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Posts published in “Challenges”

National Novel Writing Month, Camp Nano, and similar challenges.

SPECTRAL IRON gathering steam

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Definitely not the official cover of SPECTRAL IRON … something I just whipped up for my Camp Nanowrimo page. My goal this month is to take this novel from 52,881 words to 102,881 words - adding 50,000 words, just like in Nanowrimo, except now I'm taking the novel from a ghost of nothing and turning it into a full bodied spirit.

Because publishing stacks deadline after deadline, I had to shift from scheduling 50,000 words a year to 100,000 in order to keep to my schedule. 50,000 words is a half-finished book, and I have plenty of those (SPECTRAL IRON, HEX CODE, and MAROONED from Nano, plus STEEL TEARS and few other older books).

100,000 words, in contrast, is a book that can be feasibly completed, and I don't have so many of those ready to go. My 2002 Nano, DELIVERANCE, is at 150,000 words, but it needs a lot of work; my first novel, HOMO CENTAURIS, is a similar length with even more work needed. Not that I will never go back to them … but I need to move forward with new work.

Today was the first day that I really got my groove back on SPECTRAL IRON. The end of last month, when I was supposed to be finishing LIQUID FIRE, was consumed by EOQ (end of quarter) work at work, and so the start of this month was consumed with getting LIQUID FIRE to the publisher. I've only really been working on SPECTRAL IRON seriously this past week.

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Some of the delay was re-reading the manuscript, some was reorganizing it (some of the sections crept out of plot order as I worked on ideas here and there), some was legitimate work-work getting in the way (gotta pay the bills, so the Search Engine That Starts With a G gets first dibs on my time) but most was just getting my groove back.

Now it's back. I just give you a tiny tease of an excerpt:

“Alright,” Terrance said, becoming less frustrated by the moment. “Alright. I may have no fucking clue what’s going on, but I’m still on the B team, and I have the entire sum of computable human knowledge at my fingertips. What can I do to help?”

“We’re tackling the ghost line,” I said. “But from a new angle. I’m less interested in the places that want to show us their ghosts—and more in the ones that didn’t. I want to know why they declined—particularly ones that were on ghost tours in the 1970’s and dropped out.”

“You may not remember this,” Terrance said, “but there was a recession in the 1970’s. Oil embargoes, gas lines stretching around the block, the double nickel—and the tourist industry in California collapsed. Most just went out of business—”

“But not all of them,” I said. “I know there are dozens of sites, and probably dozens of reasons a site might decline to appear in our show, but we can narrow it down considerably. I’m not asking them to change their minds—I’m asking if the ghost sightings stopped.”

The silence on the line stretched long enough that I thought something happened to him.

“Whoa,” he said at last. “Magic is real—you’ve proved that. Ghosts are real, or at least there are ghost like effects—you’ve caught them on film. So if ghost sightings stopped, it might not be because the light of day has burned away the campfire tales—”

“But because there was some real phenomenon that stopped operating,” I said.

More to come...

-Anthony

SPECTRAL IRON slowly leaving the station

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Having trouble getting up to speed … after all, didn't finish LIQUID FIRE until several days into the month ... but made some conceptual progress tonight. That is all.

-the Centaur

And Nanowrimo Draws to a Close Yet Again…

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Well, Nanowrimo has drawn to a close once again. I finished early, and then used the time through Thanksgiving to spend time with friends, family and my wife. Hence the gaps near the end:

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As you can see, the last few days have seen a few words added to the manuscript, but they're mostly the addition of notes and other materials to make sure the story isn't lost. However, the total added words: 52761. Success.

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Now it's back to THE CLOCKWORK TIME MACHINE, and when that's off to the editors, I hope that I'll have my betas back for LIQUID FIRE so that too can go to the editors. Then I'll be finishing SPECTRAL IRON. So it may be a while before I return to Serendipity to finish her story; until then, however, I will leave you this:

“But … our last Loremaster died of the plague,” Dijo said. “We’ve saved the data, of course, but all the stories are lost—”

“Then we’d better salvage the ones we can,” Leonid said, staring at Serendipity. She was rapt: she was a historian. And as young as she was, she probably hadn’t had the chance to collect living history. And he’d given her just that. “So, Serendipity … you up to the task?”

“Am I,” she said, flicking an ear, leaning forward. “Tell me the stories of your people.”

“Alright, but we don’t tell stories,” Leonid said, motioning to Beetle, who drew out his strumstick. “We sing them.” Serendipity’s mouth fell open, and Leonid smiled. “Beetle, you’ve got some pipes on you. Sing the Song of Iranon, and remind us why we keep fighting on.”

Beetle smiled, tuned the stick, then began strumming. He sang:

Into Teloth Station wandered a spacer,
The vine cowled, yellow haired Iranon.
His suit was torn
His cloak was frayed
From mining the rocks of the belt Sidrak—

Soon they were all singing, Serendipity more than a bit awkwardly—she had little rhythm, and clapped at odd places, unable to keep time. But she quickly learned the chorus and response, and by the last verse she was singing along with them.

The spacers of Teloth were dark and stern
With frowns they asked his course.

