an invasion from the land of the dead - and an annoying older brother - and you have a recipe for disaster.

and an excerpt of yesterday’s writing:

“Alright, your turn,” I said.

“Mo—uh, my Lady Frost, I do not think—” Benjamin began.

“What did you say?” the sphinx said, claws scraping against granite.

“You asked me a riddle, now I ask you a riddle back, correct?” I said.

“You wish to duel me?” the sphinx said. “I accept!”

“Wait,” I said, befuddled, “weren’t we dueling already?”

“It was a riddle challenge,” Benjamin said. “Trolls ask one, sphinxes three—”

“The riddle game is from The Hobbit, Mom,” Cinnamon said, tugging at my arm.

“The riddle game is an ancient and honorable mode of dueling and I accept,” the sphinx roared, stamping one paw, so that all three of us cringed back. “I accept! We must answer three riddles each before we pass by; at the first slip … the winner takes the loser as the prize.”

Oh dear! Sounds like Dakota and her brood are in trouble!

Now to brew up more of it. Back to work.

-the Centaur

P. S. Planning it out, it looks like the next three Dakota Frost books will dovetail nicely with the first three Cinnamon Frost books, so I have a loose hexalogy on my hands. I had to look that one up, God help me. (And I pray He does.)

Mission Success

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So Sandi’s art show was a great success! I didn’t take pictures once people really started showing up since I was talking to people nonstop until after 11pm, but we had a big crowd at Kaleid Gallery last night!

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Many of Sandi’s pieces incorporated a spiral design which is a long-running theme in her art, but the real focus of the show was sustainability - all the pieces in the show were recycled, that is, made from materials rescued from the garbage.

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Everything’s made from styrofoam, paper, and other rescued materials - even the large trompe l’oeil piece in the middle, which looks like a stone gateway looking out onto a pond, is actually made from lightweight paper.

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Sandi also had five sculptures in the show (technically seven, but two of them were hangars for other art) including Petrified Coral 1 on the far right above, which was priced at $48,000 because it was owned by a private collector - me. I enjoyed the doubletakes made by people as they saw that price and then looked for that piece - but I was quite serious about the price.

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Sandi needed the piece to fill out the show - its colorspace and spiral motif really brought things together, and it fit perfectly on the wall - but it was an anniversary gift to me, the painting was originally priced at $2400, I wouldn’t let it go for ten times that - and Kaleid Gallery would get half. So I don’t want to see it go - but if you want to cough up ~$50K for it, I’m happy to buy Kaleid Gallery some new lights and Sandi a new truck with the proceeds (after Uncle Sam takes his cut).

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Many, many people came by, and we all stayed so late the gallery eventually had to kick us out (that’s a slight lie; the last four of us chatted with the docent for half an hour after he closed the outer door). I’d call that a big success.

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She’ll be showing through the end of the month. Go check it out!

-the Centaur

Not Ducking Questions, Just Working

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Between a crash course in learning deep learning and full court press on THE CLOCKWORK TIME MACHINE, I'm far behind on far too many questions. So even though my good buddy Jim Davies just hit me with a comment on a post which I want to riff on in at least five blog posts, I'm afraid for the next few days I need to focus on getting caught up on THIRTY DAYS LATER. Back to work. -the Centaur

Working on the Novel …

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And a million other things. More news in a bit …

-the Centaur

Departure Angle on Viewer

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I don’t know if I’ve used that title before, but I do know once again GDC has come to an end. The Game Developer’s Conference has treated me very well over the past … uhh … darn near 20 years or so, and every year I think I’m going to do a trip report. And every year I don’t. But this year, I do know I’m going to at least give a brief retrospective.

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For those that don’t know, the Game Developer’s Conference is one of the largest conventions for computer game developers in the world - it might be the largest, but on the one hand I don’t have Internet yet, and on the other hand just because it’s huge doesn’t mean it’s the biggest. (I used to think San Diego Comic-Con was the biggest media convention, but Comiket is 3 times its size).

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In general, I find the biggest bang for the buck at GDC is the first two official days - Monday and Tuesday, the tutorials and summits. The next biggest bang for the buck is ad-hoc meetings between people - just getting together with people in the industry and chewing the fat. But, and this is the question I once had, how do you do that if you don’t know anybody?

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That’s why on the next three days they have Roundtables - more informal discussions aimed at people in your specific area. For game AI programmers, there are the AI Roundtables hosted by Neil Kirby, but I’ve been to other roundtables as well, and they’re a great way to both learn about the field and to meet people of all different levels.

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Now, the people you meet at a Roundtable may not be your best friends the first time that they meet you, but if you come back again and again - show up, be nice, and try to contribute - you’ll build relationships that are enduring in time. For AI game programmers, there’s the Game AI Programmer’s Guild and some associated dinners; there will be one for your area too.

