Posts published in “Steampunk”

Jeremiah Willstone and the Adventures of Liberated Women in an Age of Steam!

And Nanowrimo Draws to a Close Yet Again…

Published November 30, 2013 by centaur

Well, Nanowrimo has drawn to a close once again. I finished early, and then used the time through Thanksgiving to spend time with friends, family and my wife. Hence the gaps near the end:

MAROONED 2013-11-30.png

As you can see, the last few days have seen a few words added to the manuscript, but they're mostly the addition of notes and other materials to make sure the story isn't lost. However, the total added words: 52761. Success.

MAROONED 2013-11-30a.png

Now it's back to THE CLOCKWORK TIME MACHINE, and when that's off to the editors, I hope that I'll have my betas back for LIQUID FIRE so that too can go to the editors. Then I'll be finishing SPECTRAL IRON. So it may be a while before I return to Serendipity to finish her story; until then, however, I will leave you this:

“But … our last Loremaster died of the plague,” Dijo said. “We’ve saved the data, of course, but all the stories are lost—”

“Then we’d better salvage the ones we can,” Leonid said, staring at Serendipity. She was rapt: she was a historian. And as young as she was, she probably hadn’t had the chance to collect living history. And he’d given her just that. “So, Serendipity … you up to the task?”

“Am I,” she said, flicking an ear, leaning forward. “Tell me the stories of your people.”

“Alright, but we don’t tell stories,” Leonid said, motioning to Beetle, who drew out his strumstick. “We sing them.” Serendipity’s mouth fell open, and Leonid smiled. “Beetle, you’ve got some pipes on you. Sing the Song of Iranon, and remind us why we keep fighting on.”

Beetle smiled, tuned the stick, then began strumming. He sang:

Into Teloth Station wandered a spacer,
The vine cowled, yellow haired Iranon.
His suit was torn
His cloak was frayed
From mining the rocks of the belt Sidrak—

Soon they were all singing, Serendipity more than a bit awkwardly—she had little rhythm, and clapped at odd places, unable to keep time. But she quickly learned the chorus and response, and by the last verse she was singing along with them.

The spacers of Teloth were dark and stern
With frowns they asked his course.

And he said:

I am the spacer Iranon
With a cowl of vines, and myrrhwax in my hair.
I came from the Arkship Aira
A ship I recall only dimly, but seek to find again.
I sing the songs learned in my youth
In that far off paradise
And my course is set to find my way home once again.

And he said:

My trade is making beauty from memories of my childhood
And my wealth is in dreams of the places I have known
And I chart my course by the light of hope inside me
The hope I’ll find again my near forgotten home
On the Arkship Aira
In orbit round the gardens of the Lotus Moon.

Fare well, spacers...

-the Centaur

The Science of Airships, Redux

Published May 24, 2013 by centaur

Once again, I will be giving a talk on The Science of Airships at Clockwork Alchemy this year, this time at 11AM on Monday. I had to suffer doing all the airship research for THE CLOCKWORK TIME MACHINE, so you should too! Seriously, I hope the panel is fun and informative and it was received well at previous presentations. From the online description:

Steampunk isn't just brown, boots and buttons: our adventurers need glorious flying machines! This panel will unpack the science of lift, the innovations of Count Zeppelin, how airships went down in flames, and how we might still have cruise liners of the air if things had gone a bit differently. Anthony Francis is a science fiction author best known for his Dakota Frost urban fantasy series, beginning with the award winning FROST MOON. His forays into Steampunk include two stories and the forthcoming novel THE CLOCKWORK TIME MACHINE.

Yes, yes, I know THE CLOCKWORK TIME MACHINE is long in forthcoming, but at least it's closer now. I'll also be appearing on two panels, "Facts with Your Fiction" moderated by Sharon Cathcartat 5pm on Saturday and "Multi-cultural Influences in Steampunk" moderated by Madeline Holly at 5pm on Sunday. With that, BayCon and Fanime, looks to be a busy weekend.

-the Centaur

Everyone’s fooling people by taking their laptops to coffee shops, and here I am just editing anthologies

Published May 18, 2013 by centaur

So this is me, with my laptop, in a coffee shop, editing the science fiction anthology DOORWAYS TO EXTRA TIME, listening to an author reading by John Scalzi, author of YOU'RE NOT FOOLING ANYONE WHEN YOU TAKE YOUR LAPTOP TO A COFFEE SHOP.

I read Scalzi's blog Whatever and was pleased to hear he was coming to my favorite bookstore / coffeeshop combination, Books Inc. in Mountain View and the attached Cafe Romanza. It's right up the street from my work, so I dropped in to the coffee house, got a copy of REDSHIRTS for signing (never having read his fiction, it seemed a good place to start since the book he's promoting is a sequel), got coffee, got permission from the staff to set my laptop up at a small table above the signing, and camped out.

I edited. Friends dropped by. We chatted. The room filled, and then Scalzi showed up...

...and he's even more entertaining in person than he is on his blog. He read from his latest novel THE HUMAN DIVISION, a little side tale about aliens and churros (I've never had any, but they're kind of like Spanish doughnuts, apparently), and from his blog the hilarious and insightful post "Who Gets to Be a Geek? Anyone Who Wants to Be."

