
“Solomon’s Baby” is live at 365 Tomorrows! Go check it out - it’s only 300 words. Go on, you want to!
-the Centaur
Words, Art & Science by Anthony Francis

“Solomon’s Baby” is live at 365 Tomorrows! Go check it out - it’s only 300 words. Go on, you want to!
-the Centaur

So I started off this year with all sorts of big plans - blogging every day, hitting the ground running at work - and it’s kind of funny to stumble so close to the starting gate. I missed blogging yesterday, and I missed today at work entirely due to bleah.
But things happen for a reason, I think; the world looks deterministic and impersonal down at the level of the laws of physics, but there’s a structure to it at a higher level which, if not real, is at least something we can take advantage of.
Case in point one: I’ve been pushing hard to finish a revision to the first chapters of my novel, THE CLOCKWORK TIME MACHINE, but it’s slow going as I’ve had to rethink my whole approach to the book. Digging through my other Jeremiah material for inspiration, I found an almost-finished novella, which my obssessive-compulsive tendencies sucked me into trying to finish. (Procrastinating on one project with another project is worth further discussion, I think, but that’s another blogpost for another time, if I haven’t already blogged on it, that is). But I made myself stop after I took a pass, and tried to tackle my daily blogpost.
At which point a friend dropped by to talk. I was at Coupa Cafe, a hot spot for great Venezuelan coffee and Silicon Valley’s startup culture, which isn’t just about startups, but is actually a hotbed for intellectual discussion. In thirty short minutes, my buddy and I dove far into the intricacies of deep learning, something which affects me a lot at work - and just as that was winding down, one of his other friends dropped in, and started quizzing me about the mathematics in my urban fantasy novels. Turns out he’s an expert in precisely the same areas of mathematics that my young protagonist Cinnamon Frost is - so I see more conversations in our future.
Definitively, that conversation was worth more than the schedule of my blogposts, so it was the right thing to do to fully engage with the human beings right in front of me rather than sticking mechanically to my plan. It’s really important to take advantage of these opportunities and to capitalize on them when they happen. That’s what this world is structured for.
Now, I’m not sure how I’m supposed to capitalize on catching my wife’s flu and waking up feeling like someone pummeled me with a half ton of bricks, but I’m sure there’s some lesson or opportunity in there. At least I … uh, dunno, got to drop off my dry cleaning on my way to the local restaurant for some hot chicken soup? Not sure what’s the lesson in there. (Though it’s probably a sign that I need to sit down with my laptop and catch up on writing documentation, which I can easily do from home).
-the Centaur

I’m taking on a new writing project - posting once a day on this blog this year - and, naturally, the first thing I open when i start a writing project - after Word or Ecto, to write the text - is Microsoft Excel, to track what I’m doing. Maybe that’s a sign of my so-called “left brain analytical tendencies” (NOTE: the left brained / right brained nonsense is a MYTH, used here for entertainment value only); after all, Quentin Tarantino once said “you can’t write poetry on a computer” and I doubt he spins up Excel on his yellow notepads. But a lot of successful cartoonists I know, like Bill Holbrook of Kevin and Kell, got their start on their most successful projects by getting an inventory - a month or two of backlog that they could use to prevent themselves from getting behind, and the only way I know to get that far ahead is to actually track what you’re doing.

It’s been a useful exercise so far. I found about half dozen old blog posts that never got posted (some quite stale now) and found many other ideas popping to mind just by writing them down. I also realized the limits of my Excel-fu, as the nice diagrams I generate for my Nanowrimo progress are actually the outcome of a lot of careful tweaking which I can’t easily replicate quickly.

But the exercise is really helpful. Just like all the other things in my life I’ve gotten more disciplined about tracking - my Nanowrimo progress, my word count, my short stories, my TODOs, my office piles - I’ve found great benefits come quickly, and it brings clarity, focus … and a great feeling of relief when you hit Save and are one more unit ahead of the onrushing wolf.
-the Centaur

One of the things I’ve noticed is that its a lot easier to do things with social support. "Back in the day we used to call that peer pressure, son.” - but not so fast, Tex; hold on. When you try to do something for yourself, by yourself, it’s easier to give up; but when you involve another person, it’s far easier to hold yourself accountable.

