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The art, craft, and life of writing.

Viiictory the Thirteenth

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At last, I’ve completed my 15th National Novel Writing Month challenge successfully! Victory, for the thirteenth time!

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The graph says “HEX CODE”, but as I’ve said before, I discovered in July’s Nano that the manuscript I was working on was actually a trilogy - I already knew that Cinnamon appeared in a trilogy of books called HEX CODE, BOT NET and ROOT USER, but I was puzzled as to why the HEX CODE manuscript seemed both so cramped and so overstuffed. The reason? I was already writing the trilogy, with a discernible “hex code” appearing first, followed by a “bot net” then a “root user”. So I split the manuscript up … and just kept writing, until, earlier this month, I rolled over the end of HEX CODE.


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Perhaps that’s why I was doing so well this year, or perhaps it’s because I’ve written almost seven hundred thousand words in National Novel Writing months at this point. But regardless, I had some real bursts of creativity in there. But even then, I have to tell you: it was always hard. The hardest words on this one were the last 8 … when I thought I was done. But you have to keep going! And the scene that popped out after that is beautiful.

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Regardless, National Novel Writing Month is a joy to participate in, and I’m glad to have done it. The people and the connections I’ve made, the friendships I’ve built, the fantastic events like the Night of Writing Dangerously, the great writing programs that Nano supports, and the worldwide outbursts of creativity have made it all so worthwhile I plan to do it again and again.

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So, for now, I leave you with one last excerpt, from BOT NET … containing something I learned about my world of werekindred tonight, when I had to write … and let my creativity take over. As always, excerpts from Nano are first draft material, so, consider yourself advised … but I love what I discovered about Cinnamon’s warehouse tonight.

I looks down at them. All their eyes are glowin. The moon’s gotten into them. It will be up soon. I gots to go take them runnin’ now, or they’ll go crazy. I stands before them, rearin’ up a little, puffin’ my tiger cheeks, lookin’ down at them, and they gets the hint, and steps back from the wall, towards me, towards me, the tiger.

“Alrright,” I snarls. “None of ya get killed, or, as Mom would say, you’re grrrounded. ”

They all laughs, and I grins and stamps a paw.

“You feel the moon?” I says.

“We feel the moon!” they all shouts back. Whoa. Better response then I expected.

“I said, do you feel the moon!” I roars.

“We feel the moon!” the hunt screams.

“Then show me your beasts!” I snarls.

The lawyer strips off his jacket, his shirt, snarling, his head poppin’ out wolf so fast even Tully would have been proud of it. Hanser is a lynx before I’ve gotten a chance to look over at her, and the rest are poppin’ and changing. One buck is havin’ trouble, horns comin’ out of his head, fur crawlin’ over his body, but still no quad form, and I nods to Hanser, who pads over and licks at him playfully as he falls to the ground, crosseyed, eyes half pulled back like a buck’s.

But Willard, man, Willard’s havin’ real trouble. He’s bulked up, six and a half feet tall now, a black fur rug rippling out of his back, and oh-my-bod, what delicious muscles. But the shag carpet, it’s as far as he goes. He grunts, strains, then shakes his head.

He ain’t even taken his shorts off. He knows this is as far as he can go. Personally, I’m glad to have a half-human in the pack—easier to get feedback. He’s obviously got control, or they wouldn’t have given him to me, but is also obviously new to the Life. He needs help.

I prowls up to him.

“This your limit?” I asks, starin’ him in the eye. He nods, embarrassed, and looks away, but I raises a paw and catches him under the chin with the curved side of one of my claws, lookin’ at his head. “Listen to me: there’s no shame in our affliction. Repeat it.”

“Therrre’s no shame in ourrr aff—affl—affliction,” he says.

“Only prrride in our powerrr,” I says. “All of ya. Repeat it.”

“There’s no shame in our affliction,” the lawyer says, like, real articulate, even though he’s on all fours now, and his head’s all wolf. When’s this lack of concentration supposed to kick in? He shakes that wolf head back and forth, then howls, “Only prrride in our powerrrr!”

“Therrre’s no shame in ourrr affliction,” I roars, “only prrride in our powerrr!”

I prowls back and forth in front of them, listenin’ to them repeat it, those that can. The rest yip and yap and bark … except for the buck, who’s sittin’ there, dazed. His eyes are stuck halfway between human and stag, and he looks winded and dazed.

“But never rushin’ the hardest job any human ever has to do: controllin’ their own beast,” I says, steppin’ up to him. “You ain’t ready. There’s no shame; there’s always next moon. But this one, you ain’t ready. You relax, let the elders care for ya.”