When it got to Q&A, I didn't ask any questions: everyone asked all my questions for me. It turns out Tor approached him about serializing his books, and THE HUMAN DIVISION came out of that conversation. I'm jealous; I and my publisher are still negotiating how to serialize THE CLOCKWORK TIME MACHINE, which I wrote with the design for it to be serialized.

After the talk, I waited for the line to die down before getting REDSHIRTS signed. Scalzi and I talked about the irony of me editing my anthology on my laptop in a coffeeshop while the author of YOU'RE NOT FOOLING ANYONE WHEN YOU TAKE YOUR LAPTOP TO A COFFEESHOP was reading, and he pointed out that there's two types of people who take their laptops to coffeeshops: those who go to write, and those who go to be seen.

He asked about the anthology, and I told him about DOORWAYS TO EXTRA TIME: an anthology that asks the question what would you do if you really could get an extra hour in the day. Oddly enough, Scalzi had the same answer about what he'd do with that hour as one of my barista friends in the coffeeshop: both said they'd use the extra hour to catch up on sleep.

I think John Scalzi and that barista must be two of the smartest people in the world.

-the Centaur

P.S. What's this, Google+? You can animate several pictures taken together, even when I didn't tell you to in advance? Really? We're not living on the moon, but we are living in the future. That's awesome. UPDATE: Apparently it only works by default on Google+, as I don't see it on my blog that way. Still, the downloaded image has all the frames, so I could fix it up in Photoshop real quickly if I wanted to. Still the future. UPDATE UPDATE: May be a Ecto upload issue. Will fix later. Regardless, future. UPDATE UPDATE UPDATE: I managed to manually upload it, but it took a little squeezing in Photoshop to make the image manageable.

Blogging is like a job. One I’m bad at.

Published February 17, 2013 by centaur

One of the things I've always felt about myself is that I'm slow. I have ideas for fiction, but before I ever develop them, I see them brought to completion by someone else. When I was a child, I had a wonderful story involving spacecraft made to look like sailing ships, only to turn on my television to find that it had been done in Doctor Who.

Next I read Drexler's Engines of Creation shortly after it came out and planned a series of nanotech stories, before I'd ever read another science fiction author dealing with the theme. I was in college, still trying to finish my first novel, which I'd updated to include nanotechnology, when Michael Flynn published The Nanotech Chronicles.

Now in the blogoverse, things have gotten worse.

It's bad enough that my evil twin Warren Ellis, a man only one year older than me, has propelled himself to the pinnacle of the writing profession using only whisky and a cane while still blogging more than anyone could believe. Warren Ellis has his own ideas and I don't feel like we're competing in the same headspace.

No, my it's my nemesis John Scalzi, who has not only beaten me to the punch on the serialized novel The Human Division - I'm pretty sure my own designed-for-serialization novel THE CLOCKWORK TIME MACHINE predates it, but my novel is still in beta draft while his is like, you know, released to accolades and stuff - but also somehow seems to have plugged into my brain by beating my blog to the punch on his Hobbit at 48 Frames Per Second impressions and his attempts to tame a feral cat - I mean, come on! Everyone saw The Hobbit but even if Scalzi has a direct pipeline to my brain, how does one arrange to have a feral cat fortuitously run by one's door so one can tame it right when someone else does? Is there a service for such things? Synchronicity Unlimited?

Now dark mental wizard Caitlin Kiernan has beaten me to the punch by blogging about the correct pronunciation of kudzu.

Sigh.

Alright, thanks, Caitlin, for breaking the ice on one of my pet peeves. For the record: if you are recording an audiobook and have a Southern character speaking or thinking, they will pronounce the Borg-like pest vine kudzu "CUD-zoo." A character who lives in another part of the country can call it "kood-zoo" all they want, but in my 38 years in The South I never heard it pronounced that, nor, after nine months of research, have I been able to find anyone from The South who calls it anything other than "CUD-zoo," nor have any of those people ever heard anyone from anywhere call it anything other than "CUD-zoo". (And Wikipedia backs me - it claims the pronunciation is /ˈkʊdzuː/, with the first u pronounced as the u in full and the second pronounced as the oo in food).

It wasn't so hard to say that, was it? Why didn't I say that earlier, nine months ago, when I first heard it in an audiobook (I think in The Magnolia League, but it might have been Fallen)? I know I've been busy, but how hard was it? But, according to the timestamp on the image I downloaded of Loki at the start of this blogpost, I've been at this "little" blogpost for about an hour.

What I'm saying is, blogging is like a job. You find things, reflect on them, and post about them; it takes time to do it right. But I already work two jobs: I've got a slightly-more-than-full-time job at The Search Engine That Starts With A G, and I'm also a slightly-less-than-full-time writer. So this, my third job, has to come behind hanging out with my wife, friends and cats. I'm taking time out from editing an anthology to write this, and that's taking out time from Dakota Frost #3 and THE CLOCKWORK TIME MACHINE.

