Q: Is herding authors for an anthology indeed like herding cats? Why do you do it? BJS: Absolutely. As chief cat wrangler for all three of the Later anthologies, I had to coordinate deadlines and revisions for not just the fifteen or so authors, but also our publisher’s staff. Why do I do it? The power, obviously. But in all seriousness, it’s the satisfaction of being an integral part of a fantastic collection of stories. Q: What was your favorite story to edit/write for the anthologies? BJS: That’s a tough one. There are so many great stories and they vary so much in theme, style, and content. I had a great time writing my own stories, especially the first one in Some Time Later, “The Descent.” That one allowed me to get my mycological geek on. I’m partial to Lillian Csernica’s Japanese mythology-inspired stories because they are unique but still feel steampunk.To read more, check out her interview on Sage and Savant!
Posts published in “Writing”
The art, craft, and life of writing.
Q: What excited you about Twelve Hours Later and the other anthologies in which you’ve participated? SEC: Short fiction is an art form in and of itself. Expressing a full story in a little bit of space, means distilling the true essence of your message in a way that someone can read on their lunch hour and still feel like they got a complete picture. Having the opportunity to challenge myself within the framework of the anthologies’ themes made me work hard to present fully developed characters and concepts within those constraints, and it was a lot of fun! That the anthologies benefited literacy programs was the icing on the cake.To read more, check out Sharon's interview on Sage and Savant! -the Centaur
Q: So, these anthologies, what’s the story behind these collections of stories? AJS: Beginning with Twelve Hours Later, the anthologies have been an effort at showcasing the authors who attend Clockwork Alchemy each year. We wanted to have a way of introducing the whole crew to new readers in one swoop, and we also wanted to give back to the community that attends the event. The charity component has seen over $400 donated to the San Jose Public Library system in the past two years, all of which is intended for literacy programs. We’ve been really pleased with the reception of both Twelve Hours Later and Thirty Days Later. This year’s anthology Some Time Later will round out the trilogy, and we think it’s the best one yet.To read more, check out the article at Sage and Savant! -the Centaur
Kirsten Weiss writes genre-blending cozy mystery, urban fantasy, and steampunk suspense, mixing her experiences and imagination to create a vivid world of magic and mayhem. Q: Tell us about your latest book. KW: Pressed to Death is a cozy mystery set in a wine country paranormal museum. It’s the second book in my Perfectly Proper Paranormal Museum series...To read more, check out the full interview at Sage and Savant! -the Centaur
And so, Dakota's slow slide towards Gandalf continues ... never fear, she's never going to say "Fly you fools," nor is she going to come back from the dead with a snazzy white wardrobe. Damnit Francis you have to do that now .... -the CentaurSynopsis:
Dakota Frost just wants to ink magic tattoos and raise her weretiger daughter - but it's getting increasingly hard to do either as she gets drawn deeper and deeper into the magical world of the fae and the superspooks of the DEI. But when they bring a new problem to her door, she can't turn away - because she herself may be under attack ... from the world of her dreams.Excerpt:
As we drew closer, it got harder to get a good look from the angle of the passenger window. I leaned back, then winced—the scabbard over my back had shifted to just the wrong position. I squirmed until the Salzkammergutschwert was off the center of my torso. “Wait a minute,” Heinz said incredulously. “Is that what I think it is?” “I don’t know,” I said pleasantly. “What do you think it is, Heinz?” “You … packing a sword?” Heinz said incredulously. I glanced over at him. “Sort of, yeah.” “What the hell for?” “You’re packing,” I pointed out. “Yeah, but a gun,” he said. “That’s useful in a fight—” “Most of the people I get in fights with,” I said, “won’t be impressed by a peashooter.” “Ah, very sensible,” said Warstein from the front