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Posts tagged as “We Call It Living”

It’s Official

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After what seems like forever attending as a fan, and at least a decade of being an Eternal Member, it's finally official: I'm a "guest" of Dragon Con:

Anthony Francis

By day, Anthony Francis works on search engines and robots; by night, he writes science fiction and draws comic books. He's the author of the Dakota Frost, Skindancer series including Frost Moon, Blood Rock, and Liquid Fire, and is the co-author of the 24 Hour Comic Day Survival Guide.

Technically I'm an "Attending Professional" as I am at San Diego Comic Con, but at least now I will appear in the program, which will hopefully make it a bit easier to find out where I am supposed to be.

Last year, I was about to head to dinner with a friend and recalled that there was an interesting sounding panel. "Hang on a bit," I said over the phone, "let me see who's on this panel." I checked. I was listed as one of the panelists. I quickly excused myself from dinner and ran down to the Writing Track, about a minute or two before the panel started. "So," I asked, "who's moderating?" All eyes swiveled to me, and I quickly pulled out the program to figure out exactly what I was supposed to be moderating.

It was a great panel. But I like a little warning, and hopefully being a bit more official this year will help.

See you at Dragon Con Labor Day weekend, or if you're in the Bay Area, at Clockwork Alchemy this Memorial Day weekend … if you bring me a copy of LIQUID FIRE, I'll sign it for you. I might even sign other books too. :-)

-Anthony

LIQUID FIRE and TWELVE HOURS LATER

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I think I'll be posting this everywhere for a while … LIQUID FIRE, my third novel, is now available for preorder on Amazon. I talk a bit more about this on the Dakota Frost blog, but after a lot of work with beta readers, editing, and my editor, I'm very proud of this book, which takes Dakota out of her comfort zone in Atlanta and brings her to the San Francisco Bay, where she encounters romance, danger, magic, science, art, mathematics, vampires, werewolves, and the fae. It comes out May 22, but you can preorder it now on Amazon! Go get it! You'll have a blast.

And, almost at the same time, I found out this is coming out on May 22 as well…

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TWELVE HOURS LATER is also available for preorder on Amazon Kindle and CreateSpace. Put together by the Treehouse Writers, TWELVE HOURS LATER is a collection of 24 steampunk stories, one for every hour in the day - many of them in linked pairs, half a day apart … hence "Twelve Hours Later". My two stories in the anthology, "The Hour of the Wolf" and "The Time of Ghosts", feature Jeremiah Willstone, the protagonist of "Steampunk Fairy Chick" in the UnCONventional anthology … and also the protagonist of the forthcoming novel THE CLOCKWORK TIME MACHINE from Bell Bridge Books. (It's also set in the same universe as "The Doorway to Extra Time" from the anthology of the almost identical name).

And, believe it or not, I may have something else coming out soon … stay tuned. :-)

-the Centaur

Hustle and Bustle at the Library

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I've felt quite harried over the past few weeks … and talking with another author, I realized why.

In April, I finally finished my part of Dakota Frost #3, LIQUID FIRE - sending comments to the publisher Bell Bridge Books on the galley proofs, reviewing cover ideas, contributing to the back cover copy, writing blogposts. I also as part of Camp Nanowrimo finished a rough rough draft of Dakota Frost #4, SPECTRAL IRON. But at the same time, I had recently finished a short story, "Vogler's Garden", and have been sending it out to quite a few places.

In May, we expect LIQUID FIRE will be out, I have two stories in the anthology TWELVE HOURS LATER, and I have three guest blog posts coming out, one on "Science is Story: Science, Magic, and the Thin Line Between" on the National Novel Writing Month blog which has gotten some traction. And I'll be speaking at the Clockwork Alchemy conference. Oh, and I'm about to start responding to Bell Bridge's feedback on my fourth novel, THE CLOCKWORK TIME MACHINE.

Holy cow. No wonder I feel so harried! But it's all for a good cause.

-the Centaur

Pictured: a friend at work shattered his monitor and inadvertently made art.

Viiictory the Eleventh

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Woohoo! I just completed Camp Nanowrimo 2015, writing an extra 50,000 words on my novel SPECTRAL IRON! And, for special bonus points, I basically ran out of novel - I finished the end to end rough draft a few days ago, and to get the final few thousand words I had to actually go back through and start fleshing out and polishing! Double woohoo!

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This makes this not just the eleventh time I've finished Nanowrimo, it makes it the first time I've finished a novel during the month. This draft will need a heck of a lot of editing, but it is finished end to end and I had to come up with some very inventive stuff to get it there in the month - which, as always, is the beauty of Nanowrimo.

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As you can see, I spent most of this month in the red, because I started off dealing with nine kinds of crazy. I actually can't remember all the stuff that happened - I remember editing on LIQUID FIRE and nonsense at work and disasters at home and a truly horrific tax situation - or wait, i do remember it all, I just don't want to.

Regardless, I was able to power through in three big chunks, getting close to 3000 words a day most days and 4000 to 5000 words a day when i really cut loose. And some of the things I discovered as I churned forward, cleaning up the plot, took the book from "where is this going" to "I can't do that, can I?" to "O.M.G. that's an AMAZING idea!" which I now love.

Lots to do to clean this up. Can't really show an excerpt - all of this stuff is too near the end of the book. Spoilers.

But still … viiictory.

Now, on to the edits of … THE CLOCKWORK TIME MACHINE! After a nap.

-the Centaur

North, South, East, West … and Wonder

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Has it only been 3 days? Since 1:37AM on Friday morning and now, I've written about 10,000 words. And I'm hoping to get 1,000 to 2,000 more words done tonight - ideally, 3,300 which will put me up to date on Camp Nanowrimo, so I can start to RELAX at last. But it's left me a bit loopy, especially with static at work and from neighbors and with my wife's art show coming up rapidly.

