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The art, craft, and life of writing.

And Nanowrimo Draws to a Close Yet Again…

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Well, Nanowrimo has drawn to a close once again. I finished early, and then used the time through Thanksgiving to spend time with friends, family and my wife. Hence the gaps near the end:

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As you can see, the last few days have seen a few words added to the manuscript, but they're mostly the addition of notes and other materials to make sure the story isn't lost. However, the total added words: 52761. Success.

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Now it's back to THE CLOCKWORK TIME MACHINE, and when that's off to the editors, I hope that I'll have my betas back for LIQUID FIRE so that too can go to the editors. Then I'll be finishing SPECTRAL IRON. So it may be a while before I return to Serendipity to finish her story; until then, however, I will leave you this:

“But … our last Loremaster died of the plague,” Dijo said. “We’ve saved the data, of course, but all the stories are lost—”

“Then we’d better salvage the ones we can,” Leonid said, staring at Serendipity. She was rapt: she was a historian. And as young as she was, she probably hadn’t had the chance to collect living history. And he’d given her just that. “So, Serendipity … you up to the task?”

“Am I,” she said, flicking an ear, leaning forward. “Tell me the stories of your people.”

“Alright, but we don’t tell stories,” Leonid said, motioning to Beetle, who drew out his strumstick. “We sing them.” Serendipity’s mouth fell open, and Leonid smiled. “Beetle, you’ve got some pipes on you. Sing the Song of Iranon, and remind us why we keep fighting on.”

Beetle smiled, tuned the stick, then began strumming. He sang:

Into Teloth Station wandered a spacer,
The vine cowled, yellow haired Iranon.
His suit was torn
His cloak was frayed
From mining the rocks of the belt Sidrak—

Soon they were all singing, Serendipity more than a bit awkwardly—she had little rhythm, and clapped at odd places, unable to keep time. But she quickly learned the chorus and response, and by the last verse she was singing along with them.

The spacers of Teloth were dark and stern
With frowns they asked his course.

And he said:

I am the spacer Iranon
With a cowl of vines, and myrrhwax in my hair.
I came from the Arkship Aira
A ship I recall only dimly, but seek to find again.
I sing the songs learned in my youth
In that far off paradise
And my course is set to find my way home once again.

And he said:

My trade is making beauty from memories of my childhood
And my wealth is in dreams of the places I have known
And I chart my course by the light of hope inside me
The hope I’ll find again my near forgotten home
On the Arkship Aira
In orbit round the gardens of the Lotus Moon.

Fare well, spacers...

-the Centaur

Viiiictory … in … Spaaaace

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For the 8th time, I have won National Novel Writing Month! This year, I knuckled down early, focusing on getting as much ahead as possible so I could coast early in the month. This really worked because my story soon started turning in unexpected directions as I mined the emotional relationships of the characters, rather than the overarching plot. And I think it worked well! Look at that:

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I was successfully able to stay ahead of the game essentially for the whole month, enabling me to finish several days early. I hope to keep writing, to core dump the ideas I've had about the story, as while it is wonderful to find unexpected elements of the story (including a shout-out to one of my oldest childhood toys and the origin of the Dresanian universe) there's more to write.

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But now I can take a more leisurely pace, read the giant stack of books I've accumulated to help me flesh out the plot ideas, and turn it all into something more interesting. For example, here's an interesting combination of plot and emotional interaction, none of which I ever really expected:

The mammoth city-sized collection of globules drifted by. Some were firm and puffy like gasbags; some soft like pillows, some trailing and drifting like punctured balloons. So many tentacles fell down from it that it looked like it was raining beneath. Slowly, the globules crested a ridge and began to sink.

Leonid’s mouth parted, but he maintained his firm, watchful, captain on deck boots-wide stance on the window, even though his legs had begun to cramp. Then the city slowly settled to the earth in a cloud of dust.

“It is a city,” Serendipity said. “Or something very much like one.”

“I’m not willing to give it that yet,” Leonid said, as the globules settled and burst, gas streaming up from some, gasbags lifting tentacles up from others, remarkably like towers. “But my mind is open to the possibility. Spores, your grandmother said.”