The buck nods, still crosseyed, lickin’ his lips.

“Yyyouw waaant meeee,” Hanser yips, then goes quiet.

I looks back to see Fischer, standin’ there, under his broadbrimmed hat. He’s got the doc with him, black bag under his arm, I mean, seriously, cliché! But he nods to us, and they goes and sits with the buck as the rest of my hunt firms up before me.

“Four in front of you, Willard,” I snarls. “Or anyone else wanna sit this moon out?”

The pack howls and yips and brays, crowdin’ forward.

“Nnnever!” Willard says, beatin’ his chest.

“Yall wanna run?” I snarls.

The pack makes a yippin’. Weak.

“Eye said, y’all wanna run?” I roars.

And my whole hunt howls at the top of their lungs.

“Then let’s rrrun,” I roars, and Hanser at my side, bolts off into the forest.

Enjoy. And onward!

-the Centaur

Closing in on Victory

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Almost at the end of Nanowrimo. Closing in. About a day’s more work to go. Perhaps I’ll get to enjoy my vacation.

Oh, an excerpt:

FROM: “Cinnamon Frost” <frost.csf@dwa.gov>

TO: “Norcross Office” <everyone-norcross@dwa.gov>

CC: austin.wj@dwa.gov, cagayan.rg@dwa.gov, waldona.dg@dwa.gov

SUBJECT: Your security totally sucks

Okay. Hi! Straight to it: your security sucks.

Oh, wait, most of you don’t know me. Well, some of you may know me from “when the APD almost got its ass sued off” or “that time I saved the DWA's ass in the tunnels,” but for the rest, uh, Hi! I’m Cinnamon. I like to gnaw on things and do math.

SO ANYWAY, y’all have been botherin’ me a lot, so I hacked ya.

Hacking a government agency won’t have any negative repercussions, now will it? But very fun to write...

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That’s why the last two days have been so productive! More tomorrow.

-the Centaur.

Nanowrimo Continues …

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Somewhat over 25,000 words. Closing in on the end of HEX CODE. That is all... -the Centaur

Getting it together

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What you see there is my "working stack" at home ... the piles of books for my most active projects. These include Dakota Frost (shelves to the left and right that you can't quite see), Cinnamon Frost (middle shelf on the right, middle center shelf and others below), robotics at work (top shelf on the right), Thinking Ink Press (bottom visible shelf on the right and middle center shelf), Lovecraft studies (middle center shelf and top shelf on the left you can't quite see), and general writing (above, below, all around). I accumulate lots and lots of books - too many, some people think - but there's a careful method to this madness, as most of these books are not recreational, but topical, filling out a library around things I'm trying to accomplish. This means that when I'm working on a problem on, say, a Cinnamon Frost novel, and get stumped, I can have the pleasant experience I had last night of glaring at a Wolfram MathWorld article, not finding all the info I needed, peering through the references ... and finding that the references pointed to a book I had on the topic, right in the Cinnamon shelf (pictured above). For a long time I was terrified of my own library. Well, not terrified, but I'd piled up and accumulated so much stuff that I couldn't effectively use it. This has been accumulating since the days of my condo in Atlanta, which was approaching near gravitational collapse, but I've made two major pushes to clean up the library since I moved to California, which organized it usefully, as I've reported on previously, and since then two major pushes to clean up the files. I've still got a lot go go - you can see more piles below - but now I've got a better system for organizing paper, I am starting to develop a system to get things out of the library and back to used bookstores (slowly, grudgingly, occasionally) and ... I actually find myself wanting to go in here again. The piles are still scary, but now I've got a nice reading area set up, which I can lean back and be cozy in... My current reading pile and art projects are intimidating, but now organized and useful and even attractive ... My cognitive science section has developed a cozy, hallowed feel, that makes me want to dig in more ... ... and at last I once again have a workspace which makes me want to sit down and work, or write: I can't tell you how healthy that feels. I need to stay on top of that. But for now ... time to get back to it. -the Centaur P.S. Yes, I do actually use all those computers and monitors, though the one on the far right is slowly getting replaced by the floating hoverboard of an iMac that is now struggling to supplant my MacBook Air as my primary computer (good luck, you'll need it). For reference, there's my ancient MacBook Pro on the left, which formerly served as my home server; the iMac that's replacing it, hovering over the desk, a MacBook Air which is my primary computer, and the secondary keyboard and monitor for my old Linux workstation, which is about to be replaced because it's not beefy enough for my experiments with ROS.