seat. “You pack an anti-fae weapon.” “Sort of, yeah,” I leaned up again, watching through the window as the MIRU shot over the I-64 bridge and through the giant hovering ring. Mr. “Seen it already” Warstein turned away from it with a condescending tone that made Heinz roll his eyes and glance at me for relief. “You see,” Warstein said, even as one of the greatest wonders of the Western World slid stainless and gleaming past the glass behind him, “if Frost deals with the fae, she must face the fact that many fae are bulletproof, but highly vulnerable to cold iron, or enchanted swords—” “What the fuck?” Heinz said, looking at me. “You’re telling me that’s Glamdring?” “Another hat tip,” I said, mouth quirking. “You, ah, can view it as a magic sword—” “So,” Heinz said, incredulous, “that fucking thing glow when orcs come around?” “Not that I know of,” I laughed. “Not that I’ve ever met an actual orc—” “Most magic swords don’t do anything we’d call special,” Warstein said archly. “Like the legendary vorpal blade, their primary capability is that they’re sharp, and made of metal that hurts the fae. A very few, like the, uh, the Saltgammerswort, are specifically anti-fae—” “Salzkammergutschwert,” I corrected automatically. “Gesundheit,” said Heinz. “Excuse me?” Warstein asked. “It’s called the Salzkammergutschwert,” I said. “It means the Salt Chamber Sword.” “Which is where it was found,” Warstein said, “very good, very good. The Salz—ah—I can never pronounce it—the Salt Chamber Sword is one of the rarest of blades, a long, black sword of cold iron specifically forged to fight the faerie—” “Not exactly,” I said. “Technically, it’s a magical radiator, not a sword, though you can use it as one because it’s nearly indestructible. The hilt wrappings are human work, but the blade itself is a faery artifact, repurposed—not a weapon, just something that happens to hurt them.” Heinz looked at me strangely, then at the scabbard over my back. “You’re wearing this Gesundheit thing now?” I shrugged and smirked. “Sort of, yeah—” “What are you talking about—oh my God,” Warstein said, excited and aghast. I reached up a long arm and popped the blade out of its scabbard briefly, and Warstein keened and wailed, more intense than a fanboy meeting Shatner. “Oh-my-God and aaaa! You’re wearing the literal Salt Chamber Sword? Oh my God. Oh my God! That’s a four million dollar blade—” “Jesus,” Heinz said, tweaking his ear. “Shout it louder, why don’t—” “I don’t need you advertising the value of my blade,” I said. “I really don’t.”
Fantastic news … auditions are now underway for the very first Jeremiah Willstone radio theater play, “Jeremiah Willstone and the Choir of Demons,” based on the story of the (almost) same name published in Aurora Wolf magazine! Here’s the casting call, being handled by the director, Tony Sarrecchia:
Open casting call for an audio/radio drama.
Tony Sarrecchia (The Harry Strange Radio Drama) is holding open auditions for a new Steampunk audio drama that will be produced in conjunction with the Atlanta Radio Theatre Company The story, an adaptation of Anthony Francis's Jeremiah Willstone series will be recorded in Atlanta and is scheduled to be available through several distribution channels later this year.
English actress and voice-over artist Emma Greene (Swamp Murders, The Harry Strange Radio Drama, An Elf’s Story) will play the title character who is a “third-generation female soldier from a world where women’s liberation happened a century earlier than ours” in tales of “betrayal, corsets, and ray guns.” Jeremiah has appeared in eight stories, with four more stories, a novella, and audio adventures on the way! Most exciting of all, she’s now appearing in her first novel-length adventure, Jeremiah Willstone and the Clockwork Time Machine! A sprawling tale of brass buttons, steam-powered ray-guns, and rollicking adventure.
For this audio drama, director Tony Sarrecchia is looking for the following:
Detective Tenpenny: A middle-aged female detective with a slight British accent.
Sample lines:
#1: “Perfect! The world is falling down around me, and the Army sends me a green-skinned rookie. Can you at least make coffee?”
#2: “Oh, he’s a monster. Seven dead that we know of…all lost to some nefarious machines designed to disfigure and maul their victims.”