Now, I think there’s some actual scientific studies on this, but that’s not what I’m referring to: I think I have directly observed this in my own life. You are the easiest person to fool, of course, but I am trained as a scientist, which means, in part, that I observe the world, that I record what I observe, and I analyze it, looking for patterns. And above, you can see that the only two times I failed at a National Novel Writing Month like challenge were the two months I didn’t do it with the social support of the formal challenges - when I tried it in the off months of August and December.

The same thing happened this year: my December writing, which I’ve consciously tried to keep up each day, has in truth been quite spotty. Now, there are vacations, holidays, and the year end crunch in there, but it’s surprising that I got so little done - and perhaps NOT surprising that the days I did best were the regular writing group days of the 29th, the 22nd, the 15th, the 8th, and the 2nd (at least best compared to the days immediately around them; the 22nd was thin).

So I got a little over 1/5th of the writing done in December than my typical November (and a lot less than in this previous November, which was epic). Perhaps that’s because in Nano I’m writing new material, and in December I also edit, but still, the social support - a group of peers who are trying to accomplish the same goal - really seems to help.
My wife and I have noticed the same thing at the gym; so has my friend Gordon. Jim Davies and Lou Fasulo do the same thing with their epic New Year’s resolutions. Agile development is a mixed bag at best and active, harmful voodoo at worst, but its daily standups nonetheless have the same kind of social effect.
So if you want to do something … consider finding a friend who wants to do it too.
-the Centaur

My flash fiction short, “Solomon’s Baby”, is going to be published soon in 365 Tomorrows, a daily magazine of flash fiction. By my count, this is my 13th accepted short story, and will likely be the 11th published (as I have 2 in the queue at the forthcoming anthology 30 DAYS LATER). As I’ve said before, this just goes to show that if you write, if you finish what you write, and you send out what you write, you’re much more likely to get published than if you stare sadly at the manuscripts at the bottom of your sock drawer muttering “if only … if only” as you slowly scoop shovels of chocolate ice cream into your mouth with a dull spoon. But hey! Your mileage may vary, so if that works for you, knock yourself out (or at least give yourself a great ice cream headache).

-the Centaur

Hi, I’m Anthony! I love to write books and eat food, activities that I power by fiddling with computers. Welcome to 2016! It’s a year. I hope it’s a good one, but hope is not a strategy, so here’s what I’m going to do to make 2016 better for you.
First, I’m writing books. I’ve got a nearly-complete manuscript of a steampunk novel JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE which I’m wrangling with the very excellent editor Debra Dixon at Bell Bridge Books. God willing, you’ll see this come out this year. Jeremiah appears in a lot of short stories in the anthologies UnCONventional, 12 HOURS LATER, and 30 DAYS LATER - more on that one in a bit.
I also have completed drafts of the urban fantasy novels SPECTRAL IRON and HEX CODE, starring Dakota Frost and her adopted daughter Cinnamon Frost, respectively. If you like magical tattoos, precocious weretigers, and the trouble they can get into, look for these books coming soon - or check out FROST MOON, BLOOD ROCK and LIQUID FIRE, the first three Dakota books. (They’re all still on sale, by the way).
Second, I’m publishing books. I and some author/artist friends in the Bay Area founded Thinking Ink Press, and we are publishing the steampunk anthology 30 DAYS LATER edited by Belinda Sikes, AJ Sikes and Dover Whitecliff. We’re hoping to also re-release their earlier anthology 12 HOURS LATER; both of these were done for the Clockwork Alchemy conference, and we’re proud to have them.
We’re also publishing a lot more - FlashCards and InstantBooks and SnapBooks and possibly even a reprint of a novel which recently went out of print. Go to Thinking Ink Press for more news; for things I’m an editor/author on I’ll also announce them here.
Third, I’m doing more computing. Cinnamon Frost is supposed to be a mathematical genius, so to simulate her thought process I write computer programs (no joke). I’ve written up some few articles on this for publication on this blog, and hope to do more over the year to come.
Fourth, I’m going to keep doing art. Most of my art is done in preparation for either book frontispieces or for 24-Hour Comics Day, but I’m going to step that up a bit this year - I have to, if I’m going to get (ulp) three frontispieces done over the next year. Must draw faster!
Finally, I’m going to blog more. I’m already doing it, right now, but one way I’m trying to get ahead is to write two blog posts at a time, publishing one and saving one in reserve. This way I can keep getting ahead, but if I fall behind I’ve got some backlog to fall back on. I feel hounded by all the ideas in my head, so I’m going to loose them on all of you.
As for New Year’s Resolutions? Fah. I could say “exercise more, blog every day, and clean up the piles of papers” but we all know New Year’s Resolution’s are a joke, unless your name is Jim Davies, in which case they’re performance art.
SO ANYWAY, 2016. It’s going to be a year. I hope we can make it a great one!
-the Centaur
Pictured: The bookshelves of Cafe Intermezzo in the Atlanta airport, one place where I like to write books and eat food.