Why yes, I’m writing a young adult novel…

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... why do you ask? Technically, a Cinnamon Frost novel is an urban fantasy novel with a young adult protagonist. I am doing some work to make it young adult friendly, up to a point, but at some point you have to acknowledge that as much as we all love her, we've got a formerly homeless and abused teenage weretiger with behavior problems as our protagonist, in a world which is a "real" world, not a young adult friendly world - and she's supposed to be a math genius, and if I'm going to have a story with a math genius, dang it, I want the math to be real math, even if takes me a while to figure out how to coherently explain what the heck a "loxodrome" is. It's the spiral you get if you run stairs up the side of a dome, but your architect was lazy and made the stairs cut a fixed angle to the meridians in their drawing, rather than a fixed angle that's useful for constant climbing. Sigh. That's not clear either. Needs more work. Back to it ... -the Centaur P.S. And yes, I'm still on track for Nano.

Nanowrimo is going well…

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… just now getting to the point where I can think clearly. For a refresher, I’m working on the Spellpunk series, finishing up HEX CODE … and, since I discovered last time that I was actually writing all three Spellpunks in the same manuscript, there’s a small chance I’ll finish HEX CODE itself this month and move on to BOT NET. More news in a bit. That is all.

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(Im)permanence

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Hoisted from the archives … it was National Novel Writing Month 2013, and I was at the Write to the End writing group in IHOP and should have been writing on my book MAROONED, but I was very near my goal for the month, I had an idea, and was depressed about various feedback I'd gotten from work and life and editors and AAARGH! so I wrote this anyway.

SO anyway, IHOP. The Write to the End writing group normally meets in the side room, but not that night, and it’s because another group was meeting there. Presumably, they paid for that. Which is sad, because as a volunteer drop-in group we can’t pay for rooms. Nonetheless, IHOP feels like home moreso than most places we have met, even though it isn’t a coffeehouse and doesn’t have an attached bookstore. But I’ve learned, from the writing group, not to assume anything is permanent.

Write to the End has met in places that should have lasted forever, but didn't. Maybe we should have expected the small indie coffeshop Snake and Butterfly to dial back their hours (since they opened later as an experiment, for us), but who’d expect that Mission Coffee would come to an end? It was up the street from a college. People came in there all the time. But the signs were there, literally: walls and walls of pictures of a live music group that no longer met on the night we wrote.

But why should it be this way? We once met at Barnes and Noble, which was in the Bay Area before I came out here, which outlasted Borders, which might be out here after I leave (here’s hoping I don’t). Why couldn't we have been meeting at Café Borrone, which was running long before I came out to the Bay the first time, when I fell in love with writing in quirky coffeehouses?

But things change. Who could predict that physical books themselves might implode? If the bookstore next to Café Borrone, Kepler’s, disappears, so might Café Borrone. That’s why Barnes and Noble didn’t let us keep meeting there: B&N's business model changed, and they needed fewer community programs and more space for toys.

Even coffeehouses might end. Coffee could be made illegal. Alcohol was once. Seriously. Some people think that coffee is simply a drug with no stimulus benefits—the buzz you get off coffee is just withdrawal relief, and coffee has all sorts of health problems. I’m not sure the epidemiology supports that, but the researchers are out there that think that in all seriousness.

Perhaps there will be a new Prohibition. Maybe one day our grandchildren will look back on this and say, oh, how terrible it was that, during the Health Pogroms, coffee was outlawed for ten years. "Of course, we have coffee back now, but think of all the old historic coffeehouses were destroyed." Or even if coffee is not outlawed, we could have a Nazi takeover or a Soviet revolution or a Cultural Revolution that wipes out all of these types of meeting places.

So there are no firm places to stand.

But in Japan, there’s a hotel that’s been running for something like 1500 years — 400 generations in the same family. I know it’s a small bed and breakfast like hotel, but there are taverns in England that have stood since the 1500s. Think of it: we could have been meeting there, for the last two hundred years.

And that gives me hope, that we’re writing in the first two hundred years of the Write to the End group.

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The Centaur at Dragon Con

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So I'll be at Dragon Con this year, the convention I've attended the longest. It's where I sold my first book, it's where I've served on endless panels, it's where I'm an Eternal Member, of course, but this year, I'm a bit more: I'm an attending professional, which means I finally rate my own tiny, tiny little space in the program:

By day, Anthony Francis works on search engines and robots; by night, he writes science fiction and draws comic books. He's the author of the Dakota Frost, Skindancer series including Frost Moon, Blood Rock, and Liquid Fire, and is the co-author of the 24 Hour Comic Day Survival Guide.

