
Again from Goldman. Drawing (on average) every day, posting every day that I can.
-the Centaur
Words, Art & Science by Anthony Francis

Again from Goldman. Drawing (on average) every day, posting every day that I can.
-the Centaur

The awards ceremony for the Independent Games Festival (IGF) and the Game Developers Choice Awards (GDCA) are held back to back on Wednesday nights at GDC, and I tend to think of them as "the Game Awards" (not to be confused with the other award ceremony of the same title).
The awards are always a mixture of the carefully scripted and the edgy and political, with plenty of participants calling out the industry layoffs, the war in Gaza, and discrimination in the industry and beyond. But one of those speakers said something very telling - and inspiring.

See that pillar on the right? Few people sit behind it willingly; you can't see the main stage, and can only watch the monitors. But this year's winner of the Ambassador award told the story of his first time in this hall, watching the awards from behind the pillar, wondering if he'd become a "real" game developer.
Well, he did. And won one of the highest awards in his industry.
Who knows, maybe you can too.
-the Centaur
Pictured: Top, the IGF awards. Bottom, the GDCA awards. I don't have a picture of the Ambassador Award winner because I was, like, listening to his speech and stuff.

At the Game Developer's Conference. I hope to have more to say about it (other than it's the best place to learn about game development, and has the awesome AI Summit and AI Roundtable events where you can specifically learn about Game AI and meet Game AI experts) but for now, this blogpost is to say, (a) I'm here, and (b), I'm creating some buffer so tomorrow I can write more thoughtfully.

Yeah, there are a few people here. And this isn't the half of it: it gets really big Wednesday.
Blogging every day.
-the Centaur

Still more sketches, this time based on Wizard: How to Draw. Being methodical sometimes leaves me feeling goofy, but the step-by-step approach is creating much more confidence once I go through it.
Drawing (on average) every day.
-the Centaur

More hand practice from Goldman. Drawing every day.
-the Centaur

When you need to solve a problem, it's generally too late to learn how to solve the problem.
Contra Iron Man's assertion "I learned that last night," it's simply not possible to become an expert in thermonuclear astrophysics overnight. (In all fairness to Tony Stark, he was being snarky back to someone mocking him, when he was the only one in the room who read the briefing packet). The superintelligence of characters like Tony Stark and Reed Richards are some of the most preposterous superpowers in the Marvel Universe, because they're simply impossible to achieve: even if you ignore the fact that we can only process like 100 bits per second - and remember around 1 bit per second - and learn things in the zone of proximal development near things we already know - there's too much information in a subject like astrophysics to absorb it in the few hours of effective concentration that one could muster for a single night. Take an area I know well: artificial intelligence. A popular treatment of AI, like Melanie Mitchell's Artificial Intelligence, a Guide for Thinking Humans, is a nine hour audiobook, and drilling into a subarea is fractally just as large (a popular overview of deep learning, 8 hours - The Deep Learning Revolution; a technical overview of robotics, 1600 pages - The Springer Handbook of Robotics; and so on). You just can't learn it overnight.
So how do you solve unprecedented problems when they arrive?
You learn ahead.
If you truly need to learn something esoteric to save the world, like thermonuclear astrophysics or the correct sequence of operators for the UNIX tar command, then it's too late and you're fucked. But if you have a hint of what your future problems might be - like knowing you may need to try a generative deep learning model to help solve a learning problem you're working on - then you can read ahead on that problem before it arises. You may or may not need any specific skill that you train ahead on, but if you've got a good idea of the possibilities, you may have time to cover the bases.
Case in point: I'm working on a cover design for The Neurodiversiverse, and we're going to have to dig into font choices soon. Even though I've been doing cover design for about ten years, graphic design for about thirty years, and art for about forty-five, this is calling for a level of expertise beyond my previous accomplishments, and I'm having to stretch. When we go into the Typographidome, it will be too late to learn the features that I need to pay attention to, so I'm reading ahead by working through the third edition of Thinking With Type, which is illuminating for me all sorts of design choices that previous books simply did not give me the tools to understand. I may not need all the information in that book, but it's already given me some tools that help me understand the differences between potential font choices.
Alternately, you can work ahead.
If learning it per se isn't the problem, you may be able to do pre-work that helps you solve it. Practice, if the problem is skill or conceptual variation; or contingency planning, if the problem is potential blockers. You can't practice or plan for everything, but, again, you can cover many of the bases.
The other case in point: this entire blog post is a sneaky way to extend my blog buffer, using an idea I've already thought of to give me one more day ahead in the queue, leaving me adequate time and effort set aside to work on the series of posts that I plan to run next week. I don't know what's going to happen as I go into this interesting week of events ... but I already know that I'm going to be crunched for time, and so if I complete my "blogging every day" series ahead of time, then I can focus next week on what I need to do, instead of scrambling every day to do a task that will detract from what I need to do in that day.
So: learn ahead, and work ahead. It can save you a lot of time and effort - and avert failures - later.
-the Centaur
Pictured: a bit of Thinking with Type, Third Edition.

