{"id":964,"date":"2011-02-24T04:09:39","date_gmt":"2011-02-24T11:09:39","guid":{"rendered":"http:\/\/www.dresan.com\/blog\/?p=964"},"modified":"2011-02-24T04:09:39","modified_gmt":"2011-02-24T11:09:39","slug":"i-hate-to-urinate-during-somebodys-eulogy-but","status":"publish","type":"post","link":"https:\/\/dresan.com\/blog\/2011\/02\/24\/i-hate-to-urinate-during-somebodys-eulogy-but\/","title":{"rendered":"I hate to urinate during somebody&#8217;s eulogy but &#8230;"},"content":{"rendered":"<p><a href=\"http:\/\/www.npr.org\/blogs\/monkeysee\/2011\/02\/23\/133988062\/dwayne-mcduffie-rip-championed-diversity-among-champions\">Dwayne McDuffie died<\/a>. He&#8217;s the author of many comic and series, including <a href=\"http:\/\/www.amazon.com\/Fantastic-Four-Beginning-Dwayne-McDuffie\/dp\/078512554X\">a run I enjoyed<\/a> of the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Fantastic_Four#2000s\">Fantastic Four<\/a>. He will be missed. But I have to take issue with the article announcing his death:<\/p>\n<blockquote><p>\n<a href=\"http:\/\/www.npr.org\/blogs\/monkeysee\/2011\/02\/23\/133988062\/dwayne-mcduffie-rip-championed-diversity-among-champions\">http:\/\/www.npr.org\/blogs\/monkeysee\/2011\/02\/23\/133988062\/dwayne-mcduffie-rip-championed-diversity-among-champions<\/a><br \/>\nHis individual contributions as a writer and producer, which I&#8217;ll get to in a bit, remain impressive. But McDuffie was more than a writer, he was a voice \u2014 <em>a passionate proponent for change in a genre (superhero comics) that reflexively resists it<\/em>. And it&#8217;s that voice that will be most acutely missed.\n<\/p><\/blockquote>\n<p>McDuffie will be missed, and perhaps he was a passionate proponent for change &#8230; but what superhero genre, precisely, has the author of the NPR article been reading over the last forty years? Because it sure ain&#8217;t the one I&#8217;ve been reading. (NOTE: the author of the article claims to have started reading in the early 1970&#8217;s and to have skipped the 1990s, and I started reading in the later 1970&#8217;s and skipped part of the 1980&#8217;s which I&#8217;ve since mostly caught up on, so we are essentially contemporaneous).<\/p>\n<p>Superhero comics were <a href=\"http:\/\/en.wikipedia.org\/wiki\/Silver_Age_of_Comic_Books\">a force of stasis in the 1950s to the 1970&#8217;s<\/a> largely because of the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Comics_Code_Authority\">Comics Code Authority<\/a>, which effectively censored comic book content; innovation existed but largely got squeezed out into <a href=\"http:\/\/en.wikipedia.org\/wiki\/Underground_comix\">underground comix whose heyday was the late 60&#8217;s to early 70&#8217;s<\/a>.<\/p>\n<p>But issues of social relevance &#8211; drug use, alcoholism, environmentalism &#8211; <a href=\"http:\/\/en.wikipedia.org\/wiki\/Bronze_Age_of_Comic_Books#Social_Relevance\">began to kick in in the 1970&#8217;s<\/a>. Titles like <a href=\"http:\/\/en.wikipedia.org\/wiki\/Squadron_Supreme\">Squadron Supreme<\/a>, <a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Dark_Knight_Returns\">the Dark Knight<\/a> and later <a href=\"http:\/\/en.wikipedia.org\/wiki\/Watchmen\">Watchmen<\/a> subverted the conventions of the genre in the mid 1980&#8217;s. By the 1990&#8217;s, the modern age of superhero comics and its <a href=\"http:\/\/en.wikipedia.org\/wiki\/Modern_Age_of_Comic_Books#The_rise_of_anti-heroes\">antiheroes<\/a> had begun &#8211; and the genre has continued to evolve, with newer iterations like<a href=\"http:\/\/en.wikipedia.org\/wiki\/Widescreen_comics\"> widescreen