Recently a colleague asked me if I had any advice on being a better writer. I thought I’d posted about that, but it appears that I hadn’t, so I tried writing up my thoughts. That was too much, so I summarized. That was too much, so I summarized it AGAIN. And then it was short enough to share with you:
The super short version is to be a better writer, just write!
I often recommend morning pages - writing three pages about random topics at the start of your day, even "bla bla bla" if you have to - you'll get tired of writing “bla bla bla" quickly, and this will help cure you of the feeling you need to wait for your muse.
This advice comes from the book The Artist's Way, which is a great course to take; I also recommend Strunk and White's The Elements of Style and Brooks Landon's Building Great Sentences on grammar and style, Ayn Rand's The Art of Fiction and The Art of Nonfiction on writing and structure, and The Elements of Editing and Self-Editing for Fiction Writers on editing.
I also recommend that you read a lot more than you write, especially writing of the kind you want to emulate; take a look at it and see what makes it tick.
For fiction and other similar writing I recommend finding a writing group first, not a critique group; there are several good ones in the Bay Area including Write to the End and Shut Up and Write.
For the kind of internal communications you're talking about, you might try looking at marketing and documentation literature or the great writers internally that you admire - also popular writers, technical and nontechnical, in the computer field.
As for blogging, my recommendation is to just blog - try to do it regularly, at least once a week or so, about whatever comes to your mind, so that you create both a growing store of content - and again, a habit that helps you just write.

I’ll try to expand on these recommendations, but if I had to boil it down even further, I’d say: just write!
-the Centaur

Like magic? Like tattooing? Like werewolves? Like feisty magical tattoo artist fighting off a charming rogue werewolf suitor with a stick, while the two of them might just be prey to a serial killer targeting the magically tattooed? Well, if so, you are in luck, because the first book in the Dakota Frost, Skindancer series, FROST MOON, is now on sale on Amazon!
I’m hard at work at Book 4, SPECTRAL IRON, and Book 5, PHANTOM SILVER, and even a spinoff series starring Dakota Frost’s adoptive daughter, Cinnamon Frost, starting with the book provisionally titled HEX CODE. So if you read these, I plan on having a lot more where that was coming from! I hope you enjoy!
-the Centaur

So another Nanowrimo draws to a close. The title says HEX CODE, but today’s writing was finishing out a few details in scenes in BOT NET (the second part of the Spellpunk trilogy manuscript I’m working on) and then a new beginning for ROOT USER (book 3). That new beginning, which played out a scene I’ve had in my head a long time, was very easy to write.
“That’s a damn shame,” says a distant voice, “so large an animal, in so small a cage.”
Muzzily, I grogs awake. What the fuck? Can’t they see I’m sleepin’? But then the words they’ve spoken starts to set in, balls in a Pachinko machine, rattlin’ in through the Pascal’s Triangle patterns in my brain to rack up a score of maximum annoyance.
The cage, you see, is large, for its type—a safety cage. Eight by thirty, made of elaborate wrought-iron vines, fashioned special from a welder we knows in Little Five Points, the safety cage is the largest and nicest I’ve ever been in—and the largest we could fit on our front porch.
The porch is big, and Southern, in front of a house big, and Southern, a third of the way down Fairview from Moreland, not three blocks from L5P. Pretty big even by Atlanta standards, but county code sez leave the front door unblocked, so thirty feet wide is was the cage limit.
Not that it feels limiting; there’s lamps and books and ferns and an ahw-SOOOME sectional sofa we found at an outdoor patio store, which stretches almost from the porch door on the left to the <regulation width with code #> stair down to my den.
It’s a full fourteen feet of sofa, fully twelve feet of it usable—which is a good thing, because stretched over it right now, covering just about its full length this very instant, is the enormous animal that the annoying interpopers have named.
Me.
That’s why the last day of Nano has that spike: let your inspiration flow!