So: yes, I know. Lots to say, lots to do. Gun control. The Hobbit. Meteors falling from the sky and a drill making its way to a creepy buried lake in Antarctica. I'm working on it, I'm working on it - but two editors have claim on my writing first, and the provider of the paycheck that pays for this laptop has first claim on my time before that.

So if the freshness date on these blogposts is not always the greatest, well, sorry, but I'm typing as fast as I can.

-the Centaur

Pictured: Loki, our non-feral outdoor cat, who has grown very fat and but not very sassy given lots of love and can food.

Viiiictory Seven Times

Published November 29, 2012 by centaur

For the seventh time, I've won the National Novel Writing Month "contest", completing 50,000 words of a new novel in just 30 days. Actually, it took me just 29 days. Woohoo!

This year's entry, SPECTRAL IRON, is the fourth book in the Dakota Frost series, my urban fantasy series featuring the best magical tattooist in the Southeast (and she's not afraid to tell you that herself). SPECTRAL IRON was a bit of a detour from the work I was doing to edit LIQUID FIRE, the third entry in the series, but I'm glad I did: SPECTRAL IRON taught me a lot about what makes a book coherent and I can use that to edit LIQUID FIRE.

So what is SPECTRAL IRON about? Originally, I was thinking the story was about a villain that murders ghosts, but now it's looking like the villain is a ghost who's a murderer. Maybe. There are some very interesting plot complications developing. Let me see if I can pull out an excerpt that doesn't give much away. Well, maybe it spoils a minor surprise, but it doesn't give away the plot. This is the kind of thing they'd put in a movie trailer. Regardless ... SPOILERS:

Now, all that was left was to walk down a hundred more yards of train tracks in the dark.

The dolly had left us, but the spotlight had not. The mobile klieg operator wheeled it forward, slowly, tracking me, Ron and Sunny as we walked down the pathetic, waterlogged track. The further we went, the more layers of mystery were stripped off, one by one, by the light.

By the end, we no longer stood in a chasm of night. We merely stood in a dilapidated warehouse loading bay, a long, low brick-walled chamber, weathered with graffiti, with chained-up wooden doors atop its loading dock and beer bottles in the puddles between its train tracks.

“Nothing here,” the Lady Nyissa said. “Nothing obvious, at any rate.”

I stopped before the back wall of the loading dock. It stretched up before us, a mottled wall of brick thirty feet wide and fifty feet high, with a notch cut out of its bottom right by the platform and another cut out the top by a door. Rusted zig-zag metal stairs led up to it.

“Well,” I said, putting my foot on the train-brake at the end of the tracks, staring down at the pathetic mud puddle rippling before us between the end of the tracks and the wall. “It looks like The Exposers have found another Al Capone’s vault.”

Oh, me and my dumb mouth.

From the water erupted a foul spray of black—topped by a bone white mask.

So, there's a few thousand more words of brain dump to go, and then it's back to editing LIQUID FIRE, revising THE CLOCKWORK TIME MACHINE, and working on the DOORWAYS TO EXTRA TIME anthology, oh, and revising my own story for the anthology, "The Doorway to Extra Time" ... aaaa! But at least I have this year's Nano victory to console me:

Regardless, now that Nanowrimo and 24 Hour Comics Day and the Google Holiday Toy Collection are all behind me, I'm looking forward to getting back to my other projects, including all my writing, the Dakota Frost blog, and, heck, I dunno, my wife, friends and cats. Onward and upwards!

-the Centaur

National Novel Writing Month – Spectral Iron

Published November 3, 2012 by centaur

"Everyone's favorite skeptical witch is back for her fourth foray in SPECTRAL IRON!"

Sheesh. I do find it hard to write marketing copy. I just had to stop, right there.

SO ANYWAY, National Novel Writing Month, 2012. My one, two, three, four, five, six ... seventh, SEVENTH time writing 50,000 words of a new novel in the month of November. It's quite the challenge, but it's the second best thing I've ever done for my writing other than join the Write to the End group - more writing comes out of Nano than (almost) anything else.

How much writing, you ask? (Or maybe you don't, but hey, it's my blog post). Nano itself six times would be only three hundred thousand words, but it was the seed for seven hundred thousand words of text and four completed novels. The Nano's I've done so far were:

