
As usual, it takes me some time to get back into a book, especially if I’ve spent the first few days of the month distracted by something like, uh, I dunno, scouting locations for the book.

But, now, after about a week of concerted work, I’m getting my legs under me. Blood remains in the water, but it is receding.

Should I include an excerpt? Ah, sure. Raw stuff, still needs more research, but, here you go:
“Hey, hey, hey,” I said. “Why would you want me to use the isolation tank?”
“Because Carrington got infected after a spirit journey she took here,” Heinz said. “A journey which just might have taken her into faerie, given our current theory. And since I have the magical affinity of a wet noodle, and wouldn’t know a faerie from a star on Broadway—”
“Troglodyte,” I muttered, glaring at him. “Fine, fine, fine, I’m the best suited for this … this suicide mission—”
“No!” Wilz said. “If you really think this will hurt you, no go. I don’t need the liability.”
I sighed, then stared at Heinz.
“In my professional judgment,” Heinz said, “if this was a normal infection, one of the hundreds of people who’ve used this isolation tank would already have been infected. If this was a magical infection, you would already have been infected by your prior exposure. And if there’s magic here at all … you’re the most likely one to find it.”
“Fine.” I said. “Fine—”
“I … will show you to the showers,” Wilz said.
Ten minutes later, I returned from a quick splashdown, holding tight to my body a big, warm, white fuzzy robe provided by Wilz, as Heinz looked at me with quite the smirk. I glared at him, then turned the glare on Wilz, who recoiled in a mix of surprise and curiosity.
“No commentary!” I said, peeling off the robe quickly, bare to my metal bikini. “Zipit!”
Wilz took the robe, then drew his hand across his mouth, glancing at Heinz.
“Okay,” Wilz said. “We’d rather not have to flush this water after each use, so—”
“Don’t say don’t pee in it,” I said, pointing at him. “I know that already! I’m an adult!”
“Yeah, well,” Heinz began.
“And you’re not!” I shot back.
“I didn’t personally put Doctor Orleans in the tank,” Wilz said. “I don’t know what was said, so I don’t know how to recreate the conditions that she, er, he, experienced while in there. All I can tell you is to lie down, to relax … and to keep your head above water.”
“I hope there’s a headrest,” I muttered.
“There is,” Wilz said. “Let me help you in—”
The Epsom salt laden water of the tank was warm, thick, almost tacky as I went in. The tank made soft booming noises as I moved, strangely muffled by the outer padding. Wilz helped me straighten out to level, then guided my head down to a horseshoe-shaped rest.
—
The door of the tank closed … and I was left in darkness.
Onward!
-the Centaur











Wow. I guess a lot of books are going to be waiting for me when I get home tonight ... either the shipment of
One more 
Huzzah! I have once again completed Camp Nano, the little sister to National Novel Writing Month! This marks the seventeenth time I've written 50,000 words in a month!
This month was pretty rough between the recent book launches of THE CLOCKWORK TIME MACHINE and the reprint of TWELVE HOURS LATER, not to mention the upcoming release of SOME TIME LATER - plus a whole bunch of work at work-work teaching robots to learn when the darn things just want to not learn.
That left blood in the water for most of the month, but I really, really, really wanted to be able to take Sunday off and spend time at church, with my wife and cats, and getting caught up on stuff, so I powered through it, trying to make sure I didn't just finish the 50,000 by my count, but also finished the extra ~1500 or so words caused by the discrepancy between the Camp Nano word counter and the one on Microsoft Word, which I use every day.
I was really struggling until I remembered working on my first Nano project, FROST MOON, in which I had to take my characters to the "werehouse" ... which I had no idea how to write ... but just dove in, creating some wonderful ideas that fleshed out the story wonderfully, including Cinnamon Frost. Well, this time I had Dakota and one of her friends heading to a Hopi kiva, and I had no idea how to write that either ... so I just dove in:
Best of luck, fellow Camp Nano campers!
-the Centaur 

Q: So, these anthologies, what’s the story behind these collections of stories?
AJS: Beginning with Twelve Hours Later, the anthologies have been an effort at showcasing the authors who attend Clockwork Alchemy each year. We wanted to have a way of introducing the whole crew to new readers in one swoop, and we also wanted to give back to the community that attends the event. The charity component has seen over $400 donated to the San Jose Public Library system in the past two years, all of which is intended for literacy programs. We’ve been really pleased with the reception of both Twelve Hours Later and Thirty Days Later. This year’s anthology Some Time Later will round out the trilogy, and we think it’s the best one yet.
Ugh. Once again, struggling to get started on Nanowrimo. It isn't like I have one project struggling to survive at work and three others struggling to get off the ground, or two books to launch, or promotion on two books already out! Excuses, excuses, if I showed my normal graph it would just be blood in the water - I'm doing hundreds of words a day on Camp Nano when I need thousands.
But I also freely admit I'm cheating here. The events of Dakota Frost Book 6 are going to come back later - possibly much later, most likely somewhere in books 10-12 - and I got inspired to write that scene, which I write in the rough draft manuscript for SPIRITUAL GOLD until I decide into which book that scene will land. That inflates the word count of SG a bit ... but it also gives me a very clear outcome to drive towards when I work on the scenes in this book that set up the scenes for that book in the far future...
Onward!
-the Centaur
(No, that ain't the real cover, that's 10 minutes in Photoshop working over a 