Oh hey, a quick aside on that:


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You all should go to the Color Me Free show by my wife Sandi Billingsley, which starts this Friday at Kaleid Gallery in downtown San Jose - opening reception from 7 to 11, this Friday, May 1st.

Okay, back to procrastinating on these three thousand words. That looniness has been very, very creative! The story is really fleshing itself out in strange and unexpected ways. I quote a discussion with a fellow writer who's helping me research the science of the magic of the faery kingdom. Looking it over … hmm … seems pretty spoiler-free. So here is what I told her:

I discovered something about the fae in the Dakota Frost universe which I totally think you will appreciate because you also design faerie worlds. I can explain to you more the next time I see you on Tuesday [at the Write to the End group], but I figured out where they're from, why they left, how they got here, why they're so weird about names and fates and everything, and even why faerie is strange and pathless!

Ok, the last one I got from that crocheting book [Crocheting Adventures with Hyperbolic Planes]: faerie has hyperbolic geometry ... and hyperbolic geometry cannot be contained in normal three dimensional space. It's like having a map with north, south, east, west and one more direction - the map folds up, wrinkles up like those crocheted hyperbolic planes - and the worst part will be the boundary of the human and faerie worlds, where, forced into a place where it won't fit, it ultimately wrinkles over and starts crossing over itself! Neat, eh?

Well, at least I think it's neat. Faerie has five cardinal directions: North, South, East, West … and Wonder! How inspirational! Onward! Only … a whole normal day's writing ahead of me. Aaa!

Still … onward, into wonder!

-the Centaur

Climbing the Mountain

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I recently was talking with Debra Dixon, my editor for the Dakota Frost series, and we realized that if we wanted SPECTRAL IRON, Dakota Frost #4, to come out next year, we needed to get a final book (from me) in her hands by January to have time to edit it before year was out.

Given that when we had this conversation we had not yet finished LIQUID FIRE (book 3) and I have yet to edit THE CLOCKWORK TIME MACHINE, this caused some understandable panic.

So, rather than keeping to my schedule to work on part 2 of PHANTOM SILVER (book 5) during this April, I decided to bump up my schedule and work on part 3 of SPECTRAL IRON so I'd have a draft done early this year.

I think it's working - the story is coalescing - but as you can see from above, the copyediting and page proofing of LIQUID FIRE ate up a lot of my time to write SPECTRAL IRON.

So I'm scrambling. Probably few blog posts until this month's 50,000 added words are done.

Onward!

-Anthony

Oasis

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One of the roles conferences fulfill in my life is a chance to recharge. I'm driven to pursue writing, art, comics, software, entrepreneurship, publishing, movies - but I was raised to be responsible, so I have an equally demanding day job that pays the bills for all these activities until such time that they can pay for themselves.

Sometimes I describe this as having four jobs - my employment (search engines and robots), writing (primarily the Dakota Frost and Jeremiah Willstone series), comics (mostly related to 24 Hour Comic Day through Blitz Comics), and publishing (Thinking Ink Press, a new niche publisher trying to get awesome things into your hands).

Having four jobs means that you sometimes want to take a break.

That's really difficult if you don't have an excuse. There are literally hundreds of items on my to-do list that I could work on right now, all day and all night. If I finish one, a dozen more are clamoring for my attention - and that's not counting the time I want to spend with my wife, friends, and cats, or the time I need to spend on exercise, bills and laundry.

But a few oases exist.

Layovers in airports are one of those: I deliberately arrange for long layovers, because between plane flights you have nothing else to do other than grab a bite and a drink in an airport restaurant, chill out, and read something. True, I often work on writing during layovers, but it's big-picture stuff, researchy, looking at the picture on a scale larger than I normally do.

Conferences are even better. Whether it's GDC, AAAI, Dragon Con, Comic Con or Clockwork Alchemy, conferences are filled with new information, interesting books, even more interesting people, which spark my imagination - right at the time that I'm in an enforced multi-day or even week-long break from my schedule.

For a long time, conferences have been a great time to pull out the laptop and/or notebook to write or sketch. The idea for the Jeremiah Willstone series started after I saw some great steampunk costumes at Dragon Con; I sold the Dakota Frost series after Nancy Knight saw me writing at Dragon Con and pointed me to my editor Debra Dixon at Bell Bridge Books.

More recently, I've been adding to this the power of ruts. This is something that I need to expand at greater length, but suffice it to say I used to think I simply had to do something different every day, every week, every month. I used to keep lists of restaurants and tried to make sure that I never went to the same one two days in a row, trying new ones periodically.

But then I noticed that I really enjoyed certain things, but didn't always fully take advantage of them because of this strategy - great places to eat, cool coffee houses, and nice bookstores that I simply didn't visit often enough. Often, on top of this strategy, my schedule would change, making it hard to visit them - or worse, they'd go out of business, and those opportunities were lost.

So I've started cultivating habits - ruts - to do the things that I like. Not too frequently - you don't want to burn out on them - but if you do the same thing all the time, then you can be free to miss it any time. Even better, if you find a great thing that's efficient - like a place to eat near work, with a late night coffee house conducive to writing - take advantage of it regularly.

Because one day it may be gone.

At conferences, I employ this strategy with a series of life hacks - go to breakfast before the conference to up your energy level and organize your thoughts, pick the best breakfast place for writing and reading, break for lunch at 11:30 to 11:45 to miss the lunch rush, and also find the best place where there are no lines and concentration can be had.