And the really good news is, I'll be having a reading to celebrate the release of my latest novel, LIQUID FIRE, on Friday at 2:30PM! If you're a fan of Dakota Frost, you should definitely come by, because I'll read selections from LIQUID FIRE, answer questions, give away swag, and read preview versions of other future books in the series!

Title: Reading: Anthony Francis
Time: Fri 02:30 pm Location: Edgewood - Hyatt (Length: 1 Hour)

From my perspective, however, what's even more important is that because I'm an attending professional, I actually get to know my schedule in advance! (At least most of it!) That means I can not only show up at my panels with more than a minute's preparation, I can actually, like, tell you all about them! I'm tentatively scheduled to appear on three panels:

Title: Steampunk/Magepunk/Dieselpunk?
Description: Steampunk branches out! Tips for the market for the Punk genres.
Time: Sat 08:30 pm Location: Embassy D-F - Hyatt (Length: 1 Hour)
(Tentative Panelists: Lisa Mantchev, Stephen L. Antczak, Gail Z. Martin, Anthony Francis)

Title: Steampunk and the TARDIS
Description: Victoriana and retrofuturist Steampunk themes are popular in Doctor Who.
Time: Sun 05:30 pm Location: Augusta 1-2 - Westin (Length: 1 Hour)
(Tentative Panelists: Dr. Scott Viguié, Anthony Francis, That Darling DJ Duo, Ken Spivey)

Title: World Building, Part 2: The Multicultural Multiverse
Description: This Q&A covers the wide world beyond Britannia.
Time: Sun 07:00 pm Location: Augusta 3 - Westin (Length: 1 Hour)
(Tentative Panelists: Michael J. Martinez, Milton J Davis, Anthony Francis)

There's a chance I may be on a few more, but for that, stay tuned. Otherwise, I look forward to seeing you at my reading!

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-the Centaur

From My Labors Rested

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Well, another Nano has come to an end. I've added over 50,000 words to the HEX CODE manuscript, succeeding at the month's 50K as of a few days ago, and last night I added the framework for the last few scenes that the revised story still needed, putting me way ahead of the game. Calling it done … for now, that is.

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It's interesting to compare this with previous months, as I did before. Even after the huge push near the end, I didn't quite catch up to the last time that I worked on HEX CODE. I must have been going gangbusters!

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I'd love to keep going, but I now see why in the past, whenever I hit the limit, my writing rate dropped off. By my calculations, I have five novels due over the next two years - one down into the final edits, one in rough draft, one (HEX CODE) almost complete, and two more in lesser stages of completion. So it's good to take a breather … after climbing the mountain.

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Now, back to CLOCKWORK ….

-the Centaur

Viiictory the Twelfth

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As of this afternoon, I have completed an additional 50,000 words on my Cinnamon Frost novel HEX CODE … making me an official winner of the Nanowrimo challenge twelve times. Woohoo!

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This was a good Nano, in that I stayed ahead of the game more than I thought I had. Even a couple of days I got physically sick helped me, as I holed up with my laptop and typed. Paradoxically, some of the best-feeling personal days I had this month I got no writing done at all. Yet, in the end, I managed to stay ahead, way ahead.

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But, while analyzing this data, I found out something else … I haven't tackled Nanowrimo twelve times with one failure; I've tackled it fourteen times. You see, I remembered all the times I tackled Nanowrimo in November, and all the times I tackled Camp Nanowrimo, and even Script Frenzy. But ever since 2009, I've kept day-to-day word counts, and I found at least one more time I've tried Nano, in December of 2010. I was apparently having so much fun with CLOCKWORK TIME MACHINE that I decided to keep going. Putting all this data together revealed something very interesting: this hasn't been my best month at Nano.

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In a recent post, I said I thought I'd never been this consistently far ahead for this long, but was I wrong. Way wrong. In 2011, when I was tackling HEX CODE for the first time, I was so far ahead it's crazy: several thousand words ahead of my best times on all the other months. Apparently I was going gangbusters. This month was close, up till Friday and Saturday where I fell off a bit and then had to take a day of for writing business stuff, but today after writing 4,500+ words I ended up only 8,000 words ahead, but at this time in November of 2011 I was almost 13,000 words ahead.