DELIVERANCE - 2002 - 150K words - IN PROGRESS
Seven hundred years after the Fall of Humanity, a rag-tag crew of a human spacecraft at the Frontier of space encounters a distress call from a ship owned by the aliens that took the Earth - and encounters one of the humans they left behind, who doesn't seem to think Humanity fell after all ... even though she barely looks human.
Didn't finish this one, even though I eventually got 150,000 words into it. Hope to get back to it someday. My story "Stranded" in the anthology of the same name is set in the same universe, with a YA version of the same setup - the protagonist of "Stranded" is actually the granddaughter of one of the protagonists of DELIVERANCE.
FROST MOON - 2007 - 100K words - DONE
Dakota Frost, a magical tattoo artist who can bring her tattoos to life, is asked by the police to track a serial killer preying on the magically tattooed around the time of the full moon - and then she encounters a werewolf who wants a tattoo done before the full moon to control his impulses. Has she found the killer ... or the next victim?
Finished this one in 2009, published in 2010.
BLOOD ROCK - 2008 - 150K words - DONE
Magical tattoo artist Dakota Frost returns, now fighting a plague of killer graffiti that is attacking vampires, werewolves and humans alike. As Dakota struggles with this new plague, she finds that fighting it threatens her relationship with her friends, custody over her new daughter---and ultimately, her life.
Finished this one in 2010, published in 2011.
LIQUID FIRE - 2009 - 120K words - DONE
Magical tattoo artist Dakota Frost returns, now struggling to keep her head above water in a magical world which threatens to consume her. A chance meeting on a plane leads her to befriend the beautiful fireweaver Jewel Graceling - but as Jewel increasingly comes under attack, can even Dakota save her?
Finished this one in 2012, hope it to come out in 2013.
JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE - 2010 - 100K words - DONE
There's no better defender of the Liberated Territories of Victoriana than Jeremiah Willstone, and she'll tell you that herself! But when her rich and powerful uncle calls down a monster from another world and escapes with it in a time machine, is even the stoutest defender of Liberation up to the challenge?
Finished this one in 2012, hope it to come out in 2013.
HEX CODE - 2011 - 55K words - IN PROGRESS
Cinnamon Frost is a street cat turned domestic - where by cat, we mean weretiger, and by domestic, we mean adopted. But can someone who grew up running the streets really learn to settle down in class? Even if they have her favorite thing in the world, math, there's always English class - and if that's not enough, someone may be trying to kill her.
Still working on this one. Hope to finish it in 2013, have it come out in 2014.

Now it's on to SPECTRAL IRON, book 4 in the Dakota Frost series. Pictured above are some of the books I'm reading to "feed my head" for the plot of the book, which involves magical tattoos, piercing, the fae, ghosts, three kinds of zombies, television, and the appropriate relationship of science to skepticism. From the site, here's my blurb:

Dakota Frost is the best magical tattooist in the Southeast - but she's not in the South anymore. Her new role on the Magical Security Council has taken her to the underbelly of San Francisco, and she's got a camera crew dogging her every step as she's trying to map the magical Edgeworld. But when she runs foul of the fae, and is forced to do them a favor, even one of the world's most skilled skindancer may be in trouble.

Because if you don't know how to kill a ghost, how can you track down his murderer?

You need to write 1666 words a day to succeed at Nano, and so far, so good. Halfway through my day, and more than halfway through today's progress. I should easily catch up to where I should be (missed ~300 words yesterday because me and my wife decided to take a long walk and then crash after that, rather than me getting my late night writing run in).

But most of the day is ahead of me. Alright, enough procrastinating. Back to work!

-the Centaur

“The Doorway to Extra Time” in Beta Draft

Published August 25, 2012 by centaur

I've just finished the beta draft of "The Doorway to Extra Time," my own contribution to my own anthology DOORWAYS TO EXTRA TIME (see what I did there?) forthcoming from Spencer Hill Press. It ran a bit long, but that's why I have a co-editor. (Or maybe I should stick to my plan of letting the stories in the anthology be the length they should be). Regardless, here's an excerpt:

“I know what you’re going to do,” the old woman said, “because I’ve done it.”

Jackson flinched from the sparkling deranger that threatened her. It was as yellowed with time as the crone who held it: twin chambers of glass cracked like the woman’s bared teeth, gas capsule as battered as her top hat, glass sights as dented as her spectracles.

“I—I have no idea what you mean,” Jackson said, voice quavering less from fear the gun would addle her tubes than from the fact her statement was ridiculous: the old woman had barred Jackson’s path just as she was about to step one hour into the past through the Riemann Gate.

The Gate was a thing of beauty, a four meter brass ring as fresh as the century, its Art Nouveau outer hull intricately filligreed, its elaborate Tiffany-style service windows hinting at the movement of the original escapement, eternally spinning within a ring of Tesla magnets.

The shimmering plane of its opening swam with possibilities, tiny fluctuations in the shape of space itself. When it was dark, the doorway sparkled like a sky of twinkling stars—but even though it was night, the view through the Riemann Gate was not dark.

Fading sunlight flickered through the Gate, filtering down through the glass roof of the Curie Center’s containment dome from the surface of Fresh Lake above—because, on the other side of the Gate, almost a full hour in the past, the sun had not yet set.

"The Doorway to Extra Time" is set in the universe of THE CLOCKWORK TIME MACHINE, forthcoming from Bell Bridge Books, and while The Machine doesn't make an appearance, it does star Doctor Jackson Truthsayer, one of the characters of the related short story "Steampunk Fairy Chick" published earlier in the year in the UNCONVENTIONAL anthology also by Spencer Hill Press.

This was a fun story, though the stack of books you see in the picture is only the thinnest slice of the immense number of time travel, gravitation and wormhole books I read while doing it. Most of that reading ended up on the cutting room floor, or, sometimes, an immense amount of reading changed only one word of my writing. But it's as accurate as I could make it.

Perhaps I'll do The Science of the Doorway to Extra Time someday...