At GDC, I've found a good set of hotels near the conference, a few good breakfast joints on the walk to the Moscone Center and a few places to eat slightly off the beaten path that are pretty empty just before noon - and I hit these places again and again, pulling out my notebook and tackling problems which are really big picture for me, mostly related to future game projects.

At Dragon Con I do similar things - hitting the Flying Biscuit breakfast joint that appears in Dakota Frost, getting coffee at the Starbucks in the Georgia Tech Bookstore, hitting the Willy's lunch counter that inspired the Jeremiah Willstone story "Steampunk Fairy Chick," et cetera, et cetera; and at each one I pull out the notebook and work on big picture story ideas.

These places are real oases for me: a break within a break, a special place set aside for thinking within a special time already set aside for recharging. Because of how human memory works, sometimes I can even pull out a notebook (or an older notebook), find my place from last year, and pick up where I left off, plotting my future in an oasis of creative contentment.

This, of course, is my strategy, that works for me - but it works so well, I encourage you to find a strategy that works for you too.

-the Centaur

I’m Not Dead

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Seems like I need to post these once in a while … I am, indeed, not dead.

Since finishing National Novel Writing Month last year, I've all but disappeared from this blog. Those who follow Dakota Frost on social media know at least part of the story: I've been working on LIQUID FIRE, Skindancer #3, and have just sent it off to copyedits after several rounds with my editor, Debra Dixon (who helped me make it a much better book).

That's not the only thing going on - I was also working on two stories for an unannounced project in the Jeremiah Willstone universe, desperately trying to finish a novella in the same universe, and working my ass off at the Search Engine That Starts with A G on a new project which I can't talk about at all other than that it's awesome.

Add to that working with Thinking Ink Press on the upcoming release of The Parent's Guide to Perthes, with the Write to the End group on various other projects, with my friend Nathan Vargas on his M-Theory system, and my wife on her art projects, and it's been a hell of a busy time.

But, yes, there were a few rounds of illness: more than one cold from air travel and food poisoning and some general bouts of the blehs - a week-long vacation is a GREAT time to catch up on that illness you've been putting off. A hell of a lot of that has been going around this year - I can think of a probably ten people who were out over the last few months.

I do worry about winter illnesses: my father used to get sick around the end of each year, and we thought it would eventually kill him. But it never did. And he stopped exercising from back pain, heart disease and long before the end. In contrast, I'm fine, healthy, exercising, recently taking in four hours of hiking with my wife in Monterey:

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So, to recap: not dead, just busy.

-the Centaur

The IRONHAND Triathlon

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20140726_232342-MOTION.gif So, it's coming on like a freight train: the IRONHAND Triathlon, the new evolution of 24-Hour Comics Day that Nathan Vargas and I are hosting at the Alternative Press Expo October 4-5. Actually, it came on so fast, and I had to do so much to prepare for it, that when I had a little trouble finishing this blogpost, the actual event came up before I got back to it! 20141004_113223.jpg APE is held at Fort Mason this year, and they gave us a space in the back provided by ComicsPRO, the comics retailer's association. The tables were all right, but once Nathan, my partner in Blitz Comics, arrived and took a look at the scene, he put some thought into it and rearranged the space to make it more inviting. 20141004_121914.jpg The end result is that our yellow tables made an arrow pointing at the Blitz logo, and there was now a central entry space where Nathan could put information designed to guide creators to "drop in" at the event. 20141004_121917.jpg We had seven people signed up for the event, which we marked with nametags. Not all those people showed up, but many did, and we had a sizable table of people tackling at least one leg of the IRONHAND Triathlon. 20141004_121929.jpg The pure 24 Hour Comic Day experience is unbroken - 24 pages in 24 hours, with no preplanning or preparation. But Fort Mason closes at 7, so we had to break up the event into three shifts of 8 hours each, the first at Fort Mason and the two latter ones nearby. But once we split it up, we decided to evolve the event further, and to encourage everyone to just drop in and draw! 20141004_151502_HDR.jpg After some iterations on the signage, Nathan hit on "Creator's Drop In Area" and enough messaging so people knew how to use the space. At the end, we had artists dropping in to draw without us having to explain anything, and I got to kick back at our table and draw and shoot the breeze with Marco of ComicsPRO and with Nathan. 20141004_132345_HDR.jpg The event was a big success, and we then moved to the Sandbox Suites for the latter half of the event. We were a bit worried as we only had two people join for the overnight session (and one of those got lost in a bus snafu) but after a while we started to have more and more people drop in. 20141004_215137.jpg We had the place to ourselves, so creators spread out over a few different rooms. I think we succeeded in creating a creative oasis for our creators, as some who had left earlier made it a point to come back and join us. 20141004_215215.jpg More people joined in the IRONHAND Triathlon remotely, so Nathan is hard at work on the winners certificates, which will have laminated pieces added to them, one for each of the segments of the Triathlon they completed. 20141004_215221.jpg We're still chugging away, with Paxti's pizza about to arrive, so I think I'm going to close this blogpost and get back to it. I may not be doing 24 Hour Comic Day this time - I did it last week - but I want all of our creators to be happy. Excelsior! -Anthony

Eight Years Plus Four

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My wife and I just celebrated 8 years of marriage and 12 years together … we married on almost precisely the fourth anniversary of our first meeting, and it's been a lot of fun!

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I can't tell you how blessed I feel to be married to a beautiful and talented artist. And one who puts up with me and my crazy shenanigans … and encourages them!

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Thank God for our marriage; here's to another 8 times 12 years more …

-the Centaur

P.S. If you're reading this, Boobie … I love you!