Cinnamon is such a delightful character, it doesn't surprise me - though it does hurt your brain writing tens of thousands of words in broken English. Still, I'm really happy with how this book is developing. I realized, partway through this month, that this manuscript is actually the whole of the Spellpunk trilogy, and I reorganized it so the parts of #2 BOT NET and #3 ROOT USER were downstream of where I was writing, letting me focus on the story of HEX CODE #1, giving its own problems and climax. I think it's gone quite well, giving the story room to breathe, making certain events more rational because they can happen over time in a natural sequence … and giving Cinnamon even more time to shine.

I'll probably keep going on HEX CODE for a few more days making sure I core dump the rest of my story ideas, but then it will be back to editing THE CLOCKWORK TIME MACHINE in time to send it to Debra, then revising SPECTRAL IRON in time to send it to beta readers, plus two stories for an upcoming anthology, then an essay, plus conference travel, oh finishing the Hugo reading and voting, plus that wedding, and wait shouldn't I pay my bills aaaaaa ….

It's a wonderful life. Back to it!

-the Centaur

Soaring on Thermals

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As you may be able to see above, I've managed to do something I don't recall having done ever in Nano: consistently stay ahead of the curve for the whole month to date. By my count, I'm almost 8% ahead of the game at the halfway point … over two full days.

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While there were a few days I didn't get any writing done, I was always ahead of the game, so I never fell behind … meaning the "Current Debt" column was always positive … meaning I'm always in the black. Huzzah!

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This is a good feeling, but there's slightly more to it than that. I made a discovery. I'm not actually writing HEX CODE.

I've been writing the whole damn SPELLPUNK trilogy.

As I wrote, the story kept getting bigger and more bloated, while at the same time it was missing something. Threads left out. Pieces which didn't quite fit. The magical computer virus of the title, the "hex code", appeared in strangely spotty ways. And there were all these other threads, threads about the Werehold, the new werekin home.

I was thinking through how to fit these things together, and then started to notice something. I always had three titles in mind for the SPELLPUNK trilogy: HEX CODE, BOT NET, and ROOT USER (originally the last two were swapped, but whaddya know). And then I noticed: the first part of the book deals with the "hex code", then later a "bot net" appears, then later, in the last part of the story … a "root user" appears.

Am I writing the whole trilogy? I asked myself. I pulled in the 700 words I'd written on the second novel. I reorganized some sequences. I started fleshing out more and more pieces. Finally, I allowed myself to write a sequence that I had considered dropping, when I thought I was writing just one young adult novel. But if this part of the book isn't a part of a book, but an entire book in and of itself, that sequence was needed, was logical, was even demanded …

And 1400 words immediately popped out of my pen. (Well, keyboard, but you know).

So I'm even further ahead than I expected, not just on this month's Nanowrimo thanks to this burst of creativity, but now on the next few years of my life. I knew I needed to get three books out in the next year - THE CLOCKWORK TIME MACHINE, HEX CODE, and SPECTRAL IRON - and five in the next two years - PHANTOM SILVER and one or more sequels. But now, I'm closer to the end of HEX CODE proper than I'd ever thought I'd be, I have a huge jump on the sequels, these books will all be shorter than the 150,000 word behemoths that I'd been turning into Debra … and they'll have an inter-book cohesion that I've never attempted before, but which falls out naturally from the nature of the story.

In short, the story gets to breathe … and so will I.

At least, that's the theory. I still have five novels due in the next two years. So, back to Nano. I have almost 22,000 words to finish for this month, after all. But now I'm not just flying above the mountain; I'm soaring above it, rising on thermals to new heights. Now, beyond what I have due, I also have a ray of hope - and a plan for success.

Onward!

-the Centaur

Reading the Manual after Jumping from the Plane

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Still plugging away at HEX CODE. But even in the middle of Nanowrimo, when I'm desperate to make my word count before my upcoming adventures, even when I have a good feel for what needs to happen in the next scene … it still helps to do research. Above you see a pile of books fairly typical for working on Cinnamon Frost stories, plus one recreational one (I'll leave it to you to figure out which one from the negative space of the context) and here's how they have helped me. For those just joining us, Cinnamon Frost is a teenage weretiger with Tourette's Syndrome who grew up basically on the streets, and ...