That brought me to over 65,000 words, the most I’ve done in Nano, as far as I know, ever:

SO I have a new record to beat. But I also cracked 700,000 words on my spreadsheet … which means, since I’ve done Nano at least three times before, my total Nano total is 850,000 words.

I feel pretty happy about that. Nano has brought so many creative ideas to the table, I can’t even begin to describe it. Easily a half dozen completely new ideas came to me this month - one even within the final writing session just before midnight tonight. I have to credit Nano for giving me this inspiration.
Now, onward to the next round of edits on THE CLOCKWORK TIME MACHINE … and the 50,000 other projects I’ve been putting off, like my library … though I *might* take out a little time to play a video game, or, perhaps, read a book … you never know ...
-the Centaur

So today I passed my all-time record (for as long as I’ve kept records) at Nano, completing 60,900 words at Nanowrimo. The key I think is not just taking this week off, not just keeping going, but daydreaming about my characters—then, whenever I get inspired, writing that scene. Almost all of the huge spurts you see below came out of that:

Today, it was pretty easy to write. I got about 500 words finishing up a few loose ends. Then I wrote a longer scene with Cinnamon and her fae mentor the Huntswoman, and almost a day’s worth of writing popped out of my keyboard. Then I decided to write another scene, one from ROOT USER (the third book in the trilogy, of the large manuscript I’m working on) and got 2000 words in about 30 minutes (!), all from choosing to write this:
But no matter how I tries to ignore it … I can’t ignore what they says next.
“And if they lose a hunt,” the jerkboy says, “guess what? They eat the loser—”
“You take that back!” I shouts, poppin’ to my feet. I hops over the nearest table and barrels down on the boy, who’s hoppin’ to his feet as well, his buddies standin’ to come to his aid, actin’ like I’m neither a girl he should play nice with nor a monster who could rip his throat out. “You take that back this instant!”
“What?” the boy says, eyes gleaming at me. “The part where they eat the loser—”
“We are not cannibals!” I screeches, snarlin,’ my whiskers comin’ in, my fur comin’ out.
“I bet she’s eaten her share,” one of the other boys says. “Like, weregazelles and shit—”
“The herbivores are our friends! We runs together! Nobody eats nobody on my hunt!”
“Your hunt,” he says. Everyone’s circled around us now, the boy standin’ out front. He’s big, so, I guesses, he guesses he can take me in a fight. Good fuckin’ luck. He grins with a nasty smile. “Like anyone would follow you—”
“I had twelve followin’ me on my last hunt,” I says. “Thirteen, actually—”
“I thought you could count,” he says. “What, you lose one? Eat one?”
I snarls and steps forward, and he leans back, fists up. I raises mine.
Then I turns away. “Not worth it,” I mutters, lookin’ at the huge crowd around us. He swings and clocks me behind the ear, and I kinda shrugs and shakes him off. “Not worth it at all,” I mutters, boltin’ through the crowd, walkin’ fast towards the exit. “At all—”
“Where are you going, Miss Frost,” says the proctor.
“The deans’s office,” I says. “I just picked a fight.”
“Wait just a minute,” he says, hand reachin’ for me, but I shrugs him off.
“Get off me, or I go to the safety cage,” I says, snarlin. “And call for my Mom.”
“Yeah, call your mother,” says the jerkboy, who followed me.
“Christopher, I see your mouth is open,” the proctor says coolly. “Close it.”
And the scene which follows, in which Cinnamon goes to see the Dean of the Claremont Academy, who’s more cool than even I anticipated — I mean, drill sergeant in a former life? Really? Makes sense. And helped me crack 60,000 words:

But the point is, never give up on Nano. It will continue to reward you, all the way to the end.
-the Centaur

I normally take off the week of Thanksgiving to finish Nanowrimo, and if you look at the stack of seven hundred thousand words that I’ve written in Nanowrimos, you can see the surge there clearly. (I bet it would be even more clear if I only counted the November Nanos, but I’m doing this graph in Excel, not Mathematica or Processing or R, so sue me for laziness).