Resurrecting Fanu Fiku

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SO, I have this webcomic some of you may know about, f@nu fiku (that's Fanu Fiku, stylized with an @ sign, because aren't I oh so clever :-P). f@nu fiku is about Xiao Dreamweaver, a fifteen year old girl who can travel between all possible combinations of all possible realities … only she doesn't know it yet. What you may or may not know is that this webcomic is cursed.

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Early on working on f@nu fiku, I broke my arm in a karate match, forcing me to use guest artists and rough notebook scans for several months. I blogged that extensively, but what I did NOT blog - because it was too disruptive - was the failure of the computer and theft of the notebooks on which I did f@nu fiku.

Back then, I produced f@nu fiku on this great Windows laptop, but eventually its cooling fan gave up the ghost, and I decided - purely as an experiment - to try out an old Macintosh laptop that I had gotten in a clearance sale, since I already used a Mac at work. Four days in to this new laptop, I attended an art show in San Francisco - and my car was broken into.

Many books were stolen. My personal laptop was stolen. One of my writing notebooks was stolen, including the one with the original outline of the Dakota Frost series. My f@nu fiku sketchbook - in which I created the pages - was stolen. None of this was ever returned, of course, but I retained all the data, I had all the scans, and in theory I could easily have resumed the comic.

Only one problem: the laptop was stolen before I realized I couldn't produce f@nu fiku on the Mac.

I edited f@nu fiku in Corel Painter (a creditable replacement for Adobe Photoshop) and lettered it in Xara (a powerful, but much easier to use version of Adobe Illustrator). Corel Painter exists for the Mac … but Xara does not. At the time, I was completely inexperienced at Adobe Illustrator, and found working on the comic extremely difficult.

What's worse, at the time the Mac's support for Python wasn't so hot. I wrote the f@nu fiku webcomic software myself, but found that it adapted poorly to the Macintosh, requiring a partial rewrite of the image processing layer. I eventually got the software running, but by this point FROST MOON was taking off, and without meaning to, I let f@nu fiku drop.

Fast forward more than half a decade. I'm more committed than ever to Dakota Frost, but I'm also more involved than ever with the comic community - with Blitz Comics on the 24 Hour Comic Day Survival Guide, and with our umbrella organization, Thinking Ink Press. At Comic-Con, I got energized, and decided that I should resurrect f@nu fiku, perhaps even in print form.

At first it seemed impossible. Many originals were gone. Some of the completed art was corrupted. And all of the art was way, way too low resolution to be printed. It was depressing. And in truth, this is the real state I've been for the past few years on f@nu fiku: too depressed about it to come back to it, regardless of how much time I had. And I started to give up hope.

But it is a half a decade later, and I've learned to never give up hope. This was a hard won lesson: when I left the PhD program, I despaired of ever using my degree. Well, it took ten years, but eventually I returned to that work … and now, I'm using those skills more than ever. Over time, I've learned that the more patient and perseverant I become, the more I am rewarded.

So, when I started to lose hope … I really had just forgotten how paranoid I am about backups, and soon found the original scans AND backup copies of the completed art. And I had just forgotten how perseverant I have become, and how much I have changed my thinking about solving problems just like this one. And soon, after a little thought, I found a way to get high resolution images.

As before, I had a spare laptop lying around - this time a Windows 8 machine, that I'd tried as a replacement for the Mac (and quickly discarded for that purpose, though it isn't really bad). And IT will run Xara, and IT could load all my old f@nu fiku files. I don't know whether I'll try to save these as Illustrator files, now that I'm comfortable with it, but regardless, I now have a way.

I almost always find that if you think something's impossible, you're thinking about it the wrong way … and a solution awaits you nearby. I don't have to solve the nearly impossible problem of getting Xara to run on the Mac (I have tried virtual machines, but they were virtually impossible to use) but just the far simpler problem of using Xara on a PC to dump high-res images.

Now, I have almost 60 issues of f@nu fiku backlogged … more than a year's worth, almost ready to go. It will take me some time to get all of them beaten into shape, to rework the fanufiku.com site, to get set up on tapastic and get a posting schedule going. But it will be worth it: it will not only break this creative logjam, it will help me prepare for new comic projects, like Quarry.

So don't give up hope. It's just an excuse - just a way to give yourself license to wallow in self pity and to fall into inaction. Often enough, the files are saved on backup, the original scans are on disk, and there's a laptop laying around somewhere, waiting for the software to be installed on it that will give you the power to resurrect something you thought long dead.

You just have to have a little faith, and work a little harder.

-the Centaur

Pictured: the Windows laptop, with Page 1 of f@nu fiku successfully loaded in Xara.

Answer Them on the Field

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I'm not a big sports fan - my favorite "sports" to participate in are martial arts, my favorite sports to watch are sumo and baseball (though I can watch football with my family in a pinch), and of the real sports I've played, I prefer basketball - perhaps that's because it's the only sport in which I've scored an official goal.

My entire basketball career consisted of two seasons of grade school play, which I only dimly recall. I wasn't a dedicated player - I was in grade school, and hadn't yet learned the value of practice - and in official games I only got on court a handful of times. Actually, I only remember being on court once, but that one time, I got the ball, and took a shot.

I don't remember the outcome of that shot. We were playing, I got the ball, I was in position, I took the shot, the game continued, we all ran to the other side of the court. Reviewing that sequence of events later, it's clear what happened - if you know the rules of basketball - but at the time I didn't think about it. I was told later that I not only got the ball and took the shot, I scored a goal.

That amazes me to this day - I still don't quite believe it, and if one of my old grade school buddies told me that the onlookers were mistaken, I wouldn't be at all surprised. But the onlookers told me that I did score - and if it was my only shot in the only game I played in, I have the weird experience of my crappy basketball career having a field goal percentage of 100%.