And he said:

I am the spacer Iranon
With a cowl of vines, and myrrhwax in my hair.
I came from the Arkship Aira
A ship I recall only dimly, but seek to find again.
I sing the songs learned in my youth
In that far off paradise
And my course is set to find my way home once again.

And he said:

My trade is making beauty from memories of my childhood
And my wealth is in dreams of the places I have known
And I chart my course by the light of hope inside me
The hope I’ll find again my near forgotten home
On the Arkship Aira
In orbit round the gardens of the Lotus Moon.

Fare well, spacers...

-the Centaur

Viiiictory … in … Spaaaace

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For the 8th time, I have won National Novel Writing Month! This year, I knuckled down early, focusing on getting as much ahead as possible so I could coast early in the month. This really worked because my story soon started turning in unexpected directions as I mined the emotional relationships of the characters, rather than the overarching plot. And I think it worked well! Look at that:

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I was successfully able to stay ahead of the game essentially for the whole month, enabling me to finish several days early. I hope to keep writing, to core dump the ideas I've had about the story, as while it is wonderful to find unexpected elements of the story (including a shout-out to one of my oldest childhood toys and the origin of the Dresanian universe) there's more to write.

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But now I can take a more leisurely pace, read the giant stack of books I've accumulated to help me flesh out the plot ideas, and turn it all into something more interesting. For example, here's an interesting combination of plot and emotional interaction, none of which I ever really expected:

The mammoth city-sized collection of globules drifted by. Some were firm and puffy like gasbags; some soft like pillows, some trailing and drifting like punctured balloons. So many tentacles fell down from it that it looked like it was raining beneath. Slowly, the globules crested a ridge and began to sink.

Leonid’s mouth parted, but he maintained his firm, watchful, captain on deck boots-wide stance on the window, even though his legs had begun to cramp. Then the city slowly settled to the earth in a cloud of dust.

“It is a city,” Serendipity said. “Or something very much like one.”

“I’m not willing to give it that yet,” Leonid said, as the globules settled and burst, gas streaming up from some, gasbags lifting tentacles up from others, remarkably like towers. “But my mind is open to the possibility. Spores, your grandmother said.”

“Yes,” Serendipity said. “Perhaps the gasbags make the cities, and the spores that they release inhabit the cities. I don’t know—like she said, it appears most of the records of Halfway were sealed after the war. Damnit. And Greatgramma Clarice led me straight into this—”

“Sounds like a dick move,” Leonid said, “but you and your family are all geniuses. Let’s not give up on her just yet. Maybe she thought you were your grandmother’s granddaughter, that you were the right person to deal with Halfway.”

“Maybe,” Serendipity said uncertainly.

“One thing for certain,” Leonid said, smiling down at her, legs still firmly planted on the rail, cutting as heroic a pose as he could, “black sun or no, Halfway is a beautiful world—and we’re going to make the best of it.”

Then something slammed into the ship so hard it knocked him backwards into the soup.

So, my Nanowrimo winner's t-shirt is on it's way, I've "won" … but I've got a lot more to go to get this novel done.

Onward!

-the Centaur

Breaking Horizon

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At some point over the past weekend, I broke 40,000 words on Nano. This is no time to get complacent: even though I'm a few days ahead now - only 6200 words from the end - and I'm supposedly on vacation, I may need to go back to work tomorrow to deal with a minor, well, not crisis, but something that demands my attention.

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So while that mountain above has impressive height and slope, it ends in a plateau, because the month of November is not done. And if you don't retain focus, you can end on that plateau, because the end of November is friends and family and Thanksgiving and Black Friday and the year-end scramble at work, if you have one.

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SO while I have a lead, I'm going to do what I can to keep it. Speaking of which … I wrote 375 words between what I wrote above and the end of this article. Here's an excerpt:

“So, still thinking Halfway was a steal?” Sirius asked. “Was it worth it to spend your inheritance on the hideout of a war criminal, no doubt on her way back here?”

“She’s not a war criminal, and she’s not coming back,” Serendipity said. “She’s a prolific and nurturing mother. She would never have left her grandchild behind, much less her own daughter. Same rules as Norylan’s parents: if she could have come back, she would have—”

“Nurturing mother doesn’t mean,” Sirius said, “she wasn’t a war criminal.”

“A few hard choices don’t a monster make,” Serendipity said. “She led the First Contact mission between Dresan and Murra. For all practical intents and purposes, she founded the Dresan-Murran Alliance, the most harmonious grouping of aliens in the universe—”

“Founded on annihilating everyone who didn’t fit that mold?” Sirius said quietly.

For a moment, Serendipity didn’t say anything.

“I can’t take responsibility for the sins of someone who wasn’t even my ancestor,” Serendipity said, “but I’ll defend the values they bequeathed to me, values they developed trying to learn from their mistakes. When my grandmother came, I could have had her kill you all—”

“Hey!” Sirius said. Then he punched her arm. “Ass!”