Anyway, it's off to my loyal betas now ... may they be insightful!

-the Centaur

The Science of Airships at Clockwork Alchemy

Published May 18, 2012 by centaur

I'll be giving a presentation on The Science of Airships at the Clockwork Alchemy steampunk conference on Sunday, May 27th at noon. UPDATE: The panel description is now up:

Science of Airships

Anthony Francis

Steampunk isn't just brown, boots and buttons - our adventurers need glorious flying machines! This panel will unpack the science of lift, the innovations of Count Zeppelin, how airships went down in flames and how we might still have cruise liners of the air if things had gone a bit differently.

I started researching this topic for THE CLOCKWORK TIME MACHINE and it's fascinating! Come one, come all and find out how much each of you are buoyant!

-the Centaur

P.S. The first diagram was generated in Mathematica using the following code:

sphere = SphericalPlot3D[1, th, phi, PlotPoints -> 5][[1]];
Zeppelin =
Function[{length, width},
   Scale[Rotate[sphere, 90 Degree, {0, 1, 0}], {length/2, width/2,
   width/2}]];
Graphics3D[Translate[{
   {LightGray, Opacity[0.6], Zeppelin[7, 1]},
   {Yellow,
Table[Sphere[{i, 0, 0}, 0.2 + (2 - Abs[i])/20], {i, -2.7, 2.5, 1.0}]},
   }, {{2.5, 0, 0}}], Ticks -> Automatic, Axes -> True,
Epilog ->
Inset[Framed[Style["Zeppelin", 20], Background -> LightYellow], {Right,
Bottom}, {Right, Bottom}], ImageSize -> {800, 600},
ViewAngle -> 4 °]

The second diagram was generated in Adobe Illustrator based on calculations done in Microsoft Excel.

P.P.S. And yes I know that it's a bit weird to do calculations in Excel when I have Mathematica, but (a) I didn't have Mathematica when I started working on this problem, but someone donated me a free copy of Mathematica Cookbook and that convinced me to give Mathematica a try for some of my diagrams, and (b) after having worked with Mathematica's notebooks and with Microsoft Excel I'm still using both, each for different things, and have come to the conclusion that an Excel spreadsheet model powered by Mathematica's symbolic reasoning engine would be thirty-one flavors of awesome!

One day.

Prevail, Victoriana!

Published April 29, 2012 by centaur

Today I finished the first hundred pages to the screenplay to JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE, officially winning Script Frenzy 2012! Prevail, Victoriana!

I'm super happy about this, of course, but this has been a very interesting experience. Even though I've left out much of the story and many of the nuances, the script is coming in massively long - 100 pages translating to about 150 of a 450 page book, probably resulting in a 300 page script with a four-hour running time.

I'm learning new techniques to cut things out - breaking things into self-contained scenes which could be deleted wholesale, streamlining conversations, recasting thought as action that illustrates the same point. I probably could easily cut this script down from 100 pages to 70 or even 50 ... but then I wouldn't have succeeded at Script Frenzy.

I believe that you can't really tell what to cut out until you FINISH YOUR WORK (a philosophy shared by many in my writing group). Writing is not editing, and often you can't tell what a story really needs until you finish it. (If you're an expert author and have passed this stage in your development, bully for you; above, I'm talking to the not-finishers). For example, can this scene be cut? It might disappear, it might become one offhand line ... or it could be expanded to a fullblown argument, if we need to highlight the tension between our heroes:

Jeremiah leans back, her eyes narrowing at her companions.

JEREMIAH

Let me guess. He lied.

GEORGIANA

(nods)

I do love dear Albert, Jeremiah, but the reason I stole your mark was to make a personal appeal.

PATRICK

Einstein was about to rediscover the weapon that ended the Civil War. In the Victoriana, the Peerage suppressed that knowledge.

GEORGIANA

The point of the mission was not to steal Austrian secrets, but to convince him to keep them secret.

Jeremiah scowls, looking at the both of them.

JEREMIAH

And you kept this from me.

GEORGIANA

The mission was ... Need to know.

JEREMIAH

What kind of mad dictator came up with that rule?

(points at Patrick)

And why did he get---

PATRICK

To confirm what he was up to. The Lady Georgiana had to train me to operate the Crookes counter.

Jeremiah is glaring daggers at the two of them...

At my stage in scriptwriting, it's going to be far easier to tell what to leave out after I've put it all in. So, even though I'm going to shift gears back to Dakota Frost #3, LIQUID FIRE and the Science of Airships panel at Clockwork Alchemy, my plan is to finish THE CLOCKWORK TIME MACHINE script in its entirety. Then I'm going to cut it mercilessly until it hits a 2 hour (ish) running time. Then I'm going to hold a reading where a group of friends will read the script aloud so I can see how it sounds (a trick I learned from my friend the playwright Jim Davies). And then I'm going to cut it again.

And then Script Frenzy will probably roll around again, as I'll have to squeeze all the above in around regular work and writing. But if I keep at it, after a few years of writing scripts I'll probably have something pretty tight, something that might actually be salable. Not that I won't try to sell THE CLOCKWORK TIME MACHINE, but I won't let failure to sell the first script I've written in twenty years stop me.