comics changing how stories are told<\/a>. <\/p>\n<p>Examining other areas, for gay, lesbian, bisexual and transgendered comics we&#8217;ve gone from <a href=\"http:\/\/en.wikipedia.org\/wiki\/Seduction_of_the_Innocent#Content_and_themes\">demonizing<\/a> and <a href=\"http:\/\/en.wikipedia.org\/wiki\/LGBT_comics#Censorship_and_criticism\">censoring<\/a> them to <a href=\"http:\/\/en.wikipedia.org\/wiki\/LGBT_themes_in_American_mainstream_comics#Pre-1990s\">talking about it and introducing characters in the 1990&#8217;s<\/a> to putting them <a href=\"http:\/\/en.wikipedia.org\/wiki\/LGBT_themes_in_American_mainstream_comics#2000s\">front and center in the 2000&#8217;s<\/a>, including the modern Batwoman, a <a href=\"http:\/\/www.dresan.com\/2009\/09\/three-things-you-should-be-reading-if.html\">female superhero and lesbian of Jewish descent<\/a>.<\/p>\n<p>Even on the <a href=\"http:\/\/www.npr.org\/blogs\/monkeysee\/2010\/05\/13\/126796841\/ol-blue-eyes-is-back-race-and-the-retro-superhero\">author of the article&#8217;s signature issue, race<\/a>, we&#8217;ve gone from <a href=\"http:\/\/en.wikipedia.org\/wiki\/Portrayal_of_black_people_in_comics#Ethnic_stereotypes\">ridiculous and marginalized cariactures<\/a> to <a href=\"http:\/\/en.wikipedia.org\/wiki\/Portrayal_of_black_people_in_comics#21st_century\">prominent front and center characters<\/a> to <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ultimate_Nick_Fury\">Ultimate Nick Fury<\/a>, based on Samuel L. Jackson and later <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ultimate_Nick_Fury#Samuel_L._Jackson\">played by him after he considered the comic version a flattering portrayal<\/a> as the ultimate nexus of coolness in the Ultimate Marvel Universe &#8230;<\/p>\n<p>Need I go on? No. <\/p>\n<p>There will always be people marketing towards the least common denominator, but that subset does not define or limit or even accurately describe the arc of the superset &#8211; a very typical mistake that people with axes to grind will make.<\/p>\n<p>Clearly, comics has a lot of work to do, and I&#8217;d never suggest it doesn&#8217;t have further to go. Resistant to change, however, it has not been &#8230; not at least for the last forty years.<\/p>\n<p>-the Centaur <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dwayne McDuffie died. He&#8217;s the author of many comic and series, including a run I enjoyed of the Fantastic Four. He will be missed. But I have to take issue&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[48],"class_list":["post-964","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-across-the-transfinite-canvas","ratio-2-1","entry"],"_links":{"self":[{"href":"https:\/\/dresan.com\/blog\/wp-json\/wp\/v2\/posts\/964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dresan.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dresan.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dresan.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dresan.com\/blog\/wp-json\/wp\/v2\/comments?post=964"}],"version-history":[{"count":7,"href":"https:\/\/dresan.com\/blog\/wp-json\/wp\/v2\/posts\/964\/revisions"}],"predecessor-version":[{"id":971,"href":"https:\/\/dresan.com\/blog\/wp-json\/wp\/v2\/posts\/964\/revisions\/971"}],"wp:attachment":[{"href":"https:\/\/dresan.com\/blog\/wp-json\/wp\/v2\/media?parent=964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dresan.com\/blog\/wp-json\/wp\/v2\/categories?post=964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dresan.com\/blog\/wp-json\/wp\/v2\/tags?post=964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}