“Hey!” Serendipity said back, feeling her arm. “Ow—”

“No, you couldn’t have had her kill us,” Sirius said. “She would have sliced up that blaster, and maybe lopped a few arms, or perhaps just gut checked a few of Toren’s goons with the back end of her scythe blades. Your back was turned. She took the room in an instant—”

“She’s a killer,” Serendipity said. “You don’t know her—”

“She’s a First Contact Engineer and a pregnant mother,” Sirius said. “I saw her face. Yes, she’s scary—I’ve never seen anyone that scary—but I could also see relief when she saw we were children. I refuse to believe she would just windmill through us all, rolling heads.”

Serendipity stared at him.

“I’m not sure I agree with you,” she said, “but I think you’re also making my point.”

Back to work.

-the Centaur

On Their Way…

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In only tangentially related Nano news, the beta copies of LIQUID FIRE are on their way to beta readers, and signed copies of DOORWAYS TO EXTRA TIME are on their way to the winners! Huzzah. I hope you enjoy them!


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Not that things are going poorly. They're actually going quite well… UPDATE:

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Quite well indeed.

-the Centaur

Buck up, spacer

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One of the great things about National Novel Writing Month is that it takes you into places you never anticipated. Well, for most of this month I've been working on Section 2 of MAROONED, "Conflicted", but much of what I've written today comes from Section 3, which I've alternately called "Determined" or "Galvanized". And the following section logically follows from the setup of the story … but I had no idea that it was going to happen. No idea at all:

“Buck up, spacer,” Eslyca said. “We’re at war. We have to make hard choices.”

“Like Toren said,” Kyrnal said. He shook his head. “Doesn’t mean I don’t regret it.”

They watched, from behind the cargo bay lights, as Leonid's crew kept punching. After a while, Eslyca got uncomfortable and shifted; then Kyrnal did the same thing, setting his hands and shifting his boots. But the crew below kept punching … and punching … and punching.

“How long are they going to keep this up?” Eslyca said. “Did she just say five hundred?

“How long can they keep this up?” Kyrnal said. “And I thought they’d gone soft—”

“YOU THOUGHT WRONG,” boomed a deep mechanical voice behind them, and Kyrnal and Eslyca whirled to see the huge fox-like head of a robot the size of a cargo loader loom behind them, two scorpion-like pincers rising from its tail. “DON’T MOVE!”

Kyrnal whirled and tried to reach for his gun, but the scorpion-pincer shocked him. Eslyca dove aside, but a giant mechanical paw scooped her back up, then Kyrnal too, bringing both of them together—and in range of those darting pincers.

The paws spun them about, and Krynal felt the pincer snap tight on the upper safety harness attachment of his softsuit—the hardest to reach. He tried to grab for it and release himself, but when his hand touched the pincer, he got shocked again.

Then the robot shoved them both out into empty space.

Wait … who are Kyrnal and Eslyca? What do they regret? Why are they spying on Leonid's camp? What is Leonid's camp training for? Who's the robot? And will our intrepid young heroes or villains survive getting thrown out into space by this mechanical monster?


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A day or so ahead now, taking a break to run errands. Onward!

-the Centaur

Just Try to Get One Day Ahead.

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Each day in National Novel Writing Month, you need to write 1,666 words. It's the math: 50,000 words, 30 days, no excuses. The math seems simple: 50,000 / 30 = 1,666 and 2/3, so 1667 words will end you up with 50,010 words at the end of the month. So you may think you can get away with 1,667 words, or 1,666 with 20 words tossed in at the end.

It isn't that simple.

As you can see from the graph, or from following this blog, some days you just can't get 1,666 words done. You're off your game, you're off on a hike, or a distressed person shows up at your door in need of help. So, I prefer to say that you need to do more than you think you need to in a day - because you need to be caught up before you slip, or you'll fall behind.

For 24 Hour Comic Day - a challenge to do 24 pages in 24 hours - I and my buddy Nathan at Blitz Comics recommend trying to finish each page in 45 minutes, so you can absorb the inevitable eating, drinking, bathroom breaks and pencil sharpening and still finish your pages on time.

For National Novel Writing Month, I recommend something simpler: just try to get one day ahead, as soon as you can. Work super hard to get that first day of buffer, and then, even if something happens to throw you off, you're not behind.

So now, at lunch, I've finished my daily word count. I have a few errands to run - but tonight, I'll try to add that second day's worth of words, so that I'll not just be ahead for the day, but ahead of the game.

-The Centaur

Life Intervenes

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I'm still ahead on National Novel Writing Month, again on the skin of my teeth. Only by being already ahead. Because after I had dinner with my wife last night, after she retired to her art studio and I was just sitting down to finish my word count …

A disoriented older woman showed up on our street, unable to find her way home - and speaking no English.

Our neighbors found her first, and came by for help. We took her to our front porch and tried to calm her while the police were on their way. Slowly her English returned, and slowly we drew out her story: she'd been sick for a long time, she didn't know where she was, and she just wanted to go home … to a mother and father who in her clearer moments she remembered were dead.

The police arrived, we all tried to comfort her, and then the presence of the police cars attracted the attention of the woman's husband, who had been driving around the neighborhood looking for her. He confirmed what we suspected: his wife had Alzheimer's, and could no longer remember her street address, or even her married name.

A moment's nodding at the couch watching television, and when he looked up, she was gone, out in the street wearing slippers with her shoes in her hand. Alzheimer's patients often have disrupted sleep or activity schedules, moving when other people expect them to be still - so this experience was by no means unusual.