I'm in this for the duration.

Prevail, Victoriana!

-the Centaur

UPDATE: I forgot to mention SCRIVENER. Scrivener, Scrivener, Scrivener: without you I wouldn't have finished THE CLOCKWORK TIME MACHINE on time. I don't know if you'll replace Microsoft Word -- I've been using THAT for almost a quarter century --- but you made the process of producing a script effortless. Thank you.

We Interrupt This Broadcast … to Bring You Art

Published April 26, 2012 by centaur

A pause, however brief, from THE CLOCKWORK TIME MACHINE. My wife Sandi has worked the past week collecting over two years of new pictures documenting her work as a faux finisher and artist, and I've just updated our gallery software to support detailed thumbnails (as shown above). After a long night's work, I've uploaded all this new hawtness to Sandi's newly refreshed website, studiosandi.com. New, improved, with her California Contractor's License number, 966222:

Now serving all your faux finishing, decorative painting, muraling and fine art needs in the Bay Area.

Soon back to your regularly scheduled clockworks...

-the Centaur

Excellent Progress is Not Enough

Published April 23, 2012 by centaur

I've done 6 pages of THE CLOCKWORK TIME MACHINE today, double the needed Script Frenzy rate.

If only I wasn't already 40+ pages behind!

I don't think I've ever been this far behind on a National Novel Writing Month-like challenge, or with so much else to do in my life.

Time to step up my game.

New late-night coffeehouse detected, spouse alerted, necessary emails sent, distractions out of the way. 3 pages to go to get back on target; a magical 4 pages will put me ahead for the day - a pace that can only lead to victory! What would Jeremiah say?

GEORGIANA

Oh, dear God, I'm right.

The murmuring now becomes an open free for all. All the characters start speaking over each other.

PATRICK

Hang it all, it's not possible for him to undo history---

NATASHA

Fine for you, you're a man, you've a place in the world he wants---

BIRMINGHAM

So we've found him. Excellent. Any similarity to this speculation is surely simple coincidence---

SIR ALICE

Coincidence? We've never gotten a demagnetizer past the Confederates antenna arrays before---

Jeremiah calmly draws her sole working Kathodenstrahl and fires a blast straight up. The unlit chandelier beneath the apex of the dome flickers with lightning and light.

JEREMIAH

Do I have your attention?

(glances around)

Gentlemen and gentlewomen. The Lady Georgiana has identified an a threat to our very existence, and Sir Alice has just confirmed it.

She holsters her weapon, then looks at the spectroscope.

JEREMIAH

Sir Alice, I must recommend extreme boldness.

Extreme boldness, indeed.

Prevail, Victoriana!

-the Centaur

Visualizing a Punch List

Published April 20, 2012 by centaur

Me and my buddy Nathan are refreshing BLitz Comics, our online tool to help us (and you!) break through logjams of creativity and just get DONE making comics! (Yes, I know, I'm writing a script, finishing a novel and editing a third, but the Earth continues in its orbit and to get stuff done you've got to just go do it).

To get started, we reviewed the site, page by page, and put together a punch list of things we wanted to update. "Punch list" is a housing industry term I picked up from my wife, a decorative painter, but which I find most people in the software industry know as well: a review of things to do to call it DONE, generated by a complete walkthrough of the home or site in question.

What we plan to do with the site, well, you'll have to see. However, it struck me that our 200 words of punch would make great input for a Wordle, which helps us visualize what we're doing and see how important we think it is. You see that Wordle above. Clearly, the sidebar and the showcase may be getting an update ... :-)

-the Centaur

Script Frenzy 2012: THE CLOCKWORK TIME MACHINE

Published April 11, 2012 by centaur

I'm so busy I can't see straight, so that must mean it's time to take on another project. I'm doing Script Frenzy this month, a challenge to write 100 pages of a script in 30 days, much like National Novel Writing Month, only for film.

I'm adapting my recently completed novel JEREMIAH WILLSTONE THE CLOCKWORK TIME MACHINE to film. I'm using Scrivener. It's great. Here's a sample of the screenplay:

EXT. NEWFOUNDLAND - CONSERVATORY. NIGHT

A mammoth complex looms in the night, an airship hangar made of glass attached to a hulking Victorian palace.

Lightning reflects off the glass of the hangar --- then flashes of light appear inside the windows of the palace.

INT. STAIRCASE. NIGHT

More flashes illuminate a long, narrow Victorian staircase with wainscoting and elaborate rails. A figure hurls herself backwards down the stairs, firing electric pistols from both hands as she bumps down the steps on her rear, sliding on her tailcoat.

JEREMIAH slams into the base of the stair, gritting her teeth, keeping both guns trained back the way she came. She wears a long tailcoat, an black corset vest filigreed with gold wire, and a pair of airman's goggles on her forehead.

At the top of the stairs, crackling green foxfire ripples over the metal bands of the stout wooden door. Holes are blasted in it, and light shifts behind them, but JEREMIAH has no clear shot.