“Yes,” Serendipity said. “Perhaps the gasbags make the cities, and the spores that they release inhabit the cities. I don’t know—like she said, it appears most of the records of Halfway were sealed after the war. Damnit. And Greatgramma Clarice led me straight into this—”

“Sounds like a dick move,” Leonid said, “but you and your family are all geniuses. Let’s not give up on her just yet. Maybe she thought you were your grandmother’s granddaughter, that you were the right person to deal with Halfway.”

“Maybe,” Serendipity said uncertainly.

“One thing for certain,” Leonid said, smiling down at her, legs still firmly planted on the rail, cutting as heroic a pose as he could, “black sun or no, Halfway is a beautiful world—and we’re going to make the best of it.”

Then something slammed into the ship so hard it knocked him backwards into the soup.

So, my Nanowrimo winner's t-shirt is on it's way, I've "won" … but I've got a lot more to go to get this novel done.

Onward!

-the Centaur

Breaking Horizon

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At some point over the past weekend, I broke 40,000 words on Nano. This is no time to get complacent: even though I'm a few days ahead now - only 6200 words from the end - and I'm supposedly on vacation, I may need to go back to work tomorrow to deal with a minor, well, not crisis, but something that demands my attention.

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So while that mountain above has impressive height and slope, it ends in a plateau, because the month of November is not done. And if you don't retain focus, you can end on that plateau, because the end of November is friends and family and Thanksgiving and Black Friday and the year-end scramble at work, if you have one.

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SO while I have a lead, I'm going to do what I can to keep it. Speaking of which … I wrote 375 words between what I wrote above and the end of this article. Here's an excerpt:

“So, still thinking Halfway was a steal?” Sirius asked. “Was it worth it to spend your inheritance on the hideout of a war criminal, no doubt on her way back here?”

“She’s not a war criminal, and she’s not coming back,” Serendipity said. “She’s a prolific and nurturing mother. She would never have left her grandchild behind, much less her own daughter. Same rules as Norylan’s parents: if she could have come back, she would have—”

“Nurturing mother doesn’t mean,” Sirius said, “she wasn’t a war criminal.”

“A few hard choices don’t a monster make,” Serendipity said. “She led the First Contact mission between Dresan and Murra. For all practical intents and purposes, she founded the Dresan-Murran Alliance, the most harmonious grouping of aliens in the universe—”

“Founded on annihilating everyone who didn’t fit that mold?” Sirius said quietly.

For a moment, Serendipity didn’t say anything.

“I can’t take responsibility for the sins of someone who wasn’t even my ancestor,” Serendipity said, “but I’ll defend the values they bequeathed to me, values they developed trying to learn from their mistakes. When my grandmother came, I could have had her kill you all—”

“Hey!” Sirius said. Then he punched her arm. “Ass!”

“Hey!” Serendipity said back, feeling her arm. “Ow—”

“No, you couldn’t have had her kill us,” Sirius said. “She would have sliced up that blaster, and maybe lopped a few arms, or perhaps just gut checked a few of Toren’s goons with the back end of her scythe blades. Your back was turned. She took the room in an instant—”

“She’s a killer,” Serendipity said. “You don’t know her—”

“She’s a First Contact Engineer and a pregnant mother,” Sirius said. “I saw her face. Yes, she’s scary—I’ve never seen anyone that scary—but I could also see relief when she saw we were children. I refuse to believe she would just windmill through us all, rolling heads.”

Serendipity stared at him.

“I’m not sure I agree with you,” she said, “but I think you’re also making my point.”

Back to work.

-the Centaur

On Their Way…

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In only tangentially related Nano news, the beta copies of LIQUID FIRE are on their way to beta readers, and signed copies of DOORWAYS TO EXTRA TIME are on their way to the winners! Huzzah. I hope you enjoy them!


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Not that things are going poorly. They're actually going quite well… UPDATE:

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Quite well indeed.

-the Centaur

Buck up, spacer

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One of the great things about National Novel Writing Month is that it takes you into places you never anticipated. Well, for most of this month I've been working on Section 2 of MAROONED, "Conflicted", but much of what I've written today comes from Section 3, which I've alternately called "Determined" or "Galvanized". And the following section logically follows from the setup of the story … but I had no idea that it was going to happen. No idea at all:

“Buck up, spacer,” Eslyca said. “We’re at war. We have to make hard choices.”