For the record, report the loss of a loved one to the police immediately, so it will show up in the system if someone finds them.

She ended up safely home. Our prayers go with her.

Sometimes, writing must come second.

-the Centaur

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Still on track, by the skin of my teeth and writing to 2:20am

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On track. A brief excerpt:

“We could always double bunk, if it comes to that,” Leonid said.

Andromeda and Serendipity both looked at him. Then shot daggers at each other.

“Why would you need to double bunk,” Serendipity asked. “This ship was designed for a crew of six hundred and fifty. It seems like you’d have plenty of bunks—”

“It’s the load of the oxygen farm—how large a space it can oxygenate,” Leonid said. “We used to have twelve segments, but we were down to six—before the crash. Now, once we get back to space, we’re going to need to husband things more carefully. For example, adding you and Norylan—”

“Yeah,” Sirius said. “I’ll bet you just chew up oxygen.”

“Not to mention calories,” Andromeda said.

“Hey,” Serendipity said.

“Seriously, both of you eat a lot,” Leonid said. “I’m guessing … six thousand a day?”

Serendipity seemed to weigh that. “I think that’s about right—for him,” she said, nodding at Norylan. “And I was pushing close to eleven thousand leading up to the tournament—”

“Eleven thousand calories a day!” Leonid said. “You eat for four people?

“In training, a human Olympic athlete can consume ten thousand calories a day,” Serendipity said defensively. “A normal centaur requires closer to six or seven, and an athlete like myself pushes closer to nine thousand on a regular basis—”

“Let’s budget nine thousand for starters,” Leonid said. “But Norylan—”

“Is an Andiathar,” Serendipity said. “Their metabolism is very different—”

“No wonder he was starving,” Sirius said.

“Don’t you have fights, tournaments?” Serendipity said. “Toren was huge. He’s got to be pushing four, maybe five thousand calories a day, even if he isn’t in training—”

“Six,” Leonid said. “That’s why I guessed what I guessed for you—”

“I’m a little out of his weight class,” Serendipity smirked. Her face fell slightly. “How did you all get this way? I mean, I know you were attacked by pirates. But there’s more to it than just one attack. You’ve got traditions for fighting, ways of decorating your suits—”

“Don’t you like them?” Leonid asked.

“Oh, I do,” Serendipity said, moving that thread of hair aside. “But … what made you decorate them? Did it develop naturally, or were you trying to intimidate the pirates? Or to impress each other? What are your stories?”

“You’re a historian,” Sirius said. “And this ship has seven centuries of history—”

“Seven and a half,” Serendipity said. “Tell me the stories of your people.”

“We don’t tell stories,” Leonid said, motioning to Beetle, who drew out his strumstick. “We sing them.” Serendipity’s mouth fell open, and Leonid smiled. “Beetle, you’ve got some pipes on you. Sing the Song of Irannon, and remind us why we keep fighting on.”

Onward into the deep…

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Progressing…

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Back on track, mostly. Head above water. That is all.


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Why do we get ahead? So when we slip, we don’t fall behind.

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So my wife returns from a month long business trip, and the day after she gets back, we go hiking. Actually, we went to lunch, went shoe buying, went hiking, and then book buying, shop walking and dinner eating in Santa Cruz.

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So zero writing got done yesterday.

"And that's why I try to get ahead!" Because I know from experience with Nano that there are days that writing just can't get done. Work catches up with you, life catches up with you, wife catches up with you. You're too busy, or having too much fun, or too sick, or whatever.

Even if you do as I do and refuse as many events as possible during Nano, you can't get life down to zero.

So it's super important not to stop at 1,666 words a day. If at all possible, try to get a notch more - a few hundred extra words a day. Even if you get just 250-300 extra words a day, by the end of the week you'll have enough buffer to take a day off. Not that I recommend you take a day off in Nano - but you'll have the buffer if you need it.

So I'm back on track today - it's 3 in the afternoon, I've finished my daily quota, and thanks to being ahead before, missing a day yesterday has left me merely on track, rather than behind. And I have at least two more writing sessions today, so I may get even further ahead. No excerpts today - writing near the end, all too spoilery.

Onward into the deep!

-the Centaur

MAROONED back on track

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I had brief lull yesterday - a shortened lunch, a shortened dinner, and then no coffee, since I had to pick my wife up at the airport (and then had NO intention of getting back to writing that night, we hadn't seen each other in a month). I was a day ahead, so technically all I had to do was finish a day, in which case I was still on track.

But I liked being a day ahead. So I buckled down today, trying to get back to the point of aheadness that I was before yesterday's slippage. All in all, I got over three thousand words done today, putting me back on track by almost two thousand words. Thirty one percent done, 15,259 added words! Excellent. No excerpt today - it's all too spoilery.

Onward!

-the Centaur

MAROONED but not under water

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So yet another day of Nano has rolled by and I'm still managing to cough out 1666+ words a day (the lighter blue lines above the red water line). I've added 11,795 words to the manuscript, which by my counter is just shy of 25% of Nano - roughly 3.6% ahead of where I need to be, or almost one full day (the surplus is the second, darker blue line in this visualization).