Doctor Waxwood: A 60-year physician. Refined Souther accent.
#1: “I am Doctor Waxwood, the patients attending physician. I trust you both know enough to maintain decorum and discretion.”
#2: “I would love to get my hands on the demons who would do such a thing to a child!”
Madame Windprice: A 50-year solider ravished by time and illness. English accent.
#1: “I saw them everywhere—if I were 20 years younger I’d have taken them all.”
#2: “Blood Boolean toys! Give me an old-fashioned analogue spectroscope any day!”
Ensign Adler: Young male or female solider. English or southern accent.
#1: “Jeremiah, hurry, we’re going to be late!”
#2: “Yes! You struck the nail squarely!”
Prof Kilroe: Male, military professor, 40s. Southern Accent
#1: “Outfitting is the foundation of Expeditionary work. Thanks to modern shape readers and auto whittling, we can customize each Expeditionary's gear to their individual bodies. Now, I'd like each of you to measure your hand and weapon as outlined on the board. (WALKING AROUND THE ROOM) Yes, good, good. Careful around the fingers. As you trace and measure, the wax cylinder is encoding a sound that will instruct the autowhittler to sculpt a new pistol grip customized to both your left Kathodenstrahl (cat-HOD-en-STRAHL) and your hand.”
Zane Cross: Male, villain, 30s. English or Southern Boston Accent
#1: “Do you propose we just shoot evil-glare at each other for the rest of the night.”
#2: “There is nothing COMMON about me!”
Currently, compensation is in credit and samples. This audition is for actors in the Atlanta Metro area (or those who can attend recording sessions in Atlanta).
Audition recordings specifications:
⁃ Mp3 at 44.1Khz 128 bit rate
⁃ Record each line separately
⁃ Label as follows: your name_character_line#.mp3
⁃ Send in a zip file (or Dropbox) to producer@harrystrange.com
In an email please include the following:
⁃ Your real name
⁃ Credits
⁃ Location
⁃ Phone/Skype
⁃ Willingness to perform in front of a live audience (not a requirement, just a nice to know)
You can contact Tony directly about the open casting call, or contact me at centaur at dresan dot com and I’ll pass it along.
-the Centaur
Pictured: a remixed picture of a wax-cylinder Edison phonograph, picture taken by Billy Hathorn and edited by me under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Want to know more about the process of writing a novel? I believe that you should “put it all in” - to use all your inspiration on every project, and to not hold things back for later. Now is the opportunity; take it! To learn more, check out my guest post at Magical Words!
Putting It All In
One of the most important pieces of writing advice I’ve received is “put it all in.” If you’ve got a great idea, don’t save it for a great story: put it in the story you’re working on now. I can’t tell you how many times in the past I had a great idea that I felt I “wasn’t ready to tell,” but I can tell you that those stories almost never get told.
When I started writing a steampunk novel, I questioned what to put in it. I knew my protagonist was a young female soldier from the Victorian era, but what else should go in the story? Some things seemed obvious ...
To find out more about the novel that came out of this process, check out Jeremiah Willstone and the Clockwork Time Machine wherever fine books are sold:
- Amazon: http://amzn.to/2lOrVFz
- Kobo: http://bit.ly/2ld3m1T
- Barnes and Noble: http://bit.ly/2lLRS9m
- Google: http://bit.ly/2mhT3uK
-the Centaur
Today, March 8th is International Women’s Day, a day that began commemorating the anniversary of a women workers strike – and so perhaps it’s also being celebrated as A Day Without a Woman, another strike designed to call attention to how important women are to our society. But, science fiction writer that I am, I couldn’t help but think of literal day without women - and so, over on the Adventures of Jeremiah Willstone site, I talk about how “A Day Without Women Would be the End of the World”.
-the Centaur
This month, I’ll be talking about women’s history on the Adventures of Jeremiah Willstone site!