But I did play other sports, notably soccer. So at some level I've got the tiniest sliver of interest in the game, which is perhaps why I picked up something from all the World Cup coverage going on - in particular, a story of a black athlete booed by fans in the stands, and his coach telling him to be strong, to show character, and as for the people who were his critics:

We will answer them on the field of play.

I love that sentiment. I took it to mean that there may be people who hate you for who you are, where you are from, or for other things about yourself you cannot change - but you should not answer those criticisms; instead you should focus on conducting yourself at the highest level in your chosen work, and let that performance speak for itself.

I did some digging, and apparently this is an old phrase - I found references to similar phraseology dating back to the late 1800s and early 1900s (back when the word "soccer" was still remembered as a contraction of "AsSOCiation Football"). The closest I could find to an exact quote was the following news article, which is not from the same event, but had the same idea:

We have told the youngster to be strong because we know they (Bosso supporters) are going to boo him. I have told him that playing for Dynamos has always been associated with pressure. I have told him he will be against thousands of supporters and he cannot answer them all by reacting to what they will be saying from the stands. He should just answer them on the field of play. I have told him to be strong, to show character.

This matters for many reasons, but it's particularly relevant to me because of the ideas of people who I care about - some of whom are quite willing to critique others based on features they cannot change, and others of whom have called into question the whole project of focusing on people's important similarities, rather than their obvious differences.

Now, I could take on those criticisms directly, and one day I will - but for now, I'm not. I am willing to discuss ideas, but I don't want to dispute someone's ideas if I haven't taken the time to express the ideas I have of my own. Regardless of the merits of their position, clearly a person who says what they think is doing a better job of communicating than the one who doesn't.

It's hard even to write this article, because there are things I want to communicate that are based on ideas I have that themselves need so much explanation that it would derail everything I'm writing to express them. So I'm going to continue to do what I said I was going to do earlier: rather than arguing, I'm going to be strong, to show character, and express my own ideas clearly.

It's likely that I won't have a 100% field goal percentage in this endeavor. I'm not the Hemingway type, willing to throw 99 pages in the wastebasket to get to that one good page - you can't be a blogger with that attitude. Instead, I believe in working hard, trying frequently, getting your ideas out there, acknowledging your mistakes, learning from them, and moving forward.

As for my - as for our - critics, for the time being, we shall not even acknowledge them. That isn't to say that their criticism isn't important, nor is it even to imply that the criticism is wrong. It is instead to acknowledge that if someone has criticized your behavior, the answer is not to defend yourself - but to instead prove them wrong by example

We shall answer them on the field.

-the Centaur

Pictured: My good friend Nathan Vargas, showing us, his friends, a proof of his competence in his chosen field of play. This will all become much more clear later.

There’s Always a Line

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I'm a regular at many places - restaurants, cafes, bookstores. I'm a regular because I like good ruts - where you find something that works, like going to a good restaurant, with healthy food and clean tables suitable for working on your laptop, and located near your house and next to the bank and pet food store. When I find a good rut, I stick to it, so I hit the same places a lot.

And I'm friendly to the staff at these places, because I admire my father, who could be friendly to anyone, and because I'm a follower of Jesus, and I interpret his teachings to mean that everyone you meet is a person, and is just as valuable a person as you yourself are, and that you should treat them as you wish you should be treated.

So I get to know the staff, and often become friends with them. So while waiting for my food at Aqui Blossom Valley, one of my favorite restaurants (because it has healthy food and clean tables and … oh, heck, it's the one I was talking about above, interpolate that description), I saw one of the staff, a busser turned part-time bartender, and walked over to say hello.

We talked for a while, and I asked if he wanted to become a full-time bartender. He hesitated a moment, then said yes. He said that bartending is faster paced than bussing tables, but unlike bussing, everything you need to do is right there at your workstation. There's no circling the restaurant, then the kitchen, then the storeroom, then the restroom: it's all right there.

Yes, but sometimes the line gets long, I said. And then my eponymous friend behind the counter said something interesting:

There's always a line.

The line at the bar at Aqui can get intense on the evenings and weekends, easily a dozen people deep. But in his training, the bartender said that his trainers warned him that there would always be a line - and that he should do his best to ignore it. They told him to work at his own pace, because if you hurry up to get ahead, you'll screw up and fall behind.

Early on in his training, he said, he would see the line stack up and tried to pick up the pace so he could get ahead. But when he did so, he found himself forgetting ingredients, ending up short, or mixing up the order. On one occasion, his shadow trainer looked at the drink, shook his head, and said "Pour it out and start over."

From then on, he worked at his own pace, focusing on the order at hand, and it's worked better for him.

There's a lot of wisdom here. First, in the staff of Aqui, who train people for their positions, who shadow them to provide advice, and instruct them in how their jobs really work to be efficient, rather than trying to create the perception of efficiency by ordering the staff to rush and then screaming at them when they fall behind, as happens at so many other less successful restaurants.

But I perhaps I paid attention to that lesson because I'm a professional in the software industry - and, in my mind, a professor-in-training, learning how software really works so that one day I can go back to academia and help train the next generation to be better software engineers - and I'm always analyzing workplace environments and what makes them work … or not.

But the lesson that "There's always a line" is more general. You always have a line of tasks stacked up in front of you: each day you need to get up, dress, breathe, drink, eat, excrete, and sleep, and you have a thousand other tasks besides. You never stop wearing clothes or eating or excreting, so you'll always need to make sure you have laundry, good food and toilet paper.