Since my seed was the largest I ever started with - 32,793 words, including the complete novella "Stranded" plus all the story notes I put together over the months since I wrote that story - completing Nano this year will leave me with 82,793 words, which I'm guessing will be very close to a full manuscript. Most of my novels clock in around 150,000 words, but this one feels like 90K.

Oh yeah, an excerpt:

“How do I know,” Toren said, “you won’t send soldiers to evict us once your people come back here, whenever that is—”

“Roughly fifteen months,” Serendipity said, looking at him sidelong. “And no-one can evict you. I am Governor of Halfway, and I’ve offered the crew of Independence oasis, and the ship a permanent berth. Leonid accepted. Halfway is Independence’s home port now.”

Toren rocked on his heels a little. “There is no port, you foolish—”

“That is a port,” Serendipity said, jerking her head at the spaceport. “It’s not a castle, it’s not a mansion, it’s not a secret lab—though I suppose to Norylan’s parents it was all of those things, to me it is the kernel of the civilization I hope to build here—”

“You build,” Toren said. “You mean to build a civilization—”

“It’s why I came here,” Serendipity said. “This port lay fallow for ten thousand years because a war cut off the spacelanes, and I was the first person to recognize that it might be restored, now that traffic has begun moving out here again—”

“Including from the Frontier,” Toren said, staring off at the port, “which didn’t even exist ten thousand years ago.”

“I had to move fast,” Serendipity said. “After all, you got here just when I did.”

Toren stared down at her. “You’re crazy. Crazy, you know that? When the Allies get here, they’re going to ship you off to a nutter’s pod. And I still don’t know whether me and my crew are going to have to flee when they come. And you know which of us is right?”

Serendipity’s eyes tightened. “No,” she admitted.

Toren’s eyes gleamed at her. “Me neither.”

Uh oh! Serendipity once again facing off with Toren? A dangerous development. What's he figured out she hasn't?

Onward into the deep!

-the Centaur

Still on track

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MAROONED is still progressing. Taking a break now, but I'm keeping above the curve so far.

“Seren, this is serious,” she said. “We have a spacecraft to rebuild. If we can get this housing running again with a standard cabling software, we have to do it, whether his software is inclined or not. We can’t afford to romanticize your little pet—”

“He is not a pet,” Serendipity said. “He may be my ‘familiar,’ but he’s a full person, with a full person’s rights and responsibilities. This housing isn’t just a piece of equipment we can do what we want with. It’s his body, and we need his permission—”

“If we need the parts—”

“If Leonid needed some biomass to keep the oxygen farm running, would you be happy if he just threw you into the cycler?” Serendipity asked. “No? Wouldn’t that go double if you were in a coma, expected to recover, and they just decided to cycle you anyway, just because?”

Dijo stared at her with those odd contact lenses.

“Let me see him.”

Again she felt reluctant, but Serendipity realized that if she really wanted to be part of this crew, she had to recognize Dijo as her superior. Slowly Serendipity stepped back, reached in her satchel, and carefully brought out Tianyu’s still form.

Filled with mercury batteries, built on a thact frame, the minifox felt unusually heavy in her hands—dead weight, she thought, and cursed herself—and oddly small and sad. Without the millions of tiny motors fluffing his fur, he looked flat and drab, doubly so because of the soot.

Serendipity laid Tianyu down on the worktable between her and Dijo. “This is my best friend,” Serendipity said. “I mean that. More than my cohort, more than my PC’s, in some ways, more than even my parents. He’s always been there for me, when by right he could have chosen to go elsewhere. You will not treat him like a collection of parts.”

“Well,” Dijo said, leaning down, “he’s an impressive collection of parts—”

Serendipity reached down, putting her fingers under Dijo’s chin and lifting her back up. It was an easy move, an aikido move despite the initiation of force, and despite resistance she easily straightened Dijo back to standing. Dijo stepped back, a bit shocked.

“We have a ship to fix, I owe you help fixing it, and I’ll serve under you if that’s what you think I should do,” Serendipity said. “But this world is mine. It’s my responsibility to protect all the people within half a light year, even the ones you can’t easily see as people yet.”

Dijo raised her hands, licked her lips. She was scared.

“Please don’t hurt me,” she said.

Onward into the deep!

-the Centaur

MAROONED On Track

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So far, so good. Not really a good excerpt to be had here, first drafty stuff … ok, how's this:

“It’s interesting,” Dijo said, “that you’re sort of a technological witch.”

Serendipity looked up from her cauldron. The first step in getting the robots back up to speed had been getting Tianyu back up to speed, and to do that she needed components. With her fabricator in Toren’s camp … her next best bet was her nanoseed.

She’d requisitioned a large cooking kettle from Leonid and filled it with biosludge, then heated it to the proper activation temperature. With a droplet from her nanoseed and the right dopants, Serendipity should be able to generate enough nanoplasm to make anything.

“How do you figure,” Serendipity said, stirring the cauldron slowly.

“Bubble, bubble, toil and trouble,” Dijo said, raising a cylinder. “You’re making potions. You’ve got a familiar. You have what seem, to us technological primitives at least, like magic powers. All you need is a witches’ hat and a magic broom—”

“My mom wears the hats,” Serendipity said, “but I do have a farstaff.”