But even so, it’s easy to see (if you are me) that I’m perilously close to beating my all time record for November, set in 2010 with THE CLOCKWORK TIME MACHINE with 60,164 words. And there ARE four days of Nano left, so I just may keep pushing on. My record per day that I’ve kept records is over 7000 words (almost certainly the mad scramble to finish LIQUID FIRE in 2009 after getting edits on BLOOD ROCK early in the month), so that’s easily doable. And my average for these four days is close to 4000 words. One year I even made 5300 words today, on the 27th, so keep your fingers crossed.

But as much as I like to take this week off - as much as antisocial me doesn’t want to accumulate obligations on my time, which I freely admit made the first half of this week miserable from the temporal anticipation - I really do enjoy hanging out with my friends and family, and even though I don’t get the chance to fly home to see my blood family over this holiday, I loved having the chance to get together at the house of my “brother from another mother” and his wife and to join them on their Thanksgiving.

Family, friends, and good times aren’t the only important things in life. But they sure do make life a lot better.
-the Centaur

At last, I’ve completed my 15th National Novel Writing Month challenge successfully! Victory, for the thirteenth time!

The graph says “HEX CODE”, but as I’ve said before, I discovered in July’s Nano that the manuscript I was working on was actually a trilogy - I already knew that Cinnamon appeared in a trilogy of books called HEX CODE, BOT NET and ROOT USER, but I was puzzled as to why the HEX CODE manuscript seemed both so cramped and so overstuffed. The reason? I was already writing the trilogy, with a discernible “hex code” appearing first, followed by a “bot net” then a “root user”. So I split the manuscript up … and just kept writing, until, earlier this month, I rolled over the end of HEX CODE.

Perhaps that’s why I was doing so well this year, or perhaps it’s because I’ve written almost seven hundred thousand words in National Novel Writing months at this point. But regardless, I had some real bursts of creativity in there. But even then, I have to tell you: it was always hard. The hardest words on this one were the last 8 … when I thought I was done. But you have to keep going! And the scene that popped out after that is beautiful.

Regardless, National Novel Writing Month is a joy to participate in, and I’m glad to have done it. The people and the connections I’ve made, the friendships I’ve built, the fantastic events like the Night of Writing Dangerously, the great writing programs that Nano supports, and the worldwide outbursts of creativity have made it all so worthwhile I plan to do it again and again.