But for any more complex tasks, there's usually a right way and a wrong way to do it. When you're a novice, you may fumble around, but once you become expert, there's a system. You may improve the system, you may try to perfect it - but if you get in a hurry and you skip steps, you can make mistakes, and be far worse off than you started with.

Software is particularly vulnerable to this - mistakes found early in the process, say when you decide what you want, can be easy to fix, just by changing direction. Once a design is started it gets harder to fix mistakes, and even harder when there's code. By the time you get to deployment, the costs skyrocket: according to NASA, mistakes in operation can be 1500 times as expensive.

I guess they would know. NASA lost a third of a billion dollars to a software glitch, when the Mars Climate Orbiter, which had inadequately tested software mixing English System and Metric units, misjudged its altitude - and even though the error was noticed in advance and a team met to discuss it, they skipped the course correction maneuver, causing the Orbiter to crash.

So remember: there will always be a line. Hurrying up to get ahead can lead to mistakes, which can put you behind … or, hey, lead to your fiery death on re-entry, and the ignominious legacy of being used forevermore as a warning and example to others of how not to conduct your business.

So ignore the line, take your time, and get it right.

-the Centaur

Pictured: the bar at Aqui, not yet open ... so not yet having a line. ;-D

Don’t Put Things off Too Long

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Recently I wanted to write a blogpost. A blogger I read put up an interesting article, and I wanted to respond. But I rapidly found that there were so many concepts that I take for granted that the article would be incomprehensible without them. I had four bad choices: go ahead and make the article incomprehensible, make it so long it's unreadable, write many blogposts explaining the ideas, which would make the final post no longer timely, or don't blog it at all.

I went for #4, for now, because I realized something else recently: don't put things off too long. That may seem contradictory, but in the case of the blogpost, I'd already put things off too long, and had lost the opportunity. So rather than scramble to recapture the opportunity, I decided to write about the lesson I'd learned about not putting things off.

I knew this lesson already because I had one friend whose father worked his whole life saving money, but then got too physically sick and mentally enfeebled to enjoy the bounty he'd prepared for his family. Then again, when I moved out of my condominium in Atlanta, another friend pointed out I'd made the classic rookie mistake: renovating the house on the move out to sell it … meaning the new owners got the benefit of the renovations, leaving me having lived there for years in a place I wasn't happy with.

The right time to fix up your place is when you move into it: identify the problems that you have and fix them. If you're going to spend a lot of money fixing up your place, you should enjoy it; don't get suckered into spending a lot of money on renovations in the hope it will raise the price of the house. Unless it's a big bathroom or kitchen remodel, it won't.

There are a lot of reasons me and my wife didn't fix up our place when we moved in, mostly having to do us expecting to move within a few years and that not happening because of the financial crash. We actually started the process of renovation, put up some crown molding and such, but then put it on hold … and the holding pattern continued for seven to eight years.

But, recently, we had the opportunity for me to move closer to work. We considered it, then decided not to. With the money we saved from not moving (down payment on new house, plus megabucks to ship all my junk) we considered renovating the bathroom. The cost for what we wanted was literally triple what we expected, so we decided to hold off on that too.

With the money saved for the move that we hadn't spent, we realized we could easily fix many of the small woes in the house. I won't go into all of them, but we've been systematically updating the house on a small scale - fixing up broken fixtures, replacing older equipment, planting plants, and so on. The most recent expenditure: a new umbrella for the back patio.

That seems like a small thing, but when we bought the house, it had a wooden trellis over the whole back patio, but it was destroyed before we moved in, in a freak rainstorm while the house was being tented for termites. A tree that shaded the patio had to come down because it was destroying the neighbor's fence. So for most of the time we've lived there, the patio has never had adequate shade, and has effectively been unusable, leading me to spend many a day on the front porch.

The front porch is nice, but you should be able to use your patio. When we renovated it, we decided to stay cheap: a free table, cheap but very comfortable made-in-the-USA metal chairs and, rather than plunking a lot on a new trellis, we decided to get a simple fold-away patio umbrella. I put it up, winched it out … and found that the back porch completely changed.

You can see the result up there, but it's hard to describe how it felt. The umbrella, while not seeming so large, actually covers the patio on its shorter length. The patio became inviting again. I had to work from home, so I dragged my laptop outside, sat under the umbrella, and coded while a sequence of cats hopped up into my lap, wanting attention.

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The cost of the whole project was under five hundred dollars, about a quarter of the cost of replacing the trellis.

We could have done this eight years ago.

Congratulations. We just lost eight years of enjoyment we could have had in our back yard because we were indecisive in the name of saving an amount of money which, while not trivial to most people, was in the larger scheme of mortgages and cars and computers and phones and even the trellis project itself, was a mere pittance.

So don't put things off too long, is what I'm saying. You may find yourself having missed out on years of enjoyment, as we did with our back porch, or you may find yourself unable to take advantage of an opportunity, as in the case of my blogpost. Yes, be frugal, be busy, be a good use of your time, but for goodness sake, if you have an idea, execute on it.

You'll thank yourself later.

-the Centaur

Making a Mac Useful, Part 1: Why Are You Hitting Yourself?

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OK. This is going to be a deep dive, and it may take some time: I’m going to review the unbelievable list of tasks necessary to make a Mac OS X system usable for my daily work.

Now, this isn’t particular to Macs, nor even particular to desktop systems. Usually, when I get a new desktop or laptop or tablet or phone, I’m up and running in a few hours - sometimes, a few minutes - but for the next several weeks, I find myself cursing as I realize yet another program or setting hasn’t propagated over to the new machine.