Jeremiah’s world is one in which women’s liberation happened a century early, so, with twice as many brains working on hard problems, they’re more advanced in 1908 than we are today - but that doesn’t mean we’re not trying! In March, the people of our universe celebrate Women’s History Month as a way to highlight the important parts of our history that might otherwise be forgotten, and so this month on the Adventures of Jeremiah Willstone I’m going to highlight various figures in women’s history and how they inspired various characters in the Jeremiah Willstone series.
We’ll be talking about women’s liberation pioneer Mary Wollstonecraft and how she inspired Jeremiah Willstone; women scientists Emmy Noether and Marie Curie and how they inspired Doctor Jackson Truthsayer; computer scientists Ada Lovelace and Grace Hopper and how they inspired Georgiana Westenhoq, and women soldiers Kristen Griest and Chantelle Taylor and how they inspired characters like Jeremiah and Natasha Faulkner-Jain.
I’ll also talk a bit about Women’s History Month, International Women’s Day, and the whole notion of “history months” and how Bayes Rule helps us understand why singling out one group for recognition, which to some people seems prejudiced and unfair, really can be a fair thing if that group has been unfairly treated!
Stay tuned!
-the Centaur
Want to know more about the philosophy behind Jeremiah Willstone and the Clockwork Time Machine? Check out my guest post at Beauty’s Library:
Jeremiah Willstone is a special novel for me, because the smallest of inspirations blossomed into a project that reflects my deepest values. I fell in love with steampunk at Dragon Con 2009, where I saw many amazing steampunk costumes, in particular a young woman with a steam-powered gatling gun. My training as a science fiction writer makes me pick at the loose threads of imagined worlds, so I started to wonder not just what technology could power that gun, but what social changes could have enabled a young woman to become a Victorian soldier.
I’ve been interested in women’s rights since I was a child…
To read the rest, take a look, or to find out more about Jeremiah, check out The Clockwork Time Machine wherever fine books are sold:
- Amazon: http://amzn.to/2lOrVFz
- Kobo: http://bit.ly/2ld3m1T
- Barnes and Noble: http://bit.ly/2lLRS9m
- Google: http://bit.ly/2mhT3uK
-the Centaur
Alright, I’ll admit it: I didn’t start out liking steampunk. When The Difference Engine came out, I just didn’t get it. I mean, Charles Babbage’s Difference Engines actually working, much less changing Victorian society? I didn’t buy it. Looking back, I think I just didn’t like alternate history, as I found other, similar novels off-putting.To read more, check it out at the Bell Bridge Books blog! -the CentaurBut as I grew, I watched the steampunk movement grow too, hand in hand with the burgeoning maker community. At the same time I started attending the Maker Faire and admiring all the amazing contraptions our modern independent inventors were coming up with, I started noticing more and more steampunk costumes expressing the same kind of gutsy do-it-yourself, throw-it-all-together flair.
It all came together for me at Dragon Con 2009 …
At long last, Jeremiah Willstone and the Clockwork Time Machine, my fourth published novel, is OUT in the world! You can get it wherever fine books are sold:
- Amazon: http://amzn.to/2lFYyoY
- Kobo: http://bit.ly/2ld3m1T
- Barnes and Noble: http://bit.ly/2lLRS9m
- Google: http://bit.ly/2mhT3uK
The Clockwork Time Machine tells the story of Jeremiah Willstone, a female adventurer from an alternate world called Victoriana, where, because women’s liberation happened a century early and twice as many brains ended up working on hard problems, science has advanced more in 1908 than it has in our world today - but inadvertently, these scientific advances attracted the attention of aliens called Foreigners, who have come calling to make this world their own!
When Jeremiah’s treacherous uncle steals a dangerous alien weapon and secrets it away on an airship to a possibly hostile shore, Jeremiah leads a strike team to retrieve it - and finds herself chasing him across the seas of time itself, with her uncle just possibly aiming to upend the entire world order she holds dear! With time running out, Jeremiah must sacrifice everything she is to save everyone she loves.