On the other end of the health food spectrum, we present this lovely tomahawk steak, from Chophouse 47 in Greenville. They don't even normally serve this - it was a special - but it came out extremely well (well as in excellent, not well as in well done; I had it medium rare, as it should be). And it was delicious.
Even though I can't eat them very often, I love tomahawks, as they're visually stunning and generally have the best cooked meat of any steak cut that I know.
Also, you can defend yourself from muggers with the bone.
-the Centaur
Pictured: um, I said it already, a tomahawk steak from Chophouse 47.

So the proportions of this superhero (Nightwing?) aren't too far off what they were in "Wizard: How to Draw", but a much better artist can make this level of stylization look much better than I can.

Drawing every day.
-the Centaur

Again from Goldman. Drawing every day.
-the Centaur

Thanks, mold, for making me suspicious of every new pummelo, no matter how fresh and delicious. When I have actually gotten sick off a food, sometimes I develop a lifelong aversion to it - like chili burgers, lemon bars, and pump-flavored sodas, the three things I remember eating before my worst episode of food poisoning. However, apparently finding something rotten just as you eat it is a close second.
Sigh. Here's hoping this fades.
-the Centaur
Pictured: a tasty and delicious pummelo, but even so, I can't look at them the same. Is there an evil demon face embedded in that, thanks to pareidolia?

A couple of conceptual sketches for a planned illustration for my story "Shadows of Titanium Rain." Not very intelligible at this stage, but this is a stage I need to get comfortable at so I am not simply drawing and hoping it turns out, but planning my drawing for it to become a success.
Drawing at a rate of once daily, posting every day.
-the Centaur

Hey, man. Back off. I did not consent to be photographed. Geez, Louise.
As it turns out, a pair of male turkeys gobbling at each other on your front doorstep sounds a lot like two small barking dogs yapping at each other, at least when heard through the glass.
-the Centaur
Pictured: Two formerly gobbling turkeys, having noticed me trying to take a picture, hightailing it.

Cats supposedly have brains the size of a large walnut, and are not supposed to be intelligent according to traditional anthropofallicists. But there's something weird about how Loki remains perfectly still ... right up until the point where you want to take a picture, at which point he'll roll over. Or how he'll pester you, right until you're done with a task, but when you are done and can attend to him, he'll walk away.
Almost like there's something devious going on in that aloof,yet needy little brain, some thought process like, I want you to pay attention to me, but I don't want you to think that I need it.
-the Centaur
Pictured: Loki, who looked just like a sphinx, until I pulled out my camera and he immediately rolled over.

Recreating front matter sketches from "Wizard: How to Draw". I like the inking technique they used on the toothy monkey-zombie dude in the bottom left, though it's hard to recreate with my portable art kit.
Drawing every day.
-the Centaur

Damn you, Google Spotlight: it's a nice-sounding feature to pop up images from the past, but there's always the chance that the person or thing you pop up will be gone, and you didn't think of that, did you?
I miss you, little guy.
-the Centaur
Pictured: Gabby. No offense to any other animal I've ever owned, but Gabby was my favorite pet.

Geez, hands are complicated, man. More Goldman studies.
Drawing every day.
-the Centaur

More from the Wizard Basic Training How to Draw book. It surprises me how much I got out of doing the stick-man and outline sketches - they showed me limits of my existing practice (and conversely, how much I've progressed in other areas, like hand shape and arm length). Still, a lot of work to do.
Also, some superhero costumes REALLY look like lingerie in disguise. Just sayin'.
Drawing every day.
-the Centaur
At last! Thanks to Bing, I found an online calculator whose numbers confirm the calculation I did on my own for the interplanetary distances from my story "Shadows of Titanium Rain"!

[ from https://www.vcalc.com/wiki/l1-l2-lagrange-points based on data from https://en.wikipedia.org/wiki/WASP-121 ]
This is VERY close to the numbers I got from doing this in Mathematica based on the equations from (as I recall) the NASA page https://map.gsfc.nasa.gov/ContentMedia/lagrange.pdf :

AND, despite a good bit of reading [ https://www.amazon.com/Orbital-Mechanics-Foundation-Richard-Madonna/dp/0894640100 , https://www.routledge.com/Orbital-Motion/Roy/p/book/9781138406285 ] I was not able to find a ready source which gave me a simple formula without solving a bunch of equations.
But the calculator gave the same result that I got earlier on my own.
SO! Failaka is a quarter million kilometers from Tylos.
That's my story and I'm sticking to it.
-the Centaur

I can't tell you how frustrating it is for Present Anthony for Past Anthony to have set up a single place where all tax forms should go during the year, except for Past Anthony to not have used that system for the one paper form that cannot be replaced by looking it up online.
I'm sure it's here somewhere.
-the Centaur
Pictured: I have been working on taxes, so please enjoy this picture of a cat.

More Goldman studies. Drawing every day.
-the Centaur