“Like Toren said,” Kyrnal said. He shook his head. “Doesn’t mean I don’t regret it.”

They watched, from behind the cargo bay lights, as Leonid's crew kept punching. After a while, Eslyca got uncomfortable and shifted; then Kyrnal did the same thing, setting his hands and shifting his boots. But the crew below kept punching … and punching … and punching.

“How long are they going to keep this up?” Eslyca said. “Did she just say five hundred?

“How long can they keep this up?” Kyrnal said. “And I thought they’d gone soft—”

“YOU THOUGHT WRONG,” boomed a deep mechanical voice behind them, and Kyrnal and Eslyca whirled to see the huge fox-like head of a robot the size of a cargo loader loom behind them, two scorpion-like pincers rising from its tail. “DON’T MOVE!”

Kyrnal whirled and tried to reach for his gun, but the scorpion-pincer shocked him. Eslyca dove aside, but a giant mechanical paw scooped her back up, then Kyrnal too, bringing both of them together—and in range of those darting pincers.

The paws spun them about, and Krynal felt the pincer snap tight on the upper safety harness attachment of his softsuit—the hardest to reach. He tried to grab for it and release himself, but when his hand touched the pincer, he got shocked again.

Then the robot shoved them both out into empty space.

Wait … who are Kyrnal and Eslyca? What do they regret? Why are they spying on Leonid's camp? What is Leonid's camp training for? Who's the robot? And will our intrepid young heroes or villains survive getting thrown out into space by this mechanical monster?


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A day or so ahead now, taking a break to run errands. Onward!

-the Centaur

Just Try to Get One Day Ahead.

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Each day in National Novel Writing Month, you need to write 1,666 words. It's the math: 50,000 words, 30 days, no excuses. The math seems simple: 50,000 / 30 = 1,666 and 2/3, so 1667 words will end you up with 50,010 words at the end of the month. So you may think you can get away with 1,667 words, or 1,666 with 20 words tossed in at the end.

It isn't that simple.

As you can see from the graph, or from following this blog, some days you just can't get 1,666 words done. You're off your game, you're off on a hike, or a distressed person shows up at your door in need of help. So, I prefer to say that you need to do more than you think you need to in a day - because you need to be caught up before you slip, or you'll fall behind.

For 24 Hour Comic Day - a challenge to do 24 pages in 24 hours - I and my buddy Nathan at Blitz Comics recommend trying to finish each page in 45 minutes, so you can absorb the inevitable eating, drinking, bathroom breaks and pencil sharpening and still finish your pages on time.

For National Novel Writing Month, I recommend something simpler: just try to get one day ahead, as soon as you can. Work super hard to get that first day of buffer, and then, even if something happens to throw you off, you're not behind.

So now, at lunch, I've finished my daily word count. I have a few errands to run - but tonight, I'll try to add that second day's worth of words, so that I'll not just be ahead for the day, but ahead of the game.

-The Centaur

Life Intervenes

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I'm still ahead on National Novel Writing Month, again on the skin of my teeth. Only by being already ahead. Because after I had dinner with my wife last night, after she retired to her art studio and I was just sitting down to finish my word count …

A disoriented older woman showed up on our street, unable to find her way home - and speaking no English.

Our neighbors found her first, and came by for help. We took her to our front porch and tried to calm her while the police were on their way. Slowly her English returned, and slowly we drew out her story: she'd been sick for a long time, she didn't know where she was, and she just wanted to go home … to a mother and father who in her clearer moments she remembered were dead.

The police arrived, we all tried to comfort her, and then the presence of the police cars attracted the attention of the woman's husband, who had been driving around the neighborhood looking for her. He confirmed what we suspected: his wife had Alzheimer's, and could no longer remember her street address, or even her married name.

A moment's nodding at the couch watching television, and when he looked up, she was gone, out in the street wearing slippers with her shoes in her hand. Alzheimer's patients often have disrupted sleep or activity schedules, moving when other people expect them to be still - so this experience was by no means unusual.

For the record, report the loss of a loved one to the police immediately, so it will show up in the system if someone finds them.

She ended up safely home. Our prayers go with her.

Sometimes, writing must come second.

-the Centaur

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Still on track, by the skin of my teeth and writing to 2:20am

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On track. A brief excerpt:

“We could always double bunk, if it comes to that,” Leonid said.