Enjoy!
-the Centaur
Jeremiah Willstone and the Clockwork Time Machine will be out next week - February 23rd, 2017! Order it on Amazon, review it on Goodreads, or ask for it wherever fine books are sold!
From an Epic Award winning author comes a sprawling tale of brass buttons, ray guns, and two-fisted adventure!
In an alternate empire filled with mechanical men, women scientists, and fantastic contraptions powered by steam, a high ranking officer in the Victoriana Defense League betrays his country when he steals an airship and awakens an alien weapon that will soon hatch into a walking factory of death.
Commander Jeremiah Willstone and her team must race through time in a desperate bid to stop the traitor's plan to use the alien weapon to overthrow the world's social order. With time running out, Jeremiah may have to sacrifice everything she is to save everyone she loves.
"Addictive, sassy, sexy, funny, intense, brilliant." -Bitten By Books, on Frost Moon
Epic Award winner Anthony Francis writes the Dakota Frost, Skindancer series and the Jeremiah Willstone series while working on robots for "the Search Engine Which Starts with a 'G'."
For those wondering what I’ve been up to for the last six months, the biggest thing is THIS …
At long last, JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE is coming to print! We’ll be picking the actual release date in the next few days, but I can’t think of a better gift for my birthday than seeing the cover of my new novel!
Here’s a sneak peek at the back cover blurb:
From an Epic Award winning author comes a sprawling tale of brass buttons, ray guns, and two-fisted adventure!
In an alternate empire filled with mechanical men, women scientists and fantastic contraptions powered by steam, a high ranking officer in the Victoriana Defense League betrays his country when he steals an airship and awakens an alien weapon that will soon hatch into a walking factory of death.
Commander Jeremiah Willstone and her team must race through time in a desperate bid to stop the traitor's plan to use the alien weapon to overthrow the world's social order. With time running out, Jeremiah may have to sacrifice everything she is to save everyone she loves.
"Addictive, sassy, sexy, funny, intense, brilliant." -Bitten By Books, on Frost Moon
Epic Award winner Anthony Francis writes the Dakota Frost, Skindancer series and Jeremiah Willstone series while working on robots for "the Search Engine Which Starts with a 'G'."
Prevail, Victoriana!
-the Centaur
JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE is now on its way to production at Bell Bridge Books. It only took me about a month to go over the page proofs after all the crap that’s been going on in my life, but at last, at last, it’s out of my hands. Now all I have to do is market the thing! Oh … on that note …
http://www.jeremiahwillstone.com/
More content landing there Real Soon Now … but as for me, I’m going to go have a well-needed drink. (*)
-the Centaur
(*) Axually, I had it already, nonalcoholic of course. I elect not to drink unless I know I’ll be spending more than a couple of hours at the location of my consumption, and even then, it’s "one and done," baby.
… I had to install an ad-blocker. Why? Firefox before any ad block:
Firefox after Adblock Plus:
Yep, Firefox was TEN TIMES SLOWER when loading a page with ads, and it stayed that way because the ads kept updating. Just one page with ads brought FF to its knees, and I did the experiment several times to confirm, yes, it indeed was the ads. I don’t know what’s specifically going on here, but I strongly suspect VPAID ads and similar protocols are the culprit, as documented here:
http://techaeris.com/2016/06/14/vpaid-ads-hurting-internet-experience/
… publisher and website owner Artem Russakovskii took to Google+ and The Hacker News to share some of his findings concerning VPAID ads. He shows how VPAID ads can degrade a user’s browser performance:
“… after several minutes of just leaving this one single ad open, I’m at 53MB downloaded and 5559 requests. By the time I finished typing this, I was at 6140 requests. A single ad did this. Without reloading the page, just leaving it open.
A single VPAID ad absolutely demolishes site performance on mobile and desktop, and we, the publishers, get the full blame from our readers. And when multiple VPAID ads end up getting served on the same page… you get the idea."