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But beyond the first two days, there’s two or three main draws to the conference for me. There are talks, of course, and some would say that those are the real meat of GDC - we wouldn’t have a reason to come here to network if there wasn’t something we’re here for in the first place, whether it’s a product announcement or a technical talk …

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… or an unexpected bit of wisdom, such as the story of the creator of Diablo, who turned down an offer from a friend of a friend to “just let me use that empty room in the back as my office. I’ll give you ten percent of my company.” Diablo was in crunch time, so he told him “get lost kid” … not knowing he was turning down $40 million dollars when Hotmail sold the following year for $400M.

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Beyond the talks, there’s the show floor, which is so full of interesting things that you can’t begin to compress it into an easy tale; the pickings are better in some years than others, but you’ll still see amazing stuff.

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And … some more inexplicable stuff. I bet you didn’t know cloud computing involved actual clouds, but they had one:

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Finally, there’s the GDC store, where you can get swag of all sorts, from GDC gear (which people often see me wearing) to game gear to books of all sorts.

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For someone who believes the future of books is bright, I have to admit the pickings seem leaner each year …

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… but I still found some awesome books directly related to my area, and as much as we want ebooks to be everywhere, I just moments ago was chatting with someone at work who turned down a free PDF in favor of ordering a physical book on Amazon, because, like me, he found it easier to read that way.

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Finally, if you’re not local, GDC is a great chance to experience a new city. San Francisco is great, Union Square is a short walk, and there are many restaurants and coffeehouses and sights and parks that you can experience.

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It’s better if you can experience it with friends too - so make time for your friends while they’re in town.

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-the Centaur

More Eras Ending

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Ever since one of my childhood art teachers let slip that she’d lost all her childhood art in a fire, I’ve been acutely aware that good things come to an end. This knowledge has led me into what I call good ruts: the cultivation of experiences that work, which I cherish as long as they last.

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For me, a lot of these experiences revolve around food, or coffee, or books, or some combination of all three - usually in service of writing. I cultivated going to Mountain View for dinner followed by a visit to Cafe Romanza on Friday nights, since Romanza was embedded in a bookstore and was open to 11, often getting me an hour of reading over dinner and two to three hours of writing before I headed over to Bookbuyers’s used bookstore next door, itself open to midnight. But this pattern has started to crack, as Bookbuyers is slowly contracting itself into a smaller space, and Cafe Romanza has started closing earlier.

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There’s an illusion many store owners have that the last hours on their calendar are expendable, because “that’s not when we make money”. The reality is, late hours attract many people to bookstores and coffeehouses and restaurants because people want to chill out and enjoy their purchase - so if you look at your thin last hour and cut it, guess what? All the people like me who were attracted to your store are just going to go somewhere else. Welcome to the death spiral: I’d say something snarky like “I hope you enjoy it” but the truth is I wish you’d see the error of your ways so I could continue to enjoy your establishment.

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That’s why places like Coupa Cafe do so well: they specifically cultivate an environment where people don’t get kicked out. But even if the management of a place remains constant, the good ruts sometimes must come to an end, because something always changes. Sometimes that change happens on my end; I used to walk to lunch in Palo Alto, spending half my lunch reading for work and half of it writing for me. But when I changed offices, all those great experiences came to an abrupt and unceremonious end.

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But sometimes that change happens not because of a change in the store or a change in me, but because a landlord increases prices, as when the writing group Write to the End had to flee a closing Barnes and Noble when their landlord raised the rent. That landlord was itself struggling to survive and facing a possible bankruptcy, so it doesn’t have to be caused by greed - but sometimes it just is, a raw desire to get a higher paying tenant. I’m all for making money, of course, but the value of a region isn’t the money you make from it, but the people that live there and the institutions that function there and the culture they support.

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Which brings us to the point of the essay: all the Chevy’s in San Francisco have closed, victims of rising rents. Rising rents in San Francisco are a disaster: estimates are that over 70 percent of artists were losing their home or business or both, and the remaining 30 percent were in risk of losing their positions. And since I’ve got at least one or two friends who say, “So what? If the prices are rising, move,” let me take a moment out to say FUCK YOU, DUMBASS, because detaching yourself from your local friends-and-family support network is one of the primary risk mechanisms how people end up homeless. I’m a full blooded capitalist, and yet I have zero sympathy for that ignorant, heartless point of view: it really does matter that prices are rising in the Bay Area without limit, and I have heard from everyone from the homeless to bottom-end workers to my peers to upper class to CEOs that the problem is really acute - so I really do have zero patience for the ignorance pseudo-worldly people show towards this very real problem.

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But, patience or no, the great oasis I had at the Game Developer’s Conference - heading up the street to Chevy’s for lunch, catching up on reading and planning out the rest of my day - is over. Chevy’s is gone, and I’ll have to find something else.

Ah, Chevy’s at Moscone Center: you will be missed.

-the Centaur