Andromeda and Serendipity both looked at him. Then shot daggers at each other.

“Why would you need to double bunk,” Serendipity asked. “This ship was designed for a crew of six hundred and fifty. It seems like you’d have plenty of bunks—”

“It’s the load of the oxygen farm—how large a space it can oxygenate,” Leonid said. “We used to have twelve segments, but we were down to six—before the crash. Now, once we get back to space, we’re going to need to husband things more carefully. For example, adding you and Norylan—”

“Yeah,” Sirius said. “I’ll bet you just chew up oxygen.”

“Not to mention calories,” Andromeda said.

“Hey,” Serendipity said.

“Seriously, both of you eat a lot,” Leonid said. “I’m guessing … six thousand a day?”

Serendipity seemed to weigh that. “I think that’s about right—for him,” she said, nodding at Norylan. “And I was pushing close to eleven thousand leading up to the tournament—”

“Eleven thousand calories a day!” Leonid said. “You eat for four people?

“In training, a human Olympic athlete can consume ten thousand calories a day,” Serendipity said defensively. “A normal centaur requires closer to six or seven, and an athlete like myself pushes closer to nine thousand on a regular basis—”

“Let’s budget nine thousand for starters,” Leonid said. “But Norylan—”

“Is an Andiathar,” Serendipity said. “Their metabolism is very different—”

“No wonder he was starving,” Sirius said.

“Don’t you have fights, tournaments?” Serendipity said. “Toren was huge. He’s got to be pushing four, maybe five thousand calories a day, even if he isn’t in training—”

“Six,” Leonid said. “That’s why I guessed what I guessed for you—”

“I’m a little out of his weight class,” Serendipity smirked. Her face fell slightly. “How did you all get this way? I mean, I know you were attacked by pirates. But there’s more to it than just one attack. You’ve got traditions for fighting, ways of decorating your suits—”

“Don’t you like them?” Leonid asked.

“Oh, I do,” Serendipity said, moving that thread of hair aside. “But … what made you decorate them? Did it develop naturally, or were you trying to intimidate the pirates? Or to impress each other? What are your stories?”

“You’re a historian,” Sirius said. “And this ship has seven centuries of history—”

“Seven and a half,” Serendipity said. “Tell me the stories of your people.”

“We don’t tell stories,” Leonid said, motioning to Beetle, who drew out his strumstick. “We sing them.” Serendipity’s mouth fell open, and Leonid smiled. “Beetle, you’ve got some pipes on you. Sing the Song of Irannon, and remind us why we keep fighting on.”

Onward into the deep…

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Progressing…

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Back on track, mostly. Head above water. That is all.


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Why do we get ahead? So when we slip, we don’t fall behind.

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So my wife returns from a month long business trip, and the day after she gets back, we go hiking. Actually, we went to lunch, went shoe buying, went hiking, and then book buying, shop walking and dinner eating in Santa Cruz.

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So zero writing got done yesterday.

"And that's why I try to get ahead!" Because I know from experience with Nano that there are days that writing just can't get done. Work catches up with you, life catches up with you, wife catches up with you. You're too busy, or having too much fun, or too sick, or whatever.

Even if you do as I do and refuse as many events as possible during Nano, you can't get life down to zero.

So it's super important not to stop at 1,666 words a day. If at all possible, try to get a notch more - a few hundred extra words a day. Even if you get just 250-300 extra words a day, by the end of the week you'll have enough buffer to take a day off. Not that I recommend you take a day off in Nano - but you'll have the buffer if you need it.

So I'm back on track today - it's 3 in the afternoon, I've finished my daily quota, and thanks to being ahead before, missing a day yesterday has left me merely on track, rather than behind. And I have at least two more writing sessions today, so I may get even further ahead. No excerpts today - writing near the end, all too spoilery.

Onward into the deep!

-the Centaur

MAROONED back on track

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I had brief lull yesterday - a shortened lunch, a shortened dinner, and then no coffee, since I had to pick my wife up at the airport (and then had NO intention of getting back to writing that night, we hadn't seen each other in a month). I was a day ahead, so technically all I had to do was finish a day, in which case I was still on track.