She sees sparks coming from her left gun, and tosses it aside with a curse. She glances at her right gun, seeing the indicator bead hover between three and four notches. A creak upstairs refocuses her attention. Jeremiah murmurs to herself as she focuses on the holes in the door.

JEREMIAH

Very well, sir, show yourself. Three shots? I'll get you in one.

Here I mumble "J Michael Straczynski's the Complete Book of Scriptwriting," "The Empire Strikes Back Fascimile Script," "other writing resources I'm too tired to mention". What? I'm only 9 pages in when I should be around 33. Back to work!

That is all.

-the Centaur

What Are You Working On?

Published March 24, 2012 by centaur

There's an open call for comments at a post on Write to the End for people to list the current creative projects you are working on. My entry:

Hey, I’m Anthony Francis, and I’m a writer of urban fantasy, steampunk and science fiction. My day job involves the Search Engine That Starts With A “G” and my background is in artificial intelligence and emotional robotics.

I’m working on a steampunk novel called JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE, which is aaalllmost ready to send to beta readers. I’m also working on an interactive fiction and a screenplay in the same universe. I’ll be participating in Script Frenzy this April to get the screenplay done.

I’m almost done with the rough draft of LIQUID FIRE, the third urban fantasy novel in my Skindancer series featuring magical tattooist Dakota Frost. I’m excited about this one and hope to have it out to beta readers this summer. The first two novels in the series, FROST MOON and BLOOD ROCK, are doing very well.

I’m halfway done with the rough draft of HEX CODE, the spinoff YA series in the Skindancer universe featuring weretiger and math prodigy Cinnamon Frost. I’m also excited about this one which is going in an interesting new direction.

I’ve got the first third of a YA space novel called MAROONED out to the editor. We’re breaking it into 3 novellas and the first one, called “Stranded” we hope will come out this year. This will hopefully be a seven book series.

I’ve got a stalled webcomic called f@nu fiku I’m trying to restart, but while that’s going on I’m working with Nathan Vargas on BlitzComics.com, a project to help blocked comic writers and artists make progress on their dreams.

I’m writing a monthly column on writing on Write to the End called “The Centaur’s Pen” and I’m working on another column for my own website called “Getting Traction”, both as a part of trying to get into nonfiction writing.

I have many more projects in partial states of completion: novels, comics, artworks, webworks, computer programming investigations, games, and so on. But I’m comfortable not making a lot of progress on my side projects, because I’ve got enough main projects to keep me gobstackingly busy.

Just how I like it.

-the Centaur

Just how I like it, indeed. Do I agree with myself? Yes, I agree with myself. I am large, I contain multitudes, but we get along.

It's a surprisingly useful exercise to remind yourself of all that you're doing. So drop in on Write to the End and tell everyone what you're up to!

-the Centaur

Now that’s a sign we have a protagonist on our hands…

Published February 9, 2012 by centaur

Above is a wordle of the near-completed first draft (as opposed to rough draft) of THE CLOCKWORK TIME MACHINE. Wordles are great visualization tools for your texts, and this one reveals ... well, yes, Jeremiah is the protagonist.

Actually, now that I think of it, the full title of the book is JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE so I should have expected that her name would bubble to the top.

Jeremiah's also the protagonist of "Steampunk Fairy Chick", which was published recently in the UnCONventional anthology now available on Amazon ... why yes, that was a shameless plug, why do you ask?

-the Centaur

Last gamma comments for STRANDED in…

Published February 2, 2012 by centaur

Alright, the last gamma reader comments for "Stranded" are in. (Gamma, because this is actually the second round of beta readers. :-) "Stranded" is the first novelette of three in a planned YA space adventure novel with the working title MAROONED. This will be part of a trilogy including MAROONED, PURSUED, BESIEGED, SHANGIAIED, COMMANDEERED ... oh damnit I've done it again, haven't I? "Stranded" is also the novelette I adapted for 24 Hour Comics Day. Don't know if I'll get back to that as I have already 3 books plotted out in this series and parts of the next two outlined. Hope to get "Stranded" the novelette out to the editor in the next two weeks for inclusion in an anthology maybe later this year (with MAROONED coming out next year we hope). When "Stranded" is away, then it's back to LIQUID FIRE (finishing the draft) and THE CLOCKWORK TIME MACHINE (polishing the draft to send to beta readers). -the Centaur

The Stack is Growing

Published January 27, 2012 by centaur

FROM THE WRITER'S ANONYMOUS 12-STEP SUPPORT GROUP MEETING: Hi, I'm Anthony Francis, and I'm an author. ("Hi, Anthony!") To feed my addiction, I get stuff published.

My first published novel, the urban fantasy FROST MOON featuring magical tattoo artist Dakota Frost, won an EPIC e-book award. It's out in paperback, Kindle, in German as SKINDANCER, and soon to be audiobook thanks to the wonderful reading skills of Traci Odom. The second book in the series, BLOOD ROCK, came out last year to good reviews, and the third book, LIQUID FIRE, will come out later this year. A spinoff series starring Dakota's daughter Cinnamon Frost, HEX CODE, will come out next year, also part of a planned trilogy.