Similarly, John Gruber reports that a 500-word text article weighed in at 15MB - enough data to hold more than 10 copies of the Bible, according to the Guardian. Gruber links another post which shows that web pages can get more than 5 times faster without all the excess scripts that they load.
The sad thing is, I don’t mind ads. The very first version of my site had fake “ads” for other blogs I liked. Even the site I tested above, the estimable Questionable Content, had ads for other webcomics I liked, but experimentation showed that ads could bring Firefox to its knees. QC I always thought of as ad-lite, but guess it’s time to start contributing via Patreon.
The real problem is news sites. Sites were opening a simple story kept locking up Firefox and twice brought down my whole computer by draining the battery incredibly fast. I don’t care what you think your metrics are telling you, folks: if you pop up an overview so I can’t see your page, and start running a dozen ads that kill my computer, I will adblock you, or just stop going to your site, and many, many other people across the world are doing the same.
We need standards of excellence in content that say 2/3 of a page will be devoted to content and that ads can add no more than 50% to the bandwidth downloaded by a page. Hell, make it only 1/3 content and 100% extra bandwidth - that will be almost 100% more content than a page totally destroyed by popup ads and almost 3000% less data than one bloated by 10 copies of the Old Testament in the form of redundant ads for products I will either never buy or, worse, have already bought.
-the Centaur
Hooray! I have now successfully completed National Novel Writing Month sixteen times (out of eighteen tries, counting Camp Nanos and such), finishing the first 50,000 words of Dakota Frost #6, SPIRITUAL GOLD!
It’s easy to look at the big cliff over the past few days and not realize how far I got behind, between getting sick, wrangling robots at work, and some damn election thing. That’s why I haven’t been posting much this month - I had to knuckle down to overcome this:
The good news is, the more and more I do this, the better I understand how I’m doing. While I was behind, I wasn’t unsurmountably behind, at least not compared to my yearly averages:
Over the years, I’ve tackled Nanowrimo many, many times, and this year tracked my average performance pretty closely:
It is super late, and I’m tired, and I want to go hug my wife, who just woke up after a long winters nap when she finished work for an art show. So I’ll post excerpts later! Oh wait, here’s a little one:
“Mom, so help me, I swear,” said my daughter Cinnamon—her voice a growl, her whiskers aquiver, and one long clawed finger pointing menacingly in my general direction—“if you try to go off half cocked I will ground you until the heat death of the universe!”
How the worm turns. Onward! Or, on to bed.
-the Centaur
Thinking Ink Press’s first novel, DEBRIS DREAMS by David Colby, is out now on Amazon! I’ve described the story as “The Hunger Games meets Gravity”, but to get a clearer picture, here’s the teaser:
The year: 2069 The place: Sun-Earth Lagrange Point L1, 1.5 million kilometers above the surface of the Earth The objective: Survive!
Sixteen-year-old Drusilla Zhao lives in the Hub, a space station used by the Chinese-American Alliance as a base to exploit Luna's resources. Desperate to break free of the Alliance, a terrorist group from the Moon destroys the space elevator, space's highway to Earth. In a flash, Dru's parents are dead and she is cut off from her girlfriend Sarah on Earth. The Alliance declares war against the Moon, conscripting Dru and all the youth of the Hub. Dru is forced to become a soldier fighting in the lethal vacuum of space. Can Dru survive lunar terrorist attacks and find her way home to Sarah?
I’m especially excited that this novel features a cover by my wife, Sandi Billingsley! We’re working hard to bring you the next two books in David’s series, SHATTERED SKIES and LUNA’S LAMENT, so stay tuned - but in the meantime, check out DEBRIS DREAMS!
-the Centaur
The good news is, the presentation I had today at work went very well. Yay robots! The bad news?
Eleven days into Nano, and seven thousand words behind. Argh.
-the Centaur