But I liked being a day ahead. So I buckled down today, trying to get back to the point of aheadness that I was before yesterday's slippage. All in all, I got over three thousand words done today, putting me back on track by almost two thousand words. Thirty one percent done, 15,259 added words! Excellent. No excerpt today - it's all too spoilery.

Onward!

-the Centaur

MAROONED but not under water

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So yet another day of Nano has rolled by and I'm still managing to cough out 1666+ words a day (the lighter blue lines above the red water line). I've added 11,795 words to the manuscript, which by my counter is just shy of 25% of Nano - roughly 3.6% ahead of where I need to be, or almost one full day (the surplus is the second, darker blue line in this visualization).

Since my seed was the largest I ever started with - 32,793 words, including the complete novella "Stranded" plus all the story notes I put together over the months since I wrote that story - completing Nano this year will leave me with 82,793 words, which I'm guessing will be very close to a full manuscript. Most of my novels clock in around 150,000 words, but this one feels like 90K.

Oh yeah, an excerpt:

“How do I know,” Toren said, “you won’t send soldiers to evict us once your people come back here, whenever that is—”

“Roughly fifteen months,” Serendipity said, looking at him sidelong. “And no-one can evict you. I am Governor of Halfway, and I’ve offered the crew of Independence oasis, and the ship a permanent berth. Leonid accepted. Halfway is Independence’s home port now.”

Toren rocked on his heels a little. “There is no port, you foolish—”

“That is a port,” Serendipity said, jerking her head at the spaceport. “It’s not a castle, it’s not a mansion, it’s not a secret lab—though I suppose to Norylan’s parents it was all of those things, to me it is the kernel of the civilization I hope to build here—”

“You build,” Toren said. “You mean to build a civilization—”

“It’s why I came here,” Serendipity said. “This port lay fallow for ten thousand years because a war cut off the spacelanes, and I was the first person to recognize that it might be restored, now that traffic has begun moving out here again—”

“Including from the Frontier,” Toren said, staring off at the port, “which didn’t even exist ten thousand years ago.”

“I had to move fast,” Serendipity said. “After all, you got here just when I did.”

Toren stared down at her. “You’re crazy. Crazy, you know that? When the Allies get here, they’re going to ship you off to a nutter’s pod. And I still don’t know whether me and my crew are going to have to flee when they come. And you know which of us is right?”

Serendipity’s eyes tightened. “No,” she admitted.

Toren’s eyes gleamed at her. “Me neither.”

Uh oh! Serendipity once again facing off with Toren? A dangerous development. What's he figured out she hasn't?

Onward into the deep!

-the Centaur

Still on track

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MAROONED is still progressing. Taking a break now, but I'm keeping above the curve so far.

“Seren, this is serious,” she said. “We have a spacecraft to rebuild. If we can get this housing running again with a standard cabling software, we have to do it, whether his software is inclined or not. We can’t afford to romanticize your little pet—”

“He is not a pet,” Serendipity said. “He may be my ‘familiar,’ but he’s a full person, with a full person’s rights and responsibilities. This housing isn’t just a piece of equipment we can do what we want with. It’s his body, and we need his permission—”

“If we need the parts—”

“If Leonid needed some biomass to keep the oxygen farm running, would you be happy if he just threw you into the cycler?” Serendipity asked. “No? Wouldn’t that go double if you were in a coma, expected to recover, and they just decided to cycle you anyway, just because?”

Dijo stared at her with those odd contact lenses.

“Let me see him.”

Again she felt reluctant, but Serendipity realized that if she really wanted to be part of this crew, she had to recognize Dijo as her superior. Slowly Serendipity stepped back, reached in her satchel, and carefully brought out Tianyu’s still form.

Filled with mercury batteries, built on a thact frame, the minifox felt unusually heavy in her hands—dead weight, she thought, and cursed herself—and oddly small and sad. Without the millions of tiny motors fluffing his fur, he looked flat and drab, doubly so because of the soot.

Serendipity laid Tianyu down on the worktable between her and Dijo. “This is my best friend,” Serendipity said. “I mean that. More than my cohort, more than my PC’s, in some ways, more than even my parents. He’s always been there for me, when by right he could have chosen to go elsewhere. You will not treat him like a collection of parts.”