“It can fly?” Dijo said, shocked. “Not just teleport you, but actually fly?

“It can indeed,” Serendipity said, taking the cylinder. “Molybdenum. Excellent.”

“Ammonium tetrathiomolybdate in solution,” Dijo said. “That’s from the hyperdrive, by the way, so don’t go using it medicinally unless you separate it first.”

“Why would I use it—oh, copper toxosis,” Serendipity said.

“Do you really have a ship’s worth of Lore rattling around in your head?”

Now off to see Gravity … which will probably be good inspiration for MAROONED!

-the Centaur

National Novel Writing Month 2013: MAROONED

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Well, it's that time again: National Novel Writing Month! This year, I'm working on MAROONED, the continuation of my short story "Stranded" from the anthology of the same name. A brief excerpt from Part 2, "Conflicted":

Serendipity stirred. She was cramped and folded. Her hooves caught on rough ballistic tarp. Her back hurt, her rump hurt … then she heard sparks and smelled smoke. She unfolded with a start—and klonked her head on a support beam, tumbling off the cot onto the grille.

Disoriented, she stared up at a dim line of light. The tilted walkway she lay in was barely wide enough for her; the cot she’d fallen off of had definitely not been long enough for a centaur. Beside her was a half-locker with her satchel; above, the wall of a bunk jutted in.

This was insane. They had the entire run of Independence’s cargo bay. She’d sleep on the floor if she had to. She winced at a spark of pain at the join of her backs—then heard real sparks and smelled fresh smoke, and sprawled and stumbled, trying to get up before she died.

Her hand hit the hatch in panic and found it firm, and she beat at it with her palm in the dark, fumbling for the latch as she brought her nightvision and filaments online. There was another spark, and Serendipity pounded the door again. “Dashpat!”

“Sorry!” cried a voice beyond the door—one Serendipity recognized as Andromeda, Independence’s chief engineer. “Leonid’s prepping breakfast, I came to wake you, but you were snoring, and the lights, they’re out, so I … I started to work with this panel, but then I—”

Andromeda sounded completely rattled. From the other spacers, Serendipity gathered that Andromeda had been de facto master of the ship … until a couple of days ago, when the boy Sirius pulled the fuse on the life support system and forced an emergency crash landing.

The voice on the other side of the door didn’t sound like someone who’d been a captain for three years. She sounded like a little girl, a scared little girl who’d been caught with her hand in the cookie jar … or maybe a refugee who’d had her whole world pulled out from under her.

Serendipity knew that feeling.

A hundred white computer filaments slid out of the shock of hair on Serendipity’s right forearm, probing the air, lighting the doorframe with a fiber optic glow, revealing the handle. Microscopic cameras fed images to her eyes: T7 LOCK HDL / FLM INDEPENDENCE.

Almost instantaneously, recognition rattled through weave of computers built into her: a Type 7 Lock Handle, from the Faster-than-Light Module Independence. Yes, that was right: the NCE class “ships” were originally modules, built to fly the arkships away from “dying” Earth—

Serendipity seized the handle, hiding the image beneath her hand. She drew a breath. As cramped as this space was, it was just a bunk. As long as she didn’t open the door, she could imagine she was at summer space camp, and not on a seven hundred fifty year old starship.

Not stranded halfway across the galaxy, utterly cut off from her people.

Serendipity opened the door.

People who read this blog may have noticed an extended hiatus. There's been a good reason for that: I had too many writing projects stacked up, and couldn't tackle them all at once. I had to start putting things on hold.

So I had to buckle down, focusing first on editing DOORWAYS TO EXTRA TIME (now out to the world) and finishing a draft of LIQUID FIRE (now out to betas). One of the first things to go was this blog. Another was social media: the Serendipity pages on Facebook and Google+ got short shrift; only what I had to for 24 Hour Comics Day and Dakota Frost got any attention.

I'm working to change that, but I'm going to continue to follow the same procedure. National Novel Writing Month comes first, and the first book I'm working on for Nano, MAROONED, comes first. Then life. Then blogging and social media, just enough to keep it going. After that, I'll be writing notes for a story called QUARRY, just so I don't lose them - it's a brand new idea.

The consequence is, there won't be that much blogging this month, unless Nano and life are both taken care of. But hopefully more than there has been over the past few months while DOORWAYS and LIQUID FIRE were the primary focus of my attention. Now that those are out of the way, I feel like I can breathe easier.

At least, as long as Serendipity and Leonid can keep the oxygen farm running…

Onward, to MAROONED!

-the Centaur

P.S. Yes, I did make sure I did my daily quota before blogging this:

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Approaching 33, Seen from 44

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I operate with a long range planning horizon – I have lists of what I want to do in a day, a week, a month, a year, five years, and even my life. Not all my goals are fulfilled, of course, but I believe in the philosophy “People overestimate what they can do in a year, but underestimate what they can do in a decade.”

Recently, I’ve had that proven to me.

I’m an enormous packrat, and keep a huge variety of old papers and materials. Some people deal with clutter by adopting the philosophy “if you haven’t touched it in six months, throw it away.” Clearly, these people don’t write for a living.

