Yeah, you're gonna just have to put me down in the left column there. No offense to Doc Brown's DeLorean, but The Doctor's TARDIS could BE a DeLorean, if it wanted to. If there was a write-in, of course, I'd pick the Clockwork Time Machine, but the Machine is basically a TARDIS with the serial numbers filed off anyway.
Very tired, working on the social navigation benchmarks paper, no more post for you.
-the Centaur
Pictured: Poll seen at a Starbucks while I was waiting on my car to be serviced.
So the new Doctor Who has finished her historic first season, which I found had its ups and downs: episodes like Arachnids in the UK, Kerblam! and The Witchfinders really resonated with me, whereas The Tsuranga Conundrum, The Woman Who Fell to Earth and Rosa really did not. Episodes like Rosa, Arachnids and The Battle of Ranskoor Av Kolos wrestled with great ideas and even reached for greatness at points but had baffling lapses in logic, whereas some of the most iconic images and ideas, like the crane leap and the "I'm the Doctor, sorting out fair play throughout the universe" came from episodes I find myself the least interested in rewatching.
But leave all that aside: from th beginning, this Doctor caused a sharp divide among fans, there's a huge gap between audience and critic ratings, and there's a persistent rumor about this Doctor being a failure because of low ratings. Go out into the blogosphere, and you'll see conspiracy theories of a particular blogger telling his fans to downvote Series 11, and other conspiracy theories by these fans that the viewing numbers of the series are somehow inflated because people just can't possibly be watching it.
I won't dignify conspiracy theories about reviews or ratings: there's a lot of genuine fans unhappy with the new Doctor, and there are millions of people watching it, more in my circle than have ever watched it before. But I can address one question solidly with real data: is Jodie Whittaker's Doctor doing worse in the ratings than the Doctors who came before her?
No, she's not doing worse; she's doing just fine.
Taken from the Wikipedia articles on this series and its predecessors, along with the Doctor Who Guide, I was able to put to rest the conspiracy theories about Jodie Whittaker having some kind of ratings dropoff compared to the other Doctors. Nope. All of the recent Doctors start well, drop off, and rise near the end of the season. Jodie is right on track - in fact, slightly better than average for 11 episodes into the season. True, she hasn't had the insane spikes in ratings that David Tennant and Matt Smith got near the end of their runs, but those were series of highly promoted event specials.
I rather like Jodie Whittaker's Doctor, and I love the emotional arcs of the new series, and Bradley Walsh is so damn good I could probably enjoy watching him watch paint dry, but the stories in the new season need a little work on basic logic and truly threatening monsters. Logic in the new Who was always a bit dodgy, but it's getting worse, and the lack of series-long arcs and recurring monsters is doing the Doctor no favors.
Here's hoping in the 2020 season the Who team keeps doing what they're doing well, while also finding ways to do more of the things that made classic, um, New Who great.
What makes you hang on the edge of your seat? I call that a favorite, and I talk about some of my current faves over at the Speculative Chic blog!
[embed]http://speculativechic.com/2017/12/18/my-favorite-things-with-anthony-francis/[/embed]
Go check it out!
Welcome to the future, ladies and gentlemen. Here in the future, the obscure television shows of my childhood rate an entire section in the local bookstore, which combines books, games, music, movies, and even vinyl records with a coffeehouse and restaurant.
Here in the future, the heretofore unknown secrets of my discipline, artificial intelligence, are now conveniently compiled in compelling textbooks that you can peruse at your leisure over a cup of coffee.
Here in the future, genre television shows play on the monitors of my favorite bar / restaurant, and the servers and I have meaningful conversations about the impact of robotics on the future of labor.
And here in the future, Monty Python has taken over the world.
I'm back at San Diego Comic-Con again ... my con home away from con home (my con home being Dragon*Con). Comic-Con is also where I get to visit with 125,000 of my closest friends.
Like Dragon*Con, San-Diego Comic-Con has grown far beyond its original roots. The
con is about far more than just comics: it's now a full bore genre media event.
They've got sexy space girls ...
... sexy space guys ...
... and everything in between.
And lest there be any doubt about what I meant, here's what I took the closeup of in that last tableau ... I am a roboticist after all:
While I'm here, I'll not just be renewing my creative juices ... I'll be working on the final proofs for BLOOD ROCK, which is due the day after I get back.
If only I had a way to get more time...wait, maybe I do!
Wish me luck!
-the Centaur