“Well,” Dijo said, leaning down, “he’s an impressive collection of parts—”

Serendipity reached down, putting her fingers under Dijo’s chin and lifting her back up. It was an easy move, an aikido move despite the initiation of force, and despite resistance she easily straightened Dijo back to standing. Dijo stepped back, a bit shocked.

“We have a ship to fix, I owe you help fixing it, and I’ll serve under you if that’s what you think I should do,” Serendipity said. “But this world is mine. It’s my responsibility to protect all the people within half a light year, even the ones you can’t easily see as people yet.”

Dijo raised her hands, licked her lips. She was scared.

“Please don’t hurt me,” she said.

Onward into the deep!

-the Centaur

MAROONED On Track

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So far, so good. Not really a good excerpt to be had here, first drafty stuff … ok, how's this:

“It’s interesting,” Dijo said, “that you’re sort of a technological witch.”

Serendipity looked up from her cauldron. The first step in getting the robots back up to speed had been getting Tianyu back up to speed, and to do that she needed components. With her fabricator in Toren’s camp … her next best bet was her nanoseed.

She’d requisitioned a large cooking kettle from Leonid and filled it with biosludge, then heated it to the proper activation temperature. With a droplet from her nanoseed and the right dopants, Serendipity should be able to generate enough nanoplasm to make anything.

“How do you figure,” Serendipity said, stirring the cauldron slowly.

“Bubble, bubble, toil and trouble,” Dijo said, raising a cylinder. “You’re making potions. You’ve got a familiar. You have what seem, to us technological primitives at least, like magic powers. All you need is a witches’ hat and a magic broom—”

“My mom wears the hats,” Serendipity said, “but I do have a farstaff.”

“It can fly?” Dijo said, shocked. “Not just teleport you, but actually fly?

“It can indeed,” Serendipity said, taking the cylinder. “Molybdenum. Excellent.”

“Ammonium tetrathiomolybdate in solution,” Dijo said. “That’s from the hyperdrive, by the way, so don’t go using it medicinally unless you separate it first.”

“Why would I use it—oh, copper toxosis,” Serendipity said.

“Do you really have a ship’s worth of Lore rattling around in your head?”

Now off to see Gravity … which will probably be good inspiration for MAROONED!

-the Centaur

National Novel Writing Month 2013: MAROONED

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Well, it's that time again: National Novel Writing Month! This year, I'm working on MAROONED, the continuation of my short story "Stranded" from the anthology of the same name. A brief excerpt from Part 2, "Conflicted":

Serendipity stirred. She was cramped and folded. Her hooves caught on rough ballistic tarp. Her back hurt, her rump hurt … then she heard sparks and smelled smoke. She unfolded with a start—and klonked her head on a support beam, tumbling off the cot onto the grille.

Disoriented, she stared up at a dim line of light. The tilted walkway she lay in was barely wide enough for her; the cot she’d fallen off of had definitely not been long enough for a centaur. Beside her was a half-locker with her satchel; above, the wall of a bunk jutted in.

This was insane. They had the entire run of Independence’s cargo bay. She’d sleep on the floor if she had to. She winced at a spark of pain at the join of her backs—then heard real sparks and smelled fresh smoke, and sprawled and stumbled, trying to get up before she died.

Her hand hit the hatch in panic and found it firm, and she beat at it with her palm in the dark, fumbling for the latch as she brought her nightvision and filaments online. There was another spark, and Serendipity pounded the door again. “Dashpat!”

“Sorry!” cried a voice beyond the door—one Serendipity recognized as Andromeda, Independence’s chief engineer. “Leonid’s prepping breakfast, I came to wake you, but you were snoring, and the lights, they’re out, so I … I started to work with this panel, but then I—”

Andromeda sounded completely rattled. From the other spacers, Serendipity gathered that Andromeda had been de facto master of the ship … until a couple of days ago, when the boy Sirius pulled the fuse on the life support system and forced an emergency crash landing.

The voice on the other side of the door didn’t sound like someone who’d been a captain for three years. She sounded like a little girl, a scared little girl who’d been caught with her hand in the cookie jar … or maybe a refugee who’d had her whole world pulled out from under her.

Serendipity knew that feeling.

A hundred white computer filaments slid out of the shock of hair on Serendipity’s right forearm, probing the air, lighting the doorframe with a fiber optic glow, revealing the handle. Microscopic cameras fed images to her eyes: T7 LOCK HDL / FLM INDEPENDENCE.