One of my short stories, "Steampunk Fairy Chick," was recently published in the UnCONventional anthology. The story, featuring steampunk adventurer Jeremiah Willstone, is based on a novel called THE CLOCKWORK TIME MACHINE (again part of a planned trilogy) which I've got in rough draft form with a possible release late this year or early next year. Another of my short stories, "Sibling Rivalry," was published in The Leading Edge magazine in 1995, but is now available on my web site. I also write flash fiction. One of my flash shorts, "If Looks Could Kill", was just published in THE DAILY FLASH 2012 (pictured above) and another, "The Secret of the T-Rex's Arms", was just published in Smashed Cat Magazine.

My nonfiction research papers are largely available on my research page, including my nearly 700-page Ph.D thesis (hork). I and my thesis advisor Ashwin Ram have a chapter on "Multi-Plan Adaptation and Retrieval in an Experience-based Agent" in David Leake's book CASE BASED REASONING: EXPERIENCES, LESSONS AND FUTURE DIRECTIONS, and Ashwin, Manish Mehta and I have a chapter on "Emotional Memory and Adaptive Personalities" in THE HANDBOOK OF RESEARCH ON SYNTHETIC EMOTIONS AND SOCIABLE ROBOTICS.

I have more writing in the works, including a novelette called "Stranded" set in the Dresanian universe from which this blog takes its name, and more writing on the Internet. But what I list above is The Stack At This Time - what you can get in print. Enjoy!

-the Centaur

Teaser for Steampunk Fairy Chick

Published December 14, 2011 by centaur

The UNCONVENTIONAL anthology is now available on Amazon, featuring my story "Steampunk Fairy Chick" starring Jeremiah Willstone, heroine of THE CLOCKWORK TIME MACHINE. The editors of the anthology, Kate Kaynak and Trisha Wooldridge, have made teasers of the first few pages of each story available, and you can read the start of "SFC" here. If you can't wait for that, you can see the first two paragraphs below:

Please enjoy! -the Centaur

Who Am I?

Published September 7, 2011 by centaur

me in front of the bell bridge books promotional material for BLOOD ROCK

Who are you? Good question. I'm Anthony Francis, and I write stuff and make computers jump through hoops for a living. What have you done? I'm most notable for the EPIC award winning urban fantasy novel FROST MOON and its sequel, BLOOD ROCK, which are about magical tattoo artist Dakota Frost and are therefore hopefully both more interesting than my ~700 page PhD thesis on context-sensitive computer memory. Also on the computer side, I've done some exploration of robot emotions. What are you doing next? Forthcoming in the Dakota Frost series is the third book, LIQUID FIRE, and this November for National Novel Writing Month I plan to work on HEX CODE, the first in a spin-off series featuring Dakota's adopted daughter Cinnamon Frost. Are you working on anything other than Dakota Frost? I've also recently completed a rough draft of the first book in a new series, JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE. A short story set in this universe, "Steampunk Fairy Chick", will be included in the forthcoming anthology UnCONventional. What are you working on currently? I'm also currently working on a fourth new series with the working title STRANDED, a young adult science fiction novel set a thousand years in the future, featuring a spoiled young centauress who must rescue a shipload of children who have crashlanded upon a world she wanted to claim as her own. This story's set in the "Library of Dresan" universe from which this blog takes its name and which was setting of my very first unpublished novel "homo centauris", which I am now happily milking for its 57 billion year backstory. Anything else? I have a flash fiction story called "The Secret of the T-Rex's Arms" to appear on the Smashed Cat Magazine. I've also published one short story, "Sibling Rivalry" in the Leading Edge Magazine. I have a webcomic, f@nu fiku, on hiatus. And I'm actively involved with helping people succeed at 24 Hour Comics through tutorials that I and my friend Nathan Vargas have put together at Blitz Comics. Is that enough questions for now? Yes, it is. Please enjoy. -the Centaur

Future Books

Published July 18, 2011 by centaur

piles of notes between caffeine fuel and computational engine

An exchange from Facebook:

Anthony: Just finished a rough draft of JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE ... my fourth completed novel! Wallace: Anthony it is great that you have 4 what are they? We know Frost Moon, blood Rock, what was the 3rd? Barbara enjoyed putting them on audio. Anthony ‎#1 is one you haven't heard of ... HOMO CENTAURIS is my first completed novel written in the early 90's. The next two were FROST MOON and BLOOD ROCK ... the third one in that series, LIQUID FIRE, is about 75% done. THE CLOCKWORK TIME MACHINE is the first in a new series. P.S. The working titles of the next three Dakota Frosts (4,5,and 6) are SPECTRAL IRON, PHANTOM SILVER and SPIRITUAL GOLD. The working titles of the next next three (7,8, and 9) are something like SPIRAL NEEDLE, HELICAL LANCE, and CIRCULAR KNIFE. And the working titles of ... I'll stop there. I can keep going, but I won't ... don't want to spoil the surprise. I've already mentioned some of the later ones online. :-)

Assuming I get that far ... no, I'm planning to get that far, and farther, God willing. -the Centaur Pictured: piles of notes between caffeine fuel and my computational engine.