  • Chelsea Cain's "Wild Child: Girlhoods in the Counterculture" helped me get in touch with something entirely outside my experience … growing up as a teenage weretiger in essentially a werekindred commune.
  • Brooks Landon's "Building Great Sentences" audio course (of which I have the printed notes above) reminded me to keep vary the patterns in my sentences, which helps me (in my terms) "solve problems" as I try to deliver the information I need to keep the plot moving while maintaining the right rhythm.
  • Ntozake Shange's "For Colored Girls Who Have Considered Suicide / When the Rainbow is Enuf" also helped me get in touch with the experiences that someone in a marginalized community might have, though I wasn't able use this idea in today's writing session, it might come up soon.
  • Patrick Newman's "Tracking the Weretiger" is just damn fascinating, and is helping me flesh out the plot of the rest of the "Dakota Frost, Skindancer" / "Cinnamon Frost, Spellpunk" / "Quarry" series.
  • The Jesus Seminar's "The Parables of Jesus" is helping me flesh out the moral dimensions of the story, by deriving the moral stances of the more "heroic" characters from the more "authentic" parables (at least, according to the Seminar) and deriving the stances of the more morally gray characters from the more "questionable" parables. Of course, all Scripture is profitable for instruction … but some parts of it do seem to get Jesus's message more on point than others, and by assigning a spectrum of goodness to different characters I get to play with a lot of interesting moral conundrums.
  • Mitzi Waltz's Tourette's Syndrome: "Finding Answers & Getting Help" is also useful for helping me portray the subtle aspects of Tourette's Syndrome, which Cinnamon suffers from, but which is notoriously difficult to portray correctly without it devolving into caricature. It has given me new plot ideas for the whole book and actually makes some of Cinnamon's weird behavior seem much more understandable, but I need to work it in.

As for the last book, for now it's fun, but who knows, she's a math genius, so maybe it will work in.

I didn't read all of these over lunch, but I got a chapter or a half dozen pages of each, and as a consequence: I found out some interesting other conditions people might suffer from, gave them to a character, creating an instant conflict, and gave Cinnamon a new coping tool, leading to more conflict.

Easily three to five hundred words popped out of today's salsa of reading, putting me way ahead:

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I'm doing my level headed best to not rest on my laurels though, as I have a LOT more to go:

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Still climbing that mountain. Still reading the manual as falling out of the plane. Still writing 1666+ words a day.

Onward!

-the Centaur

Still flying above the mountain…

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… trying to get a good buffer before the crazy that is Comic-Con starts. That is all. Oh wait, an excerpt:

“So … how’s the investigation going,” I asks warily.


Mom chews, thinking. “Like shit,” she says. “One round of emails, mostly to my friends, but neither Philip nor Jinx nor Avenix were able to track the emails back to the source. They’re arguing now whether it’s Korean or Russian hackers, based on plaintext in the binaries, but—”


“That could be, like, contract work, or a smokescreen,” I says, tryin’ to keep up.


“Either one would be scary,” Mom says. “There’s more thought going into this assault than at first I thought.”


“And you’re still cuttin’ me out,” I says, scowling.


“Until Jinx gets us a way to look at the material without getting killed, yes.” Mom says. “After we have a better grip on what’s safe … actually, I would love your mathematical expertise on this one, Cinnamon.”


“Why?” I asks suspiciously.


“The mathematical patterns in the display code,” Mom says. “Jinx says they remind her of your cat’s cradles—”


“I did not have anything to do with this,” I says hotly.


“I know, I know,” Mom says, “but you are familiar with dangerous magic. I … I just don’t want you hurt, but you might be able to help us.”


“Fine,” I says. “Math is supposed to be fun, not a chore.”


“You don’t have to help,” Mom says.


“I’ll do it,” I says. “I … sigh, can I lay the cards on the table, Mom?”


“Sure.”


“I feel better, and want to go for a run tonight,” I says.


Mom purses her lips.


“I’ve already asked a friend from the werehouse, like you asked,” I says. I juts my chin out in defiance. “My boyfriend. Tully.”


Mom frowns.


“Whatdja got to say about that?” I asks defiantly.


Mom shrugs. “That … is what I said, isn’t it. Run with a friend from the werehouse—”


“It sure as hell is,” I shoots back.


“What about that thing on your ankle?” Mom says.


“I’ll be sure not to take it into any Edgeworld locations,” I says. “I ain’t stupid.”


Lots going on there. More to come. That is all.

-the Centaur

Thinking Ink Press Instant Books at the Arsenal

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It's amazing how things come together! Several of the Instant Books created by Thinking Ink Press, the small press of which I'm a part, are now on display as part of the local book section of the Arsenal artist-owned art store in San Jose!