Almost instantaneously, recognition rattled through weave of computers built into her: a Type 7 Lock Handle, from the Faster-than-Light Module Independence. Yes, that was right: the NCE class “ships” were originally modules, built to fly the arkships away from “dying” Earth—

Serendipity seized the handle, hiding the image beneath her hand. She drew a breath. As cramped as this space was, it was just a bunk. As long as she didn’t open the door, she could imagine she was at summer space camp, and not on a seven hundred fifty year old starship.

Not stranded halfway across the galaxy, utterly cut off from her people.

Serendipity opened the door.

People who read this blog may have noticed an extended hiatus. There's been a good reason for that: I had too many writing projects stacked up, and couldn't tackle them all at once. I had to start putting things on hold.

So I had to buckle down, focusing first on editing DOORWAYS TO EXTRA TIME (now out to the world) and finishing a draft of LIQUID FIRE (now out to betas). One of the first things to go was this blog. Another was social media: the Serendipity pages on Facebook and Google+ got short shrift; only what I had to for 24 Hour Comics Day and Dakota Frost got any attention.

I'm working to change that, but I'm going to continue to follow the same procedure. National Novel Writing Month comes first, and the first book I'm working on for Nano, MAROONED, comes first. Then life. Then blogging and social media, just enough to keep it going. After that, I'll be writing notes for a story called QUARRY, just so I don't lose them - it's a brand new idea.

The consequence is, there won't be that much blogging this month, unless Nano and life are both taken care of. But hopefully more than there has been over the past few months while DOORWAYS and LIQUID FIRE were the primary focus of my attention. Now that those are out of the way, I feel like I can breathe easier.

At least, as long as Serendipity and Leonid can keep the oxygen farm running…

Onward, to MAROONED!

-the Centaur

P.S. Yes, I did make sure I did my daily quota before blogging this:

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The DOORWAY opens at last…

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At long last, DOORWAYS TO EXTRA TIME is released! (Well, tomorrow morning, anyway):

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In our busy world of meetings and microwaves, car radios and cellphones, people always wish they could get an extra hour in the day. But what if they could? Doorways to Extra Time is an anthology that explores ways to get extra time (be it an hour, a day, or a decade) and the impact it would have--whether upon a single life, a family or an entire world.

I'm very proud of this anthology and all the great stories and authors: the proactive Erica Cameron, the across-the-pond Martin Feekins, lil ol me, pastcracker L.M. Graham, timekeeper R.E. Gofstein, catwizard Melina Gunnett, the learned Walter H. Hunt, my friend Betsy Miller, Susan "In the nick of time" Mittmann, timemaster Brenda Moguez, mysterian Jenny Moore, demonkeeper Ira Nayman, time twister Errick A. Nunnally, the estimable Jody Lynn Nye, the not-photoshopped Kate Saturday, my other good friend Gayle Schultz, Rich "The Closer" Storrs, gameplayer Keshia Swaim, not-for-sale Aimee Weinstein, and my coeditor and friend Trisha J. Wooldridge … whew!

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Trisha, my coeditor, commissioned the above awesome piece of stained glass from Renee Goodwin at Stained Glass Creations and Beyond … isn't it beautiful? We'll be raffling it off at the DOORWAYS release party, Sunday, September 1 at 1pm at Ray's in the City in Atlanta … just up the road from the Hyatt, one of the main hotels of Dragon Con!


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After Dragon Con, we're having a panel reading by our Bay Area authors at Books Inc in Mountain View:

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I'm sure there will be more events, giveaways, and so forth in the coming weeks and months. Like or share our Facebook and Google+ pages for more information, or just go to Amazon and get a copy.

Phew. 2 years of work, and 2 minutes to the cafe closes. So … enjoy!

-the Centaur

The Doorway opens wider

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The proof copy of DOORWAYS TO EXTRA TIME has arrived. I will be reviewing it on the plane and, God willing, we'll have it in time for the premiere at Dragon Con.

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I almost didn't get this. By an odd coincidence, I was heading to the Atlanta Marriott Marquis, one of the Dragon Con hotels, right when the proof arrived at the publisher, so they sent it to the hotel, hoping that I could review it over the weekend.