So, for now, I leave you with one last excerpt, from BOT NET … containing something I learned about my world of werekindred tonight, when I had to write … and let my creativity take over. As always, excerpts from Nano are first draft material, so, consider yourself advised … but I love what I discovered about Cinnamon’s warehouse tonight.
I looks down at them. All their eyes are glowin. The moon’s gotten into them. It will be up soon. I gots to go take them runnin’ now, or they’ll go crazy. I stands before them, rearin’ up a little, puffin’ my tiger cheeks, lookin’ down at them, and they gets the hint, and steps back from the wall, towards me, towards me, the tiger.
“Alrright,” I snarls. “None of ya get killed, or, as Mom would say, you’re grrrounded. ”
They all laughs, and I grins and stamps a paw.
“You feel the moon?” I says.
“We feel the moon!” they all shouts back. Whoa. Better response then I expected.
“I said, do you feel the moon!” I roars.
“We feel the moon!” the hunt screams.
“Then show me your beasts!” I snarls.
The lawyer strips off his jacket, his shirt, snarling, his head poppin’ out wolf so fast even Tully would have been proud of it. Hanser is a lynx before I’ve gotten a chance to look over at her, and the rest are poppin’ and changing. One buck is havin’ trouble, horns comin’ out of his head, fur crawlin’ over his body, but still no quad form, and I nods to Hanser, who pads over and licks at him playfully as he falls to the ground, crosseyed, eyes half pulled back like a buck’s.
But Willard, man, Willard’s havin’ real trouble. He’s bulked up, six and a half feet tall now, a black fur rug rippling out of his back, and oh-my-bod, what delicious muscles. But the shag carpet, it’s as far as he goes. He grunts, strains, then shakes his head.
He ain’t even taken his shorts off. He knows this is as far as he can go. Personally, I’m glad to have a half-human in the pack—easier to get feedback. He’s obviously got control, or they wouldn’t have given him to me, but is also obviously new to the Life. He needs help.
I prowls up to him.
“This your limit?” I asks, starin’ him in the eye. He nods, embarrassed, and looks away, but I raises a paw and catches him under the chin with the curved side of one of my claws, lookin’ at his head. “Listen to me: there’s no shame in our affliction. Repeat it.”
“Therrre’s no shame in ourrr aff—affl—affliction,” he says.
“Only prrride in our powerrr,” I says. “All of ya. Repeat it.”
“There’s no shame in our affliction,” the lawyer says, like, real articulate, even though he’s on all fours now, and his head’s all wolf. When’s this lack of concentration supposed to kick in? He shakes that wolf head back and forth, then howls, “Only prrride in our powerrrr!”
“Therrre’s no shame in ourrr affliction,” I roars, “only prrride in our powerrr!”
I prowls back and forth in front of them, listenin’ to them repeat it, those that can. The rest yip and yap and bark … except for the buck, who’s sittin’ there, dazed. His eyes are stuck halfway between human and stag, and he looks winded and dazed.
“But never rushin’ the hardest job any human ever has to do: controllin’ their own beast,” I says, steppin’ up to him. “You ain’t ready. There’s no shame; there’s always next moon. But this one, you ain’t ready. You relax, let the elders care for ya.”
The buck nods, still crosseyed, lickin’ his lips.
“Yyyouw waaant meeee,” Hanser yips, then goes quiet.
I looks back to see Fischer, standin’ there, under his broadbrimmed hat. He’s got the doc with him, black bag under his arm, I mean, seriously, cliché! But he nods to us, and they goes and sits with the buck as the rest of my hunt firms up before me.
“Four in front of you, Willard,” I snarls. “Or anyone else wanna sit this moon out?”
The pack howls and yips and brays, crowdin’ forward.
“Nnnever!” Willard says, beatin’ his chest.
“Yall wanna run?” I snarls.
The pack makes a yippin’. Weak.
“Eye said, y’all wanna run?” I roars.
And my whole hunt howls at the top of their lungs.
“Then let’s rrrun,” I roars, and Hanser at my side, bolts off into the forest.
Enjoy. And onward!
-the Centaur

Almost at the end of Nanowrimo. Closing in. About a day’s more work to go. Perhaps I’ll get to enjoy my vacation.
Oh, an excerpt:
FROM: “Cinnamon Frost” <frost.csf@dwa.gov>
TO: “Norcross Office” <everyone-norcross@dwa.gov>
CC: austin.wj@dwa.gov, cagayan.rg@dwa.gov, waldona.dg@dwa.gov
SUBJECT: Your security totally sucks
Okay. Hi! Straight to it: your security sucks.
Oh, wait, most of you don’t know me. Well, some of you may know me from “when the APD almost got its ass sued off” or “that time I saved the DWA's ass in the tunnels,” but for the rest, uh, Hi! I’m Cinnamon. I like to gnaw on things and do math.
SO ANYWAY, y’all have been botherin’ me a lot, so I hacked ya.
Hacking a government agency won’t have any negative repercussions, now will it? But very fun to write...