One of the great things about Instant Books is that they seem to be opening new doors. I really enjoy working with traditional publishers and editors like Debra Dixon at Bell Bridge Books, and all my novels are published that way, but working with the writers and artists at the Write to the End group has really opened my eyes to the physical joy of handmade books.

Sure, I've done a couple printed chapbooks for my own amusement, but author and paper artist Keiko O'Leary introduced us to this folded format. Fellow flash fiction author Betsy Miller and I started thinking about the stories we had that fit the format. Writer and editor Liza Olmsted helped us prepare them for publication. Keiko, my wife Sandi, and I provided the art. And creative barrier-buster Nathan Vargas gave us important feedback that helped us push the project home - telling us how the prototype books had an awesome feel, like "snack books" that you can read in a single sitting but still get the feel of reading a traditional book.

Except on much, much nicer paper. It matters. It really matters.

My two titles are the flash fiction collection "Jagged Fragments" and the steampunk chapbook "Jeremiah Willstone and the Sorting of the Secret Post", and Betsy has the flash short "Bees.

So drop in on the Arsenal and check them out, or stay tuned to Thinking Ink Press for more awesome books!

-Anthony

Happy Freedom Day

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That's not a flag, but it is my Nanowrimo word count for the day, so I'm off to enjoy the Fourth of July holiday with my wife. If you're American, celebrate this moment - by convention, commemorating the signing of the Declaration of Independence, but by connotation, commemorating our liberty. If you're not American, hey, you can still take this moment to reflect on the ways in which you are free … and how important it is to preserve those freedoms. Enjoy the day!

-the Centaur

Now this is a different way to start the month

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Normally a couple of days into a Nanowrimo project I'm already a bit behind, wondering how I'll catch up. Today I'm actually ahead for the second day in a row. Onward!

-the Centaur

Climbing the Mountain Again

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Well, I haven't finished editing THE CLOCKWORK TIME MACHINE in June like I wanted to, but it's now July, and I'm out of time. So it's back to another Nano challenge, the Camp nano challenge for July, in which I'll write 50,000 words of the Cinnamon spin-off novel, HEX CODE.

After much struggling, I have come to accept that this Cinnamon Frost novel, which comes between Book 4 and Book 5 of the Dakota Frost series, can go nowhere else other than between Book 4 and Book 5. if HEX CODE had happened before Book 4, SPECTRAL IRON, the story would collapse: Dakota could solve the problem with one phone call, if that, and my 150,000 word book would collapse to a 30,000 word novella. Same thing with PHANTOM SILVER: if HEX CODE hadn't happened immediately before Book 5, half the plot would collapse, and I'd need to contrive reasons to do things which are completely natural.

But I still owe THE CLOCKWORK TIME MACHINE to Debra sometime before the end of August for the book to come out this year, and I still need to get SPECTRAL IRON to Debra by January 31st of 2016 so it can come out in 2016, and PHANTOM SILVER to her by January of 2017 so it can come out in 2017 … which means HEX CODE needs to be done in the middle of 2016 so we can get that book out between Books 4 and 5. That means I need to write something like 50,000 to 100,000 words in the next six months, and edit the draft, and send it to beta readers, and edit it again, all on top of everything else I'm doing.

I sure do live in interesting times.

But I'm done with my word count for today, so I'll be diving back into CLOCKWORK for the rest of tonight. And I've got a long weekend coming up, with all next week off leading into Comic-Con, with no responsibilities for Comic-Con itself this year (thank God) other than showing up and having fun, so … perhaps this is going to work out.

Oh, right, an excerpt! I think that's safe in this case. From today's first draftiness:

I tenses up. I knows where this is going.

“I,” Mom says, whapping my leg, “am not my mother. I remember fighting monsters and wizards with you. You are reckless and amazing, and I’d love to say you can definitely take care of yourself … but I also remember you’ve been kidnapped, and you nearly set the city on fire.”


“Yes, Mom,” I says. “Sorry, Mom.”


“You are not formally grounded,” Mom says. “But I don’t want you going on a run—”


“Aww, man,” I says.


“—don’t want you going on a run until the situation and your vitals are more stable,” Mom says, pointing at the heartbeep machine. “Not until we can get more security for the house, and coordinate a plan to keep you safe away from the house—”


“Aww, Mom,” I says, “that spoils it. I gotta run by myself—”


“You run with Tully,” Mom says. “You ran with hunts at the werehouse. Did any of that spoil it? Look, Cinnamon, I’m not stupid. I will find out if you have snuck out … but I can’t stop you from sneaking out. You’re an experienced and stealthy street tiger who can turn invisible, and I’m a weak mortal human who needs to sleep. You will get out if you want to. But we’re in a difficult and terrible situation in which our friends are literally exploding and you were attacked so hard it put you in the hospital. All I ask is that you not go for a run until you heal up and the situation calms down, and that if, God forbid, you’re crawling the walls so much you can’t stand it, find a friend from the werehouse and go on a run with a partner.”