That wouldn’t be much of a problem … except I do most of these tasks when I first get a machine, and I don’t update my machines often. I update phones roughly once a year, and laptops twice every few years - twice, since my work MacBook Pro and my home MacBook Air get refreshed on around the same schedule. While it’s easy to remember to toss a half dozen apps onto a phone and tweak a few settings when you get it, the more complex configuration tasks for a desktop operating system, sometimes involving multiple steps and research, are something that slowly evaporate from my memory over two or three years.

This is the kind of problem that the Chrome OS by Google is designed to solve: a system which ties all your configurations to your account, so if you toss your laptop into a wood chipper, you can get a new one and pick up literally where you left off. Unfortunately, a browser only operating system really doesn’t work for me. I am primarily a producer, not a consumer, and my daily work environment is filled with programs like Word and Excel and Photoshop and Illustrator and Acrobat and Ecto and Python and Bash and J and Aquamacs and Vi and Eclipse and MAMP and Gimp and so on and so forth.

So I’m more than willing to put up with this once or twice every two or three years. Hopefully, by blogging about it, I’ll get a better grip on the process, and so next time, it will be easier.

SO I got me a new Macbook Air with a half-terabyte hard drive, and planned to make this tiny aluminum wedge into my primary computer, replacing both my old MacBook Pro “server” and my MacBook Air mobile writing computer. I began configuring it, writing the list of tasks down, expecting it to take a page or so.

Ha!

That list rapidly spiraled out of control, so I never started that blogpost, even though I got the new MacBook Air configured so well it did indeed become my primary machine. I carry it everywhere, use it for everything - well, almost everything. It was missing only one critical feature: a connected printer - natch, it is a lightweight laptop.

I do have a Canon MX870 multifunction printer-scanner-copier hooked up to my old MacBook Pro, but that MacBook Pro was getting so long in the tooth that I was afraid to turn it on, and when I did so Chrome complained that it couldn’t update because my OS was unsupported and Apple complained that the OS was out of date and my neighbors complained because every time I moved the mouse their TV flickered. So, I decided to bite the bullet and replace it, ultimately with a shiny new iMac.

Which brought me back to this list.

Now that I’m doing this process twice, in close succession, I have the opportunity to find out what’s really necessary, and can see where I’ve missed steps. I’ve broken this list into two parts - one very, very long document in which I am documenting, for my own wordy gratification, ALL the tasks that I have to do to make this new Mac useful to me, and then this series of bite-sized articles, which breaks that apart into small logical chunks. By the time I’m done, I’m guessing there will probably be a dozen articles in this series on Macs alone - not counting setting up Windows boxes, or phones, or the work I’ve had to do on my development environments.

To some, this might seem not just a deep dive, but off the deep end. But there’s a dual method to this madness.

First, having this information on the Internet makes it searchable. Many a time I’ve followed a set of directions related to some computing task and found them nearly useless, and only by piecing together clues from half a dozen different pages online have I been able to, somehow, adapt a solution to the problem. (I have no idea where I might have picked up that problem-solving strategy).

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But often the information is not available at all. Even doing this blogpost on the new computer required doing several tasks which were simply not documented anywhere. That’s a blogpost for another time, but hopefully, putting this information up there will help change that.

The second reason for documenting this so thoroughly is to put, on record, how difficult it is to use even the easiest of the modern desktop computer operating systems (again, excluding Chrome OS, which does not (yet) compete in feature parity with standard desktop operating systems). I’m a computer scientist with a PhD in Artificial Intelligence who currently works with four different operating systems, and I’ve got thirty-five years experience working with dozens of different kinds of computers - and if I have trouble with some of these tasks, what hope does a non-specialist have of fixing their brand new shiny money-burner when it decides to become non-functioning, or, more insidiously, simply fails to work as expected, in some subtle and hard to debug way? As my wife says, there’s no hope: she claims the typical user needs to hire someone to help them out, and that’s why the Geek Squad does so well.

Maybe she’s right. But, I hope by putting some of this information out there, I either help some poor shmoe just like me solve their problem … or convince an operating system designer to start thinking energetically about how to make the problem just go away.

-the Centaur

Next up: why pick a (new) iMac?

It was a good weekend …

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… and not just because I sold 22 copies of my books at Clockwork Alchemy. Though that was a big part of it, the sales themselves aren't what really mattered to me; it was that 22 copies of my books are in people's hands, and they were in people's hands because for the very first time, I had an author's table.

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For the four days that I sat behind that author's table, behind a fort of my books and my postcards and my wife's steampunk gears and shelves and even a small tiger, I became part of a community of people - and not just even the wonderful people at the Clockwork Alchemy author's alley, whom I hope to see again for years and years to come.

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No, I became a part of the broader community of science fiction authors, connecting with their readers through science fiction conventions, the way I myself first really connected with the science fiction community, after many years of reading alone. I've been a published author for years, and written in a small community for longer, but now I feel connected as never before.

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This is a new level of interaction, a new level of connection, a new opportunity for a whole family to create an author's delight by buying their books and holding them over their heads like mouse ears. Somehow, everything feels more real to me, and I am more inspired than ever before to keep writing and to get the ideas in my head out … and into yours.

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I hope we both enjoy it! God bless,

-the Centaur

Sunday’s Events at Clockwork Alchemy

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Today's talk on Real Women of the Victorian Era, led by the redoubtable T.E. MacArthur, went well. In a weird bit of synergy, an audiobook I was reading, Victorian Britain in the Great Courses series, had a section on Florence Nightingale which was not just directly relevant … it played just as I was driving up to the hotel. Perfect.

Tomorrow, Sunday, May 25th, I will be appearing on the panels Avoiding Historical Mistakes at noon in the Monterey Room (it is rumored that Harry Turtledove will be on the panel as well) and Victorian Technology at 2pm in the San Carlos room (not 1 as I said earlier), and giving a solo talk on The Science of Airships at 4pm also at San Carlos.