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I got off the red eye, scouted locations for LIQUID FIRE, HEX CODE and another Edgeworld project, then checked in to the hotel. No book. I went to the rehearsal dinner. No book. The next day came and went, a good friend got married, but still, no book.

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Even when I checked out Sunday, still, no book. I and my friends had a great time at the post wedding brunch, visited the Georgia Aquarium, and ate an awesome meal at Legal Seafood, and then started ferrying friends to the airport ... then a friend suggested I call the hotel.


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The proof had been accidentally sent to hotel security.

So at the last minute, I swung by, hung out with the concierge until the guard showed up, then showed my ID to security. Moments later, DOORWAYS was in my hands.

Sometimes, it all works out.

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Time to check out the DOORWAYS and make sure they're safe to open. Wish me luck!

-the Centaur

Moving on and turning back

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Well, DOORWAYS TO EXTRA TIME is on its way to the printers. Now it's time for me to move on to new projects, and to turn back to old ones. I'm still planning out a large new unannounced project (some of the information for which you see piled above) but my primary focus is going to be LIQUID FIRE.

The Waiting Game

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Sitting in the Stanford Bookstore Cafe, working on LIQUID FIRE while I wait on the last possible round of edits on DOORWAYS TO EXTRA TIME before we have to send it to the printer.

-the Centaur

I can’t afford to be embarrassed

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I'm a published urban fantasy author with two novels on the shelves, one of which, FROST MOON, won an award. I have two more novels in the can and I've just finished coediting an anthology with twenty stories based on an idea I proposed. I've read extensively on writing theory and even have written a few articles on the subject.

So what am I doing with a copy of WRITING FICTION FOR DUMMIES?

Doing whatever I can to get better at what I do, that's what.

Once a friend saw the huge stack of theory-of-fiction books in my Library, one of which is "Novel Writing for Complete Morons" or some title a lot like that, and he remarked "wow, it's probably been a long time since you had to look at that one." Well, that happened to be true, but not because I read the book, then wrote some novels, and then grew beyond it.

The truth is, I'd already written one novel - and chunks of six or seven others - when I got "Novel Writing for Complete Morons." Heck, I may have already written FROST MOON at that point. But I'm a book hound, and I look at everything. I came across the book, probably at a bargain bin. And I saw a chapter I can use. So I bought it.

I actually love reading overviews. I can dive deep into a technical book, but sometimes it's only stepping back and summarizing the text - either by reading a summary, or writing one yourself - that enables you to hang the details upon a coherent whole. Even when the overview isn't interesting, sometimes the book itself has details you simply can't find elsewhere.

In the case of WRITING FICTION FOR DUMMIES, I saw it in a bargain bin, flipped through it - and found a section in a chapter on editing scenes, a task I'd just been struggling with on my third Dakota Frost novel, LIQUID FIRE. So I bought it, and tonight read a few chunks, some of which are good for structuring scenes, others of which were helpful in overall novel structure.

Some of that information is review; other parts are completely new. It doesn't matter. It helped me move forward.

Creative expression is driven by ego, but it's stifled by snobbery. Don't get embarrassed by what you need to do to improve. If you were trying to climb out of a pit, would you hold your hand back from a rung that was candy colored and clearly intended for children? No. As long as the rung is solid, you grab it and pull yourself up.

Anything else is just hurting yourself in an effort to look good.

-the Centaur

Pictured: WRITING FICTION FOR DUMMIES, atop THE POETICS OF THE MIND'S EYE by Christopher Collins, a study of visual imagination in literature and cognitive science. See how hard it is to be honest with yourself and do what needs doing? Here I had to bring along a technical book I'm reading and use it to prop up the For Dummies book in an absurd attempt at credentialing.

No, I'm sorry, ladies and gentlemen: I may have happened to have picked up THE POETICS OF THE MIND'S EYE at about the same time as WRITING FICTION FOR DUMMIES, and I may have had it in my reading pile because I was evaluating whether to recommend it to a friend who works in the field of visual imagination, but the one has little to do with the other.

I, a published author, picked up WRITING FICTION FOR DUMMIES, and it had useful information for a problem I was trying to solve. Don't be embarrassed about things like that: do whatever you have to to help yourself get better. End of list.