So, in an old notebook, uncovered on one of my periodic archaeological expeditions in my library, I found an essay – a diary entry, really – written just before my 33rd birthday, entitled “Approaching 33” – and I find its perspective fascinating, especially when you compare what I was worried about then with where I am now.

“Approaching 33” was written on the fifth of November, 2011. That’s about five years after I split with my ex-fiancee, but a year before I met my future wife. It’s about a year after I finished my nearly decade-long slog to get my PhD, but ten years before when I got a job that truly used my degree. It’s about seven months after I reluctantly quit the dot-com I helped found to care for my dying father, but only about six months after my Dad actually died. And it’s about 2 months after 9/11, and about a month after disagreements over 9/11 caused huge rifts among my friends.

In that context, this is what I wrote on the fifth of November, 2011:

Approaching 33, your life seems seriously off-track. Your chances of following up on the PhD program are minimal – you will not get a good faculty job. And you are starting too late to tackle software development; you are behind the curve. Nor are you on track for being a writer.

The PhD program was a complete mistake. You wasted ten years of your life on a PhD and on your ex-fiancee. What a loser.

Now you approach middle fucking age – 38 – and are not on the career track, are not on the runway. You are stalled, lacking the crucial management, leadership and discipline skills you need to truly succeed.

Waste not time with useful affirmations – first understand the problem, set goals, fix things and move on. It is possible, only if you face clearly the challenges which are ahead of you.

You need to pick and embrace a career and a secondary vocation – your main path and your entertainment – in order to advance at either.

Without focus, you will not achieve. Or perhaps you are FULL OF SHIT.

Think Nixon. He had major successes before 33, but major defeats and did not run for office until your age. You can take the positive elements of his example – learn how to manage now, learn discipline now, learn leadership now, by whatever means are morally acceptable.

Then get a move on your career – it is possible. Do what you gotta do and move on with your life!

It appears I was bitter.

Apparently I couldn’t emotionally imagine I could succeed, but recognized, intellectually, that if I focused on what was wrong, and worked at it, then maybe, just maybe, I could fix it. And in the eleven years that have past … I mostly have.

Eleven years ago, I was enormously bitter, and regretted getting my PhD. It took five years, but that PhD and my work at my search-engine dot-com helped land me a great job, and after five more years of work I ended up at a job within that job that used every facet of my degree, from artificial intelligence to information retrieval to robotics to even computer graphics. My career took a serious left turn, but I never gave up trying, and eventually, I succeeded as a direct result of trying.

Eleven years ago, I felt enormously alone, having wasted a lot of time on a one-sided relationship that should have ended naturally after its first year, and having wasted many years after that either alone or hanging on to other relationships that were doomed not to work. But I never stopped looking, and hoping, and it took another couple of years before I found my best friend, and later married her.

Eleven years ago, I felt enormously unsure of my abilities as a software developer. At the dot-com I willingly stepped back from a software lead role when I was asked to deliver on an impossible schedule, a decision that was proved right almost immediately, and later took a quarter’s leave to finish my PhD, a decision that took ten years to prove itself. But even though both of those decisions were right, they started a downward spiral of self-confidence, as we sought out and brought in faster, more experienced developers to take over when I stepped back. While my predictions about the schedule were right, my colleagues nevertheless got more done, more quickly, ultimately culling out almost all of the code I wrote for the company. After a while, I felt I was contributing no more and, at the same time, needed to care for my dying father, so I left. But my father died shortly thereafter, six months before we expected. I found myself unable not to work, thinking it irresponsible even though I had savings, so I found a job at a software company whose technical lead was an old friend that who had been the fastest programmer I’d ever worked with in college, and now who had a decade of experience programming in industry – which is far more rigorous than programming in academia. On top of that, I was still recuperating from an RSI scare I’d had four years earlier, when I’d barely been able to write for six months, much less type. So I wrote those bitter words above when I was quite uncertain about whether I’d be able to cut it as a software developer.

Eleven years later — well, I still wish I could code faster. I’m surrounded by both younger and older programmers who are faster and snappier than I am, and I frequently feel like the dumbest person in the room. But I’ve worked hard to improve, and on top of that, slowly, I’ve come to recognize that I have indeed learned a few things – usually, the hard way, when I let someone talk me out of what I’m sure I know, and am later proved right – and have indeed picked up a few skills – synthetic and organizational skills, subtle and hard to measure, which aren’t needed for a small chunk of code but which are vital as projects grow larger in size and design docs and GANTT charts are needed to keep everything on track. I’d still love to code faster, to get up to speed faster, to be able to juggle more projects at once. But I’m learning, and I’ve launched things as a result of what I’ve learned.

But the most important thing is that I’ve been writing. A year after I wrote that note, I gave National Novel Writing Month a try for the first time. I spent years trying to perfect my craft after that, ultimately finding a writing group focused just on writing and not on critique. Five years later, I gave National Novel Writing Month another try, and wrote FROST MOON, which went on to both win some minor awards and to peak high on a few minor bestseller lists. Five years after that, I’ve finished four novels, have starts to four more, and am still writing.