That’s why the last two days have been so productive! More tomorrow.
-the Centaur.
One of the things that I've been surprised by during this Return to my Library is how much I missed my own ideas. I knew, intuitively, that I used this external collection to help maintain my internal memories, but it wasn't until now, when a random album came up while I was preparing to go grab some food, that I realized it. The Matrix Revolution started playing, and I was not just reminded of the f@nu fiku series that the Matrix serves as a soundtrack to, but also an older project, DELIVERANCE, a novel set in the Library of Dresan universe. So many things have happened since then - a move to California, a theft in my car, a loss of my notebooks, a fortuitous sale of a new novel series, an ill-considered anthology, and a new project at work - that I had almost lost the mental context of all of that creative enterprise.
Tonight, doing a little random cleanup, in the place which I'd prepared for myself, but somehow forgotten, it all came flooding back.
Maybe all this effort to prepare a great space really is worth it.
Off to get my wordcount on. L8r.
-the Centaur
P.S. Yes, it might seem a bit strange to go out to dinner right when I'm celebrating my Library, but if you think that, you have no idea how much of a foodie I am. :-D
What you see there is my "working stack" at home ... the piles of books for my most active projects. These include Dakota Frost (shelves to the left and right that you can't quite see), Cinnamon Frost (middle shelf on the right, middle center shelf and others below), robotics at work (top shelf on the right), Thinking Ink Press (bottom visible shelf on the right and middle center shelf), Lovecraft studies (middle center shelf and top shelf on the left you can't quite see), and general writing (above, below, all around).
I accumulate lots and lots of books - too many, some people think - but there's a careful method to this madness, as most of these books are not recreational, but topical, filling out a library around things I'm trying to accomplish. This means that when I'm working on a problem on, say, a Cinnamon Frost novel, and get stumped, I can have the pleasant experience I had last night of glaring at a Wolfram MathWorld article, not finding all the info I needed, peering through the references ... and finding that the references pointed to a book I had on the topic, right in the Cinnamon shelf (pictured above).
For a long time I was terrified of my own library. Well, not terrified, but I'd piled up and accumulated so much stuff that I couldn't effectively use it. This has been accumulating since the days of my condo in Atlanta, which was approaching near gravitational collapse, but I've made two major pushes to clean up the library since I moved to California, which organized it usefully, as I've reported on previously, and since then two major pushes to clean up the files. I've still got a lot go go - you can see more piles below - but now I've got a better system for organizing paper, I am starting to develop a system to get things out of the library and back to used bookstores (slowly, grudgingly, occasionally) and ... I actually find myself wanting to go in here again.
The piles are still scary, but now I've got a nice reading area set up, which I can lean back and be cozy in...
My current reading pile and art projects are intimidating, but now organized and useful and even attractive ...
My cognitive science section has developed a cozy, hallowed feel, that makes me want to dig in more ...
... and at last I once again have a workspace which makes me want to sit down and work, or write:
I can't tell you how healthy that feels. I need to stay on top of that. But for now ... time to get back to it.
-the Centaur
P.S. Yes, I do actually use all those computers and monitors, though the one on the far right is slowly getting replaced by the floating hoverboard of an iMac that is now struggling to supplant my MacBook Air as my primary computer (good luck, you'll need it). For reference, there's my ancient MacBook Pro on the left, which formerly served as my home server; the iMac that's replacing it, hovering over the desk, a MacBook Air which is my primary computer, and the secondary keyboard and monitor for my old Linux workstation, which is about to be replaced because it's not beefy enough for my experiments with ROS.
... why do you ask?
Technically, a Cinnamon Frost novel is an urban fantasy novel with a young adult protagonist. I am doing some work to make it young adult friendly, up to a point, but at some point you have to acknowledge that as much as we all love her, we've got a formerly homeless and abused teenage weretiger with behavior problems as our protagonist, in a world which is a "real" world, not a young adult friendly world - and she's supposed to be a math genius, and if I'm going to have a story with a math genius, dang it, I want the math to be real math, even if takes me a while to figure out how to coherently explain what the heck a "loxodrome" is.
It's the spiral you get if you run stairs up the side of a dome, but your architect was lazy and made the stairs cut a fixed angle to the meridians in their drawing, rather than a fixed angle that's useful for constant climbing. Sigh. That's not clear either. Needs more work. Back to it ...
-the Centaur
P.S. And yes, I'm still on track for Nano. 
… just now getting to the point where I can think clearly. For a refresher, I’m working on the Spellpunk series, finishing up HEX CODE … and, since I discovered last time that I was actually writing all three Spellpunks in the same manuscript, there’s a small chance I’ll finish HEX CODE itself this month and move on to BOT NET. More news in a bit. That is all.