I set my lip. I wants to run free. I can outrun anybody. I wants to run free.


“Fine,” I says at last, fuming. But I’m really smart … and I’ve seen the escape hatch.


Mom stares off in the distance. “I know you’re really smart, so I want you to think about what our friend Special Agent Philip Davidson would call operational security. Think about what you can do to make it hard on the bad guys. Change your time, change your route, run with a friend or even a whole hunt—and text me your location. I promise not to freak. In fact, if you’ve done something bad and you need my help, I want you to say that. Tell me, “don’t freak”—but tell me, or I swear to God I am going to ground you until the heat death of the universe.”

Only 48,000 words left for the month of July. Onward!

-the Centaur

At Clockwork Alchemy this Memorial Day

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This Memorial Day weekend, I'll be at the Clockwork Alchemy conference in the Author's Salon. I'll have on hand the new steampunk anthology TWELVE HOURS LATER, plus of course the newly released third Dakota Frost, Skindancer book LIQUID FIRE, which, despite the presence of an airship, is firmly an urban fantasy novel.

If I'm not at my table, I will likely be appearing at:

  • The Science of Airships Saturday, May 23 from 2pm - 3pm in the San Juan Workshop Room
  • Steampunk Comics Saturday, May 23 from 6pm to 7pm in the Author's Salon.
  • Writing Steampunk: Sunday, May 24 from 2pm to 3 pm in the Carmel Fashion Room

In addition to TWELVE HOURS LATER and LIQUID FIRE … I may have something else at the table. Stay tuned.

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-the Centaur

It’s Official

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After what seems like forever attending as a fan, and at least a decade of being an Eternal Member, it's finally official: I'm a "guest" of Dragon Con:

Anthony Francis

By day, Anthony Francis works on search engines and robots; by night, he writes science fiction and draws comic books. He's the author of the Dakota Frost, Skindancer series including Frost Moon, Blood Rock, and Liquid Fire, and is the co-author of the 24 Hour Comic Day Survival Guide.

Technically I'm an "Attending Professional" as I am at San Diego Comic Con, but at least now I will appear in the program, which will hopefully make it a bit easier to find out where I am supposed to be.

Last year, I was about to head to dinner with a friend and recalled that there was an interesting sounding panel. "Hang on a bit," I said over the phone, "let me see who's on this panel." I checked. I was listed as one of the panelists. I quickly excused myself from dinner and ran down to the Writing Track, about a minute or two before the panel started. "So," I asked, "who's moderating?" All eyes swiveled to me, and I quickly pulled out the program to figure out exactly what I was supposed to be moderating.

It was a great panel. But I like a little warning, and hopefully being a bit more official this year will help.

See you at Dragon Con Labor Day weekend, or if you're in the Bay Area, at Clockwork Alchemy this Memorial Day weekend … if you bring me a copy of LIQUID FIRE, I'll sign it for you. I might even sign other books too. :-)

-Anthony

Hustle and Bustle at the Library

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I've felt quite harried over the past few weeks … and talking with another author, I realized why.

In April, I finally finished my part of Dakota Frost #3, LIQUID FIRE - sending comments to the publisher Bell Bridge Books on the galley proofs, reviewing cover ideas, contributing to the back cover copy, writing blogposts. I also as part of Camp Nanowrimo finished a rough rough draft of Dakota Frost #4, SPECTRAL IRON. But at the same time, I had recently finished a short story, "Vogler's Garden", and have been sending it out to quite a few places.

In May, we expect LIQUID FIRE will be out, I have two stories in the anthology TWELVE HOURS LATER, and I have three guest blog posts coming out, one on "Science is Story: Science, Magic, and the Thin Line Between" on the National Novel Writing Month blog which has gotten some traction. And I'll be speaking at the Clockwork Alchemy conference. Oh, and I'm about to start responding to Bell Bridge's feedback on my fourth novel, THE CLOCKWORK TIME MACHINE.

Holy cow. No wonder I feel so harried! But it's all for a good cause.

-the Centaur

Pictured: a friend at work shattered his monitor and inadvertently made art.