I have picked my vocation and avocation – I’m a computer programmer, and a writer. I actually think of it as having two jobs, a day job and a night job. At one point I thought I was going to transition to writing full time, and I still plan to, but then my job at work became tremendously exciting. Ten years from now, I hope to be a full time writer (and I already have my next “second job” picked out) but I’m in no rush to leave my current position; I’m going to see where it takes me. I learned that long ago when I had a chance to knuckle down and finish my PhD, or join an unrelated but exciting side project to build a robot pet. The choice to work on the emotion model for that pet indirectly landed me a job at two different search engines, even though it was the skills I learned in my PhD that I was ultimately hired for. The choice to keep working on that emotion model directly led to my current dream job, which is one of the few jobs in the world that required the combined skills of my PhD and side project. Now I’m going to do the same thing: follow the excitement.

Who knows where it will lead? Maybe it will help me develop the leadership skills that I complained about in “Approaching 33.” Maybe it will help me re-awaken my research interests and lead to that faculty job I wanted in “Approaching 33.” Maybe it will just help me build a nest egg so when I finally switch to writing full time, I can pursue it with gusto. Or maybe, just maybe, it’s helping me learn things I can’t even yet imagine how I’ll be using … when I turn 55.

After I sign off this blogpost, I’m going to write “Passing 44.” Most of that’s going to be private, but I can anticipate it. I’ll complain about problems I want to fix with my writing – I want it to be more clear, more compelling, more accessible. I’ll complain about problems I want to fix at work – I want to work faster, to ramp up more quickly, and to juggle more projects well while learning when to say no. And I’ll complain about martial arts and athletics – I want to ramp up working out, to return to running, and to resume my quest for a black belt. And there are more things I want to achieve – wanting to be a better husband, friend, pet owner, person – a lot of which I’m going to keep private until I write “Passing 44, seen from 55.”

I’m going to set bigger goals for the next ten years. Some of them might not come to pass, of course. I bet a year from now, I’ll have only seen the barest movement along some of those axes. But ten years from now … the sky’s the limit.

-the Centaur

Pictured: Me at 33 on the left, me at 44 on the right, over a backdrop shot at my home at 44, including a piece of art by my wife entitled "Petrified Coral".

Viiiictory Seven Times

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For the seventh time, I've won the National Novel Writing Month "contest", completing 50,000 words of a new novel in just 30 days. Actually, it took me just 29 days. Woohoo!

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This year's entry, SPECTRAL IRON, is the fourth book in the Dakota Frost series, my urban fantasy series featuring the best magical tattooist in the Southeast (and she's not afraid to tell you that herself). SPECTRAL IRON was a bit of a detour from the work I was doing to edit LIQUID FIRE, the third entry in the series, but I'm glad I did: SPECTRAL IRON taught me a lot about what makes a book coherent and I can use that to edit LIQUID FIRE.

So what is SPECTRAL IRON about? Originally, I was thinking the story was about a villain that murders ghosts, but now it's looking like the villain is a ghost who's a murderer. Maybe. There are some very interesting plot complications developing. Let me see if I can pull out an excerpt that doesn't give much away. Well, maybe it spoils a minor surprise, but it doesn't give away the plot. This is the kind of thing they'd put in a movie trailer. Regardless ... SPOILERS:

Now, all that was left was to walk down a hundred more yards of train tracks in the dark.

The dolly had left us, but the spotlight had not. The mobile klieg operator wheeled it forward, slowly, tracking me, Ron and Sunny as we walked down the pathetic, waterlogged track. The further we went, the more layers of mystery were stripped off, one by one, by the light.

By the end, we no longer stood in a chasm of night. We merely stood in a dilapidated warehouse loading bay, a long, low brick-walled chamber, weathered with graffiti, with chained-up wooden doors atop its loading dock and beer bottles in the puddles between its train tracks.

“Nothing here,” the Lady Nyissa said. “Nothing obvious, at any rate.”

I stopped before the back wall of the loading dock. It stretched up before us, a mottled wall of brick thirty feet wide and fifty feet high, with a notch cut out of its bottom right by the platform and another cut out the top by a door. Rusted zig-zag metal stairs led up to it.

“Well,” I said, putting my foot on the train-brake at the end of the tracks, staring down at the pathetic mud puddle rippling before us between the end of the tracks and the wall. “It looks like The Exposers have found another Al Capone’s vault.”

Oh, me and my dumb mouth.

From the water erupted a foul spray of black—topped by a bone white mask.

So, there's a few thousand more words of brain dump to go, and then it's back to editing LIQUID FIRE, revising THE CLOCKWORK TIME MACHINE, and working on the DOORWAYS TO EXTRA TIME anthology, oh, and revising my own story for the anthology, "The Doorway to Extra Time" ... aaaa! But at least I have this year's Nano victory to console me:

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Regardless, now that Nanowrimo and 24 Hour Comics Day and the Google Holiday Toy Collection are all behind me, I'm looking forward to getting back to my other projects, including all my writing, the Dakota Frost blog, and, heck, I dunno, my wife, friends and cats. Onward and upwards!

-the Centaur

Alllmost there…

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48735 words written ... 1265 words to go. Almost there.

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Onwards...

-the Centaur