The rest of the time, I will largely be at my table above, which will look more or less like you see it above, except I may be wearing a different outfit. :-D

-the Centaur

I Have Landed at Clockwork Alchemy

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I have landed at Clockwork Alchemy. (Technically, I arrived yesterday). In 11 minutes, I am appearing on a panel on Real Women in the Victorian Era, even though it is not listed on my personal schedule.

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Oh, and I almost forgot: this is my very first booth of my own!

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More in a bit…

-the Centaur

The Weird Experience of Marketing Yourself

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This Memorial Day weekend, I will be at the Clockwork Alchemy conference, appearing on three panels (Real Women in Victorian Times Saturday at noon, Avoiding Historical Mistakes Sunday at noon, and Victorian Technology, Sunday at 1) and giving one talk (my old standby, The Science of Airships, Sunday at 4).

Since I won't be at my table the whole time, I decided to print up a series of postcards for all of my books using the service at Moo.com, which I and my wife have found to be great for printing customized business cards with a variety of artwork on the cover. I decided to do one for each book, showing the cover on one side and a blurb on the back.

But then I discovered that, just like for the business cards themselves, while you can have many different covers on the front, you get only one choice for the back. So what should go on that single back cover? What should it market? Then I realized: I don't have a book coming out right away. These cards actually have to market … me.

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Ulp.

More precisely, the cards have to market my work. But I'm not a single-series author; I can't (yet) pull a George R. R. Martin and just say "author of Game of Thrones," especially not at a steampunk convention when my most prominent series, Dakota Frost, is actually urban fantasy. "Anthony Francis, author of Dakota Frost - who? Author of what? Ok, fine … but why is he here?"

So I have to list not just one series, but all of them, and not just list them, but say what they're about.

After some thought, I decided to use some of my own comic art that I'd previously used on my business cards as a backdrop, but to focus the content of the cards on my writing, not my comics (sorry, f@nu fiku and Blitz Comics … there just wasn't enough room on the cards or poster), unifying all of my books under a theme of "The Worlds of Anthony Francis". I feel like breaking out in hives when I write that. It sounds so damn aggrandized and pompous. But strictly speaking … it's accurate.

One of my worlds is the fantastic space of the Allied universe, where genetically engineered centaurs hop from world to world like skipping stones in the river (collected in the anthology STRANDED). Another is the hyper-feminist alternate history steampunk adventures of Jeremiah Willstone (collected in the anthologies UnCONventional and DOORWAYS TO EXTRA TIME). And yet another is the world of Dakota Frost, Skindancer, and the magic tattoos she can bring to life (FROST MOON, BLOOD ROCK, and the forthcoming LIQUID FIRE). And I hope you choose to read all of them! Enter the worlds, indeed.

But if I want people to read them, I need to tell people about them, in terms that make people, I dunno, actually want to read the books. Normally it's a publisher who writes that copy, but they're generally marketing a book, not me. I don't yet have a publicist, and even if I did, the entire point of me is to do as many of the tasks of creative production myself as is practical, so I can speak at least quasi-intelligently about the process - case in point, the graphic design of the postcard above, which will be a blog post in its own right. But this isn't about that part of the process; it's about the feeling.

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One thing I've learned is that no-one knows that you write unless you actually tell them about it, and no-one buys what you write unless they know it can be bought. SO I have to do at least the first stab at this all by myself (not counting help from cats). I have to try to summarize my work, to bite the bullet and actually sell it, and to package that sales language up in ways that get it out to people - starting with a series of postcards to put on my table. And oh, yes, to blog it: to finally lift my head far enough above the waters to shout, yes, world, I am here, and no, I don't need a life preserver: I need you to buy some of my books.

It still feels weird saying that.

I guess I'll have to get over it.

-the Centaur

Pictured: the back of the postcards I printed for my table, featuring my own art; me, in a potential author publicity picture; and Gabby, helping me organize my book files and promotional materials.

Victory again, my friends

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SO yet again I've completed a challenge to finish 50,000 words in a month … this time the April Camp Nanowrimo challenge. My goal was to write 50,000 new words in the 4th Dakota Frost book, SPECTRAL IRON … and as of April 30th, I did it:

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Normally I write a lot about how this happened, bla bla bla. But the big thing that happened with this month is that it has gotten me ahead of the game for a change. I've had breaks, of course, in the past year and a half, but no matter how easily I breathed, I always had two almost-finished novels hanging over me (LIQUID FIRE and CLOCKWORK), and chunks of several more half-finished novels waiting in the wings (HEX CODE, SPECTRAL IRON, and MAROONED).

Now both of those books are at the publisher, my editor and I aren't going to talk until after Memorial Day … and I, for once, feel like I'm starting to get caught up.

If you see me wielding a stick, it's to beat off new projects with.

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The last thing I learned is that I can basically write 50,000 words of rough draft material in approximately 20 days, and that's with having serious work responsibilities and personal responsibilities I have to put first. It's a push, but it isn't an impossible push, and that means I can seriously start looking at other projects and start figuring out where to wield that hammer.

First up, the frontispiece for LIQUID FIRE. Then, my upcoming talks at Clockwork Alchemy. Oh, and the next version of Blitz Comic's Survival Guide. Lots of projects … but all were on the plate before. Now I just no longer have a giant sword of Damocles hanging over them; I instead have Thor's hammer, ready to strike.

-the Centaur

UPDATE: actually, first up, was an image for Blitz Comic's Free Comic Book Day Creator's Kit. But that's still Blitz. So it's OK.