Hoisted from the archives … it was National Novel Writing Month 2013, and I was at the Write to the End writing group in IHOP and should have been writing on my book MAROONED, but I was very near my goal for the month, I had an idea, and was depressed about various feedback I'd gotten from work and life and editors and AAARGH! so I wrote this anyway.
SO anyway, IHOP. The Write to the End writing group normally meets in the side room, but not that night, and it’s because another group was meeting there. Presumably, they paid for that. Which is sad, because as a volunteer drop-in group we can’t pay for rooms. Nonetheless, IHOP feels like home moreso than most places we have met, even though it isn’t a coffeehouse and doesn’t have an attached bookstore. But I’ve learned, from the writing group, not to assume anything is permanent.
Write to the End has met in places that should have lasted forever, but didn't. Maybe we should have expected the small indie coffeshop Snake and Butterfly to dial back their hours (since they opened later as an experiment, for us), but who’d expect that Mission Coffee would come to an end? It was up the street from a college. People came in there all the time. But the signs were there, literally: walls and walls of pictures of a live music group that no longer met on the night we wrote.
But why should it be this way? We once met at Barnes and Noble, which was in the Bay Area before I came out here, which outlasted Borders, which might be out here after I leave (here’s hoping I don’t). Why couldn't we have been meeting at Café Borrone, which was running long before I came out to the Bay the first time, when I fell in love with writing in quirky coffeehouses?
But things change. Who could predict that physical books themselves might implode? If the bookstore next to Café Borrone, Kepler’s, disappears, so might Café Borrone. That’s why Barnes and Noble didn’t let us keep meeting there: B&N's business model changed, and they needed fewer community programs and more space for toys.
Even coffeehouses might end. Coffee could be made illegal. Alcohol was once. Seriously. Some people think that coffee is simply a drug with no stimulus benefits—the buzz you get off coffee is just withdrawal relief, and coffee has all sorts of health problems. I’m not sure the epidemiology supports that, but the researchers are out there that think that in all seriousness.
Perhaps there will be a new Prohibition. Maybe one day our grandchildren will look back on this and say, oh, how terrible it was that, during the Health Pogroms, coffee was outlawed for ten years. "Of course, we have coffee back now, but think of all the old historic coffeehouses were destroyed." Or even if coffee is not outlawed, we could have a Nazi takeover or a Soviet revolution or a Cultural Revolution that wipes out all of these types of meeting places.
So there are no firm places to stand.
But in Japan, there’s a hotel that’s been running for something like 1500 years — 400 generations in the same family. I know it’s a small bed and breakfast like hotel, but there are taverns in England that have stood since the 1500s. Think of it: we could have been meeting there, for the last two hundred years.
And that gives me hope, that we’re writing in the first two hundred years of the Write to the End group.


So my book reading at Books Inc in Mountain View happened, and I'm really happy with how it turned out. We had a lot of people show up - more than at first I thought - and there was a lot of positive energy from the people in the audience which made it easy to read. (Note: I took pictures before the event, but not during, because I was the speaker, and that would be just rude).

I actually was less nervous and stuttery speaking to this crowd than I was when I was sitting alone in my great room reading the passages I had planned. The thing I'm happiest about, however, is that I planned what I was going to read deliberately.
Normally I read, by reflex, the first section of whatever new thing I've got. But sometimes the setup is not that interesting, so I've tried reading really exciting bits. But that doesn't seem to work either - people demand context.

That led to a brainflash: I decided I should think not about what I wanted to read but what I wanted people to get out of the reading. I chose the first page and a half of FROST MOON to set the stage. At the last minute, I also decided to read a page and a half of BLOOD ROCK, filled with police, magic and vampires, to show progression in the world (and unabashedly to show off what I thought was a nice bit of writing). And then I chose to read the first half of a chapter out of LIQUID FIRE, tuning again at the last minute, to show off the action and adventure of "The Battle of Union Square." People seemed to love it - I even got applause.
What's more, the sequence of selections enabled me to talk about various aspects of the world I'd built - setting it in a time and place, making the action realistic, exploring consequences - and led into a really good Q&A session. Finally, I left a little time out to read the first chunk of THE CLOCKWORK TIME MACHINE, which also seemed to strike a chord. At the end, we had a line of people for signing, including one who bought a copy of the whole trilogy; many of those joined us for a victory dinner.
Wow. I am so happy that you all came, and that you all liked it. You really made my day. Thank you.
At first I thought just enough people showed up to fill half the seats, but I was wrong - there were actually many more people standing and watching who didn't sit down because they were late. I didn't see them because I was paying attention to the nearer audience, but I know this because some of them came up afterward to talk to me … and others took pictures and sent them to me.

What a wonderful event. I want to send my sincere thanks to Alex, the whole staff of Books Inc, and the staff of the upstairs Cafe Romanza, who have not only made this a great experience for me, but also have made this environment one of the best places I know to sit down, to get some good coffee, and to find and read a good book - or to imagine and write one.
-the Centaur